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                <text>Athlete Noel Carroll with Vicki and Ann Michelle</text>
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                <text>This is a black and white photo of the Irish athlete Noel Carroll posing with the actors Vicki and Ann Michelle at the festival club. The group are standing in front of a poster advertising the French-Belgian film &lt;em&gt;Rendezvous at Bray&lt;/em&gt; (André Delvaux, 1971) which starred the Danish-French actor Anna Karina (1940-2019) who featured in several films made by her ex-husband Jean-Luc Goddard. A bespectacled Carroll and Ann Michelle both smile at the camera while Vicki Michelle looks up at Carroll laughing. &lt;br /&gt;&lt;br /&gt;Noel Carroll (1941-1998) was an Irish middle-distance runner who set European and World Records in the 1960s and competed for Ireland in the Tokyo Olympic Games. He was one of the founders of the Dublin Marathon in 1980 and, since his untimely death in 1998, the winner of the Marathon receives the &lt;em&gt;Noel Carroll Memorial Trophy&lt;/em&gt;. Carroll was married to the international harpist Deirdre O'Callaghan who also came to the film festival.&lt;br /&gt;&lt;br /&gt;The Michelle sisters are both English actors born in Essex. Vicki Michelle (1950-) is best known for her work on the BBC television series &lt;em&gt;‘Allo ‘Allo&lt;/em&gt;. She has an extensive television and stage career appearing on &lt;em&gt;Celebrity Masterchef&lt;/em&gt; (2008), &lt;em&gt;Emmerdale&lt;/em&gt; (2007-2009), &lt;em&gt;I’m a Celebrity … Get Me Out of Here!&lt;/em&gt; (2014). She has also appeared on the Irish sketch show &lt;em&gt;The Mario Rosenstock Show&lt;/em&gt; (2012). &lt;br /&gt;&lt;br /&gt;Vicki Michelle played alongside her sister Ann Michelle (1952-) in &lt;em&gt;The Virgin Witch&lt;/em&gt; (Ray Austin, 1971) which was rejected by the British Board of Film Censors before being passed with an X rating. The cut version was released in 1972 around the time of this photograph. Ann Michelle also had a small part in the British horror-cult film &lt;em&gt;Psychomania&lt;/em&gt; (aka &lt;em&gt;The Death Wheelers&lt;/em&gt;) (Don Sharp, 1973) starring George Sanders and Beryl Reid. Sanders (1906-1972) was an English actor with an extensive film career including &lt;em&gt;All About Eve&lt;/em&gt; (Joseph L Mankiewicz, 1950) starring Bette Davis, for which he won an Academy Award for Best Supporting Actor.&amp;nbsp;However his personal life was fraught and in 1972, soon after completing &lt;em&gt;Psychomania&lt;/em&gt;, he committed suicide stating in a suicide note that he was bored.</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>Philip Green conducting &lt;em&gt;St Patrick's Mass&lt;/em&gt;</text>
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                <text>This is a black and white photo of the English film and television composer and conductor Philip Green. In this picture Green is conducting his composition &lt;em&gt;St Patrick’s Mass&lt;/em&gt;, which was televised live from the Franciscan Church in Cork for the opening of the 1971 Cork Film Festival. He is shown in profile, leaning over the music lectern, arms slightly raised as he concentrates on reading the score, whilst conducting under the bright glare of a stage light. &lt;br /&gt;&lt;br /&gt;Philip Green was born in East London in 1911 and had an extensive career in film-music composition. He was appointed the musical director for the Rank Organisation (who had strong links with the festival in its earlier years) and composed hundreds of film scores and themes for popular television programmes during his career. His stock music production work even features on &lt;em&gt;The Ren and Stimpy Show &lt;/em&gt;and &lt;em&gt;SpongeBob SquarePants&lt;/em&gt;. However his conversion to Catholicism, in the early 1970s, contributed to his creation of the &lt;em&gt;St Patrick's Mass&lt;/em&gt;, which he composed, produced, and recorded in 1970, before bringing it to Cork in 1971. Green died in 1982 but his recording of &lt;em&gt;St Patrick’s Mass&lt;/em&gt;, performed by Canon Sydney MacEwan and Trinity Chorale, is still available and can be streamed on-line.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photo&#13;
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>165 x 119mm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Turgut Demirag playing with a child </text>
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          <element elementId="49">
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                <text>Cork Film Festival, Turkey</text>
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                <text>This is a black and white photo, dated 1970, of a smiling festival delegate playing with a child. The young girl, standing amidst luggage, is laughing as she raises her hands. The location is not identified but it might be the front of the old Cork Airport. The rear of the photo identifies the delegate as ‘Turget, Billus-Turkish Film’. To the right of the shot, we recognise Robin O’Sullivan turned towards his companions. &lt;br /&gt;&lt;br /&gt;The 1970 festival programme notes that the short Turkish film &lt;em&gt;Separate Worlds&lt;/em&gt; (&lt;em&gt;Ayri Dünyalar&lt;/em&gt;) was shown that year. This might be an image of the director and producer Turgut N. Demirag. Demirag (1921-1987) was a Turkish film producer, director and screenwriter active between 1947-1973. His film &lt;em&gt;Love and Grudge&lt;/em&gt; (1964) was entered into the Moscow International Film Festival in 1964.</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>University College Cork</text>
