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              <description>A name given to the resource</description>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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                  <text>Cork Film Festival Collection</text>
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                  <text>University College Cork</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>193 x 246mm</text>
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                <text>George McSweeney at the piano</text>
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                <text>Cork Film Festival, George McSweeney, George McSwiney</text>
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                <text>This black and white photo shows a formally dressed George McSweeney (or McSwiney) sitting at the piano of the Cork City Hall in a photo marked ‘60s or 70s’. It might be the 1970s as we have an archive photo of an award presentation that was organised by McSweeney in 1976. The back of this photo also mentions that McSweeney was the Head of the Dental Department at the time.</text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/424"&gt;David Hemmings and others at the City Hall&lt;/a&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>George McSweeney</name>
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                  <text>Photographs </text>
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              <description>An account of the resource</description>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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            <element elementId="39">
              <name>Creator</name>
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                  <text>University College Cork</text>
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                  <text>Cork Film Festival Collection</text>
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              <name>Date</name>
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                  <text>1956-</text>
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              <name>Coverage</name>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>251 x 199mm</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Liam O'Leary with Cyril Cusack and others</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Liam O'Leary, Cyril Cusack , Dick Beamish, Irish Film Institute, Archive, Ashbourne House</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>This is a black and white photo of the Irish actor Cyril Cusack holding court with the archivist Liam O’Leary and others. The small group is at a drinks reception on the grounds of Ashbourne House in Glounthaune, Cork, during the 1970s. The photo, which is water-damaged, also includes Dick Beamish, his unidentified colleague, and Jack Mahoney. &lt;br /&gt;&lt;br /&gt;Liam O’Leary, on the far left of the photo turned towards Cusack, was born in 1910 in Youghal, County Cork. He was many things in life including film historian, filmmaker, author, actor, and founder of the Irish Film Society. And, perhaps most importantly for Ireland, he was an archivist. O’Leary was an acquisitions officer for the National Film Archive in London until 1966 when he returned to Ireland to work as a Film Acceptance Viewer for Radio Telefis Éireann. His love for the cinema was profound and he established the Liam O’Leary Archive to rescue Irish film-related objects, stories, and ephemera. He was the driving force behind the Irish Film Archive and his film collection is preserved there. (Kevin Brownlow, Obituary: Liam O’Leary, &lt;em&gt;Independent&lt;/em&gt;, 18.12.1992.)&lt;br /&gt;&lt;br /&gt;In 1986 the Liam O’Leary Archive was donated to the National Library of Ireland where it is now preserved. This archive of materials also includes correspondence, programme information, and newspaper clippings relating to the Cork International Film Festival and can be viewed in Special Collections of the National Library of Ireland.</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>University College Cork</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cork, Ireland</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English, eng</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14146">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Cyril Cusack</name>
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        <name>Dick Beamish</name>
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      <tag tagId="510">
        <name>Garden Party</name>
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      <tag tagId="887">
        <name>Liam O Laoghaire</name>
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        <name>Liam O'Leary</name>
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              <description>A name given to the resource</description>
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                  <text>Photographs </text>
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              <description>An account of the resource</description>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="37">
                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <text>251 x 203mm</text>
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                <text>Australian actor Nick Tate and Elaine Stevens</text>
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                <text>This is a black and white photo of the German actor Hannelore Elsner, wearing a heart-patterned dress, looking up at the camera smiling. Elsner’s long-standing career ended only with her death in 2019, age 77. In the early 1970s Elsner appeared in &lt;em&gt;The Stuff That Dreams are Made Of&lt;/em&gt; (Alfred Vohrer, 1972) and the German drama film &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with the German actor Ferdy Mayne, who also came to the Cork Film Festival in 1972.&lt;br /&gt;&lt;br /&gt;Elsner is best remembered in Germany for playing the title role of Inspector Lea Sommer, in a long-running German TV series &lt;em&gt;Die Kommissarin&lt;/em&gt; (&lt;em&gt;The Inspector&lt;/em&gt;) which ran from 1994 to 2006. She also played the lead role in the highly acclaimed black-and-white film &lt;em&gt;Die Unberührbare&lt;/em&gt; (&lt;em&gt;No Place to Go&lt;/em&gt;) (Oskar Roehler, 2000) based on the life of novelist Gisela Elstner, the mother of the director. The film went to the Cannes Film Festival and won Elsner the &lt;em&gt;Deutscher Filmpreis&lt;/em&gt; (German Film Award) for Best Actress. In his review, &lt;em&gt;The New York Times&lt;/em&gt; critic, A.O. Scott, notes that Elsner “holds the screen with the intensity of a silent-film goddess.” (Melissa Eddy, ‘Hannelore Elsner, Compelling German actor, is dead at 76,’ &lt;em&gt;The New York Times&lt;/em&gt;, 10.05.2019.)</text>
