2 10 537 https://corkfilmfest.ucc.ie/files/original/4dd747816bc1982a4dfce8968ed192c0.pdf d35d9333c8b583424c6ee5975bfafb03 PDF Text Text o u �SCANNAN FHEILE CHORCAIGHE i 1 23rd Festival 1973 Fta SATURDAY, 10 JUNE TO SATURDAY, 17 JUNE Powamm W �23rd Cork Film Festival President Rt. Hon. the Lord Mayor, Mr. Gerald Y. Goldberg, Chairman : Mr. A. A. Healy, T.C. Vice-Chairman : R. P. Beamish Director: Dermot Breen, M.I.P.R. Executive Council K. G. Breen Mrs. M. Pyne B. B. Curtis. L.R.A.M. Comdt. J. Slye Patrick Fleming T. J. O’Sullivan Mrs. N. Jennings E. O’Mahony T. O’Brien R. O'Sullivan Organising Committee Assistant Director: Harry Conboye Reception Executive: Shaun O'Sullivan, Moira Pyne, Sean Cunningham Transport: Timothy J. O’Sullivan, Donal O’Sullivan Accommodation : E. O’Mahony Information : Comdt. J. Slye, Constance Madden Press Committee: Frank Sanquest (Chairman), Crichton Healy, Dick Cross, Tom O’Mahony, Vass Anderson (London) Selection Committee: Jim O’Brien (Chairman), Bill Newman (Vice-Chairman), Cyril O’Sullivan (Secretary) Programme Editor: Padraig O Maidin Protocol: Kevin Breen Invitations: Nancy Jennings Films Officer: J. Newman Travel Arrangements: Michael O’Flynn Inclusive Tours : Ross Anderson Sponsors Liaison : Robin O’Sullivan Festival Club : Harry Fitzgerald-Smith, B.Arch., Cyril O’Sullivan Compere: Pat Butler Front of House: Jim O’Brien, A. J. Nolan Specialised Programmes: Fred Conboye, Anne Conboye Imports and Exports: Joseph McNally Activities Committee: Fergus Gilligan, Mary McSweeney, Ann O’Sullivan, Michael O’Flynn, Ken Connole Film Techniques Course: Brother Jerome, Mary O’Shea Mary O’Keeffe, Pat Casey Associate Members Officer: Liam O’Connell Shorts Jury Liaison : Nancy Allitt, Frances FitzgeraldSmith Features Jury Liaison : Mary Murphy European Communities Jury Liaison : Pat O’Brien P.R. Consultants: Bill O’Herlihy, Gabrielle Brennan (Public Relations of Ireland Ltd.) Organist: George McSweeney Festival Headquarters: Connolly Hall Lord Mayor’s Liaison : Gerald O’Flynn �SUNDAY, JUNE 11, 1978 THE CELEBRATION of FESTIVAL MASS for CHOIR and ORCHESTRA Composed by JOHN MURPHY, M.A., B.Mus. at the Church of St. Francis, Liberty St., Cork at 12 noon Celebrant FR. KEVIN PHELAN. O.F.M. Ijr Assistant FR. JAMES DONLON, O.F.M. 2nd Assistant FR. VALERIAN GAVIN. O.F.M. Master of Ceremonies BRO. DECLAN HOULIHAN. O.F.M. Solemn Concelebratel Mass will be sung by ST. FRANCIS CHURCH CHOIR Conducted by the Composer Soloist: PETER McBRIEN Leader : MRS. SHEILA RYAN Organist / Choir Master : SENOR ANGEL CLIMENT on the occasion of the 23rd Cork Film Festival DONAL LEHANE, Chairman of Committee Our sincere thanks to the Guardian and Community of St. Francis Church who have made this occasion possible �The Festival Director introduces the 23rd Cork Film Festival When the International Federation of Film Producers’ Association granted our application for the First Cork Film Festival in 1956 we asked ourselves not only what we expected to gain but also what we had to offer in return. In our approach to the two questions the most outstand­ ing thought was that since film had become the greatest medium of mass communication and mass entertainment the world had ever known, it was of crucial importance that an appreciation of film as an art form should be made as wide­ spread as possible among the public and that film makers should be provided with a Festival that would help them to achieve the technical and artistic potentialities that film offered. This year, in the full maturity of the ideals that guided us in the beginning, we welcome you all to Cork 1978. and my sincere thanks to all of you for your unfaltering support. We have films from 27 countries and some special programmes for your interest and entertainment. During the course of the last Film Festival a spontaneous group came together and formed themselves into a Working Party to promote and develop the Cork Film Festival as one of the major festivals in the world. These people were not Irish, in fact they were all from overseas and is was good for us psychologically and otherwise to know that our many friends from all parts of the world were anxious that Cork should remain and should be developed as one of the great festivals of the present time. In accordance with 4 �the discussions we had with this Working Party we have devised a three-year plan which we hope will culminate in 1980. which incidentally will be our Silver Jubilee, in one of the most effective and successful events in the world of Cinema. “The London Friends Of Cork” was established a number of years ago to raise funds towards the Cork Film Festival and this they have done magnificently. In 1976 a "Dublin Friends of Cork” was established and they also have raised considerable funds towards the development of the Cork Film Festival. So. it is obvious, that our international friends are determined that the Cork Film Festival will remain as one of the major friendly festivals in the world. Surely this is an example of