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Cork, Ireland</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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Cork, Ireland</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Prince Vittorio Massimo at the Cork Telephone Exchange</text>
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TIFF&#13;
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Cork, Ireland</text>
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                <text>This is a black and white photo of Prince Vittorio Emanuele Massimo from Rome, the husband of the English actor Dawn Addams, taken at the Cork Telephone Exchange.  Massimo is shown, wearing a light-coloured suit,  laughing whilst bent over speaking into the microphone of the switchboard operator's headset. He is surrounded by an animated group of switchboard exchange operators, each with a headset hanging from around their necks. &#13;
&#13;
At the back of the photo, a caption note is attached stating that the image depicts the Prince telling the world about Dawn's request for a milk bath.  His wife, the actor Dawn Addams, achieved notoriety in Cork that year for requesting a bath filled with milk at the Metropole Hotel; the request caused consternation and was turned down by the-then hotel manager, Douglas Vance. She went on to later admit that it was a publicity stunt dreamt up by her publicist. (We can date this photo as 1957 based on this incident.) The couple were separated by the end of the 1950s and the Italian courts granted them a divorce in 1971.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Vida Breen with Prince Vittorio Massimo</text>
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TIFF&#13;
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&#13;
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Cork, Ireland&#13;
&#13;
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                <text>This is a black and white photo of Vida (née Daly) Breen with Prince Vittorio Massimo of Rome who was then the husband of the English actor Dawn Addams. Vida Breen was the wife of the film festival director, Dermot Breen, whom she married in 1952. In this picture Breen, wearing a light-coloured evening dress and matching jacket, is facing Massimo and smiling as he places a kiss on the back of her extended left hand.&#13;
&#13;
Vittorio Massimo was from the princely house of Massimo, historically one of the great aristocratic families of Rome and a major patron of the arts. He was married to Dawn Addams from 1954 to 1971 and is the father of the photographer, Stefano Massimo, Prince of Roccasecca.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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President Seán T.O'Kelly (1882-1966) was a Fianna Fáil politician who served as the second President of Ireland from 1945 to 1959.  He was a friend of Éamon de Valera and, as with de Valera, opposed the Anglo-Irish Treaty of 1921. O'Kelly was a co-founder of Fianna Fáil after de Valera left Sinn Féin. He retired in 1959 and was replaced by former Taoiseach, de Valera, who had over the years expressed dismay at O'Kelly's membership of the Order of the Knights of Saint Columbanus - an Irish national Catholic fraternal organisation.&#13;
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In this picture, O'Kelly is standing with Louis Elliman (1906-1965) who was an Irish Impresario who managed many of Ireland's cinema screens during the 1950s. Elliman brought film production to Ireland opening the Ardmore Studios, with Emmet Dalton, in 1958. Elliman was involved with the early planning of the Cork Film Festival, along with the festival founder Dermot Breen. </text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>The Savoy Cinema, Cork</text>
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                <text>This is a black and white photo of the art deco façade of the Cork Savoy cinema on Patrick Street, advertising the 1959 festival. Flags of the participating countries adorn the building in a daytime street scene. A group of boys on the left of the picture face the camera, just about to cross the street. Behind them, bicycles lay strewn on the pavement and besides them, two cars are parked at the kerb-side. To the right of the Savoy, we can see the old façade of the Irish Tourist Bureau (&lt;em&gt;Oifig Fáilte&lt;/em&gt;). &lt;br /&gt;&lt;br /&gt;Amongst the cinema posters on display, we can just make out posters advertising the appearance of the German actor Claus Holm (1918-1996) and the German screenwriter and director Bernhard Grzimek (1909-1987) who was the director of the documentary &lt;em&gt;Serengeti Shall Not Die&lt;/em&gt; (Grzimek, 1959). It won an Academy Award for Best Documentary Feature in 1960. &lt;br /&gt;&lt;br /&gt;The Savoy cinema was opened on 12th May 1932 by the Lord Mayor of Cork, Frank J. Wallace with a screening of &lt;em&gt;Peach O'Reno&lt;/em&gt; (William A. Seiter, 1931). It could hold 2,242 patrons and boasted an Art Deco façade. In his book on Irish Cinemas, Jim Keenan noted the Savoy had an "ornate 'atmospheric' auditorium, which, like the Savoy in Dublin, was designed to resemble a street scene in Venice... Small lights set into the ceiling of the auditorium were designed to create the illusion that the audience was seated outdoors at night beneath the stars. In the 1930s, a 'cloud projector' beamed images of moving clouds onto the azure-coloured ceiling to further enhance the fantasy." (Jim Keenan. &lt;em&gt;Irish Cinemas: A History in Photographs&lt;/em&gt;, pp. 105-106.)</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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TIFF&#13;
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                <text>1957&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Ambrose O'Mullane </text>
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                <text>This is a photo of the the English actor Dawn Addams embracing the film festival director Dermot Breen. Addams is shown in profile with her arms around Breen who is smiling up above the eyeline of the camera. Both are in formal wear with Addams wearing a dark-coloured satin gown, accessorised with white gloves and a small handbag and a ribbon tied into her dark hair. Breen is wearing a dark suit with a bow-tie and has a cigarette in his left hand. &lt;br /&gt;&lt;br /&gt;This photo was taken in 1957, the year that Dawn Addams played alongside Charlie Chaplin in the film &lt;em&gt;A King in New York&lt;/em&gt; (Charlie Chaplin, 1957) which was screened at the festival. She had an illustrious and somewhat controversial relationship with the film festival. Due in part she admitted years later to the advice of her publicist advising her to court publicity. In particular her request, during the 1957 film festival, for a milk bath at the at the Cork Metropole Hotel caused much commotion in the press; it was shot down by the manager of the hotel, Douglas Vance, because "the people of Cork are finding it hard to make ends meet" (&lt;em&gt;Independent, &lt;/em&gt;09.11.2012)&lt;em&gt;.&lt;/em&gt; Her vivacious personality must have been a joy to capture by the photographers of the day as is evident from the many photos of her in the archive.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text> Dawn Addams and Maxwell Sweeney, RTÉ</text>
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Cork, Ireland</text>
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                <text>This is a black and white photo of the English actor Dawn Addams being interviewed by the RTÉ broadcaster Maxwell Sweeney in 1957. &lt;br /&gt;&lt;br /&gt;Sweeney (1909-1991) was an RTÉ radio broadcaster and producer; the RTÉ archives notes that he started work with RTÉ in the 1950s and was a producer on RTÉ Radio's &lt;em&gt;Sunday Miscellany&lt;/em&gt; for many years. He is shown in this photo wearing a dark suit and holding a microphone close up towards Addams, who is caught in mid-conversation with him. &lt;br /&gt;&lt;br /&gt;Addams is wearing a light-coloured dress tied at the waist and is shown resting her right elbow on the table next to her, which also holds the recording equipment. In her left hand she holds a cigarette and wears a small watch at her wrist. Addams had an illustrious and somewhat controversial relationship with the film festival. Due in part she admitted years later to the advice of her publicist advising her to court publicity. In particular her request, during the 1957 film festival, for a milk bath at the at the Cork Metropole Hotel caused much commotion in the press; it was shot down by the manager of the hotel, Douglas Vance, because "the people of Cork are finding it hard to make ends meet." (&lt;em&gt;Independent, &lt;/em&gt;09.11.2012.)</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12567">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="21">
        <name>Dawn Addams</name>
      </tag>
      <tag tagId="42">
        <name>Maxwell Sweeney</name>
      </tag>
      <tag tagId="43">
        <name>RTE</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
