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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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                  <text>1956-</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Anita Price from CINE and Ide Warren in Macroom</text>
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                <text>Cork Film Festival, Anita Price, Ide Warren, CINE,  Award, Golden Eagle, Cadwallader Kelsey, Pennsylvania, Macroom</text>
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                <text>This is a black and white photo of Anita Price from CINE, based in Washington DC, and festival representative Ide Warren. Price, in a tweed jacket and holding a camera, smiles for the camera next to her young companion. The photo, which is stamped by the Irish Tourist Board (&lt;em&gt;Bord Fáilte Éireann&lt;/em&gt;), notes that she is the daughter of Cadwallader Kelsey of Philadelphia. Cadwallader Kelsey was the founder of the Kelsey car company and ran it from 1897 until its demise in 1924. His three-wheel automobile, Auto-tri, is now on display in the Smithsonian Institution. Prior to his death in 1970 he was working on developing a flying automobile, the Skycar. (&lt;em&gt;The New York Times&lt;/em&gt;, 18.05.1970.) &lt;br /&gt;&lt;br /&gt;Being from Philadelphia, Anita Price would have been familiar with the link between the founder of Pennsylvania, Admiral William Penn, and Macroom, County Cork. Penn’s father, Sir William Penn, lived in Macroom Castle for some years following Cromwell’s successful battle during the English Civil War. He later lost the lands after the restoration of the monarchy and received an estate in Shanagarry, East Cork, in 1667. His son, the Quaker William Penn, would found the State of Pennsylvania after spending time in County Cork at his father’s estate during the 1660s. (Brian McCarthy, ‘An Irishman’s Diary’, &lt;em&gt;The Irish Times&lt;/em&gt;, 02.05.2000.) &lt;br /&gt;&lt;br /&gt;In this photo Price is posing in front of the 1970s façade of Macroom's Penn Coffee House, advertising a 'Kingsize William Penn burger' on its window. The photo notes that she was the then Managing Director of CINE (Council on International Nontheatrical Events) in Washington DC. Founded in 1957, CINE was a non-profit organisation whose mission was to select American films and documentaries for international film and video festivals. It awarded prestigious Golden Eagles to those selected to represent America and recipients include Mel Brooks (&lt;em&gt;The Critic&lt;/em&gt;, 1963), Barbara Koppel (&lt;em&gt;American Dream&lt;/em&gt;, 1990; &lt;em&gt;A Century of Women&lt;/em&gt;, 1994; &lt;em&gt;Bearing Witness&lt;/em&gt;, 2005) and Martin Scorsese (&lt;em&gt;No Direction Home&lt;/em&gt;, 2006). In the year of this photo, 1972, the award was won by Ron Howard for &lt;em&gt;Deed of Daring-Do&lt;/em&gt; (1969).</text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>1956-</text>
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                  <text>1956-&#13;
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>The actor Laurence Harvey and others</text>
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                <text>Cork Film Festival, Dick Beamish, Laurence Harvey</text>
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                <text>This is a black and white photo, dated 1972, of the actor Laurence Harvey in conversation with festival committee member Dick Beamish, and an unidentified colleague in a white dress accessorised with a festival ribbon. The small convivial group is turned towards each other smiling as they chat. &lt;br /&gt;&lt;br /&gt;Laurence Harvey (1928-1973) died from cancer the year after this picture was taken. He was a Lithuanian-born English actor and director and has a prolific filmography. Around the time this image was taken he had starred in &lt;em&gt;Escape to the Sun&lt;/em&gt; (Menahem Golan, 1972) and &lt;em&gt;The Deep&lt;/em&gt; (Orson Welles, 1970) which was an unfinished film directed by Orson Welles. When Harvey died in 1973 it ended any chance of Welles finishing the picture.</text>
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                <text>University College Cork</text>
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                <text>Finbarr O'Connell</text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/482"&gt;Signed photo of Laurence Harvey&lt;/a&gt;</text>
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              <elementText elementTextId="14192">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Harry Towb with James and Delia Mitchell</text>
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                <text>Finbarr O'Connell</text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>University College Cork</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Actor Jack Wild with Mrs Simon Wade </text>
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            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Jack Wild, David Hemmings, Simon Wade</text>
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          <element elementId="41">
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                <text>This is a black and white photo of the English actor Jack Wild posing with a festival attendee identified as 'Mrs. Simon Wade from Toronto, Canada'. Wild, with his distinctive long hair and a festival ribbon pinned to his open-neck shirt, would have been around 20 years old in this picture. &lt;br /&gt;&lt;br /&gt;Jack Wild was best known for his role as the Artful Dodger in &lt;em&gt;Oliver!&lt;/em&gt; (Carol Reed, 1968) which also starred Oliver Reed and Harry Secombe. Wild received an Academy Award nomination for Best Supporting Actor for &lt;em&gt;Oliver!&lt;/em&gt; and went on to work in TV and film including an episode of &lt;em&gt;The Onedin Line&lt;/em&gt; (1972) with Peter Gilmore, who also came to the Cork festival.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1971 Wilde starred alongside Daniel Latimer and Tracy Hyde in &lt;em&gt;Melody&lt;/em&gt; (Warrin Hussein, 1971) written by Alan Parker and produced by David Puttnam - who now lives in West Cork. Following &lt;em&gt;Melody&lt;/em&gt; Wild starred in &lt;em&gt;The 14 &lt;/em&gt;(1973), directed by David Hemmings who was a visitor to the festival around the same time as Wild. Wild, however, never replicated the success of his debut role in &lt;em&gt;Oliver!&lt;/em&gt; and, following a life of health and personal issues, died from cancer, age 53, in 2006.</text>