what we in Ireland should be doing to develop the Cork Film Festival. We have indeed many friends in Ireland and my thanks go to Bord Failte Eireann who con­ tinue to be our main sponsors but while we thank Bord Failte we must not forget the numerous business organisations who are backing us, the numerous people who take advertising in our pro­ gramme and most important of all you our patrons who have continued to support us over the last 23 years. We are grateful to the Directors and Staff of Cork Kerry Tourism and to the many travel organisations who have always been ready to help us. In this context I would particularly like to mention British Airways who have shown their interest in Cork in a most practical way on this occasion and on many previous occasions. Cork is truly international, it has many inter­ national friends, it has much support from the Film Industry and it has much support from the Press but without the many many voluntary workers who labour so hard to keep the Festival going we would not achieve the success we have attained over the last 23 years. DERMOT T. BREEN, Director, Cork Film Festival 5 �FEATURES JURY PATRICK KEARNEY FRED WILLIAMS MIKE CATTO CHARLES FORD SHORTS JURY THOMAS J. DALY Born in Toronto, Thomas C. Daly graduated at the University of Toronto in 1940. majoring in English Language and Literature. At school and university he took part in plays and light operas, played the piano and contributed poetry to college magazines. He first joined the National Film Board of Canada as research and produc­ tion assistant in 1940 and during World War II was associated as record assistant, scriptwriter and sound editor with a series of films on the war and its background. Is at present Producer with N.F.B., Canada. CONOR SWEENEY A native of Listowel and graduate of the National University of Ireland, majoring in Classics. Moved to Dublin in 1955 and joined the teaching staff of Blackrock College. One of the first writers in Gaelic to conduct serious critical reviews of film and theatre over a period of ten years for the University magazine "Comhar". There followed a three-year stint for Radio Eireann. broadcasting a weekly critical talk on theatre in Dublin; another eight years as drama critic for the Maynooth publication "The Furrow"; and five years as television critic for "The Standard". In 1962 he joined the current affairs/art magazine "Hibernia" as its film critic, a position he still holds, contributing criti­ cal reviews, general articles, extended profiles and book reviews on all aspects of cinema. He was closely associated with Dermot Breen in establish­ ing the Cork Film Festival in 1956. 6 �BOBBY JAYE Bobby Jaye has been with the BBC for over 30 years and during that period has been responsible for numerous Radio Programmes. For many years he produced ’Movie Go Round’, a film magazine programme that used to be a popular feature of Sunday afternoons. His interest in films was rewarded by his promotion to Executive Producer of the Film Unit where he was responsible for such programmes as ‘Film Time’, ‘Star Sound’, ‘The Immortals’, ‘Take One’, ‘The Great Musi­ cals’, ‘Focus on Film’, etc. Has now been promo­ ted to Chief Producer Light Entertainment Radio. Programme credits include ‘Steptoe and Son’, ‘The Morecambe and Wise Show’, ‘The Ken Dodd Show’, ‘Late Night Extra’, the award win­ ning ‘Small. Intricate Life Of Gerald C. Potter’, ‘Twenty Questions’, etc. STUART HETHERINGTON Educated Belvedere College, Dublin. While there was President of the College Photographic Society and a member of the Dublin Cine Society. Joined the Camera Department of Ard­ more Studio, Bray in 1958 as Clappers Leader. Worked on numerous films, documentaries and commercials, for such cameramen as Freddie Young. Douglas Slocombe, Ted Moore, Wolfgang Suschitzky, and directors such as Guy Green, Tay Garnett, Michael Anderson and Don Chaffey. Graduated to focus puller, camera operator and joined RTE television in 1961 as News Film Cameraman, covering events such as President Kennedy’s visit to Ireland and the Irish Troops in the Congo. In 1964 joined the Programme Divi­ sion as Film Cameraman working on Documen­ taries. Current Affairs, Drama, and Light Enter­ tainment. Elected a corporate member of the British Kinematograph Sound and Television Society in 1967. Member of the Irish Film and Television Guild. Appointed Senior Lighting Cameraman. RTE, in 1974 and is at present Head of Film Camera Department at RTE. In 1976 worked as Lighting Cameraman on Joseph Stricks’ oroduction of ‘A Portrait of the Artist as a Yount; Man’ currently being screened throughout the U.S. Lighting Cameraman on the RTE series ‘Victims’ by Eugene McCabe, direc­ ted by Deirdre Friel, ‘Cancer’, ‘Heritage’ and ‘Siege’. His awards include Jacobs TV Award. Prix Italia Award and Emmy Award. 