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                <text>Cork Film Festival, Fiona Clarke, Helen Boyle, John Sheehan, Michael Hayden, Don O'Mahony, Sean Coughlan, bigO Designs, The Arts Council, RTÉ</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>University College Cork, Cork Film Festival, John Foley, Bite! Associates,  Giuseppe Design &amp; Communication, Lee Press, Cork</text>
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                <text>The 1997 festival programme cover depicts a hyper-realised image of a large butterfly, with red and yellow wings, at the centre of the page. White spots edge the wings and black lines are traced through the wingspan. Two white lights are projected onto the butterfly from opposite sides of the page and intersect at the centre where the butterfly is located.&lt;br /&gt;&lt;br /&gt;The back of the programme is a promotional advertisement for the main sponsor 'Murphy’s Irish Stout.' The image is a realistic 3D image of a pint glass filled with Murphy’s Irish Stout, which is a black dry stout brewed in Cork. The logo of Murphy’s Irish Stout is realised on the front of the glass. The glass is full with a cream-topped head. Film negative unspools in the background against a black backdrop and light reflects off the film and the glass to the left of the page.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>Cork Film Festival, Cllr John Kelleher, Charles Hennessy, Michael Hannigan, Una Feely, Michelle O'Neill, Agnete Stefansson, Ford Cars, Jameson Whiskey, RTÉ, The Arts Council, MEDIA EU, Goethe Institut Dublin</text>
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                  <text>&lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;&lt;img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This collection is licensed under a &lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;Creative Commons Attribution 4.0 International License&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.</text>
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                <text>The front cover image on the 2007 festival programme is by Patrick Morrison, who was an LA-based Cork-born artist (1945-2013). It is a detail from &lt;em&gt;The Golden Gate Bridge &lt;/em&gt;and depicts a couple on, or near, the red-orange steel struts of the bridge. Wearing a white shirt, with his sleeves rolled up, the man appears to be carrying the woman towards a car. Mustard-yellow clouds swirl against an azure-blue sky in the background. The rich oppressive colours of the scene reflecting the drama being played out on the bridge. &lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for 'Corona Extra Beer' who are the main sponsors of the festival. The image of an ice-cold bottle of Corona Extra beer – with beads of condensation on its face and a wedge of lime inserted in the neck – dominates the length of the black-green coloured page. A transparent film reel is wrapped around the gold beer-filled bottle in a loose circular fashion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The 2007 Cork Film Festival programme is a soft card-bound programme measuring 21cm x 29.5cm. The spine is glue-bound and it has 136 numbered pages.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dermot Breen and the 'Italian Girls' </text>
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                <text>Cork Film Festival, Dermot Breen, Luisa Della Noce</text>
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Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Ambrose O'Mullane </text>
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                <text>This is a black and white photo of the film festival director Dermot Breen and three women marked as 'Italian Girls' on the back of the photo. Breen is shown laughing in the centre of the photo surrounded by the three women who are smiling towards the camera. The women are between them accessorised with pearls and a fur stole and we might guess that they are Italian actors who visited Cork this year and include Luisa Della Noce.&lt;br /&gt;&lt;br /&gt;On the wall behind them we can just make out the edge of a poster advertising &lt;em&gt;Padri e figli&lt;/em&gt; (Fathers and Sons) (Mario Monicelli, 1957), an Italian comedy film starring Vittorio De Sica who would visit the Cork Film Festival a number of times during the 1950s.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Cork Film Festival, Féile Scannán Ćorcaí', Dermot Breen, Poster</text>
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                <text>This is a black and white photo of the film festival director Dermot Breen standing in front of a large montage-style poster advertising &lt;em&gt;Féile Scannán ćorcaí&lt;/em&gt; (Cork Film Festival). Breen, standing to the right, is photographed looking up at the poster, which is decorated with small flags from around the world and takes up much of the wall space behind him. &lt;br /&gt;&lt;br /&gt;The films advertised on the poster are from the 1950s and include, amongst others, &lt;em&gt;Der Arzt von Stalingrad&lt;/em&gt; (The Doctor of Stalingrad) (Géza von Radványi, 1958) with Eva Bartok, &lt;em&gt;The Old Man and The Sea&lt;/em&gt; (John Sturges, 1958), &lt;em&gt;Sally's Irish Rogue&lt;/em&gt; (George Pollock, 1958) and the Norwegian film &lt;em&gt;Ni Liv&lt;/em&gt; (Nine Lives) (Arne Skouen, 1957). &lt;em&gt;Ni Liv&lt;/em&gt; was nominated for an Oscar for Best Foreign Language Film in 1958, and in 1991 it was voted the greatest Norwegian film ever made by Norwegian television audiences.</text>
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TIFF&#13;
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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