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                <text> Dawn Addams and Maxwell Sweeney, RTÉ</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a photo of the the English actor Dawn Addams embracing the film festival director Dermot Breen. Addams is shown in profile with her arms around Breen who is smiling up above the eyeline of the camera. Both are in formal wear with Addams wearing a dark-coloured satin gown, accessorised with white gloves and a small handbag and a ribbon tied into her dark hair. Breen is wearing a dark suit with a bow-tie and has a cigarette in his left hand. &lt;br /&gt;&lt;br /&gt;This photo was taken in 1957, the year that Dawn Addams played alongside Charlie Chaplin in the film &lt;em&gt;A King in New York&lt;/em&gt; (Charlie Chaplin, 1957) which was screened at the festival. She had an illustrious and somewhat controversial relationship with the film festival. Due in part she admitted years later to the advice of her publicist advising her to court publicity. In particular her request, during the 1957 film festival, for a milk bath at the at the Cork Metropole Hotel caused much commotion in the press; it was shot down by the manager of the hotel, Douglas Vance, because "the people of Cork are finding it hard to make ends meet" (&lt;em&gt;Independent, &lt;/em&gt;09.11.2012)&lt;em&gt;.&lt;/em&gt; Her vivacious personality must have been a joy to capture by the photographers of the day as is evident from the many photos of her in the archive.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Barbara Laage in a boat </text>
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                <text>University College Cork, Cork Film Festival, Cork Examiner</text>
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                <text>1957&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of the popular French actor Barbara Laage (1920-1988) aboard a small boat which the photo notes is moored on the River Lee in Cork. Laage stands on the deck of the boat, leaning over the bow with her hands on the steering tiller; rolls of marine rope are curled by her bare-stockinged feet. Wearing a dark suit, accessorised with a white polka dot headscarf, Laage is looking up smiling over her left shoulder. In the distance we can see the sea (or river) dotted with sea craft and beyond that the shoreline.&#13;
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14266">
                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of the film festival director Dermot Breen standing in front of a large montage-style poster advertising &lt;em&gt;Féile Scannán ćorcaí&lt;/em&gt; (Cork Film Festival). Breen, standing to the right, is photographed looking up at the poster, which is decorated with small flags from around the world and takes up much of the wall space behind him. &lt;br /&gt;&lt;br /&gt;The films advertised on the poster are from the 1950s and include, amongst others, &lt;em&gt;Der Arzt von Stalingrad&lt;/em&gt; (The Doctor of Stalingrad) (Géza von Radványi, 1958) with Eva Bartok, &lt;em&gt;The Old Man and The Sea&lt;/em&gt; (John Sturges, 1958), &lt;em&gt;Sally's Irish Rogue&lt;/em&gt; (George Pollock, 1958) and the Norwegian film &lt;em&gt;Ni Liv&lt;/em&gt; (Nine Lives) (Arne Skouen, 1957). &lt;em&gt;Ni Liv&lt;/em&gt; was nominated for an Oscar for Best Foreign Language Film in 1958, and in 1991 it was voted the greatest Norwegian film ever made by Norwegian television audiences.</text>
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                <text>1956&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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              <elementText elementTextId="12806">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Norway</name>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the Italian film director and actor Vittorio De Sica leaving the Savoy cinema, Cork. Above De Sica we see posters advertising the comedy film &lt;em&gt;Cannon Serenade&lt;/em&gt; (Wolfgang Staudte, 1958) in which De Sica starred as the captain of a small coastal freighter fitted with a little cannon in case of enemy attack during World War II. &lt;br /&gt;&lt;br /&gt;Born in Naples De Sica came from a poor family and as a young man worked as an actor. De Sica was considered a successful matinee idol of the Italian theatre and movies before turning to directing in 1940. His success with &lt;em&gt;The Children Are Watching Us&lt;/em&gt; (De Sica, 1944), &lt;em&gt;Shoeshine&lt;/em&gt; (De Sica, 1946) and &lt;em&gt;Bicycle Thieves&lt;/em&gt; (De Sica, 1948) established him as one of the great Italian directors of all time. In particular &lt;em&gt;Bicycle Thieves&lt;/em&gt; - an neo-realist drama which considered the poverty of post-war Italy - won a special honorary Oscar before the foreign film category was officially established. &lt;br /&gt;&lt;br /&gt;In this photo we also see a poster