7 �G. L. BHARDWAJ G. L. Bhardwaj, a noted documentary film­ maker from India, emerged as a self taught, self made, independent Director-Cameraman. As a child started with Kodak Brownie still camera, then 8 mm and 16 mm Cine cameras. Eventually came to Bombay (from Lahore, now in Pakistan) and did apprenticeship under leading Cinemato­ graphers. The documentary field had a special appeal to Bhardwaj even in those days, for. in it, one is involved more directly with education communication and the people. Bhardwaj started his own production unit along with his wife Shashi Ganta Bhardwaj. In the year 1964 a docu­ mentary titled “The Fifth Eye" was released and caught the attention of the Press. Bhardwaj was taken on the panel of approved producers of Films Division, Government of India, a major produc­ tion and distribution organisation. Apart from ambitious award-winning ventures. Bharlwaj has a long list of film titles to his credit, including international prize winners. Bhardwaj is currently engaged on making commentaries to project the heritage of India. FESTIVAL CLUB at CONNOLLY HALL Open from 10 p.m. Nightly Dress Formal Season Ticket Holders £5.00 (A limited number of Club Only Memberships available at £10.00) 8 ■ �SAN REMO PANORAMA The San Remo Azienda Autonoma Di Soggiorno (local Tourist Board of San Remo, Italy) wish every success to Cork Film Festival with flowers from our city. —-— ’ ■ ITALIAN STATE TOURIST OFFICE, 47 Merrion Square, Dublin. Phone 766397 9 �FIDELMA SUPPLE MODEL AGENCY Presents “^-a-dhlon au Wardin’ WEDNESDAY, JUNE 14th at 3 p.m. in conjunction with the CORK FILM FESTIVAL Commere'. NORMA GRIFFIN Produced and Choreographed: DAVID GORDON This promises to be the most colourful event of the year in the beautiful and scenic surroundings of Hotel Blarney, beneath the shadow of Blarney Castle. Come and mingle with some of Ireland's top models and film celebrities. SUNBURST DISCO will provide the background music A pleasant musical interlude will feature ART SUPPLE And to cater for Irish tastes, direct from their successful appearance on T.V.’s Opportunity Knocks: THE ARDMORE SET DANCERS also Traditional Pipers from the Carrigaline Pipe Band 10 �Synopses of FiOms Note Films arc listed numerically. The numbers correspond to those shown opposite the names of the films in the Coloured inset in this brochure. AUSTRALIAN PROGRAMME DOWN UNDER DELIVERS TO CORK FILM FESTIVAL at Palace Cinema Monday, June 12, 10.30 p.m. i SUMMERFIELD Producer : Patricia Lovell Director : Ken Hannam Photo: Mick Molloy Cast: Nick Tate, John Waters, Elizabeth Alexander, Michelle Jarman Schoolteacher Simon Robinson arrives at the irun­ down fishing village of Bannings Beach to take ( over the local school after his predecessor, Peter Flynn, has ’cter disappeared without trace or explanation. He ha? to ion. has visit a pupil in her strange house to help her with her schoolwork. The events that follow reveal the secret of “Summerfield” house, and its consequences. Tuesday, June 13, 10 a.m. 2 NEWS FRONT Director : David Elfik Cast: Phil Noyce, Bill Hunter Wednesday, June 14, 10 a.m. 3 IN SEARCH OF ANNA Producer: Esben Storm Photo : Mike Edols Music: John Martyn and Alan Stivell Cast: Richard Moir, Judy Morris A contemporary love story set in an old Buick car travelling up the east coast of Australia from Melbourne to Queensland. Thursday, June 15, 10 a.m. 4 THE IRISHMAN Production : Forest Home Films Producer: Anthony Buckley Director: Donald Crombie Script: Donal Crombie from Elizabeth Conner’s novel Photo: Peter James Cast: Michael Craig, Simon Burke, Robyn Nevin, Lou Brown, Tony Barry. Set in North Queensland in the 1920s where the IrishAustralian family of Paddy Doolan becomes involved in the challenge of motorised transport. (Time: 108 mins.) 11 �9.30 a.m. Friday, June 16, 40-a.iii, at Capitol Cinema CHILDRENS PROGRAMME 5 LET THE BALLOON GO Producer: Richard Mason Director : Oliver Howes Photo: Dean Scmlcr Music: George Dreyfus Cast: Robert Bettles, John Ewart, Jan Kings­ bury, Bruce Spence Set in 1917 in a small Australian country town where a handicapped boy struggles to prove to himself, his family, and friends that he can be independent — and succeeds. 6 DOT AND THE KANGAROO Director: Yoram Gross Music : Bob Young Cast : Spike Milligan (guest artist) A full-length animated feature in which Dot, the little daughter of a settler in the Australian outback, becomes lost in the bush. She is befriended by a big Kangaroo who helps her to find her way home. She travels around in the Kangaroo’s pouch and makes friends with the bush animals and birds. Friday, June 16, 10 a.m. at Palace Theatre 7 DON’S PARTY Producer: Phillip Adams Director: Bruce Beresford Photo : Don McAlpine Cast: Sir John Gorton (as Australian Prime Minister),Ray Barrett, Pat Bishop, Graham Kennedy, Graham Blundell, Veronica Lang Don organises a party on electic election night to celebrate the foregone conclusion of a V ... Whitlam victory over Gorton, but the hilarity and flirtatu flirtations are interrupted by the news that Whitlam’s Labour Party is actually losing. Long-standing hostilities erupt, flirtations lead to fisti­ cuffs and time-tested friendships