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                <text>This is a black and white photo of the festival director Dermot Breen with the artist and journalist Frank Sanquest and the politician, and former Lord Mayor of Cork, Gus Healy. &lt;br /&gt;&lt;br /&gt;Gus Healy, seated on the far left, was an Irish Fianna Fáil politician who would later serve Cork as Lord Mayor from 1964 to 1965 and 1975 to 1976. He is seated next to the artist Frank Sanquest, in half-rimmed spectacles and wearing his trade-mark dickie bow. Sanquest (1912-2008) was a Cork-born artist who worked for many years as resident set-designer for the Cork Opera House before it burnt down in 1954. He was on the board of the Southern Theatre Group with Dan Donovan and James N. Healy; they often toured with John B Keane plays, starring the Cork actor Michael Twomey who also came to the Cork Film Festival. From 1940 to 1987 Sanquest worked as the Arts Editor for the &lt;em&gt;Cork Examiner&amp;nbsp;&lt;/em&gt;and would attend festival press conferences for the paper.</text>
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Cork, Ireland</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Frank Sanquest and Dermot Breen in conversation</text>
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                <text>This is a black and white photo of the festival director, Dermot Breen, in conversation with the artist and journalist Frank Sanquest.&lt;br /&gt;&lt;br /&gt;Breen, with a cigarette in hand, was a colleague of Sanquest for many years – they would have come across each other in Cork through their involvement with the theatre. For example, when the Cork Opera House burnt down in 1954 the Palace theatre, then managed by Dermot Breen, stepped in offering its stage to the Cork Operatic Society. Sanquest was then set-designer for the Cork Opera House and the Cork Operatic Society. By the late fifties Breen gave up managing the theatre in order to run the film festival and his job at the Palace was taken over by Dan Donovan. &lt;br /&gt;&lt;br /&gt;Frank Sanquest was also a journalist for the then &lt;em&gt;Cork Examiner&lt;/em&gt; and worked as its arts editor from 1940 to 1987. He was the father of five children with his wife Rose, including the artist Kevin Sanquest and the writer Rosalind (Roz) Crowley. In 2009 Kevin Sanquest created a national portrait collection in Fota House, Carrigtwohill, Cork, titled &lt;em&gt;Inheritance – Honouring the Cork Legacy&lt;/em&gt;; he passed away in 2013. Interestingly Kevin Sanquest was the first manager of the Cork music legend Rory Gallagher and the band &lt;em&gt;Taste&lt;/em&gt;. His sister, the journalist and author Roz Crowley, refers to the legacy of Rory Gallagher in her book &lt;em&gt;Macroom Mountain Dew – Memories of Ireland’s First Rock Festival&lt;/em&gt; (OnStream Publications Ltd., 2016). (‘Frank Sanquest obituary: All-round artist with a love for the theatre,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 12.01.2008; Vera Ryan, &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt;, The Collins Press, 2008; Barry Roche, ‘Book marks 40th year of Macroom Mountain Dew Festival,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.06.2016.)</text>
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                <text>University College Cork, Cork Film Festival, Cork Examiner</text>
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                <text>Cork Examiner</text>
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              <elementText elementTextId="14278">
                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Frank Sanquest</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Sculptor Patrick O'Sullivan and festival director Robin O'Sullivan</text>
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                <text>Cork Film Festival, Sculptor, Patrick O'Sullivan, Robin O'Sullivan, Award, Aosdána</text>
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                <text>This is a black and white photo, taken during the 1980s, of the sculptor Patrick O’Sullivan in conversation with festival director Robin O’Sullivan. Patrick O’Sullivan is sitting on Robin O’Sullivan’s desk who is looking up at him as they talk. A small stone sculpture, which might be a festival award, sits on the table between them and behind them, pinned to the back wall, we note a hand-drawn cartoon of a&amp;nbsp;robin on top of a Coca-Cola can wrapped in film reel. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan (1940-2015) was born in London to Irish parents and studied sculpture in England before moving to Cork in 1971. He lectured in sculpture at the Crawford College of Art and Design and during the time of this photo, dated 1980s, he was Head of Sculpture, a post he held from the 1980s to 1990s. O’Sullivan’s work, in marble, wood and bronze, has been exhibited around Ireland and his commission, &lt;em&gt;City&lt;/em&gt;, made from Kilkenny limestone, was placed on the South Mall in Cork as part of the Cork 800 sculpture symposium in 1985. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan was a member of Aosdána. Established in 1981, Aosdána was set up by the Arts Council to honor artists whose work has contributed to the arts in Ireland. Membership is by peer nomination and is limited to 250 living artists who have produced a distinguished body of work. Fellow artist and Aosdána member Michael Quane speaking of O’Sullivan notes that: "Patrick O’Sullivan was always insightful and never failed to challenge. Like his work, he too in his personal style was quiet, quizzical, and enigmatic. All those who came within his reach, within his department, were often left guessing, questioning, perhaps occasionally exasperated, but always some way altered. That he changed, in some way, the world with which he came into contact, in such a non-didactic way, is a fine and worthy legacy for the quiet man and artist that Patrick O’ Sullivan was." (&lt;a href="(http://www.artscouncil.ie/News/Arts-Council-expresses-its-sadness-at-the-passing-of-Patrick-O_Sullivan/)"&gt;Arts Council 6.1.2015&lt;/a&gt;)</text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actors John Clive, Pamela Stephenson and Nicholas Ball in a photo dated 1970. All three are facing the camera smiling. Clive and Ball wear a festival ribbon pinned to their jackets and we also notice how the belt of Nicholas Ball has the logo ‘ball’ stitched onto it. &lt;br /&gt;&lt;br /&gt;John Clive, on the left in a tweed jacket, was an English film and television actor and author. He is best known to us from his film roles in &lt;em&gt;The Italian Job&lt;/em&gt; (Peter Collinson, 1969) with Michael Caine, &lt;em&gt;A Clockwork Orange&lt;/em&gt; (Stanley Kubrick, 1971) and four of the &lt;em&gt;Carry On&lt;/em&gt; films from the 1970s. He also played a small part in the Norman Cohen directed movie &lt;em&gt;Stand Up, Virgin Soldiers&lt;/em&gt; (1977); the Irish director Cohen also came to Cork around the time of this photo. Famously Clive was the voice of John Lennon in the animated film &lt;em&gt;Yellow Submarine&lt;/em&gt; (George Dunning, 1968) as the Beatles did not want to use their own voices in the movie. He was also a successful author for his best-selling books including &lt;em&gt;KG200&lt;/em&gt;, &lt;em&gt;The Last Liberator&lt;/em&gt;, and &lt;em&gt;Barossa&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Nicholas Ball and Pamela Stephenson were a couple around the time of this photo having being married for brief time in the 1970s before she met, and eloped with, Billy Connolly in 1979. Born in New Zealand, Stephenson has forged a prolific career as writer, performer and psychologist. Her movie credits include &lt;em&gt;Stand Up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) in which she acted with John Clive and Lynda Bellingham, both of whom were at the festival.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>These black and white images of a press conference are taken upstairs at the Savoy Cinema, Cork, during the 1970s. The photographs, by the photographer Donal Sheehan, include the festival director Dermot Breen holding forth alongside the journalist and artist Frank Sanquest, Dick Beamish, and journalist Larry Lyons. They are sitting around a table which is scattered with the detritus of the day including papers, ashtrays, and a black Ericsson Dialog-style telephone. &lt;br /&gt;&lt;br /&gt;Frank Sanquest, sitting on the far left of the photo, wearing a striped shirt with a dickie-bow, was a Cork-born artist who specialised in portraiture and landscapes. He studied art at the Cork Crawford School of Art and London’s Central School of Art and the College of Printing before returning to Cork. He was a past president of the Munster Fine Art Society and for many years was resident set designer for the Cork Opera House. He was an excellent scene painter and his work at the Cork Opera House included the set for &lt;em&gt;Oklahoma&lt;/em&gt; in the 1950s when Dan Donovan was directing for the Cork Operatic Society. Sanquest was on the board of the Southern Theatre Group with Dan Donovan and James Healy which toured with John B Keane plays often with the Cork actor Michael Twomey. They had great success with &lt;em&gt;Sive&lt;/em&gt; in 1959. From 1940 to 1987 Sanquest also worked as the Arts Editor for &lt;em&gt;The Cork Examiner&lt;/em&gt;, in whose capacity he might have been attending the Film Festival press briefings. He died in 2008, age 95. (Vera Ryan, &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt;, The Collins Press, 2008.) &lt;br /&gt;&lt;br /&gt;The journalist Larry Lyons, sitting behind Dick Beamish by the wall, also worked for &lt;em&gt;The Cork Examiner&lt;/em&gt; in the 1970s; his journalism covered the fraught days of the troubles in the early 1970s as well as film reviews. (Larry Lyons, Walter Ellis, ‘British troops bowed their heads,’ &lt;em&gt;The Cork Examiner&lt;/em&gt;, 02.02.1972.)</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4665">
                <text>1970</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4666">
                <text>Donal Sheehan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4668">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="4669">
                <text>1970&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8018">
                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12719">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12720">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="20">
        <name>Dermot Breen</name>
      </tag>
      <tag tagId="220">
        <name>Dick Beamish</name>
      </tag>
      <tag tagId="447">
        <name>Frank Sanquest</name>
      </tag>
      <tag tagId="807">
        <name>James Healy</name>
      </tag>
      <tag tagId="772">
        <name>Larry Lyons</name>
      </tag>
      <tag tagId="378">
        <name>Press Conference</name>
      </tag>
      <tag tagId="97">
        <name>Savoy Cinema</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
