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                <text>Robin O'Sullivan and Dan Donovan with actor George Baker and others</text>
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                <text>Donal Sheehan</text>
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                <text>1972&#13;
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                <text>This is a black and white photo of festival committee members Robin O’Sullivan and Dan Donovan with the English actor George Baker and unidentified colleagues. O’Sullivan, on the left of the photo stands in between a festival attendee identified as Ida and an unidentified guest holding a large bouquet of flowers. George Baker, in a striped shirt and tie, stands on the right next to Dan Donovan on the far right. &lt;br /&gt;&lt;br /&gt;While this photo is dated 1970s we might suggest it is 1972 from the glimpse of the festival brochure in Dan Donovan’s pocket. Donovan (1926-2008) was a founding member of Cork’s Everyman Theatre and Cork’s cultural legacy owes much to his passion and love of the arts. He was a board director of the Cork Choral Festival as well as the Cork Film Festival. His colleague on the left of this photo, Robin O’Sullivan, was also a stalwart film festival committee member who went on to become its director in the late seventies following the unexpected death of festival founder Dermot Breen. He ran it during a difficult time for the festival before handing over the reins to Mick Hannigan and Theo Dorgan in 1985. &lt;br /&gt;&lt;br /&gt;The English actor and writer George Baker (1931-2011) was a star of cinema, stage, and television. He famously had an affair with the French actor Brigitte Bardot whilst married to the first of his three wives. However he is remembered by most for his role as Inspector Wexford in the successful Ruth Rendall crime drama television series &lt;em&gt;The Ruth Rendell Mysteries&lt;/em&gt; (1987-2000). Baker has extensive television and film credits including &lt;em&gt;The Dam Busters&lt;/em&gt; (Michael Anderson, 1955), &lt;em&gt;Goodbye, Mr Chips&lt;/em&gt; (Herbert Ross, 1969) starring Peter O’Toole and Petula Clark, and &lt;em&gt;The Spy Who Loved Me&lt;/em&gt; (Lewis Gilbert, 1977) with Roger Moore. Around the time of this photo he had completed &lt;em&gt;The Executioner&lt;/em&gt; (Sam Wanamaker, 1970) starring Judy Geeson who also came to the Cork festival in the seventies. Baker briefly ran a successful regional theatre company during the late sixties and early seventies bringing his tour of Terence Rattigan’s &lt;em&gt;The Sleeping Prince&lt;/em&gt; (1968) and Christopher Fry’s &lt;em&gt;The Lady’s Not for Burning&lt;/em&gt; (1971) to the West End.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Irish director Norman Cohen with Dermot Breen</text>
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                <text>Cork Film Festival, Norman Cohen, Dermot Breen, Greg Smith, Lynda Bellingham, Linda Hayden, Pamela Stephenson, James Mason, Brendan Behan, Carolyn Swift</text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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                <text>1970</text>
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                <text>1970&#13;
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                <text>This is a black and white photo of the Dublin-born film director and producer Norman Cohen shaking hands with the festival director Dermot Breen. A bearded Cohen, wearing a light-coloured utility jacket, is smiling as he chats with Breen. While there are few images of Norman Cohen in the archive, his fingerprints stretch into the archive via the producer Greg Smith, the actors James Mason, Lynda Bellingham, Linda Hayden, and Pamela Stephenson – all of whom were in Cork during the early 1970s. &lt;br /&gt;&lt;br /&gt;Norman Cohen’s legacy is tied up with a series of risqué X-certificate rated comedies that he worked on such as &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (1975) and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) starring Bellingham and Hayden both of whom are in the archive. He also produced and directed &lt;em&gt;The London Nobody Knows&lt;/em&gt; (1967) with James Mason, Spike Milligan’s &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (1977), based on the book by Leslie Thomas, and starring Bellingham and Stephenson. Around the time of this picture he had directed &lt;em&gt;Dad’s Army&lt;/em&gt; in 1971 based on the popular BBC sitcom of the same name. &lt;br /&gt;&lt;br /&gt;Cohen's production of &lt;em&gt;Brendan Behan’s Dublin&lt;/em&gt; (1966), sometimes misattributed to the BBC, was made by his production company Norcon with the producer Greg Smith – who produced many of his pictures. Written by the Irish director, actor and writer Carolyn Swift, the twenty-nine minute film was narrated by Ray McAnally as Behan, and the soundtrack was supplied by The Dubliners. It was first shown at the Cork Film Festival in September 1966 supporting the MGM film &lt;em&gt;Woman Without a Face&lt;/em&gt; (also known as &lt;em&gt;Mister Buddwing&lt;/em&gt;) (Delbert Mann, 1966), starring Jean Simmons and James Garner. Cohen died of a heart attack, in 1983, in Van Nuys, California. (&lt;em&gt;Irish Times&lt;/em&gt; letter: Carolyn Swift, Brendan Behan’s Dublin, &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.05.1999.