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                <text>This is a black and white photo of the singer Helen Shapiro in conversation with the actor Ferdy Mayne and festival director Dermot Breen. They are probably at the Harp Lager-sponsored festival club and, as with the convivial crowd around them, they drink and chat, cigarette in hand.&lt;br /&gt;&lt;br /&gt;Helen Shapiro, in a white blouse and embroidered top accessorised with a festival ribbon, was a singing sensation in her day. Born in East London in 1946, she was a British singer whose repertoire included the blues, jazz, gospel and pop music. By the age of 15 she was England’s top recording star with &lt;em&gt;You Don’t Know&lt;/em&gt; and &lt;em&gt;Walking Back to Happiness&lt;/em&gt; earning her two gold discs. She toured and performed with the Beatles; John Lennon and Paul McCartney wrote the song &lt;em&gt;Misery&lt;/em&gt; for her but her then-management refused to let her record it. Shapiro’s film career was brief and she played herself in &lt;em&gt;Play It Cool&lt;/em&gt; (Michael Winner,1962) and the lead female role in &lt;em&gt;Its Trad, Dad!&lt;/em&gt; directed by Richard Lester (1962) who went on to direct the Beatles’ film &lt;em&gt;Hard Day’s Night&lt;/em&gt; (1964). Her stage career includes the West End play &lt;em&gt;Oliver&lt;/em&gt; by Lionel Bart and the part of Sally Bowles in &lt;em&gt;Cabaret&lt;/em&gt;. Later she toured with the British jazz trumpeter Humphrey Lyttelton and his band between 1984 and 2001, as well as touring with her one-woman show &lt;em&gt;Simply Shapiro&lt;/em&gt;. Shapiro published her autobiography &lt;em&gt;Walking Back to Happiness&lt;/em&gt; in 1993.&lt;br /&gt;&lt;br /&gt;Ferdy Mayne, on the right, cigar in hand, faces Breen as they chat. A festival ribbon is pinned to the left lapel of his jacket. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate; &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968); and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). &lt;br /&gt;&lt;br /&gt;Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to Cork around the same time as this photo. (While this photo is marked 1970 it is possibly 1972 based on other items in the archive.) His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease. (Tom Vallance, 'Obituary: Ferdy Mayne', &lt;em&gt;The Independent&lt;/em&gt;, 04.02.1998.)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the festival director Dermot Breen with the artist and journalist Frank Sanquest and the politician, and former Lord Mayor of Cork, Gus Healy. &lt;br /&gt;&lt;br /&gt;Gus Healy, seated on the far left, was an Irish Fianna Fáil politician who would later serve Cork as Lord Mayor from 1964 to 1965 and 1975 to 1976. He is seated next to the artist Frank Sanquest, in half-rimmed spectacles and wearing his trade-mark dickie bow. Sanquest (1912-2008) was a Cork-born artist who worked for many years as resident set-designer for the Cork Opera House before it burnt down in 1954. He was on the board of the Southern Theatre Group with Dan Donovan and James N. Healy; they often toured with John B Keane plays, starring the Cork actor Michael Twomey who also came to the Cork Film Festival. From 1940 to 1987 Sanquest worked as the Arts Editor for the &lt;em&gt;Cork Examiner&amp;nbsp;&lt;/em&gt;and would attend festival press conferences for the paper.</text>
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                <text>1970&#13;
Cork, Ireland</text>
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              <elementText elementTextId="12608">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the festival director, Dermot Breen, in conversation with the artist and journalist Frank Sanquest.&lt;br /&gt;&lt;br /&gt;Breen, with a cigarette in hand, was a colleague of Sanquest for many years – they would have come across each other in Cork through their involvement with the theatre. For example, when the Cork Opera House burnt down in 1954 the Palace theatre, then managed by Dermot Breen, stepped in offering its stage to the Cork Operatic Society. Sanquest was then set-designer for the Cork Opera House and the Cork Operatic Society. By the late fifties Breen gave up managing the theatre in order to run the film festival and his job at the Palace was taken over by Dan Donovan. &lt;br /&gt;&lt;br /&gt;Frank Sanquest was also a journalist for the then &lt;em&gt;Cork Examiner&lt;/em&gt; and worked as its arts editor from 1940 to 1987. He was the father of five children with his wife Rose, including the artist Kevin Sanquest and the writer Rosalind (Roz) Crowley. In 2009 Kevin Sanquest created a national portrait collection in Fota House, Carrigtwohill, Cork, titled &lt;em&gt;Inheritance – Honouring the Cork Legacy&lt;/em&gt;; he passed away in 2013. Interestingly Kevin Sanquest was the first manager of the Cork music legend Rory Gallagher and the band &lt;em&gt;Taste&lt;/em&gt;. His sister, the journalist and author Roz Crowley, refers to the legacy of Rory Gallagher in her book &lt;em&gt;Macroom Mountain Dew – Memories of Ireland’s First Rock Festival&lt;/em&gt; (OnStream Publications Ltd., 2016). (‘Frank Sanquest obituary: All-round artist with a love for the theatre,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 12.01.2008; Vera Ryan, &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt;, The Collins Press, 2008; Barry Roche, ‘Book marks 40th year of Macroom Mountain Dew Festival,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.06.2016.)</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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                <text>Cork, Ireland</text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dermot Breen</name>
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        <name>Frank Sanquest</name>
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        <name>Kevin Sanquest</name>
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        <name>Rory Gallagher</name>
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        <name>Roz Crowley</name>
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