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                <text>1970</text>
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                <text>1970&#13;
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            <name>Language</name>
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                <text>English, eng</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14104">
                <text>&lt;p&gt;This item is licenced with a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Airport</name>
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        <name>Robin O'Sullivan</name>
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        <name>transport</name>
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        <name>Turgut Demirag</name>
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        <name>Turkey</name>
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  </item>
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        <src>https://corkfilmfest.ucc.ie/files/original/d5f4120e1b6a4052fd82be944f98febb.jpg</src>
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              <name>Title</name>
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                  <text>Photographs </text>
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                  <text>Cork Film Festival</text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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                  <text>University College Cork</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <name>Format</name>
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                  <text>Photo&#13;
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="2963">
              <text>Photo</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="11662">
              <text>329 x 277mm</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2965">
                <text>Photo of German delegates with Lord Mayor Peter Barry</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="2966">
                <text>Cork Film Festival, Lord Mayor, Peter Barry, Gunther Polzelmeir, EF O'Mahony, Bord Failte Eireann, Dermot Breen, Kai Fischer, Eugen Vetter, German Cultural Institute, Germany</text>
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                <text>University College Cork, Cork Film Festival</text>
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              <elementText elementTextId="2969">
                <text>Cork Film Festival Collection</text>
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          <element elementId="45">
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              <elementText elementTextId="2970">
                <text>University College Cork</text>
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="2971">
                <text>1970</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2973">
                <text>Photo&#13;
TIFF&#13;
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="2974">
                <text>1970&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11222">
                <text>This is a black and white photo of festival delegates dated 1970. The photo identifies Gunther Polzelmeir from the Irish Tourist Board in Germany with his wife, festival director Dermot Breen, EF O’Mahony, German actor Kai Fischer, Lord Mayor Peter Barry, and Eugen Vetter from the German Cultural Institute, Dublin. The formally dressed group pose in front of a billboard-sized poster advertising the festival. &lt;br /&gt;&lt;br /&gt;The Czech-born German actor Kai Fischer was born in 1934. Her filmography includes &lt;em&gt;Too Hot to Handle&lt;/em&gt; (Terence Young, 1960) with Jayne Mansfield and Christopher Lee, &lt;em&gt;Bullets Don’t Argue&lt;/em&gt; (aka &lt;em&gt;Le pistole non discutono&lt;/em&gt;) (Mario Caiano, 1964) and &lt;em&gt;The Goalkeeper’s Fear of the Penalty&lt;/em&gt; directed by Wim Wenders (1972), based on the book by Peter Handke. She is accompanied in this photo by Eugen Vetter from the German Cultural Institute in Dublin. In 1965 Vetter founded the Goethe-Institut Choir in Dublin which still performs in Ireland today.</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12956">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14127">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Dermot Breen</name>
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      <tag tagId="802">
        <name>Eugen Vetter</name>
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      <tag tagId="408">
        <name>Germany</name>
      </tag>
      <tag tagId="940">
