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These eight girls in evening dress are not identified, but we hope that some of the public will recognise themselves and contact us so we can include their details!</text>
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Cork, Ireland</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Lynda Bellingham taking a bath. She has a mischievous grin on her face and little else except bath bubbles to dress her. The location of the bath is not identified but as the photo is credited to the Cork-based photographer Donal Sheehan we guess that the bathroom must be Cork-based too. The white-tiled bathroom, with a white transistor radio perched on the ledge of the bath, provides the perfect backdrop to the olive-toned skin of a glowing Bellingham. &lt;br /&gt;&lt;br /&gt;Born in 1948 and adopted later that year, Lynda Bellingham was an English actor, broadcaster, and author who was a familiar presence on British television, in particular for her work as a lunchtime chat show host on ‘Loose Women’ between 2007 and 2011, with whom she made more than 300 appearances. She also had a long-standing television career with such shows as &lt;em&gt;All Creatures Great and Small&lt;/em&gt; and &lt;em&gt;Doctor Who&lt;/em&gt;, as well as film credits that include &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) which would have coincided with her visit to the festival in the late seventies. &lt;br /&gt;&lt;br /&gt;Bellingham was appointed Officer of the Order of the British Empire (OBE) in 2013 for her services to charity work. She published her autobiography &lt;em&gt;There’s Something I’m Dying to Tell You&lt;/em&gt; in 2014, shortly before her death from cancer later that year, at the age of 66.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English-born actor Carol Cleveland possibly taken at the festival club in 1972. She is sitting on a low-sized metal chair, posing for the camera, wearing a dark-patterned dress that drapes around her long legs. Her brown hair falls in curls around her shoulders as she smiles up at the camera, resting her chin on her left hand. Behind her the lattice-work on the walls, similar to other images in the archive, indicate that this is possibly the Cork film festival club. &lt;br /&gt;&lt;br /&gt;Carol Cleveland was born in London in 1942 and lived in America for some years before returning to London to attend the Royal Academy of Dramatic Art (RADA) in 1960. She worked in television and film in the late 1960s and early 1970s, including work with Spike Milligan and the Two Ronnies, before regular work on the Monty Python’s Flying Circus series earned her the sobriquet ‘the seventh Python’. Cleveland was the only woman associated with the show and would appear in thirty of the forty-five Monty Python episodes as well as the Monty Python films &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (Terry Gilliam, Terry Jones 1975), &lt;em&gt;Monty Python's Life of Brian&lt;/em&gt; (Terry Jones, 1979) and &lt;em&gt;Monty Python's The Meaning of Life&lt;/em&gt; (Terry Jones, 1983).&amp;nbsp;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Festival staff on the roof of the Cork Opera House in 1996 </text>
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                <text>1996&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of festival staff, dressed in film festival promotional sweatshirts, on the roof of the Cork Opera House. They are posing amidst the roof-top detritus of abandoned steel poles and advertising hoarding while below them the hustle and bustle of city life continues. One of the girls sits on the wall parapet while the other leans insouciantly against a hoarding pole; they seem to be on the roof of the 60-foot fly-tower of the Opera House. They are both wearing dark-coloured tops, with the festival logo for the 41st Cork International Film Festival which took place in October 1996, which helps us date this photo. &lt;br /&gt;&lt;br /&gt;The Cork Opera House was conceived in 1852, following the Cork Exhibition, and opened in 1855. The building was originally called the ‘Athenaeum’ and eventually renamed Cork Opera House in 1877. It burnt down in 1955 and was reopened by President Éamon de Valera in October 1965. In this reconstruction, it retained a somewhat bleak wall of brick, with the equally bleak fly-tower used to accommodate scene changes. In 2003 renovation works on the façade of the building, and the surrounding Emmet Place, was completed but did not impact upon the fly-tower. The fly-tower infamously provided the backdrop to the iconic Toyota roof sign which occupied 3 sides of the tower on the north, east, and west. In 2019 the Toyota sign was replaced by UCC signage in a new collaboration with UCC, and the old Toyota letters, at 1.5 metres tall, were recommissioned by the Greek artist &lt;a href="https://www.billbalaskas.com/"&gt;Bill Balaskas&lt;/a&gt;. Balaskas transformed the six Toyota letters into a public art installation called 'Red Air'. &lt;br /&gt;&lt;br /&gt;The panoramic view from the fly-tower here looks out towards Emmet Place below, which has since been redeveloped into a plaza-like square, and along Lavitts Quay. Traffic lines up across the River Lee at Camden Place, from the direction of the three-span St. Patrick’s Bridge beyond.</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>This is a black and white undated image of a festival trophy. The silver-plated single-column trophy is engraved with the Cork coat of arms on the front. The award is topped with a film reel with film ribbon looped around its core and the film ribbon motif is replicated at various levels of the column. The Cork coat of arms shows a ship between two towers which are said to represent the King's and Queen's castles which stood at the entrance to the watergates of Cork City. The Latin motto attached to the Cork coat of arms is &lt;em&gt;Statio Bene Fide Carinis &lt;/em&gt;which is taken from Virgil's Aeneid and is commonly translated as 'Safe Harbour for Ships'.&lt;br /&gt;&lt;br /&gt;There is a photo of &lt;a href="https://corkfilmfest.ucc.ie/items/show/69"&gt;Jack Lynch presenting this trophy to the director Otto Preminger&lt;/a&gt; in the archive and it appears smaller than we might imagine from this image.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/69"&gt;Jack Lynch presenting an award to Otto Preminger&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of a group attending the Harp Lager-sponsored festival club, some of whom are identified at the back of the photo as the head of Guinness sales, Bobby Hoick, and Alan Buttanshaw, managing director from Player and Wills tobacco. The three men and two women are standing in a huddle, facing each other oblivious to the camera, laughing and talking. In the background we can just about identify the distinctive lattice fencing of the festival club together with the partially distinct signage for Harp Lager which was then owned by the Guinness company (now Diageo).  This photo is dated '1960s' but might be 1967 as Player and Wills (Ireland) Ltd. gave a development grant to the Cork Film Festival that year.</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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