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                <text>Heinz Rühmann and Dermot Breen</text>
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                <text>These black and white photos are of the German film actor Heinrich (Heinz) Rühmann and the film festival director Dermot Breen.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Heinz Rühmann, standing on the left in these photos, was born in 1902. He was a prolific German film and television actor who acted in over 100 films in his lifetime and is considered a film legend for his contribution to the German film industry. Rühmann managed to court all sectors of German society including the Third Reich, where seemingly he was a favourite of Adolf Hitler and Joseph Goebbels, as well as the diarist Ann Frank, who had his picture pinned on the wall of her hiding place, where it still hangs on display today. &lt;br /&gt;&lt;br /&gt;Rühman's filmography includes &lt;em&gt;Er Kannes Nicht Lassen&lt;/em&gt; (Alex von Ambesser, 1962), based on the &lt;em&gt;Father Brown&lt;/em&gt; stories by GK Chesterton, and the Hollywood-produced &lt;em&gt;Ship of Fools&lt;/em&gt; (Stanley Kramer, 1965) with Vivien Leigh and Lee Marvin. His final film role was as Konrad in &lt;em&gt;Faraway, So Close&lt;/em&gt; (1993) directed by Wim Wenders and starring Peter Falk and Nastassja Kinski. Rühmann died in 1994 and was posthumously awarded the 'Goldene Kamera' in 1995 for his contribution to German cinema.</text>
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                <text>Cyril Cusack, Eamon Andrews and Dermot Breen</text>
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                <text>This is a black and white photo of the actor Cyril Cusack with the television presenter Eamon Andrews and the film festival director Dermot Breen. A bearded Cyril Cusack stands on the left, arms folded, in mid-conversation while both Eamon Andrews, at the centre, and Dermot Breen smile for the camera. &lt;br /&gt;&lt;br /&gt;Cyril Cusack (1910-1993), and his daughter Sinéad, were both visitors to the festival. Born in South Africa, to an English mother and Irish father, Cusack ended up in Ireland when his parents separated. He joined the Abbey Theatre in 1932 with whom he acted almost sixty plays before joining the Royal Shakespeare Company in 1962. In the meantime he had established a successful film career and has an extensive filmography including &lt;em&gt;The Rising of the Moon&lt;/em&gt; (John Ford, 1957), &lt;em&gt;The Spy Who Came in from the Cold&lt;/em&gt; (Martin Ritt, 1965), &lt;em&gt;The Day of the Jackal&lt;/em&gt; (Fred Zinnemann, 1973), and as Michil, in the first Irish language film &lt;em&gt;Poitín&lt;/em&gt; (Bob Quinn, 1978) starring Cusack along with Donal McCann, Niall Tóibín, and Mick Lally. This photo is marked 1959 and Cusack had filmed &lt;em&gt;Shake Hands with the Devil&lt;/em&gt; (Michael Anderson, 1959) that year. His last stage performance was in Chekhov's &lt;em&gt;Three Sisters&lt;/em&gt; (1990) in which his three daughters, Sinéad, Sorcha, and Niamh also acted.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Dublin-born Eamon Andrews (1922-1987) was a well-known Irish radio and television presenter who worked primarily in England. He chaired the Radio Éireann Authority (now the RTÉ Authority) from 1960 overseeing the introduction of state television in Ireland. However he relinquished the role in 1964 following a row over the controversial content of the &lt;em&gt;Late Late Show &lt;/em&gt;whose freedom of expression he defended. He worked as a sports commentator for many years before pioneering the chat show format in the UK. He is best known for his work as a presenter on the chat show &lt;em&gt;This is Your Life&lt;/em&gt; which ran from its inception in 1955 until his death in 1987. One of the interviews he made in 1960 was with the Irish writer Brendan Behan in &lt;em&gt;Meet the Quare Fella&lt;/em&gt;. He was awarded an honorary Commander of the British Empire in 1970 for his contribution to British broadcasting. He died some years later in 1987, age 64, following a short illness.</text>