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                <text>University College Cork, Cork Film Festival,  Bord Fáilte Éireann (Irish Tourist Board)</text>
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                <text>University College Cork</text>
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                <text>Bord Fáilte Éireann (Irish Tourist Board)</text>
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            <name>Format</name>
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              <elementText elementTextId="3364">
                <text>Photo&#13;
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            <name>Coverage</name>
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Cork, Ireland</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12927">
                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Waris Hussein</name>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Sheamus Smith, Greg Smith and guests at the Festival Club</text>
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                <text>This is a black and white photo of festival guests at the Harp-sponsored festival club. The photo identifies the producer Greg Smith, William (Bill) Harpur, former film censor Sheamus Smith, Sheila Hampson, and Hillary O’Herlihy, the wife of Bill O’Herlihy. They are standing together, drink in hand, some smiling for the camera. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, wearing his distinctive glasses, stands on the left. Smith started working as a cameraman at the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) in 1961 before becoming a producer and director with the station in 1963. The following decade he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). He published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill and MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;The producer Greg Smith (1939-2009), in a light-coloured jacket, stands on the far right of the photo. Smith owned a talent agency in London where he signed on the Irish film-maker Norman Cohen with whom turned a series of risqué best-selling paperback books, by Christopher Wood, into a successful run of ‘confessions’ movies including &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). He went on to produce &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977), starring his then-wife Lynda Bellingham who was also at the Cork Film Festival. &lt;br /&gt;&lt;br /&gt;Hillary O’Herlihy was married to the Cork-born, Glasheen-raised, RTÉ television broadcaster, and Irish Film Board Chairman Bill O’Herlihy. O’Herlihy (1938-2015) was a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. He was a keen cinephile and brought this to his work at the Irish Film Board. O’Herlihy promoted the film industry and in particular, was keen to develop filming in rural Ireland. He also worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, ‘Bill O’Herlihy: I lost millions from life savings’, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of the artist Frank Sanquest with David Kossoff, Margaret Rose Mount and an unidentified companion. This is an early photograph of the Cork-born artist and journalist Sanquest, taken in the 1960s. As with other photographs of him in the archive he is wearing his trademark dickie bow but has yet to succumb to wearing glasses. The bespectacled actor David Kossoff stands next to him and appears to be peering around Sanquest who is smiling at the camera holding aloft a plate. The actor Margaret Rose Mount, in a leopard-skin coat draped around her bare shoulders, is smiling broadly while her unidentified companion, on the far right of the photo, looks towards Sanquest and his plate. Behind them we can just about make out a promotional poster for Harp Lager hanging on the wall next to the draped curtains. &lt;br /&gt;&lt;br /&gt;David Kossoff (1919-2005) was an English actor, writer and raconteur. He was born in East London to Russian-Jewish parents and worked as a furniture designer before becoming an actor. He has many film credits and won a British Academy Film Award for Most Promising Newcomer to Film for his role in T&lt;em&gt;he Young Lovers&lt;/em&gt; (Anthony Asquith,1954). He followed this with the Oscar-winning short film &lt;em&gt;The Bespoke Overcoat&lt;/em&gt; (Jack Clayton,1956) which was written by Nikolai Gogol and Wolf Mankowitz, who also came to Cork, and &lt;em&gt;The Mouse That Roared&lt;/em&gt; (Jack Arnold,1959) starring Peter Sellers and Jean Seberg who came to Cork with the film &lt;em&gt;St Joan&lt;/em&gt; (Otto Preminger, 1957). On the television Kossoff was best-known for his role as the hen-pecked husband Alf Larkin in &lt;em&gt;The Larkins&lt;/em&gt; (1958). His wife in the series was the English actor Margaret Rose Mount OBE (1915-2001) who is identified in this photo with Kossoff. Mount also acted with Kossoff in the British comedy film &lt;em&gt;Inn for Trouble&lt;/em&gt; (CM Pennington-Richards, 1960) which was a spin-off from &lt;em&gt;The Larkins&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Mount had an extensive television, film and stage career with film credits including &lt;em&gt;Hotel Paradiso&lt;/em&gt; (Peter Glenville,1966) with Alec Guinness and Gina Lollobrigida, and &lt;em&gt;Oliver!