are shattered. Saturday, June 17, 10 a.m. al inxilion-lino at Palace Theatre 8 THE MANGO TREE Production : Pisces Productions Pty. Ltd. Producer: Michael Pate Director : Kevin Dobson Script: Michael Pate Photo: Brian Probyn Music: Marc Wilkerson Editor: John Scott Art Director: Leslie Binns Young Jamie Carr growing up in a North Queci :nsland country town, through his adolescent struggles to maturity, the tender fumblings of first love; the sudden Iden shock of man-made violence and sudden death con­ trast with the quiet of the countryside and the ocean coast. (Time: 105 mins.) 12 �9 Australia — LETTER TO A FRIEND Producer: Sonia Hofman Script: Sonia Hofman Photo: Jeff Brucr and Sonia Hofmann Music : Nick Lyon An animated film creating a flow of drifting impres­ sions and fleeting moments of love, past, present and eternal. (Time: 8 mins.) 10 Australia — RAW DEAL Producer: Russel Hagg and Patrick Edgeworth Director : Russell Hagg Photo: Vincent Monton Music : Ron Edgeworth Cast: Richard Kennedy, Gus Mercurio, Rod Mullinar, Christopher Tate Set in the rip-roaring 1870s against the gol ildfields of er Victoria, tough, laconic bounty-hunter Palmei teams up with a disillusioned gun salesman Ben to outv some twit marauding revolutionaries. 11 Australia — SUN Producer: Klaus Jaritz Script: Klaus Jaritz Photo: Klaus Jaritz Sound : Klaus Jaritz sun The si from many ang'. seen amidst the environigles ment of Sydney, Australia. f (Time: 13 mins.) 12 Australia — HOSPITALS DON’T BURN DOWN A documentary on fire training in hospitals. 13 Australia — THE MAGIC ARTS 14 Australia — THE LAST WAVE Production: Ayer Productions Pty. Ltd. Producer: Hal McElroy and James McElroy Director: Peter Weir Script: Peter Weir, Tony Morphett and Petru Popescu Photo : Russell Boyd and John Seale Music: Charles Wain Editor: Max Lemon Art Director: Neil Angwin Cast: Richard Chamberlain, Olivia Hamnett, with Gulpilil and Nandjiwarra Amagula David Burton (Richard Chamberlain), a happily mar­ ried Sydney lawyer, is unexpectedly asked to act as defence attorney for some aborigines in what appears to be a straightforward murder case, but odd things begin to happen and David realizes that he is part of what is happening: his ordered world has become mysterious and frightening. (Time: 106 mins.) 13 �in on a \ Guinness GD885 �15 Austria — BORN IN AUSTRIA (GEBOREN IN OESTERREICH) Production : Austrian Federal Economic Chamber, Vienna Director : Peter J. Nemec Script : Peter J. Nemec Photo: Tibor Olasz Editor: Peter J. Nemec (Time: 35 mins.) 16 Belgium — NEMRUT DAG Production : S. A. Cibclco-Bcfima N.V. Director: Boudouin Mussche, Paul Vandendrics, Marc Mopty Script : Boudouin Mussche, Paul Vandendries, Marc Mopty Photo : Noel Vary and Claude Debroux Music: Daniel Dejean (Time: 12 mins.) 17 Belgium — A PAGE OF LOVE (UNE PAGE D’AMOUR) Production : Meta Film Producer: Maurice Rabinowicz Script: Maurice Rabinowicz and Yvette Michelcms Photo : Jean-Jacques Mathy Music: Marc Herouet From a window in his home on the outskirts of Brussels, Francois Karwich witnesses the imprisonment of an unknown person in a neighbouring psychiatric clinic. Until now his life has been uneventful: a routine job with an insurance company, a traditional Jewish family background, an engagement which was virtually arranged. As the days go by everything in his life begins to change. (Time : 92 mins.) 18 Canada — THE BEAD GAME Production : National Film Board of Canada Director: Ishu Patel Script : Ishu Patel Music: J. P. Ghosh An animated film in which thousands of beads arc arranged and manipulated into shapes of creatures both mythical and real. (Time: 5A mins.) TADG LEHANE Artist 9, PATRICK STREET, CORK Phone 24725 Oils, Watercolours, Acrylics Illuminating and Lettering, Cartoons, etc. Display Artist to the Festival since its inception 15 �tet—^'**^8uLA- ^JCar^ ^R/1 S f I 9 1 '^SSfc 16 x7 �19 Canada — J. A. MARTIN PHOTOGRAPHER Production : National Film Board of Canada Producer Jean-Marc Garand Director: Jean Beaudin Script: Jean Bcaudin, Marcel Sabourin Photo : Pierre Mignot Sound : Jacques Blain Music: Maurice Blackbum Rose-Aimcc and J. A. Martin have been married for fifteen years. They have five childrei. but routine has children _ set into their lives. As her husband prepares to * * ‘ take part in his annual tour as a photographer Rosc-Aimce Ro.' lour demands to acct company him. During the long journey, mg journey. they discover th> truth about each other. he (Time: 101 mins.) 20 Canada — ONE MAN Production : National Film Board of Canada Director : Robin Spry Script: Robin Spry, Peter Pearson, Peter Madden Photo: Douglas Kiefer Sound : John Kramer Music : Ben Low Cast: Len Carioll, Jayne Eastwood, Carol Lazare Jason Brady, T.V. reporter, on the trail of a gang­ land murder story, discovers a much bigger news item. Children from a poor section of Montreal arc dying or being permanently deformed by poison gas from a local factory run by a powerful, multi-national corporate corporation. He alone can