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                <text>Miss Movie Girl Betty Philbin at a promotional event</text>
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                <text>This is a black and white photo of Miss Movie Girl 1973, Betty Philbin, at a promotional event with an unidentified companion. Philbin, in a short white dress, was Ireland’s ‘Movie Girl’, a title she won at the Cork Film Festival where she was chosen originally from photographs published in the &lt;em&gt;Sunday World &lt;/em&gt;newspaper in association with the festival. As part of her win the Movie Girl was awarded a selection of prizes including trips abroad, a wardrobe of clothes and shoes, beauty care products and an opportunity to meet stars and film directors attending the festival. This picture might be a promotional event hosted by Orlane Paris Skincare whose poster we see in the background.</text>
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                <text>Donal Sheehan</text>
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                <text>1973&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Symposium with James Mitchell, Joe Tomelty and Michael Pertwee</text>
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                <text>Finbarr O'Connell </text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of a festival discussion panel chaired by the Irish television presenter Bunny Carr. The three panellists, sitting at a table in front of long-armed microphones, include the English writer James Mitchell, the Irish actor Joe Tomelty, and the English screenwriter Michael Pertwee. &lt;br /&gt;&lt;br /&gt;Joseph Tomelty, sitting at the centre, was an Irish character actor, novelist and playwright known for his radio and stage work. He was a frequent visitor to the Cork festival, as far back as 1960, when that years programme noted that Tomelty presented awards to recipients in the presence of the then Lord Mayor of Cork Stephen Barrett. Tomelty was born in County Down, and was based in Northern Ireland where he made a significant contribution to its cultural history. Tomelty was instrumental in founding and managing the Group Theatre in Belfast in 1940 where his plays would be staged - apart from the controversial &lt;em&gt;The End House&lt;/em&gt; (1944) which was premiered at the Abbey Theatre because Northern theatres wouldn't show it at the time. He wrote comedy dramas for the BBC, in particular &lt;em&gt;The McCooeys&lt;/em&gt; which lasted seven years. Tomelty’s film work includes &lt;em&gt;Odd Man Out&lt;/em&gt; (Carol Reed, 1947), and &lt;em&gt;Moby Dick&lt;/em&gt; (John Huston, 1956) with Gregory Peck and the Irish actor Noel Purcell, but it was for his enduring commitment to the North of Ireland that he is fondly remembered.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Michael Pertwee, sitting on the far right of the photo, was an English playwright and screenwriter born in 1916. He comes from a prolific family of actors including his father, the actor and playwright Roland Pertwee, his brother the actor Jon Pertwee, best known for his Dr.Who, and his nephew the actor Sean Pertwee. As well as TV work, Michael Pertwee’s screenwriting credits include Richard Lester’s &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; (1966) and &lt;em&gt;One More Time&lt;/em&gt; (Jerry Lewis, 1970) starring Sammy Davis Jr. At the time of this photo he had just finished &lt;em&gt;Digby, the Biggest Dog in the World&lt;/em&gt; (Joseph McGrath, 1973) with Spike Milligan and the Irish actor Milo O’Shea. &lt;br /&gt;&lt;br /&gt;The photo also identifies the writer James Mitchell on the far left, cigarette in hand raised towards his mouth. Born in the North of England, Mitchell (1926-2002) was a prolific writer writing under his own name and the pen-names James Munro and Patrick O McGuire. Mitchell wrote over 70 novels, mostly crime fiction and spy thrillers, and 100 television scripts. He will be remembered best for the successful television series &lt;em&gt;Callan&lt;/em&gt; (Thames Television) and &lt;em&gt;When the Boat Comes In&lt;/em&gt; (BBC) which ran between 1976 and 1981. Around the time of this photo, dated 1972, Mitchell had just completed &lt;em&gt;Callan&lt;/em&gt; (1969-1972) starring Edward Woodward as the secret agent and hitman David Callan. The series went on to spawn novels, short stories, the film &lt;em&gt;Callan&lt;/em&gt; (Don Sharp, 1974), and a TV movie &lt;em&gt;Wet Job &lt;/em&gt;(1981) directed by Shaun O’Riordan. Interestingly, the full name of O’Riordan, who was born in Sri Lanka in 1927, is Shaun Stuart Harry Daniel O’Connell O’Riordan. O'Riordan also starred in the long-running popular British television sitcom &lt;em&gt;The Larkins&lt;/em&gt; (1958-1964), playing the part of Eddie Larkin alongside the actors Margaret Rose Mount and David Kossoff, both of whom came to the Cork festival during the 1960s. In 1974 Mitchell served on the Shorts Jury for the Short Film Competition alongside Bernard Blin (France), Bill Starr (USA), Kevin Marron (Ireland), and Noel Ryan (Ireland).</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Director Peter Collinson, Richard Johnson, Dermot Breen and others</text>
