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                <text>Sachiko Hidari and colleague</text>
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                <text>Ambrose O'Mullane</text>
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                <text>1960&#13;
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                <text>This is a black and white photo of the Japanese actor and film director Sachiko Hidari with a colleague, both of whom are holding awards. Standing on the left Hidari is holding a St Finbarr statue, the design of which is attributed to the Cork-born sculptor Séamus Murphy. Her companion, dressed in a taffeta-style evening gown and striped linen-style scarf, is cradling the Waterford Glass trophy in the crook of her left arm.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Hidari is wearing a light-coloured kimono which is a traditional formal Japanese robe, usually made of hand-dyed silk and worn on special occasions. Hidari's kimono is tied at her waist with a metallic-coloured wide sash (known as an obi) which is wrapped around her waist and tied in the front with a bow. The lower half of the kimono is elaborately designed with images of simple huts which might be a reference to traditional Japanese tea houses. &lt;br /&gt;&lt;br /&gt;Sachiko Hidari (1930-2001) was a Japanese actor and film director. Born in the Toyama Prefecture she became an actor in 1952 when she was 22 years old. The &lt;em&gt;Historical Dictionary of Postwar Japan&lt;/em&gt; (William D Hoover, 2018) notes that she received international recognition in 1957 when she received the award for best actor at the Cork Film Festival for her role in &lt;em&gt;Kamiska Shiro No Hanzai&lt;/em&gt; (The Crime of Shiro Kamisaka) (1956), directed by Hisamat-su Seiji. By all accounts, she was an independent-minded woman who stepped outside the passive social role expected of Japanese women during this era. In 1977 she was the first Japanese woman to direct a film with &lt;em&gt;Töi Ippon No Michi&lt;/em&gt; (Far Road) in which she also starred. It was the story of a railroad worker's wife set over the course of 30 years and was financed by the Japanese National Railway Workers' Union as it was difficult to get funding from the big studios (&lt;em&gt;The New York Times&lt;/em&gt;, 12.02.1978). &lt;br /&gt;&lt;br /&gt;We note this photo is dated 1960 but Sachiko Hidari was given her award for best actor in 1957, so we bear this in mind. Interestingly, if this photo is from 1957 it was taken a year after she was threatened in Japan by gangsters from the &lt;em&gt;yakuza &lt;/em&gt;crime syndicate. The &lt;em&gt;yakuza&lt;/em&gt; were believed to have been hired by the Nikkatsu Film Company to intimidate her for daring to become an independent freelance actor outside of their control (&lt;em&gt;The New York Times&lt;/em&gt;, 12.02.1978).</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Gerry Jones and Frank Poole at the Festival Club</text>
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                <text>Cork Film Festival, Harp Lager, Gerry Jones, Dermot Breen, Frank Poole, Rank Film Productions, Rank Organisation,  Charles Haughey</text>
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                <text>1970</text>
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                <text>1970&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo taken of a small group seated around a table at the Cork Film festival club. The club was sponsored by Harp Lager whose name adorns the large umbrella in the background. The back of the photo identifies only Gerry Jones but we recognise the film festival director Dermot Breen, Frank Poole and the lady (who might be his wife) from other photos in the archive. The convivial gathering are all smiling looking up at the camera. On the far left a bespectacled Poole is smiling up at the camera seated next to Dermot Breen who is half-turned towards him. &lt;br /&gt;&lt;br /&gt;Frank Poole was a managing director of Rank Film Productions, London during the 1960s until his retirement in the late 1970s. The Rank Organisation was a British film company whose contract players made regular appearances at the Cork Film Festival during the 1950s in particular. &lt;br /&gt;&lt;br /&gt;On the far right Gerry Jones, with a distinctive dark eye-patch over his right eye, is seated looking down towards the table. Jones might be considered an incongruous addition to the group; he was a Dublin business man who was a notable figure of 1970s Ireland when he stood by the then Taoiseach Charles Haughey during the 1970 'Arms Trial'. The trial involved the indictment, and ultimate acquittal, of Haughey and his colleague Neil Blaney for the alleged involvement in a conspiracy to smuggle arms to the IRA in Northern Ireland. In 2001 the &lt;em&gt;Irish Independent&lt;/em&gt; reported that secret British papers released by the Public Record Office in London noted that all twelve jurors at the time had been contacted by Gerry Jones (since deceased) in order to intimidate them but this was not substantiated ('Jones 'tracked arms trial jurors', &lt;em&gt;Irish Independent, &lt;/em&gt;19.04.2001). &lt;br /&gt;&lt;br /&gt;(Even though this picture is marked '1960s', based on other photos in the archive we provisionally date it 1970.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Cork Film Festival, Dermot Breen, Richard Beamish, Tom Nicholas, London Friends of Cork, Martini Terrace, London</text>