        <name>Kai Fischer</name>
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      <tag tagId="34">
        <name>Lord Mayor</name>
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      <tag tagId="402">
        <name>Peter Barry</name>
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    <fileContainer>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Photographs </text>
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              <description>An account of the resource</description>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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            <element elementId="39">
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                <elementText elementTextId="14">
                  <text>University College Cork</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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              <name>Publisher</name>
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                <elementText elementTextId="16">
                  <text>University College Cork</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="90">
                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
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            <elementText elementTextId="2950">
              <text>Photo</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>303 x 251mm</text>
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          <element elementId="50">
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                <text>Drive-in movie theatre</text>
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                <text>Cork Film Festival, Drive-in</text>
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          <element elementId="41">
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                <text>This is a colour publicity photo from the &lt;em&gt;Irish Examiner&lt;/em&gt; for the 51st Cork Film Festival in 2006. It shows an outdoor drive-in movie theatre with a large outdoor screen and a parking area full of cars facing the screen. The screen shows the actor Anthony Hopkins in a scene from the 1991 blockbuster movie &lt;em&gt;The Silence of the Lambs&lt;/em&gt; directed by Johnathan Demme. The glow of the screen lights up the parking lot, while in the back-ground the city lights twinkle in the dark. &lt;br /&gt;&lt;br /&gt;Drive-in movie theatres have been around since the 1920s with the first one being patented in America in the 1930s. With the rise of car ownership in the 1940s and 1950s, drive-in theatres became popular ways for families to watch movies, especially in rural areas. They were also great places for young couples to meet and date, as we saw in the movie &lt;em&gt;Grease&lt;/em&gt; (Randal Kleiser, 1978). With the advent of home entertainment and real estate costs, drive-in attendance declined from the 1970s through to the late 1990s. However, their retro-nostalgic appeal created a mini-boom in America which ebbs and flows, dictated by economics (car use, price of oil), access to cinema via online streaming, or coronavirus pandemic.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Ireland’s first drive-in cinema, Movie Junction, was based at Carrigtwohill in Cork for almost ten years, until its closure in 2019. However, with the advent of the coronavirus pandemic, drive-in cinemas are making a come-back as patrons can enjoy a movie while maintaining social distancing. In 2020, Iran had its first post-revolution drive-in film, showing &lt;em&gt;Exodus&lt;/em&gt; by the Iranian filmmaker Ebrahim Hatamikia. Hatamikia’s drama movie was due to be released in theatres around Iran in March 2020 but, due to the pandemic, it went directly to online screening before hitting the big outdoor screen under the iconic Milad tower in the capital Tehran. And, much like drive-in cinemas have always done, patrons sat in their cars, albeit having been sprayed with disinfectant in this case, and listened to the movie via their FM car radio. (AP, 'Coronavirus returns long-banned drive-in movies to Iran', &lt;em&gt;The New York Times&lt;/em&gt;, 05.05.2020.)</text>
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                <text>University College Cork, Cork Film Festival, Irish Examiner</text>
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              <elementText elementTextId="14281">
                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Festival delegates at a press briefing 1970</text>
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                <text>This is a black and white group photo of the festival team at a press briefing for the international press. Nameplates and small flags representing various countries decorate the table around which attendees are seated. There are no identifying marks at the back but we recognise the festival director Dermot Breen seated on the Lord Mayor’s left. The Lord Mayor is standing in front of the festival logo as he makes a speech to the assembled guests. The photo frame was marked 1970 which suggests that this is the Fine Gael politician Peter Barry who served as Lord Mayor of Cork that year.</text>