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                <text>This is a black and white photo, dated 1971, of festival attendees including English film director Peter Collinson, actor Richard Johnson, festival director Dermot Breen and others unidentified. The group all smile for the camera while Collinson, with his distinctive sideburns, stares up at Johnson. In 1963 Collinson made the documentary &lt;em&gt;The One-Nighters&lt;/em&gt; of the Royal Showband, with Brendan Bowyer, on tour. It was screened at the Cork Film Festival in 1963, receiving a Certificate of Merit. Following this Collinson went on to make &lt;em&gt;Up the Junction&lt;/em&gt; (1967) and the now-legendary &lt;em&gt;The Italian Job&lt;/em&gt; (1969) starring Michael Caine. Collinson also directed the war film &lt;em&gt;The Long Day’s Dying&lt;/em&gt; (1968) starring the English actor David Hemmings who also came to the film festival in the 1970s. Around the time of this photo, dated 1971, Collinson has just finished the British thriller &lt;em&gt;Straight On till Morning&lt;/em&gt; (1972) starring Shane Briant and John Clive, both of whom were in Cork for the film festival in the early 70s.&lt;br /&gt;&lt;br /&gt;The Irish Film &amp;amp; Television Network (IFTN) site notes that Collinson (1936-1980) started out working as a senior floorman at RTÉ and was originally making a TV commercial for the Royal Showband, with cameraman Robert Monks, before persuading the band to commit to a documentary. Monks, who passed away in 2012, also worked with Cork-born Louis Marcus on his Award-nominated short films &lt;em&gt;Páistí ag Obair&lt;/em&gt; (&lt;em&gt;Children at Work&lt;/em&gt;) (1973) and &lt;em&gt;Conquest of Light&lt;/em&gt; (1975). Monks began his film career working as a film technician with the Irish National Film Institute and continued to collaborate with them throughout his life. A highlight of his career is the documentary on Irish film production &lt;em&gt;Memories in Focus&lt;/em&gt; (1996) with Peter Canning, which drew on the Liam O'Leary collection from the National Library.</text>
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                <text>&lt;p&gt;This item is licenced with a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of sisters Ann and Vicki Michelle posing with Westropp Irvine from the Player and Wills tobacco company in Ireland. Player and Wills were friends of the film festival and supported it on occasion with a development grant. While this picture appears to be taken at the festival club we know that Player and Wills sometimes held a reception for the festival at their factory headquarters on Dublin’s South Circular Road. The factory was constructed in 1935 for Player and Wills tobacco until its closure in 2005 when the company moved out of Ireland. The Player Wills site is regarded as one of the last remaining quality development sites in the city centre and, as of May 2020, is being considered for redevelopment into c. 400 new homes.&amp;nbsp; &amp;nbsp;&lt;br /&gt;&lt;br /&gt;Both Vicki and Ann Michelle are English actors. Vicki Michelle (1950-), on the right in this photo, is best known for her work in the BBC television series &lt;em&gt;‘Allo ‘Allo&lt;/em&gt;. She has an extensive television and stage career appearing on &lt;em&gt;Celebrity Masterchef&lt;/em&gt; (2008), &lt;em&gt;Emmerdale&lt;/em&gt; (2007-2009), &lt;em&gt;I’m a Celebrity … Get Me Out of Here!&lt;/em&gt; (2014). She has also appeared on the Irish sketch show &lt;em&gt;The Mario Rosenstock Show&lt;/em&gt; (2012). Michelle played alongside her sister, Ann Michelle (1952-), in &lt;em&gt;The Virgin Witch&lt;/em&gt; (Ray Austin, 1971) which was rejected by the British Board of Film Censors before being passed with an X-rating. The cut version was released in 1972 around the time of this photograph. Ann Michelle also had a small role in the British horror-cult film &lt;em&gt;Psychomania&lt;/em&gt; (aka &lt;em&gt;The Death Wheelers&lt;/em&gt;) (Don Sharp, 1973) starring the Academy Award-winning George Sanders and Beryl Reid. Sanders (1906-1972) died by suicide soon after completing &lt;em&gt;Psychomania&lt;/em&gt;.