save the children, but is he willing to re risk his world, his marriage, his job, and possibly the lives of his family and himself? (Time: 87 mins.) 21 Canada — MY PULSE WANTS TO BECOME SONG Production : Shan Wong Director: Shan Wong Script: Shan Wong Photo : Gerald Laniel Sound : David Segelstein (Time : 12 mins.) MANGAN for Engagement and Wedding Rings, Jewellery, Clocks and Watches, Silver, Electro-Plate, Waterford and Galway Crystal also China Department JAMES MANGAN LTD., 3-4 Patrick Street, Cork Tel. 20998 Estd. 1817 (Branch at High Street, Killarney) 17 �Buying Ford is buying quality Irish 18 �22 Canada — THE SAND CASTLE (LE CHATEAU DE SABLE) Production : National Film Board of Canada Producer: Gaston Sarault Director: Co Heedeman Script: Co Hccdcman Sound : Jean-Pierre Joutcl Music : Normand Roger An animated film to illustrate the effects of wind on sand and sandshapes. (Time: 13 mins.) I I 23 Canada — PLAY SAFE Porduction : Advertek Director: Brian M. Chadderton Script: Brian M. Chadderton Photo : Fred M. Gorman Sound : Brian M. Chadderton Music: Robin Moir and Joe Turner Farm machinery and construction sites and railways are not playgrounds. So stay away, kids. Play Safe. (Time: 27 mins.) 24 Canada — CREE WAY Production: National Film Board of Canada Producer: Mark Zannis Director : Tony lanzele Photo : Tony lanzele Sound : Jean-Guy Normandin and Gordon Polson At Cree Way, a small Indian community on Quebec’s James Bay coast, the local community has initiated a unique curriculum project and learning centre. The introduction of locally produced teaching materials into the classroom has modified the entire school system and made local control of education a reality. (Time : 26 mins.) FOR HOTEL AND RESTAURANT CATERING YOU CAN’T BEAT CORK GAS w Phone 25252 19 �25 Ca ^aterfbrb <£ry*5tal M in; 2 c p < Hold a piece of Waterford Crystal in your hands, turning it so that the light is continually caught, reflected and dispersed. One sees in it the brilliance of diamonds, the purity of snowflakes and marvels that anything so beautiful was created by man. Cashs Patrick St. Cork. 20 �lada — THE METAMORPHOSIS OF MR. SAMSA Production: National Film Board of Canada Director Caroline Leaf Script: Caroline Leaf Sound :Norman Roger An animated film, based on Kafka’s novella ?tamorphosis, about a man who wakes up one morn! and finds he has been turned into a beetle. (Time: 9 mins.) mada — PICTURES FROM THE 1930s Production: National Film Board of Canada Director: Derek May Script : Derek May Photo: Douglas Kiefer Music: Alain Clavier Some paintings and some events of the 1930s: the lintings are seen parallel to film of the more obvious >cial realities of the years of depression. (Time: 30 mins.) ,7 'zcchoslovakia — THE BIRTHDAY 2001 (NARODENINY 2001) Production: Slovak Film Studio, Bratislava Director: Ivan Popovic and Milan Petovsky Script : Ivan Popovic Photo: Milan Petovsky Sound : Maximilian Remen Music: Otto Barton and Ivan Chodak Fears of mechanized human relations and of the mechanization of the relationship between man and nature. (Time: 5 mins.) 28 Czcchoslovadia — THE LADDER (REBRIK) Production: Slovak Film Studio, Bratislava Director: Viktor Kubal Script: Viktor Kubal Photo: Otto Geyer Sound : Maria Zamackova Music: Juraj Lexman A man and a ladder. Even when he falls off the highest rung he* Fias. an excellent prospect: he will write his memoirs. (Time: 6 mins.) JOSEPH BARTER & SONS LTD. TRAVEL AGENTS Est. 1856 92 ST. PATRICK STREET, CORK Phone 24261 29 WEST BEACH, COBH Phone 811202 Experts in all Travel Arrangements, Package Holidays, Travel Insurances, • Travellers’ Cheques. 21 �No matter what your own place is 9 HGW have the paint for it. From their modest beginnings in 1885 at Shandon Works, Cork, Harringtons and Goodlass Wall have grown to-day into Ireland’s largest paintmakers. Backed by extensive technical resources and research facilities, HGW produce such well-known paints for the home as Uno, Valspar anl Dulux. If your own place needs timber protection there's always Cuprinol; or if your own place is a farm, then Galoxide is he paint specially developed for all farm uildings — and safe for animals too! Even more specialised paints are sometimes required — and so HGW are proud that they provided these for many major contracts including the Whiddy Island complex, the Pfizer Chemical plant at Ringaskiddy and Irish Distillers Ltd. at Midleton. An associate company. Irish Industrial Finishes Ltd., supplies industrial and automotive paints made by HGW to many large Irish manufacturers including Henry Ford & Son Ltd., Cork. So when your own place neels decoration or protection — think of the locals who are Ireland’s largest paintmakers. Harringtons & Goodlass Wall. They have what it takes. Harrington & tafas Wall Ltd. Ireland’s largest paintmakers 22 �29 Czechoslovakia — ONLY A LETTER FROM FIELD MAIL (LEN LISTOK POLNEJ POSTY) Production : Slovak Film Studio, Bratislava Director: Peter Solak Script: Tibor Vichta Photo: Alexander Shelinger