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                <text>Donal Sheehan</text>
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                <text>Symposium with Bunny Carr and Wolf Mankowitz</text>
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                <text>Cork Film Festival, Bunny Carr, Wolf Mankowitz, Joan Long, James Bond</text>
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                <text>This is a black and white photo of a discussion panel that includes the Irish television presenter Bunny Carr, the screen writer Wolf Mankowitz, Joan Long and two others unidentified. The panel is part of a 1970 symposium for the Cork Film Festival. The five panellists are sitting in a semi-circle on the stage in front of long-armed microphones, and include an unidentified priest on the far right sitting next to Long. Jugs of water and ashtrays are placed on the wooden tables in front of them and they all appear to be listening attentively to a speaker off-camera. &lt;br /&gt;&lt;br /&gt;Bunny Carr is sitting on the far left, hands folded at his chin, looking to his left across the stage. Born in Dublin, Bernard ‘Bunny’ Carr (1927-2018) was a popular RTÉ television presenter during the 1960s and 1970s. He also founded Carr Communications which is said to have trained six of Ireland’s Taoisigh (prime ministers). However it is as a television host of popular television shows that he is fondly remembered including, &lt;em&gt;Teen Talk&lt;/em&gt;, &lt;em&gt;The Politicians&lt;/em&gt;, &lt;em&gt;Going Strong&lt;/em&gt;, and most famously the quizmaster of &lt;em&gt;Quicksilver&lt;/em&gt;, where he was accompanied by the musical cues of organist Norman Metcalfe, which made its debut in 1965. (‘Bunny the man who stopped the lights – then showed politicians how to deal with life in spotlight’, &lt;em&gt;Irish Times&lt;/em&gt;, 21.09.2018.)&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Wolf Mankowitz (1924-1998), sitting on the right in this picture wearing a white shirt, with a cigarette in hand, was an award-winning English screenwriter and author known for his novels, plays and screenplays. He was of Jewish descent, born in the East End of London. However, following altercations with the English revenue, he moved to Ireland to avail of Charles Haughey’s generous tax policy towards artists and settled in Cork in 1971. Mankowitz was a successful screenwriter in the 1950s and wrote screenplays for his own works and adapted others including &lt;em&gt;A Kid for Two Farthings&lt;/em&gt; (Carol Reed, 1953) and &lt;em&gt;The Millionairess&lt;/em&gt; (Anthony Asquith, 1960) starring Sophia Loren and Peter Sellers. He was one of the screenwriters on the first James Bond film &lt;em&gt;Dr No&lt;/em&gt; (Terence Young, 1962) but asked for his name to be removed from the credits as he thought it poor; he also collaborated on the Bond movie &lt;em&gt;Casino Royale&lt;/em&gt; (Martin Campbell, 1976). &lt;br /&gt;&lt;br /&gt;In 1972 Mankowitz wrote and directed &lt;em&gt;The Hebrew Lesson&lt;/em&gt;, starring Milo O’Shea, Patrick Dawson and Harry Towb (who also appears in this archive). Set in Cork in 1921, during the War of Independence, it is about the friendship between an IRA man escaping pursuit from the Black and Tans, and an elderly man at a synagogue. He wrote the screenplay having being told the story about an IRA man hiding in a small synagogue in Dublin’s Lennox Street and it was shown at the Cork Film Festival in 1972. (TCD Irish Film and TV Research Online: tcd.ie/irishfilm.) &lt;br /&gt;&lt;br /&gt;Interestingly the &lt;em&gt;Guardian&lt;/em&gt; newspaper reported that the British M15 kept a security file on Mankowitz for more than a decade suspecting that he was a possible communist agent following his marriage to Ann Seligmann, in 1944, as she was a communist party member. The investigation was dropped when the M15 informant insisted that Mankowitz’s leftwing sympathies had disappeared noting that “He comes to the college every morning with a copy of the Times.” (Alan Travis, &lt;em&gt;The Guardian&lt;/em&gt;, 26.08.2010.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
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                <text>The composer Bernard Geary signing autographs</text>
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                <text>This is a black and white photo of the Cork composer Bernard Geary signing autographs for a crowd of excited children who surround him eagerly, hands outstretched. His head is lowered as he attends to the signing, his distinctive dark hair swept to the right with sideburns framing his lowered face. A few children look towards the camera and catch its attention.