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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Sir Alec Guinness with Dermot Breen</text>
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                <text>This is a black and white photo of the English actor Sir Alec Guinness standing with the festival director Dermot Breen. They are outdoors, possibly on a boat, standing side-by-side wearing heavy coats. Both are looking directly at the camera; Guinness is wearing a dark-coloured coat and a flat hat with his hands folded in front of him carrying a pair of light-coloured gloves. Breen, in a tweed coat, has his hands in his pockets. In the distance we see the silhouette of tall chimney stacks on the horizon. &lt;br /&gt;&lt;br /&gt;Sir Alec Guinness (1914-2000) featured in many Ealing Comedies including &lt;em&gt;Kind Heart and Coronets&lt;/em&gt; (Robert Hamer, 1949) where he played nine characters. His collaborations with the film director David Lean include Fagin in &lt;em&gt;Oliver Twist&lt;/em&gt; (1948) and opposite William Holden in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957), for which he won the Academy Award for Best Actor. He has made many television appearances including the role of George Smiley in the serialisation of two novels by John le Carré, &lt;em&gt;Tinker Tailor Soldier Spy&lt;/em&gt; (1979) and &lt;em&gt;Smiley's People&lt;/em&gt; (1982). &lt;br /&gt;&lt;br /&gt;Most notably he is remembered for his role as Obi-Wan Kenobi in George Lucas' original &lt;em&gt;Star Wars Trilogy&lt;/em&gt; for which he received an Academy Award nomination for Best Supporting Actor. He was knighted by Queen Elizabeth II in 1959 for his services to the arts.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/639" title="St Finbarr Statuette 2009"&gt;St Finbarr award 2009&lt;/a&gt;</text>
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                <text>The 2002 festival programme cover is a green-themed montage of film stills and festival information. The montage depicts twelve film stills from films being shown that year at the festival; they include &lt;em&gt;Magdalene Sisters&lt;/em&gt; (Peter Mullan, 2002), &lt;em&gt;A Man Without a Past&lt;/em&gt; (Aki Kaurismäki, 2002), &lt;em&gt;John Ford Goes to War&lt;/em&gt; (Tom Thurman, 2002), as well as stills from the shorts programme &lt;em&gt;Aria&lt;/em&gt; (Pjtor Sapegin, 2001), &lt;em&gt;A Man Thing&lt;/em&gt; (Sławomir Fabicki, 2001), &lt;em&gt;Face&lt;/em&gt; (Bertha Bay-Sa Pan, 2002), and the animation programme (a selection from Phil Mulloy). The festival sponsors are noted in a green box at the bottom right corner of the programme and the festival information is noted in a green band above this. &lt;br /&gt;&lt;br /&gt;The back of the programme, also green, has a circular orange and black image at its centre. The image is taken from &lt;em&gt;Film 1st&lt;/em&gt; (Gustave Deutsch, 2002) and is found footage of a young woman, looking down with her hands raised up resting on her head, dressed in a vintage-styled twenties dress accessorised with drapes over her shoulders. &lt;br /&gt;&lt;br /&gt;The programme is a soft card-bound programme with a glue-bound spine. It comprises 128 pages and measures 21cm x 29.5cm.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>The image on the 2008 festival programme cover is vivid with black silhouettes of three birds amidst a floral-like scene of foliage. The foliage is made up of film reel strips in various colours of green interspaced with brighter pinks and purples. Film spills out of transparent film reels in the background. The silhouette of a hummingbird is airborne at the centre of the image with two smaller birds perched on film-reel on either side. The gold and black text of the programme is at the head and foot of the cover. &lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for Corona Extra beer who were the main sponsors of the festival that year. The image of an ice-cold bottle of Corona Extra beer – with a wedge of lime inserted in the neck – dominates the length of the blue-coloured page. Transparent film reel is wrapped around the gold beer-filled bottle in a loose circular fashion. Advertising text is placed in gold, white and yellow font at the right of the bottle. &lt;br /&gt;&lt;br /&gt;The festival programme is a soft glue-bound programme measuring 21cm x 29.5cm with 136 numbered pages. Notes: &lt;em&gt;Time Passes ...&lt;/em&gt; An article by Mick Hannigan is included on p.11 about the death of Charlie Hennessy, former CFF Chairman and the passing of other festival colleagues (Dónal Sheehan and Ian Breakwell).</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>&lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;&lt;img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This collection is licensed under a &lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;Creative Commons Attribution 4.0 International License&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.</text>
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                <text>University College Cork, Cork Film Festival, Allied Print Ltd.,  Adrian Connolly, Dermot Casey, Nime  Stefansson, Nime Stefansson,  Malcolm Le Grice</text>
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                <text>University College Cork</text>
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                <text>The front cover of the 2004 festival programme is text-heavy with an image by the experimental artist Malcolm Le Grice, who exhibited at the Triskel Art Centre in Cork during the 2004 Festival. Le Grice is interested in experimental images in the digital age. The image on the cover is from his 60-minute colour video &lt;em&gt;The Cyclops Cycle &lt;/em&gt;and 'moves from the mythic to the domain of the domestic' (p.47 of the programme). The picture on the cover is a still from the video; the central image, from the nine images within the rectangle of images, is of an eye and the remaining eight images reference the eye in either shape or suggestion. &lt;br /&gt;&lt;br /&gt;The back cover is white, with minimal text at the foot of the programme. There is a small image at the upper part of the programme that depicts a person in white shorts breaking through a window or glass door out into the void. Their arms are raised in front of their face as they leap forward, from their blue-drenched background, as if a swimming pool, out into the white space before them. &lt;br /&gt;&lt;br /&gt;The 2004 programme is a soft glue-bound issue with 112 numbered pages.</text>
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                <text>2004&#13;
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                <text>Cork Film Festival, Cllr Sean O’Mairtin,Charles Hennessy, Michael Hannigan,Eimear O’Herlihy, Una Feely, Adrian Connolly, Malcolm Le Grice, Nime Stefansson, Liz Morrissey</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12391">
                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Italians arriving at the Savoy Cinema, Cork</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>This is a black and white photo of two unidentified glamorous women arriving at the Savoy cinema in Cork. They are wearing knee-length evening dresses, each accessorized with a fur stole and a small handbag.  A large crowd gathers around them as far back as the eye can see, with eager young children to the front.  The actors are probably Lea Massari and Fiorealla Mari, who came to Cork in the early years of the festival.</text>
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                <text>University College Cork, Cork Film Festival, Ambrose O'Mullane</text>
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              <elementText elementTextId="12538">
                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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