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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the celebrated Cork-born poet Theo Dorgan, on the left in a leather jacket, with an unidentified companion. They are both looking down at the programme for the 31st Cork International Film Festival which took place in 1986 (and helps us date this photo). Dorgan had just taken over the film festival that year, along with Mick Hannigan, and this photo might be from the launch of that years’ festival. &lt;br /&gt;&lt;br /&gt;Dorgan’s name, together with Hannigan, is intrinsically tied up with the film festival in the mid-eighties and beyond. They took it on together in 1986 after the resignation of the then-director Robin O’Sullivan, who had gamely run it for some years following the unexpected death of festival founder Dermot Breen in 1978. Dorgan and Hannigan ran the festival together until 1989, when Dorgan moved on following his appointment as director of Poetry Ireland.&lt;br /&gt;&lt;br /&gt;Dorgan, a graduate of University College Cork - where he also taught - is a member of the Irish arts organisation Aosdána and was an appointee of the Arts Council from 2003 to 2008. His most recent work includes &lt;em&gt;Liberty Walks Naked&lt;/em&gt; (from the French of Maram al-Masri) (Southword Editions, Cork, 2017), &lt;em&gt;Orpheus&lt;/em&gt; (Dedalus Press, 2018), &lt;em&gt;Bailéid Giofógacha&lt;/em&gt; (from the Spanish of Federico García Lorca) (Coiscéim, Baila Átha Cliath, 2019), and &lt;em&gt;The Abduction&lt;/em&gt; (from the French of Maram al-Masri) (Southword Editions, Cork, 2020).</text>
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                <text>This is a black and white group photo of the German film actor Eva-Ingeborg Scholz with the Lord Mayor Seán McCarthy (1889-1974) and others identified at the back of the photo as Vida Breen, the Lord Mayor Seán McCarthy, Norma Crosbie, the Lord Mayor's secretary and the film festival director Dermot Breen. Scholz is sitting at a desk, smiling brightly up at the camera, signing a visitor's book while the others stand around her. Vida Breen is looking up at the camera on the left wearing a light-coloured suit while on the far right her husband, Dermot Breen, is leaning over the desk looking down. &#13;
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Behind Scholz, the Lord Mayor, Seán McCarthy, in a dark suit, is also looking downwards.  He was a Fianna Fáil politician who served as Lord Mayor of Cork on four occasions from 1949 to 1951, 1958 to 1959, 1963 to 1964, and 1966 to 1967.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Éamon de Valera raising the Tóstal flag </text>
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                <text>Cork Film Festival, Tóstal, Éamon de Valera, Alfred O'Rahilly, University College Cork, Lord Mayor Patrick McGrath</text>
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                <text>1952-1955</text>
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                <text>1959&#13;
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                <text>This is a black and white photograph of Éamon de Valera raising the Tóstal flag. While the photograph is not dated we might guess it was taken during the early tenure of his presidency in the fifties, during which time Patrick McGrath served as Lord Mayor of Cork from 1952-1955. De Valera stands on a podium in front of 31 South Mall in Cork, where the London Assurance Corporation 1720 had their Cork Branch. On-lookers look out from the office windows down at the events below. Above we can see the windows of the local accountancy firm &lt;em&gt;Lantry &amp;amp; Co&lt;/em&gt;. Uniformed soldiers stand in rows in front of the podium, their right arm slightly raised at their hip bearing arms. &lt;br /&gt;&lt;br /&gt;De Valera is accompanied on his right by Lord Mayor, Patrick McGrath, and various dignitaries including Dermot Breen and the then president of University College Cork, Alfred O'Rahilly (1884-1969). The academic O'Rahilly (1884-1969) briefly served as a politician (1943-1954) but was best known for his presidency of the University College Cork from 1943 to 1954. A Sinn Féin supporter, O'Rahilly was interned in Spike Island prison in Cork in 1921 for his political writings. In his capacity as President of the University, he would work closely with the Trade Unions and initiated workers' education courses during the late 1940s. On the death of his wife in 1955, he became a priest, and later Monsignor, and would be awarded the Pontifical Order of Saint Gregory the Great by Pope Pius XII which is the highest distinction that can be awarded to a layman by the Catholic Church. The &lt;em&gt;Irish Times&lt;/em&gt; noted that he was 'imperious and some considered him comical, but he silenced his detractors with outstanding intellect and scholarship' (06.10.1998). The same &lt;em&gt;Irish Times&lt;/em&gt; article records that O'Rahilly contemplated a multi-volume life of Christ prompting his colleague Mgr Padraig de Bruin to observe that 'a life of O'Rahilly by Christ would be much more interesting.' A building at the university has been dedicated to him since 1998.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14156">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>Mollie Peters with Dermot Breen</text>
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                <text>Dermot Breen, Mollie Peters, James Bond</text>
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                <text>This is one of a few colour photos in the archive. It shows the English actor Mollie Peters, sitting with the festival director Dermot Breen. They are seated side-by-side at a dinner table and Peters, wearing an emerald green dress, is shown in profile looking towards Breen. Breen, in a dinner suit, is leaning on the table, holding a cigarette in his yellowed fingers, and is half-turned towards Peters. In front of them, we note the detritus of dinner, together with glasses of wine. &lt;br /&gt;&lt;br /&gt;Mollie (sometimes spelled 'Molly') Peters was the stage name of Vivien Mollie Rudderham, an English actor best known for her role as Nurse Patricia Fearing, opposite Sean Connery's 007 in &lt;em&gt;Thunderball&lt;/em&gt; (Terence Young, 1965). She was famously the first Bond girl to take off her clothes on-screen, earning the franchise its first X-rating. Several scenes were cut at the request of the British Board of Film Classification (BBFC) for their risqué nature. Despite the success of &lt;em&gt;Thunderball,&lt;/em&gt; Peters went on to have a short-lived film career, mainly due to contractual disagreements with her agent that forestalled her career.</text>
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