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                <text>&lt;p&gt;©Owen and Moroney. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo, marked 1958, of Dermot Breen, Donal Crosbie, John Grierson and the Iranian-German film producer Vasgen Badal sitting together at a table in conversation. The festival director Dermot Breen, with his back to us, is leaning on the table with his right arm, listening to Crosbie and Badal. Grierson, with his distinctive dark-framed glasses, sits at the rear of the group drawing deeply on his cigarette. They are all wearing festival pins on the left lapels of their jackets and have papers strewn on the table before them, along with empty glasses and an ash-filled ashtray. &lt;br /&gt;&lt;br /&gt;Vasgen Badal was born in 1891, in Tehran, and little is known about him. He was based in Germany and produced a series of films starring popular screen stars including Magda Schneider and Heinz Rühmann who also came to the Cork Film Festival. In 1958 Badal was presented with a statuette of St. Finbarr by Jack Lynch for the film &lt;em&gt;Dreamroad of the World&lt;/em&gt; (Hans Domnick, 1958) under his film company 'Badal-Filmproduktion'. He produced a number of films in the thirties and forties including a Nazi propaganda film &lt;em&gt;Roter Nebel&lt;/em&gt; (UA, 1941) which was released after the German attack on the USSR in June 1941. Vasgen Badal died in 1959 - a year after this photo was taken. As so little is known about him we are fortunate to have images of him in the archive.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;John Grierson was a Scottish documentary maker who coined the term 'documentary' in a review of Robert Flaherty's &lt;em&gt;Moana&lt;/em&gt; (1926). Grierson founded the National Film Board of Canada (NFBC) in 1939 and worked there until his resignation in 1945. He lectured at Carleton and McGill University and his lectures at McGill University would attract up to seven hundred students for his classes. In his time Grierson sat on many film festival juries including Cannes, Venice, and Oberhausen; he was jury president in Cork in 1958 when this picture was taken. Grierson died in 1972 and was cremated and his urn, along with that of his brother who had died the previous year, was placed in the sea off the Old Head in Kinsale, County Cork. The now-prestigious Grierson Award, set up in 1972 by the Grierson Trust and UK Film Council, commemorate his life and contribution to documentary film and is awarded annually.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Cork Film Festival, Bjørn Rasmussen, Denmark</text>
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                <text>This is a black and white photo of the pioneering film critic Bjørn Rasmussen. In this photo, marked 1958, Rasmussen is seated at a desk speaking into a microphone. He rests his hands, folded over each other, on the crook of a wooden walking stick and is caught in mid-conversation glancing upwards. He is dressed in a light-coloured suit with a white shirt, with the collar of the shirt and tie slightly askew. The 1958 festival programme includes a profile of Rasmussen, along with the president of the jury, John Grierson, producer Joy Batchelor and MGM manager Douglas King.&lt;br /&gt;&lt;br /&gt;Born in 1918, Rasmussen was known for a long-running television series, &lt;em&gt;Filmorientering,&lt;/em&gt; and &lt;em&gt;Filmkronik&lt;/em&gt;, a film review programme. He taught film studies at the University of Copenhagen and was the head of the International Jury for the 21st Berlin Film Festival in 1971. That year the Golden Bear for best film was awarded to &lt;em&gt;The Garden of the Finzi-Continis&lt;/em&gt; (&lt;em&gt;Il giardino dei Finzi-Contini&lt;/em&gt;) directed by Vittorio De Sica who was a frequent visitor to the Cork festival in its early years.&amp;nbsp; Rasmussen died the following year in 1972, age 54.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the German actor Eva-Ingeborg Scholz standing on the deck of a small wooden boat with an unidentified companion who crouches below her on the right of the picture. Scholz, with barefeet, is wearing a dark jumper and light-coloured trousers accessorised with a dark beret-style cap. She is holding onto the mast with her left hand whilst waving and smiling directly at the camera.  Her companion,  wearing a tartan skirt and jumper accessorised with a light-coloured head scarf, is also waving at the camera whilst holding onto the rigging of the sail. In the background we can see the shoreline with the trees of the landscape beyond.</text>