advertising his personal appearance at the Savoy that evening. Crowds gather around him on the right and left of the marble steps of the cinema. Sporting a dark mustache, De Sica is dressed in a dinner suit accessorised with a bow-tie and is looking down as he steps forward. To his front a cinema usher, wearing a two-piece suit with a long coat decorated with gilt buttons down its front, escorts the director down the steps. &lt;br /&gt;&lt;br /&gt;Ushers were known as 'commisionaires' in the early days of the Savoy and while the usher in this photo is not identified, John McSweeney notes in his book on the &lt;em&gt;Golden Age of Cork Cinemas&lt;/em&gt; (2013), that there was a well known head usher called John ('Johnno') O'Connell from Blarney Street in Cork who worked at the Savoy during the early days of its existence.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Ernest Borgnine presenting a tribute award to Delbert Mann in 1967</text>
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                <text>This is a black and white photograph of the film director Delbert Mann with the American actor Ernest Borgnine. They are standing side-by-side holding an award that has been presented to Mann by the twelfth Cork International Film Festival, September 1967. Delbert Mann (1920-2007) was an Oscar-winning American television and film director; he directed Borgnine in &lt;em&gt;Marty&lt;/em&gt;&amp;nbsp;(1955) which won him an Oscar for Best Director. It was the first American film to win a &lt;em&gt;Palme d'Or&lt;/em&gt; at the Cannes Film Festival. &lt;br /&gt;&lt;br /&gt;Ernest Borgnine (1917-2012) was a popular and well-known American actor noted for his gap-toothed grin. He has an extensive filmography and also won an Oscar for &lt;em&gt;Marty&lt;/em&gt; (Best Actor). He would work until his ninth decade and earned an Emmy nomination aged 92 for his role in ER. He was also the voice of 'Mermaid Man' on &lt;em&gt;SpongeBob SquarePants&lt;/em&gt; from 1999 until his death in 2012. Borgnine would receive the Screen Actors Guild Life Achievement Award at the 17th Screen Actors Guild Awards in 2011, a year before his death in 2012 aged 95.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/626"&gt;1967 Cork Film Festival Programme&lt;/a&gt;</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Delbert Mann</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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&#13;
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                <text>This is a black and white photo of an unidentified delegate standing at a microphone, his head lowered reading from a script. He is dark-haired with wire-framed glasses and wearing a long-line black belted jacket (which might help us date this image from the 1970s). Behind him, a small collection of trophies, identified as 'samples' on the back of the photo, can be seen on a table, along with a crystal decanter of whiskey. &lt;br /&gt;&lt;br /&gt;The trophies include three St Finbarr awards designed by the Cork-born sculptor and stone-carver Séamus Murphy who had a studio on the Watercourse Road, in Blackpool, Cork.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
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          <name>Original Format</name>
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                <text>Festival Mass Choir</text>
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                <text>This is a black and white photo of an unidentified choir participating at the annual film festival mass. We can see the back of the choir, facing the conductor, as they sing. The conductor is looking down at his music - his arms raised in gesticulation. To the right of the choir an organist, his music strewn on the lid of the piano, accompanies the choir. Below them we can see the congregation seated in church pews that stretch before us and up as far as the mosaic-tiled apse that surrounds the marble altar. The Church is not identified but we can tell from this photo that it is the interior of St Francis Church on Liberty Street in Cork. With its Byzantine-styled red-brick exterior the Church and Friary of St Francis was founded on Liberty Street in the mid-nineteenth century, before being rebuilt in July 1953. It is tucked behind the Cork Courthouse and partially stands on the site of old Broad Lane Church. Whilst typical in style for 1950s Ireland it retains notable interior fittings that distinguish it, such as its stained glass windows and doors. It is spacious, full of light and decorated with mosaics designed in the main by the Italian artist, Professor Umberto Noni who declared it to be 'the very crowning of [his] life's work'.</text>
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              <elementText elementTextId="12715">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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