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Jane Asher and a guest identified as Brian Wakefield from Harrogate in Yorkshire. They are both standing in front of a promotional poster for the Harp Lager-sponsored Cork Film Festival and smiling at the camera. &lt;br /&gt;&lt;br /&gt;Asher has become well known in recent years for her writing, business and charity work. However she had a prodigious career in film, theatre, radio and television since she was a young child. Her television work in England is extensive and includes Brideshead Revisited, Miss Marple, New Tricks, and A Voyage Round My Father with Laurence Olivier. Her filmography includes &lt;em&gt;Deep End&lt;/em&gt; (Jerzy Skolimowksi, 1970) (with music by Cat Stevens), &lt;em&gt;Alfie&lt;/em&gt; (Lewis Gilbert, 1966) with Michael Caine, and the British sitcom &lt;em&gt;The Old Guys&lt;/em&gt;. At the time of this picture, marked 1972, Asher starred in &lt;em&gt;Henry VIII and His Six Wives&lt;/em&gt; (Waris Huessein, 1972) where she played the part of Jane Seymour. &lt;br /&gt;&lt;br /&gt;The personal life of Asher was of great interest to the British media when she was engaged to the Beatle Paul McCartney, whom she met when she was 17. However she broke off her engagement some years later, age 22, after finding him in bed with someone else. She later married the satirical cartoonist Gerald Scarfe in 1981. As well as being a shareholder in the satirical magazine, &lt;em&gt;Private Eye,&lt;/em&gt; Asher has written many books including best-selling novels and lifestyle books with a particular interest in baking. Her range of kitchenware is sold in Poundland in the UK and in Dealz in Ireland. (Ryan Gilbey, ‘Deep End: pulled from the water,’ T&lt;em&gt;he Guardian&lt;/em&gt;, 01.05.11)</text>
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                <text>This is a black and white photo of the English actor Sally Thomsett in conversation with unidentified companions. They appear to be at a drinks reception which, as we know from a similar item in the archive, was also attended by fellow English actors Shane Briant, Virginia Wetherell and Vicki Coomber. Thomsett, on the far left with a liqueur glass in hand, looks on as the others chat. Born in 1950 she would have been around 22 years old in this picture. She had just finished the film &lt;em&gt;Straw Dogs&lt;/em&gt; (Sam Peckinpah, 1971) starring Dustin Hoffman, but was best known for her role, playing the part of a young girl, in the British drama film &lt;em&gt;The Railway Children&lt;/em&gt; (1970) written and directed by Lionel Jeffries. Jeffries (1926-2010) came to the film festival in 1964 and an image of him can be seen in the archive.</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4216">
                <text>Suzanna Leigh and Virginia Wetherell with the screenwriter Michael Pertwee and others</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="4217">
                <text>Cork Film Festival, Suzanna Leigh, Virginia Wetherell, Michael Pertwee, Hammer horror</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4219">
                <text>University College Cork, Cork Film Festival</text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="4220">
                <text>Cork Film Festival Collection</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="4221">
                <text>University College Cork</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4222">
                <text>1972</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4224">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="4225">
                <text>1972&#13;
Cork, Ireland</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of the English screenwriter Michael Pertwee with the actors Suzanna Leigh, Virginia Wetherell and others who are unidentified. The five guests stand and pose for the camera as Pertwee turns towards Leigh standing at the far left of the photo. &lt;br /&gt;&lt;br /&gt;Suzanna Leigh is best known for her television and film roles, in particular her work with the film director Hall Wallis who directed her in &lt;em&gt;Boeing, Boeing&lt;/em&gt; (John Rich, 1965) with Tony Curtis, and &lt;em&gt;Paradise, Hawaiian Style&lt;/em&gt; (Michael D Moore, 1966) opposite Elvis Presley. She worked in several Hammer horror films, including &lt;em&gt;The Deadly Bees&lt;/em&gt; (Freddie Francis, 1967) and &lt;em&gt;Son of Dracula&lt;/em&gt; (Freddie Francis,1974) starring Ringo Starr. Her fellow actor in this picture, Virginia Wetherell, also worked in Hammer horror productions including &lt;em&gt;Dr Jekyll and Sister Hyde&lt;/em&gt; (Roy Ward Baker, 1971) and &lt;em&gt;Demons of the Mind&lt;/em&gt; (Peter Sykes, 1972), both of which were released around the time of this picture when she came to visit the festival in 1972.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13974">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14135">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="475">
        <name>Hammer horror</name>
      </tag>
      <tag tagId="480">
        <name>Michael Pertwee</name>
      </tag>
      <tag tagId="343">
        <name>Suzanna Leigh</name>
      </tag>
      <tag tagId="474">
        <name>Virginia Wetherell</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