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                <text>This is a black and white photo of Roy Gunson, Margaret Savage, and the vice-chairman of the festival committee, Richard (Dick) Beamish, taken at a reception held at the Martini Terrace, New Zealand House, in London. On the far left the bespectacled Roy Gunson is posing towards the camera with his right hand raised holding a glass. &lt;br /&gt;&lt;br /&gt;Gunson worked as a dance director and choreographer with the popular &lt;em&gt;The Black and White Minstrel Show&lt;/em&gt; which ran on BBC television in the UK from 1958 to 1978. Margaret Savage, wearing a flamboyant patterned dress accessorised with a scarf tied at her neck, stands in the middle of the group. She was a singer who also worked on &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Black and White Minstrel Show&lt;/em&gt; with Gunson. &lt;br /&gt;&lt;br /&gt;On the far right, Dick Beamish, wearing his distinctive dark-framed glasses, is smiling directly at the camera. They are attending a reception, held at the Martini Terrace in London, where details of the 20th Cork Film International Festival were announced. The Martini Terrace is an iconic landmark that sits on the top floor of the 18-storey New Zealand House located at the corner of Haymarket and the Pall Mall in London.&amp;nbsp;</text>
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                <text>This is a black and white photo of Joseph Tomelty, the Irish character actor, novelist and playwright, reading from the pulpit of St. Francis' Church on Liberty Street in Cork. Joseph Tomelty (1911-1995) was a cultural tour de force from the North of Ireland known for his work on radio as well as the stage. His was a familiar face on the screen, with his distinctive white-haired, bushy-browed features. Born in County Down, on the east coast of Ulster, he was based in Northern Ireland where he made a significant contribution to its cultural history. He was instrumental in founding and managing the Group Theatre in Belfast in 1940 where his plays would be staged (apart from the controversial 1944 play &lt;em&gt;The End House&lt;/em&gt;, which was premiered at the Abbey Theatre because the Northern theatres wouldn't show it). He wrote comedy dramas for the BBC, in particular &lt;em&gt;The McCooeys&lt;/em&gt; which lasted seven years. He also worked in Hollywood but it was for his enduring committment to the North of Ireland that he is fondly remembered. &lt;br /&gt;&lt;br /&gt;In this image Tomelty is standing at the altar of the Byzantine-styled red-brick Church and Friary of St Francis. Behind him we can make out the elaborate decorated mosaic tiles of the apse behind the altar and beside him four priests stand with hands folded in prayer. St Francis Church was founded on Liberty Street in the mid-nineteenth century before being rebuilt in July 1953. It is tucked behind the Cork City Courthouse and partially stands on the site of old Broad Lane Church. Its city location and spacious interior made it an ideal location for the crowds that attended the annual Cork Film Festival St Finbarr Mass.</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>1969&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2129">
                <text>This is a black and white photo, dated 1969, of festival director Dermot Breen and his wife Vida, accompanied by two colleagues identified as Jimmy Campbell and Frank O'Reilly. The small group is shown in evening wear ascending the stone steps of the Savoy Cinema. The men wear dark evening suits and Vida Breen is wearing a dark fur jacket over a long light-coloured floral dress accessorised with a satin clutch bag. Above them posters advertise &lt;em&gt;Scannán Chorcaí&lt;/em&gt; (Cork Film) and the Cork International Film Festival.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12869">
                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12870">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="20">
        <name>Dermot Breen</name>
      </tag>
      <tag tagId="290">
        <name>Frank O'Reilly</name>
      </tag>
      <tag tagId="289">
        <name>Jimmy Campbell</name>
      </tag>
      <tag tagId="19">
        <name>Vida Breen</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