&lt;br /&gt;&lt;br /&gt;Bernard Geary (1934-) is a Cork musician, composer, and teacher, born in Gurranabraher where his parents ran a grocery shop. He studied music at the University College Cork during the 1950s and was encouraged in his compositions by Professor Aloys Fleischmann. His early compositions include work for the RTÉ String Quartet (&lt;em&gt;String Quartet No.1&lt;/em&gt;, 1960), the Cork Symphony Orchestra (&lt;em&gt;Provocation&lt;/em&gt;, 1960), and the RTÉ Symphony Orchestra (&lt;em&gt;Amran Dochais&lt;/em&gt;, 1963) as well as vocal and choral works and incidental music for radio. Geary composed a nine-movement &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt; for tenor, choir, and organ in 1973 which was first performed at the Church of St. Francis in Cork with Kevin Owens as a soloist and the Cork Film Festival Choir. It was commissioned by the Cork Film Festival and we might imagine that this photo is probably taken after the premiere of the Mass in June of that year. Given this, while this photo is marked ‘1970s’ we might pin its date down to 1973 or 1974 when he also conducted his mass for the festival. In 1975 Geary conducted the &lt;em&gt;Mass of Saint Patrick&lt;/em&gt; which was composed by Philip Green.&lt;br /&gt;&lt;br /&gt;Geary was commissioned to compose &lt;em&gt;Celebration of Cork&lt;/em&gt; for the opening of Cork 800 in 1985 which marked the anniversary of the founding of the city. The work was based on texts drawn from various writings including Edmund Spenser, Seán Ó Faoláin, and the Cork poet Father Prout (Francis Sylvester O’Mahony) and was revived for the Cork Choral Festival in 2018 (David Wright, wrightmusic.net; Cathy Desmond, &lt;em&gt;Cork Examiner&lt;/em&gt;, 17.04.2018).</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1969&#13;
Cork, Ireland</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2881">
                <text>Lord Mayor Pearse Leahy, Judy Geeson and Dermot Breen</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Lord Mayor Pearse Leahy, Judy Geeson, Dermot Breen, Sally Geeson,  Sean Kenny</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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            <name>Publisher</name>
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                <text>University College Cork</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2886">
                <text>1969</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>TF Sheppard</text>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival, TF Sheppard </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of the English actor Judy Geeson standing with Lord Mayor Thomas Pearse Leahy and festival director Dermot Breen. Blond-haired Geeson, wearing a white lace evening dress and holding a white bag, is smiling directly at the camera. Breen on the right, with a festival ribbon pinned to his jacket, stands straight and gazes at the camera. On the left, a bespectacled Thomas Pearse Leahy, with his grey hair swept back and hands folded in front of him, also smiles broadly for the camera. &lt;br /&gt;&lt;br /&gt;Thomas Pearse Leahy was Lord Mayor of Cork in 1969 which corroborates the date of this photo and makes Geeson age 21 years old when she came to visit Cork. Leahy was a member of the Labour party and served one term of office as Lord Mayor in Cork. During the Northern Ireland troubles, Sinn Féin organised a march through the city, led by the Thomas Ashe Piper’s Band, and placards saying “Cork Bleeds for Derry” and “Cork Supports its Northern Brothers”. Following the death of nine-year-old Patrick Rooney in Belfast, Lord Mayor Pearse Leahy said that Cork could offer refuge and accommodate 1,000 children from Northern Ireland trouble spots. (Donnacha Ó Beacháin, &lt;em&gt;Irish Times&lt;/em&gt;, 16.08.2019.) &lt;br /&gt;&lt;br /&gt;The actor Judy Geeson (1948-) was a popular English film, television, and stage actor who began her career with television work such as in &lt;em&gt;The Newcomers&lt;/em&gt; from 1965 to 1967 and Poldark in the mid-1970s. However it was her role in &lt;em&gt;To Sir, With Love&lt;/em&gt; (James Clavell, 1967), age 18, opposite Sidney Poitier that secured her place in film history. Her filmography includes &lt;em&gt;10 Rillington Place&lt;/em&gt; (Richard Fleischer, 1971) with Richard Attenborough, the notoriously panned &lt;em&gt;Carry on England&lt;/em&gt; (Gerald Thomas, 1976), and a supporting role in &lt;em&gt;The Eagle Has Landed&lt;/em&gt; (John Sturges, 1976) alongside Michael Caine, Donald Sutherland, and Jenny Agutter. &lt;br /&gt;&lt;br /&gt;Geeson is the sister of &lt;em&gt;Carry On&lt;/em&gt; and &lt;em&gt;Bless This House&lt;/em&gt; actor Sally Geeson (1950-). Judy Geeson was married to Sean Kenny, the Irish theatre designer, in 1969, until his sudden death in 1973, age 43. Some of Kenny's set designs can be seen in the theatre and performance collection of the Victoria &amp;amp; Albert (V&amp;amp;A) online digital archive.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12876">
                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English, eng</text>
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        <name>Dermot Breen</name>
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        <name>Judy Geeson</name>
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      <tag tagId="34">
        <name>Lord Mayor</name>
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      <tag tagId="398">
        <name>Pearse Leahy</name>
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