Sound : Maximilian Rcmen Music : Zdcnck Liska Documentary about Ludvik Maraik, a talented artist and one of the millions of victims of World War I. During the war and up to his death he sent home letters illustrated with his own drawings. (Time: 15 mins.) 30 Czechoslovakia — THE SHIP BUILDERS (STAVITELIA LODI) Production: Slovak Film Studio, Bratislava Director: Ivan Hustava Script: Ivan Hustava Photo : Juraj Galvanek Sound: Maximilian Remen —„ -------Shipbuilding on the Danube has a long tradition, ’ lent reaching back 3,000 years to an ancient Slav scttlcrm jnce at the confluence of the Vah and the Danube, the -------- where present day Komarno, wher shipbuilding still goes on, particularly on the OL-400, the biggest river ship ever built on the Danube. (Time: 20 mins.) Meet at CORK’S MOST POPULAR RENDEZVOUS ’AVER MARKET LANE (off Patrick St.) Phone 22716, 226351 23 �Ctening Morning and Evening newspapers who combine up-to-the-minute national and international news with unrivalled local photographic and editorial coverage: in short, to be fully informed it is best to read both daily. CC1)£ Cork examiner 24 �31 Czechoslovakia — THE NEANDERTHAL MAN (CLOVER NEANDRTALSKY) Production : Short Film Praha Director: Adolf Born, Jaroslav Dubrava, Milos Macourek Script: Milos Macourek Photo: Zdena Hajdova Sound : Frantisek Cerny Music: Lubos Fisor How neanderthal man lived, how he prepared his food. (Time: 7 mins.) 32 Czechoslovakia — WHO IS THE MASTER? (O MISTRA BASY) Production : Short Film Praha Director : Zdenek Smetana Script: Edgar Dutka and Zdenek Smetana Photo : Zdena Hajdova ar Evzcn Strakon a and Music: Vaclav Zahradnik Inik Two bumble bees living under one stone want to determine which is the master player of contrabass. (Time: 7 mins.) 33 Denmark — THE DANISH WEATHER (DET DANSKE VEJR) Production : lb Dam-Spectrum Film Director: Claus Orsted Script: Morgens Berendt and Sunc Lund-Sorensen Photo : Jeppe Jeppesen, Peter Klitgaard, Claus Orsted Sound : Soren Brix. Music: Henning Cristiansen “In Denmark we always talk about the weather, and we know what we are talking about, because we have so much of it. Each day a new kind of weather”. (Time: 16 mins.) FITZGERALD’S MENSWEAR Agents for MAGEE, DAKS, VAN HELJSEN GRENSON SHOES ATKINSONS POPLIN TIES ☆ ☆ ☆ 24 PATRICK STREET, CORK Phone 021 -20095 25 �ST. PATRICK'S BELL Made about 1 TOO A D. to enshrine the relic of St. Patrie k*the Bell of the Will'-the ornate shrint* of St. Patrick's Bell is dec orated w ith animal enlacemcnts in gold and silver gilt and a superb openwork pattern of crosses in silver. WE TREASURE THE PAST BUT WE WORK FOR THE FUTURE Helping maintain the great traditions of yesterday, Allied Irish Banks work for today and tomorrowwith over four hundred offices throughout Ireland, and twenty-seven in Britain, together with a Merchant Bank, an Industrial Bank and a Leasing Company. (X)Allied IrishBanks CORK AREAOFFICE: W». South Uill.( oik DUBLINiHeafKxtKc.l.uwknMwlkii^ .DutdinU Chui Foreign(Irani h.4(1 Wi-JnuKekBxlStintDuUml INTERNATIONAL OFFICES:London:H ThnignuirtonAxtiiuc BniMdi:lt>up>(j-ntf.f.Rm-AiihnnnJp. IV j1.I(M0Hio»m+> New York: 299 Park Aww, New Vixk Chicjgo; B*>S(xithl<iS.iBe.( hx.ign BRANCHES IN BRITAIN: finl«-niw ■.« I. Ifctntn-Juni I Iin< 4 (in<i»r\. (Aisgovv, I itiK I ik I iwf|x» tl.luoMi. WukInni t Ni flmtfiim Shi-kfon Waitord and Wolw ■rlumpiun Arks �34 Federal Republic of Germany — THE GREEN FIRE (DAS GRUENE' FEUER) Production : Gesellschaft fucr bildenc Filmc, Gruenwald Director : Manfred Baier Script: Manfred Baier, Michael Heim Photo: Ronald Martini . The phenomenon of photosynthesis by which oxygen is produced and without which there would be no life on earth. (Time: 27 mins.) 35 I Federal Republic of Germany — RHEINGOLD Production : Visual Films Producer: Elkc Haltaufdcrhcidc Director: Niklaus Schilling Script: Niklaus Schilling Photo ; Ernst Wild Music: Eberhard Schoerner Editor: Thomas Kikel Love and death mingle with the myth of the Rhine e and a fatal journey on the trans-Europc express, Rheinr gold, from ~ Dusseldorf lo Geneva. 36 Federal Republic of Germany — THE BROTHERS 37 Finland — THE ROLE (ROOLI) Production : Finnish Film Foundation Director : Martti Kakko Script: Martti Kakko Photo: Pertti Seppala Music: Eero Koivistoinen (Time: 20 mins.) 38 France — THE CHRYSANTHEMUM (AU CHRYSANTHEME) Production: Aquarius Productions Producer: Ramon Munoz Director :Yves Nolleau and Noel Very Script: Noel Very Photo: Noel Very Music : Jean-Claude Oliver and Andre Benichou A young boy sets up a little stand before the gates of the cemetery. He proposes to sell just one pot of chrysanthemums. A little old lady, all dressed in black, buys the pot. We discover, little by little, how the seller manages to sell always the same pot of flowers — by going to recover it each time from the graves. (Time: 7 mins.) CORK FILM FESTIVAL wishes to thank CORK FILM SERVICES for supply of 16mm PROJECTORS 27 �11 to Cotrfe tiI2 IffiS2nE2 of BREWED BY BEAMISH & CRAWFORD LIMITED CORK. MASTER BREWERS SINCE 1792. 