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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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&#13;
Frank Poole was a managing director of Rank Film Productions, London during the 1960s until his retirement in the late 1970s. The Rank Organisation was a British film company whose contract players made regular appearances at the Cork Film Festival during the 1950s in particular. Films made by the Rank organisation during his era were dominated by the 'Carry On' film series as well as big-budget movies; investment steadily declined in the 1980s however before losses in the 1990s led to the eventual demise of what was once a powerful player in the film industry.</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©George Jervas Photo Studio NY. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of Joseph Tomelty, the Irish character actor, novelist and playwright, reading from the pulpit of St. Francis' Church on Liberty Street in Cork. Joseph Tomelty (1911-1995) was a cultural tour de force from the North of Ireland known for his work on radio as well as the stage. His was a familiar face on the screen, with his distinctive white-haired, bushy-browed features. Born in County Down, on the east coast of Ulster, he was based in Northern Ireland where he made a significant contribution to its cultural history. He was instrumental in founding and managing the Group Theatre in Belfast in 1940 where his plays would be staged (apart from the controversial 1944 play &lt;em&gt;The End House&lt;/em&gt;, which was premiered at the Abbey Theatre because the Northern theatres wouldn't show it). He wrote comedy dramas for the BBC, in particular &lt;em&gt;The McCooeys&lt;/em&gt; which lasted seven years. He also worked in Hollywood but it was for his enduring committment to the North of Ireland that he is fondly remembered. &lt;br /&gt;&lt;br /&gt;In this image Tomelty is standing at the altar of the Byzantine-styled red-brick Church and Friary of St Francis. Behind him we can make out the elaborate decorated mosaic tiles of the apse behind the altar and beside him four priests stand with hands folded in prayer. St Francis Church was founded on Liberty Street in the mid-nineteenth century before being rebuilt in July 1953. It is tucked behind the Cork City Courthouse and partially stands on the site of old Broad Lane Church. Its city location and spacious interior made it an ideal location for the crowds that attended the annual Cork Film Festival St Finbarr Mass.</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the pioneering film critic Bjørn Rasmussen. In this photo, marked 1958, Rasmussen is seated at a desk speaking into a microphone. He rests his hands, folded over each other, on the crook of a wooden walking stick and is caught in mid-conversation glancing upwards. He is dressed in a light-coloured suit with a white shirt, with the collar of the shirt and tie slightly askew. The 1958 festival programme includes a profile of Rasmussen, along with the president of the jury, John Grierson, producer Joy Batchelor and MGM manager Douglas King.&lt;br /&gt;&lt;br /&gt;Born in 1918, Rasmussen was known for a long-running television series, &lt;em&gt;Filmorientering,&lt;/em&gt; and &lt;em&gt;Filmkronik&lt;/em&gt;, a film review programme. He taught film studies at the University of Copenhagen and was the head of the International Jury for the 21st Berlin Film Festival in 1971. That year the Golden Bear for best film was awarded to &lt;em&gt;The Garden of the Finzi-Continis&lt;/em&gt; (&lt;em&gt;Il giardino dei Finzi-Contini&lt;/em&gt;) directed by Vittorio De Sica who was a frequent visitor to the Cork festival in its early years.&amp;nbsp; Rasmussen died the following year in 1972, age 54.</text>
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