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/312"&gt;President Hillery with Lord Mayor Seán French&lt;/a&gt;</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Army Band at Gala Event</text>
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                <text>This is a black and white photo of the Army Band taken at a festival gala event in the 1970s. They are shown from the top in the flower-decorated orchestra pit of the City Hall. The unidentified conductor stands at the podium - head lowered as he conducts.</text>
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                <text>Donal Sheehan</text>
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            <elementTextContainer>
              <elementText elementTextId="4566">
                <text>Photo&#13;
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              </elementText>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1970&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12654">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Sheamus Smith, Bill O'Herlihy and Roy Disney at a press conference</text>
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                <text>This is a black and white photo of a press briefing with Sheamus Smith, Bill O’Herlihy and Disney representative whom we have provisionally identified as Roy Disney. Smith and O’Herlihy are turned towards Disney listening to him as he speaks. Behind them we notice part of a sign advertising the Cork International Film Festival. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, on the left in a leather jacket, started his career as a photojournalist for the now defunct Dublin paper &lt;em&gt;Evening Press&lt;/em&gt; before moving to Canada to study film and television. He returned to Ireland in 1961 to join the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) starting as a cameraman before becoming a producer and director with the station in 1963. Later he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). &lt;br /&gt;&lt;br /&gt;Sitting in the middle is the Cork-born RTÉ television broadcaster and Irish Film Board Chairman Bill O’Herlihy (1938-2015). He grew up in Glasheen in Cork and attended Glasheen Boys' national school, and St Finbarr’s College in Farranferris, leaving school at fifteen to join the &lt;em&gt;Cork Examiner&lt;/em&gt; before working for RTÉ. He would become a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. O’Herlihy was a keen cinephile and brought this to his work at the film board. O’Herlihy promoted the film industry and in particular was keen to develop filming in rural Ireland; he worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)&lt;br /&gt;&lt;br /&gt;Roy Disney, on the far right, cigar in hand, was the nephew of the late Walt Disney and a senior executive of the Walt Disney Company. Born in 1930 in California, he worked all his life for Walt Disney Productions and made a significant impact on its direction, striving to keep it from being split up by fellow Disney executives. Disney became an adopted native of Cork when he purchased Coolmain Castle near Killbrittan, Cork in the early 1990s and, being a keen sailor, was a regular visitor to Cork race week before his death in 2009.</text>
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                <text>This is a black and white photo of the sculptor Séamus Murphy and his daughter, Bebhinn Marten, in conversation with the Cork politician Peter Barry. The convivial group is dressed formally, and Marten, wearing a flower-decorated light-coloured dress, is looking up to Barry who is smoking. A whorl of smoke rises up through the air, crowning Barry, who is turned towards Marten as he listens to her. The picture is provisionally dated ‘1970s’ and would have been taken a few years before Murphy’s death in 1975. &lt;br /&gt;&lt;br /&gt;We have a particular affection for Seamus Murphy in the archive as he designed the St Finbarr statuette which was handed out as a film festival award for many years. Murphy was an Irish sculptor and stone carver with a studio based at Watercourse Road, in Blackpool, Cork. He was inspired by the writer Daniel Corkery, a teacher at his school, to attend the Cork Crawford School of Art. After receiving a scholarship he later went to Paris to study under the Irish-American sculptor Andrew O’Connor before returning to Cork and opening up his studio. Murphy was commissioned to design the Church of the Annunciation, in Blackpool, Cork, as well a number of unique carvings of statues, gravestones, and monuments around the City and beyond. Many examples of his work can be seen in the cemetery of St Finn Barre’s Cathedral especially in ‘Musicians’ Corner.’ A favourite City monument is his limestone drinking trough for dogs – tucked away at the top of Patrick’s Street under a now empty shopfront at number 121. It is marked &lt;em&gt;Madraí&lt;/em&gt; – the Irish word for dogs. A short documentary about Seamus Murphy, &lt;a href="https://ifiplayer.ie/the-silent-art/"&gt;The Silent Art &lt;/a&gt;(1958) by Louis Marcus, premiered at the festival in 1959.&lt;br /&gt;&lt;br /&gt;Murphy was married to Maigread, who was a founder of the Cork Arts Society and the Cork Film Society. She was a gifted artist in her own right and designed the well-known Paddy Irish Whisky logo. They met at the Cork Crawford School of Art and went on to have three children, the novelist Orla Murphy, the musician Colm Murphy, and the designer Bebhinn Marten who we see in this picture talking to Peter Barry. &lt;br /&gt;&lt;br /&gt;Bebhinn Marten is a knitwear designer based in Baltimore, Cork. Her company, Beacon Designs, developed during the 1970s, was one of the few knitwear companies designing and manufacturing in Ireland. However, due to the decline in the Irish woolen industry, the knitwear factory shut down and she converted the factory into a home. (Kieran McCarthy, &lt;em&gt;Secret Cork&lt;/em&gt;, Amberley Press, 2017; Mary Leland, 'Making a new home from an old factory by the sea in West Cork', &lt;em&gt;The Irish Times&lt;/em&gt;, 17.02.2018.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the former festival director, Mick Hannigan, reading from a makeshift podium in front of the Long Valley Bar on Winthrop Street in Cork. To the right, leaning against the wall of the arched lobby, we note the distinctive profile of an androgynous glam-rock devotee, dressed in a brass-buttoned jacket, typical of the early 1970s when this picture was taken. The Long Valley hosts a weekly poetry event called Ó Bhéal (word of mouth) in its Hayloft Bar. So the presence of the former film festival director reading poetry from the rostrum, decorated with a poster marked &lt;em&gt;Poetry “Live” All Day&lt;/em&gt;, might not seem incongruous to Corkonians familiar with the bohemian bent of the Long Valley. &lt;br /&gt;&lt;br /&gt;Also known as Moynihan’s Long Valley Bar, the Long Valley opened its doors in 1842. It was run for many years by Mr (Humphrey) Moynihan and Mrs (Rita) Moynihan before being taken over by their son Peader Moynihan who runs it in the same fashion as his parents, and his grandfather John Moynihan before them. It is one of the few bars in Cork that retains a snug, just inside the doors on the left, where the etched windows throw light onto the large table that was once the property of the American Embassy in Dublin. Further into the main bar, the hand-crafted tables include a singular large circular table that you’d be lucky to bag on a busy December day. In his article on the Long Valley, Dan Hickey tells us that it came from the &lt;em&gt;Celtic&lt;/em&gt;, a White Star Line ship that ran aground off Roche’s Point near Cork Harbour in December 1928. Many patrons have sat around these historic tables with a Long Valley pint and an iconic doorstep sandwich. And, as the poet and former film festival organiser, Theo Dorgan notes: “It would take a strong man in the full of his health, with the help of three small children, to munch through their mouth-watering sandwiches.” &lt;br /&gt;&lt;br /&gt;A sculpted bust of the troubled Irish composer, Frederick May (1911-1985), by the Cork-born sculptor Séamus Murphy, sits amongst the artworks on display in the Long Valley, and we note its presence because Murphy designed the St Finbarr statuette which was handed out to award winners in the early decades of the film festival. (Dan Buckley, ‘The Long Valley: A pub with a history as long as its bar counter’, &lt;em&gt;Irish Examiner&lt;/em&gt;, 26.12.2017.)</text>
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              <elementText elementTextId="14048">