28 �39 France — CONCLUSION Production : Films Cinemarc Producer : Marc B: laschet Director : Jacques Barsac 1 Script : Jacques Barsac ac Photo: Christian Archambcaud rhambcaud Sound : Luc Pcrini Music : Bernard Baschet What happens to the brain of a man trapped in a city, in an oflice, in a boring restrictive job? Jacques Barsac takes a look inside the brain. (Time : 12 mins.) 40 France — THE NEST (LA NICHEE) Production : Cincmation Producer : Manuel Otero Director: Gerard Collin Script ; Gerard Collin Photo: Gerard Collin Music : Gerard Collin ... ... . A bird nests on top of a traffic light in the middle of the desert. A car appears and stops at the traffic light, The bird sticks its head out of the nest and becomes supremely interested in the car. (Time: 5 mins.) 41 France — THE GREATEST LOVE OF ALL TIMES (L’AMOUR MONSTRE DE TOUS LES TEMPS) Production : Argos Films Producer: Anatole Dauman Director: Walerian Borowczyk Script: Walerian Borowczyk Portrait of the painter Ljuba. (Time: 15 mins.) 42 France — FRACTURE Production : Films du Triton Director : Paul and Gaetan Brizzi Following a natural cataclysm which annihilates all civilization the plants come into their own and are ruling the world. One man, the only human tv being to survive the upheaval, has an idea and starts on a journey towards a new civilization. (Time: 18 mins.) BARRY’S TEA As well-known as Shandon 29 �CONSERVATION To provide the power which is essential to our civilisation generation stations must be built, transmission lines must be erected, rivers must be harnessed. In doing these things the ESB keeps the environment constantly in mind. Care is taken to restore areas which have been disturbed. New amenities and new beauty are created, new lakes are formed. Landscaping, tree and flower planting at ESB stations, rearing and planting out young salmon and trout in rivers anl lakes — these are just some of the ways in which the ESB conserves and improves the environment for the people whom it serves. �PROGRAMME SATURDAY, JUNE 10 — Palace Theatre, 3.30 p.m. LET’S WORK TOGETHER (India) 75 REFLECTIONS IRELAND (Ireland) 80 LETTER TO A FRIEND (Australia) 9 AN UNMARRIED WOMAN (U.S.A.) 116 Palace Theatre, 7.30 p.m. I Cffichcl (Opening By THE MINISTER FOR LABOUR, MR. GENE FITZGERALD, T.D. in the presence of THE RT. HON. THE LORD MAYOR Councillor Gerald Y. Goldberg PROGRAMME AS AT 3.30 p.m. SUNDAY, JUNE 11 12 Noon Festival Celebration — Concclcbrated Mass at Church of St. Francis Palace Theatre, 2.30 p.m. 299 FOXTROT (U.S.A.) 115 FIGHT FOR YOUR LIFE (G. Britain) .. 50 BORN IN AUSTRIA (Austria) 15 SEA HORSES (Ireland) 81 RHEINGOLD (Germany) 35 Palace Theatre, 6.00 p.m. WHO IS THE MASTER? (Czechoslovakia) CRIA CUERVOS (Spain) Palace Theatre, 9.00 p.m. PROGRAMME AS AT 6.00 p.m. 32 101 �MONDAY, JUNE 12 — Lee Cinema, 9.30 a.m. WOMAN AND CINEMA (See Page 57) Palace Theatre, 10.30 a.m. SUMMERFIELD Australian Programme 1 Capitol Cinema, 9.30 a.m. THE DANISH WEATHER (Denmark) THE SAND CASTLE (Canada) ... THE NEST (France) EARLY ONE MORNING (G. Britain) THE ART OF GERARD GOOCH (U.S.A LETTER TO VORSTER (Netherlands) HARDWARE WARS (U.S.A.) ... 800 MILES OF WINTER (U.S.A.) PICTURES FROM THE 1930’s (Canada) CATHEDRAL (G. Britain) 33 22 40 49 104 92 107 105 26 52 Palace Theatre, 2.30 p.m. 37 61 90 THE ROLE (Finland) SUPERSONIC ACHIEVEMENT (G. Britain) PASTORALE 1943 (Netherlands) Palace Theatre, 6.03 p.m. NIAGARA FALLS (G. Britain) LIFE (Iran) THE LAST WAVE (Australia) 54 76 14 Palace Theatre, 9.00 p.m. PROGRAMME AS AT 6.00 p.m. TUESDAY, JUNE 13 — Lee Cinema, 9.30 a.m. WOMAN AND CINEMA (See Page 57) Palace Theatre, 10.00 a.m. Australian Programme 2 NEWSFRONT ... apitol Cinema, 9.30 a.m. WATERPLAY (G. Britain) | NIGHT CALL (G. Britain) MY PULSE WANTS TO BECOME A SONG (Canada) ... THE CHRYSANTHEMUM (France) THE METAMORPHOSIS OF MR. SAMSA (Canada) ... WHAT COLOUR IS THE BIRD? (Ireland) MIMINO (U.S.S.R.) 62 58 21 38 25 83 122 Palace Theatre, 2.30 p.m. THE NEANDERTHAL MAN (Czechoslovakia) ... PORTRAIT IN BLUE (U.S.S.R.) ONE MAN (Canada) ... ,.. 31 121 20 Palace Theatre, 6.00 p.m. THE BEAD GAME (Canada) VEROLME CORK DOCKYARD (Ireland) FROM A GREEN FIELD (Ireland) OH MY DARLING (Netherlands) TWO BEES OR NOT TWO BEES (Yugoslavia) ... THE SHOUT (G. Britain) Palace Theatre. 9.00 p.m. PROGRAMME AS AT 6.00 pan. 18 82 85 89 128 65 1 I �WEDNESDAY, JUNE 14 — Lee Cinema, 9.30 a.m. WOMAN AND CINEMA (See Page 57) Palace Theatre, 10.00 a.m. AUSTRALIAN PROGRAMME IN SEARCH OF ANNA 3 Capitol Cinema, 9.30 a.m. 47 GENESIS CHAPTER “X” (Ghana) J. A. MARTIN PHOTOGRAPHER (Canada) ... 19 Palace Theatre, 2.30 p.m. 24 60 CREE WAY (Canada) ROUND ROBIN (G. Britain) HOSPITALS DONT BURN DOWN (Australia) ... A DAY AT THE END OF OCTOBER (Italy) ... 