&lt;/em&gt; (Carol Reed, 1968) with Oliver Reed and Harry Secombe. Her stage credits include the title role of Brecht’s &lt;em&gt;Mother Courage&lt;/em&gt; (1977) and &lt;em&gt;Uncle Vanya&lt;/em&gt; (1996) with Derek Jacobi at the National Theatre before she retired soon after due to her failing eyesight. &lt;br /&gt;&lt;br /&gt;We note that David Kossoff was the father of the blues guitarist Paul Kossoff (1950-1976) from the band &lt;em&gt;Free&lt;/em&gt; which was responsible for the hit ‘All Right Now’ (1970). Wikipedia notes that the Rolling Stone magazine ranked Paul Kossoff 51st in their list of the 100 Greatest Guitarists of All Time. Paul Kossoff’s health was poor due to his drug addictions and he died age 25 from a pulmonary embolism. After his death his father, David Kossoff, spent the rest of his life campaigning fervently against drugs and toured schools with his one-man stage show, &lt;em&gt;The Late Great Paul&lt;/em&gt;, about his son’s death and the effect that it had on him and his family.</text>
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                <text>&lt;p&gt;©Liam Kennedy. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text> At the Festival Club</text>
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                <text>This is a black and white photo of two guests at the festival club. They are turned towards each other, hands clasped, as they smile for the camera. In the background we can just about identify the distinctive lattice fencing of the festival club together with the distinct signage for Harp Lager who sponsored the club. The back of the photo, marked 1960s, identifies the guests as ‘Brendan Landwells and Clare’.</text>
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                <text>&lt;p&gt;©PR Services, Dublin. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English film producer Greg Smith in conversation with the Irish producer Noel Pearson and Ciara Scott. Given the background décor of Harp Lager-sponsored umbrellas, we might guess that this picture was taken at the festival club. Greg Smith, in a light-coloured jacket on the far right, has his back turned to us as he chats with his companions. &lt;br /&gt;&lt;br /&gt;While the identity of Pearson and Scott (whose name cannot be verified) (perhaps Ciarín Scott?) is noted with a question mark at the back of the photo, this is probably the Dublin-born film and theatrical producer Noel Pearson who worked on the Academy award-winning &lt;em&gt;My Left Foot&lt;/em&gt; (Jim Sheridan, 1989) starring Daniel Day-Lewis, Brenda Fricker, and Cyril Cusack. Pearson also produced &lt;em&gt;The Field&lt;/em&gt; (Jim Sheridan, 1990) starring Richard Harris, and &lt;em&gt;Dancing at Lughnasa&lt;/em&gt; (Pat O’Connor, 1998) with Meryl Streep, Kathy Burke, and Michael Gambon. He originally managed the Dubliners before moving into theatre and becoming the artistic director of the Abbey Theatre where he staged Brian Friel’s &lt;em&gt;Dancing at Lughnasa&lt;/em&gt;, before adapting it to film in 1998. His production company, Ferndale Productions, also produced &lt;em&gt;The Secret Scripture&lt;/em&gt; (Jim Sheridan, 2016), based on the novel by Sebastian Barry, and starring Rooney Mara and Vanessa Redgrave. &lt;br /&gt;&lt;br /&gt;The film producer Greg Smith was behind a series of X-rated successful movies during the 1970s including &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and C&lt;em&gt;onfessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). His collaborations with the Irish director Norman Cohen also include Spike Milligan’s war memoirs: &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (Norman Cohen, 1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) starring his then-wife Lynda Bellingham and Pamela Stephenson, both of whom are in the archive. (This photo is dated 1960 but we might guess that it is closer to the 1970s given other images of him in the archive.)</text>
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            <elementText elementTextId="11686">
              <text>242 x 194mm</text>
            </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3282">
                <text>Dick Beamish, Gus Healy and others</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3283">
                <text>Cork Film Festival, Dick Beamish, Gus Healy, TP O'Mahony, Examiner, Alan Navratil</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3284">
                <text>This is a black and white undated photo of Gus Healy greeting an unidentified guest in a crowded room. The formally dressed pair, hands clasped in a handshake, seem pleased to meet each other.  We can make out the festival committee member Dick Beamish entering the shot on the left. Gus Healy is a familiar presence in the archive and worked on the festival committee since its inception in 1956. He was a Fianna Fáil politician who would serve Cork as Lord Mayor from 1964 to 1965 an 1975 to 1976.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3285">
                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3286">
                <text>Cork Film Festival Collection</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3287">
                <text>University College Cork</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3288">
                <text>1960s</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Bateman Photography</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3291">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="3292">
                <text>Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="12210">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12590">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="220">
        <name>Dick Beamish</name>
      </tag>
      <tag tagId="33">
        <name>Gus Healy</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
