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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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                  <text>Cork Film Festival Collection</text>
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                  <text>1956-</text>
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                  <text>1956-&#13;
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <text>214  x 167mm</text>
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                <text>This is a black and white photo of the Italian film director and actor Vittorio De Sica leaving the Savoy cinema, Cork. Above De Sica we see posters advertising the comedy film &lt;em&gt;Cannon Serenade&lt;/em&gt; (Wolfgang Staudte, 1958) in which De Sica starred as the captain of a small coastal freighter fitted with a little cannon in case of enemy attack during World War II. &lt;br /&gt;&lt;br /&gt;Born in Naples De Sica came from a poor family and as a young man worked as an actor. De Sica was considered a successful matinee idol of the Italian theatre and movies before turning to directing in 1940. His success with &lt;em&gt;The Children Are Watching Us&lt;/em&gt; (De Sica, 1944), &lt;em&gt;Shoeshine&lt;/em&gt; (De Sica, 1946) and &lt;em&gt;Bicycle Thieves&lt;/em&gt; (De Sica, 1948) established him as one of the great Italian directors of all time. In particular &lt;em&gt;Bicycle Thieves&lt;/em&gt; - an neo-realist drama which considered the poverty of post-war Italy - won a special honorary Oscar before the foreign film category was officially established. &lt;br /&gt;&lt;br /&gt;In this photo we also see a poster advertising his personal appearance at the Savoy that evening. Crowds gather around him on the right and left of the marble steps of the cinema. Sporting a dark mustache, De Sica is dressed in a dinner suit accessorised with a bow-tie and is looking down as he steps forward. To his front a cinema usher, wearing a two-piece suit with a long coat decorated with gilt buttons down its front, escorts the director down the steps. &lt;br /&gt;&lt;br /&gt;Ushers were known as 'commisionaires' in the early days of the Savoy and while the usher in this photo is not identified, John McSweeney notes in his book on the &lt;em&gt;Golden Age of Cork Cinemas&lt;/em&gt; (2013), that there was a well known head usher called John ('Johnno') O'Connell from Blarney Street in Cork who worked at the Savoy during the early days of its existence.</text>
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                <text>Vittorio De Sica leaving the Savoy Cinema, Cork</text>
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                <text>Cork Film Festival, Vittorio De Sica, Savoy Cinema, Cork</text>
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                <text>1958</text>
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                <text>RW Hammond</text>
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                <text>1958&#13;
Cork, Ireland</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Programme Covers</text>
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                  <text>University College Cork</text>
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                  <text>1956-</text>
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                  <text>&lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;&lt;img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This collection is licensed under a &lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;Creative Commons Attribution 4.0 International License&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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                  <text>A selection of programme covers from the Cork International Film Festival</text>
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              <text>Programme</text>
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                <text>Tóstal Festival of Cork souvenir programme cover from 1956</text>
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                <text>University College Cork, Tóstal, Cork Film Festival, Soirle Mac Cana, David A. Coleman &amp; Sons, Cork</text>
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                <text>University College Cork</text>
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                <text>This is the maroon-coloured cover of the souvenir programme for &lt;em&gt;Tóstal Corcaí&lt;/em&gt; – the Festival of Cork, 1956. The design on the front cover is a Celtic-stylised image of a saint holding a staff in his right hand. The image is flanked by two emblems – one of the harp and one of the coat of arms of Cork (a ship between two towers). The back cover image, also maroon, shows a bas-relief sculpture of a bearded man wearing a crown under the Irish wording: &lt;em&gt;Cois Laoí na Sreabh -&amp;nbsp;&lt;/em&gt;by the banks of the meandering Lee. &lt;br /&gt;&lt;br /&gt;The programme is a soft card-bound issue measuring 18.5cm x 24cm. The bind is stapled and it has 68 numbered pages and is in good condition. Note: the programme contains a number of images of Cork and articles about Cork by Stephen Coughlan (&lt;em&gt;Industry in Cork&lt;/em&gt;) and Patrick O’Connor (&lt;em&gt;Songs and Ballads of Cork&lt;/em&gt;).</text>
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                <text>1956</text>
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                <text>Cork Film Festival, Oifig an Tóstal, Dermot Breen, Patrick McGrath, Stephen Coughlan, Patrick O'Connor</text>
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                <text>start=1956-05-06; end=1956-05-27, &#13;
Cork, Ireland</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/637"&gt;1956 Tóstal Souvenir Programme (pdf)&lt;/a&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12374">
                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>1956-</text>
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                  <text>&lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;&lt;img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This collection is licensed under a &lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;Creative Commons Attribution 4.0 International License&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/632"&gt;1984 Cork Film Festival programme content (pdf)&lt;/a&gt;</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/633"&gt;1985 Cork Film Festival programme content (pdf)&lt;/a&gt;</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>The 1992 festival programme cover depicts a photographic montage of a gritty realist scene comprising a large silver film reel in the upper right corner against a concrete distressed-coloured grey/blue-black background tinted with reddish tones. The lower half of the programme depicts a scene strewn with film-like debris including torn cinema tickets, watch parts, teeth, foil sweet-wrappers, small cogs and wheels, a champagne bottle cork, a radiator key, a bracelet with bright beads as well as pictures of cinema actors including Sharon Stone and Sylvester Stallone.&lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for Murphy’s Irish Stout (the main festival sponsors). The main image is a photo of a handsome man dressed in a plain white t-shirt, stained with oil, and jeans sitting astride a (possibly) Triumph motorbike. He is leaning forward, gazing off to the distance on his right. He has a spanner in his left hand and his hands (and left cheek) are oil-stained. The black and white photo references a similar pose by Marlon Brando in the 1953 movie &lt;em&gt;The Wild One &lt;/em&gt;(László Benedek, 1953). The lower half of the page is given over to text describing the iconic status of the plain white t-shirt and how its status is similar to that of Murphy’s stout. A full pint of black stout, with its cream head, is centred amidst the text. The glass, with Murphy’s logo across its front, is dotted with condensation. &lt;br /&gt;&lt;br /&gt;The 1992 programme is a soft card-bound programme measuring 21cm x 30cm. The spine is glue-bound and it has 76 numbered pages.&lt;br /&gt;&lt;br /&gt;Note: The introduction by Donal Sheehan (programming director) and Fran Bergin (administrative director) reference Michael Hannigan and his recent departure from the director’s chair and thank him for his work. The introduction also references an exhibition that the film festival held that year of archive material relating to the Festival. It also notes the success of the first Irish Lesbian and Gay Film Festival held in 1991.</text>
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                <text>Cork Film Festival, Michael Martin, Charles Hennessy , David Puttnam, Fran Bergin, Donal Sheehan, Kieran O’Connor, Una Feely, Margaret Dorgan, Maura O’Keefe, Michael Foley</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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