                <text>&lt;p&gt;©MacGill News. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the celebrated Cork-born poet Theo Dorgan, on the left in a leather jacket, with an unidentified companion. They are both looking down at the programme for the 31st Cork International Film Festival which took place in 1986 (and helps us date this photo). Dorgan had just taken over the film festival that year, along with Mick Hannigan, and this photo might be from the launch of that years’ festival. &lt;br /&gt;&lt;br /&gt;Dorgan’s name, together with Hannigan, is intrinsically tied up with the film festival in the mid-eighties and beyond. They took it on together in 1986 after the resignation of the then-director Robin O’Sullivan, who had gamely run it for some years following the unexpected death of festival founder Dermot Breen in 1978. Dorgan and Hannigan ran the festival together until 1989, when Dorgan moved on following his appointment as director of Poetry Ireland.&lt;br /&gt;&lt;br /&gt;Dorgan, a graduate of University College Cork - where he also taught - is a member of the Irish arts organisation Aosdána and was an appointee of the Arts Council from 2003 to 2008. His most recent work includes &lt;em&gt;Liberty Walks Naked&lt;/em&gt; (from the French of Maram al-Masri) (Southword Editions, Cork, 2017), &lt;em&gt;Orpheus&lt;/em&gt; (Dedalus Press, 2018), &lt;em&gt;Bailéid Giofógacha&lt;/em&gt; (from the Spanish of Federico García Lorca) (Coiscéim, Baila Átha Cliath, 2019), and &lt;em&gt;The Abduction&lt;/em&gt; (from the French of Maram al-Masri) (Southword Editions, Cork, 2020).</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <text>257 x 201mm</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>David Kelly, Dermot Breen and others at the Imperial Hotel</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, David Kelly, Dermot Breen, Jim O'Brien, Imperial Hotel, Mary Larkin</text>
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                <text>University College Cork, Cork Film Festival</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>1974</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photo&#13;
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                <text>1974&#13;
Cork, Ireland</text>
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            <name>Description</name>
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                <text>This is a black and white photo of the Irish actor David Kelly with festival director Dermot Breen, Jim O’Brien, and an unidentified companion. The small group are arriving into the marble lobby of the Imperial Hotel on the South Mall in Cork. Kelly, on the right next to Dermot Breen, is wearing a tweed jacket and tie, with light-coloured trousers and two-tone brogues. &lt;br /&gt;&lt;br /&gt;Born in Dublin, Kelly (1929-2012) was an Irish actor with a recognisable presence on the Irish stage and screen. His notable work includes &lt;em&gt;Strumpet City&lt;/em&gt; (RTÉ, 1980), &lt;em&gt;Into the West&lt;/em&gt; (Mike Newell, 1992), &lt;em&gt;Waking Ned&lt;/em&gt; (Kirk Jones, 1998), and &lt;em&gt;Charlie and the Chocolate Factory&lt;/em&gt; (Tim Burton, 2005). &lt;em&gt;Into the West&lt;/em&gt; was shown at the 2019 festival and is also preserved in the IFI Irish Film Archive. Kelly had an uncredited role in &lt;em&gt;The McKenzie Break&lt;/em&gt; (Lamont Johnson, 1970) which starred Brian Keith and the Irish actor Mary Larkin who came to the Cork festival in 1980. Around the time of this picture, which is dated 1974, Kelly would play the inept builder in an episode of &lt;em&gt;Fawlty Towers&lt;/em&gt; ('The Builders', 1975) which won him great acclaim. &lt;br /&gt;&lt;br /&gt;In an &lt;em&gt;Irish Examiner&lt;/em&gt; article by John Daly looking back at the film festival, David Kelly is quoted recalling the train journey from Dublin to Cork: "Irish hospitality was at its finest on that train, an elegant Orient Express atmosphere wrapped in a thoroughly Celtic welcome that made strangers who got on in Dublin lifelong friends by the time it arrived in Cork. Revelry and romance are the two words that come mostly to mind when I recall the journey." (&lt;em&gt;Irish Examiner&lt;/em&gt;, 04.11.2017.)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;This item is licenced with a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Language</name>
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                <text>English, eng</text>
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        <name>David Kelly</name>
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        <name>Dermot Breen</name>
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        <name>Imperial Hotel</name>
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        <name>Jim O'Brien</name>
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        <name>Mary Larkin</name>
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        <name>Michael Twomey</name>
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