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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/622"&gt;1960 Cork Film Festival programme content (pdf)&lt;/a&gt;</text>
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                <text>The 1960 festival programme cover is off-white, with vertical lines in the background dotted with small light stars. In the foreground is a Celtic-stylised image of a saint holding a staff in his right hand. The image is flanked by two emblems – one of the harp and one of the coat of arms of Cork (a ship between two towers). The image is faded where the print has rubbed off. The back cover is plain off-white with no images. The printer is credited at the centre. The cost of the programme (2/-) is noted bottom left. &lt;br /&gt;&lt;br /&gt;The 1960 programme is a soft card-bound programme measuring 24cm x 16.5cm. The bind is stapled and it has 40 numbered pages. It has wear and tear on the cover which has come away from the rust-damaged staples. A pencilled name ‘Noel Ryan-Savoy’ is scribbled across the top edge of the programme.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>Gala Premiere &lt;em&gt;The Towering Inferno &lt;/em&gt;programme from 1975</text>
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                <text>Cork Film International, &lt;em&gt;The Towering Inferno&lt;/em&gt;, Savoy Cinema</text>
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                <text>Cork Film Festival, London Friends of Cork, Tom Nicholas, Dermot Breen</text>
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                <text>1975&#13;
Cork, Ireland</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/633"&gt;1985 Cork Film Festival programme content (pdf)&lt;/a&gt;</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>Cork Film Festival, Charles Hennessy, Michael Hannigan, Ann O'Sullivan, Joe O'Callaghan, Úna Feely , Marien KaKabeeke</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>The 2002 festival programme cover is a green-themed montage of film stills and festival information. The montage depicts twelve film stills from films being shown that year at the festival; they include &lt;em&gt;Magdalene Sisters&lt;/em&gt; (Peter Mullan, 2002), &lt;em&gt;A Man Without a Past&lt;/em&gt; (Aki Kaurismäki, 2002), &lt;em&gt;John Ford Goes to War&lt;/em&gt; (Tom Thurman, 2002), as well as stills from the shorts programme &lt;em&gt;Aria&lt;/em&gt; (Pjtor Sapegin, 2001), &lt;em&gt;A Man Thing&lt;/em&gt; (Sławomir Fabicki, 2001), &lt;em&gt;Face&lt;/em&gt; (Bertha Bay-Sa Pan, 2002), and the animation programme (a selection from Phil Mulloy). The festival sponsors are noted in a green box at the bottom right corner of the programme and the festival information is noted in a green band above this. &lt;br /&gt;&lt;br /&gt;The back of the programme, also green, has a circular orange and black image at its centre. The image is taken from &lt;em&gt;Film 1st&lt;/em&gt; (Gustave Deutsch, 2002) and is found footage of a young woman, looking down with her hands raised up resting on her head, dressed in a vintage-styled twenties dress accessorised with drapes over her shoulders. &lt;br /&gt;&lt;br /&gt;The programme is a soft card-bound programme with a glue-bound spine. It comprises 128 pages and measures 21cm x 29.5cm.</text>
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                <text>University College Cork, Cork Film Festival, Allied Irish Print, Patrick Morrison, Michael Lehane, Cosima Dinkel</text>
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                <text>The image on the 2008 festival programme cover is vivid with black silhouettes of three birds amidst a floral-like scene of foliage. The foliage is made up of film reel strips in various colours of green interspaced with brighter pinks and purples. Film spills out of transparent film reels in the background. The silhouette of a hummingbird is airborne at the centre of the image with two smaller birds perched on film-reel on either side. The gold and black text of the programme is at the head and foot of the cover. &lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for Corona Extra beer who were the main sponsors of the festival that year. The image of an ice-cold bottle of Corona Extra beer – with a wedge of lime inserted in the neck – dominates the length of the blue-coloured page. Transparent film reel is wrapped around the gold beer-filled bottle in a loose circular fashion. Advertising text is placed in gold, white and yellow font at the right of the bottle. &lt;br /&gt;&lt;br /&gt;The festival programme is a soft glue-bound programme measuring 21cm x 29.5cm with 136 numbered pages. Notes: &lt;em&gt;Time Passes ...&lt;/em&gt; An article by Mick Hannigan is included on p.11 about the death of Charlie Hennessy, former CFF Chairman and the passing of other festival colleagues (Dónal Sheehan and Ian Breakwell).</text>
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                <text>Cork Film Festival, Michael Hannigan, Úna Feely, Michael  O'Connell, Brian Bermingham, Michael Barry, Patrick Morrison</text>
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                <text>2008&#13;
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>University College Cork, Cork Film Festival, Allied Print Ltd.,  Adrian Connolly, Dermot Casey, Nime  Stefansson, Nime Stefansson,  Malcolm Le Grice</text>
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                <text>The front cover of the 2004 festival programme is text-heavy with an image by the experimental artist Malcolm Le Grice, who exhibited at the Triskel Art Centre in Cork during the 2004 Festival. Le Grice is interested in experimental images in the digital age. The image on the cover is from his 60-minute colour video &lt;em&gt;The Cyclops Cycle &lt;/em&gt;and 'moves from the mythic to the domain of the domestic' (p.47 of the programme). The picture on the cover is a still from the video; the central image, from the nine images within the rectangle of images, is of an eye and the remaining eight images reference the eye in either shape or suggestion. &lt;br /&gt;&lt;br /&gt;The back cover is white, with minimal text at the foot of the programme. There is a small image at the upper part of the programme that depicts a person in white shorts breaking through a window or glass door out into the void. Their arms are raised in front of their face as they leap forward, from their blue-drenched background, as if a swimming pool, out into the white space before them. &lt;br /&gt;&lt;br /&gt;The 2004 programme is a soft glue-bound issue with 112 numbered pages.</text>
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                <text>Cork Film Festival, Cllr Sean O’Mairtin,Charles Hennessy, Michael Hannigan,Eimear O’Herlihy, Una Feely, Adrian Connolly, Malcolm Le Grice, Nime Stefansson, Liz Morrissey</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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