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                <text>This is a black and white photo of the festival director, Dermot Breen, with the vice-chairman of the festival committee, Richard (Dick) Beamish, and Tom Nicholas (centre) from the London Friends of Cork. They are attending a reception at the Martini Terrace in London, where details of the 20th Cork Film International Festival were announced (which allows us to date this photo 1975).&#13;
&#13;
The Martini Terrace is an iconic landmark that sits on the top floor of the 18-storey New Zealand House located at the corner of Haymarket and the Pall Mall in London. It was built in 1959 and was, and is, a controversial building being the only skyscraper in this locality. The terrace was used for receptions and launches and has a view over Trafalgar Square. In 1992 it was listed Grade II cementing its place in the architectural history of London.</text>
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                <text>University College Cork, Cork Film Festival, Theo Cowan </text>
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                <text>1975&#13;
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dermot Breen and festival guest</text>
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                <text>This is a black and white photo of festival director Dermot Breen with an unidentified companion in an undated image.  Breen, in a dark suit and bow tie, is looking down towards his companion who is wearing an off-the-shoulder dark dress with some embroidery detail on the left of the neckline. </text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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&#13;
This picture was taken in London at an event hosted by the London Friends of the Festival held at the Martini International Club whose logo is printed on the front of these promotional photographs. The Martini Terrace is an iconic landmark that sits on the top floor of the 18-storey New Zealand House located at the corner of Haymarket and the Pall Mall in London. Built in 1959 the building has attracted controversy for being the only skyscraper in this locality. </text>
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                <text>&lt;p&gt;©HW Neale. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Closing Night with Lord Mayor Pearse Wyse in 1967</text>
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                <text>This is a black and white photo of the closing night of the festival in 1967 and shows guests and dignitaries seated across the expanse of the City Hall stage. A small white table at the front of the stage displays four St Finbarr statuettes, together with a Waterford crystal award. Lord Mayor Pearse Wyse is seated just behind the table and is looking towards his right while clapping his hands. &#13;
&#13;
Born in Cork, Pearse Wyse (1928-2009) was a Fianna Fáil politician who would serve as Lord Mayor of Cork in 1967 and again in 1974. A firm supporter of Jack Lynch he was a formidable opponent of Charles Haughey and was a member of the so-called 'Gang of 22'. Disillusioned with the Fianna Fáil party he went on to found the Progressive Democrats where he held a seat as a TD in the 1987 and 1989 elections. &#13;
&#13;
The photograph does not identify the guests but we note that the only woman on the stage of fourteen men is 'Miss Movie Girl 1967' who is seated next to the festival director Dermot Breen.  We can make out Gus Healy sitting next to Breen. Healy was Lord Mayor of Cork from 1964 to 1965 and 1975 to 1976.</text>
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                <text>1967&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>James Mason and Ted O'Brien</text>
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                <text>This is a black and white photo, dated 1965, of the English actor James Mason and Ted O'Brien standing side-by-side and both turned to their right in conversation with a lady (we can only see her hands in this photo). Both men are wearing dinner jackets accessorised with a bow-tie and a pin on the left lapel. The light of the camera illuminates Mason, with his grey-flecked hair, and bounces off his cheek bones. His shorter colleague, with dark hair and horn-rimmed glasses, looks on towards the companion to whom they are speaking. &lt;br /&gt;&lt;br /&gt;James Mason (1909-1984) appears a couple of times in the archive. Born in England he found success in both England and Hollywood from the 1950s through to the 1980s starring in more than 100 films. He was nominated for three Academy Awards for &lt;em&gt;A Star is Born&lt;/em&gt; (George Cukor, 1954) with Judy Garland, &lt;em&gt;Lolita&lt;/em&gt; (Stanley Kubrick, 1962) and the Silvio Narizzano award-winning film &lt;em&gt;Georgy Girl&lt;/em&gt; (1966) with Lynn Redgrave and Charlotte Rampling. &lt;br /&gt;&lt;br /&gt;Mason was one of the early players in the Hollywood studio production system and negotiated strongly for contractual rights allowing him economic and creative freedom. Interestingly he registered as a conscientious objector during the Second World War.</text>
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              <elementText elementTextId="14046">
                <text>&lt;p&gt;©BL MacGill. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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