12 87 Palace Theatre, 6.00 p.m. THE COLOURS OF BUCOVINA (Roumania) 100 71 FAITH AND ART (India) II THE SUN (Australia) 108 HOUSE CALLS (U.S.A.) Palace Theatre, 9.00 p.m. PROGRAMME AS AT 6.00 p.m. THURSDAY, June 15 — Lee Cinema, 9.30 a.m. WOMAN AND CINEMA (See Page 57) Palace Theatre, 10.00 a.m. AUSTRALIAN PROGRAMME THE IRISHMAN 4 Capitol Cinema, 9.30 a.m. THE BLUE GOLD-RUSH (France) DISTILLERY RISING (Ireland) ... REMBRANDT (Netherlands) 44 79 91 Palace Theatre, 2.30 p.m. OVERTURE 125 (G. Britain) BALLAD OF THE IRISH HORSE (Ireland) ISLAND (Ireland) CAMOUFLAGE (Poland) 59 78 77 94 Palace Theatre, 6.00 p.m. THE BIRTHDAY (Czechoslovakia) THE THIRD SKIN (Switzerland) ... BOVVER BOOTS (G. Britain) ... GIRL FRIENDS (U.S.A.) 27 103 57 109 Palace Theatre, 9.00 p.m. PROGRAMME AS AT 6.00 p.m. School o7 Music Theatre, 11.30 p.m. SYMPOSIUM: “Is there a Future for an IrishFeature Film Industry” r -: �FRIDAY, JUNE 16 — Lee Cinema, 9.30 a.m. WOMAN AND CINEMA (See Page 57) followed by SYMPOSIUM at 11.30 a.m. Palace Theatre, 10.00 a.m. AUSTRALIAN PROGRAMME DON’S PARTY 7 Capitol Cinema, 9.30 a.m. SPECIAL CHILDREN’S PROGRAMME OF AUSTRALIAN FILMS 5-6 Palace Theatre, 2.30 p.m. I AM A REFUGEE (Switzerland) THE LAKE (G. Britain) COPYRIGHT (Poland) CRABE-TAMBOUR (France) 102 51 95 46 Palace Theatre, 6.00 p.m. POUIHI — A LEGEND OF NEW ZEALAND (New Zealand) ... MIDNIGHT EXPRESS (G. Britain) 93 66 Palace Theatre, 9.00 p.m. PROGRAMME AS AT 6.00 p.m. SATURDAY, JUNE 17 — Lee Cinema, 9.30 a.m. WOMAN AND CINEMA (See Page 57) Palace Theatre, 10.00 a.m. AUSTRALIAN PROGRAMME THE MANGO TREE 8 Capitol Cinema, 9.30 a.m. THE KILLER SWIM (Ireland) MERCURIOUS (G. Britain) DUO (G. Britain) SPOLETO U.S.A.: A FESTIVAL DISCOVERS AMERICA (U.S.A.) ... ANOTHER RING TO KERRY (Ireland) ... BARBARIE’S STAIRCASE (France) ON TO BHUTAN (India) MANIMALS (U.S.A.) ION JALEA (Rumania) ... THE LADDER (Czechoslovakia) MOONFLIGHT (Hungary) 86 56 48 110 84 43 73 120 99 28 69 Palace Theatre, 3.30 p.m. COSMOGONIA (Poland) THE SHIPBUILDERS (Czechoslovakia) ... THE TURNING POINT (U.S.A.) 96 30 117 Palace Theatre, 7.30 p.m. PROGRAMME AS AT 3.30 p.m. (This Programme is subject to alteration without notice) The Festival Council can accept no responsibility for errors, cancellations or alterations. f �43 France — BARBARIE'S STAIRCASE (L’ESCALIER DE BARBARIE) Production : Les Grains de Sable Director : Dominique Maraval Script: Dominique Maraval Photo : Thierry Arbogast Music: Matias Ollisier, Jean-Jacques Rhulmann Cast: The clown: Vincent, Christine Danowsky, Claude Wilder. Jean Marc Grangier, Alain Miranda. Stella Blanco A clown while ascending a staircase of a building is confronted by a succession of scenes from the lives of the men and women living on every floor. He watches the scenes as spectator only until the top floor where there is an open door. (Time: 13 mins.) 44 France — THE BLUE GOLDRUSH (L/\ RUEE VERS L’OR BLEU) Production: Euroscop Director: Bernard Ollivier Marine life, petroleum, metallurgy, these are some of the wealth to be found in the bottom of the oceans. This film attempts to explore this richness as well as dealing with legal problems involved in extending the exclusive economic zones to 200 miles. (Time: 26 mins.) Come to Butlin’s Mosney for a week or two, and give the kids a whale of a time. For full particulars write to: BUTLIN’S Mosney, Co. Meath 31 �47 Ghana — GENESIS CHAPTER “X” Production : Ghana Film Industry Corporation Producer: Renor Fenuku Director : Thomas Ribeiro Script : Ato-Zanney Photo : Anson Wordie Music: Oscar Sulley Cast: Marilyn Meyer, George Williams, Kwesi Villars, Ebow Ansah A young Ghanaian surgeon, Zaria Gariba, returns home after successfully completing his medical studies in London. He lodges that night in the home of an impoverished couple, Adamu and his wife Hawa. During the night Hawa discovers that the young surgeon has money. She encourages her husband to kill him and dispose of his body. Unknown to her, the surgeon is her own son. (Time : 80 mins.) 48 Great Britain - DUO Production : Stuart Wynn Jones Director: Stuart Wynn Jones Script: Stuart Wynn Jones Photo : Stuart Wynn Jones Sound : Stuart Wynn Jones Music: Gordon Jacobs Xn animated film, commissioned by the composer, rdon Jacobs, to illustrate a composition for clarinet I bassoon. (Time: 3 mins.) 52 Great Britain — CATHEDRAL Production : The London International Film School Director: Ian Cook Photo: Ian Cook Cathedrals were centres of medieval pilgrimages and still, to-day, the pilgrims come, with cameras and chewing gum: this is how the medieval saints might take their revenge. (Time: 8 mins.) Visitors to Cork Call and see our Varied Selection of WATCHES. JEWELLERY, WATERFORD GLASS, HAND-MADE SILVERWARE Wm. Egan & Sons Ltd. Jewellers - Silversmiths 31-32 PATRICK ST., CORK 34 �49 Great Britain — EARLY ONE MORNING . . . Production : RSPB Film Unit Director : Hugh Miles Photo : Hugh Miles The beauty of the English countryside; each season */ with its specia appeal. ilh special (Time : 23 mins.) 50 Great Britain — FIGHT FOR YOUR LIFE Production : Graham Moore Director : Graham Moore Photo : Peter Coulson Sound : Boh Bentley One of the last of the old-time boxing booths and the pugilists who take on all comers. (Time: 28 mins.) 51 Great Britain — Tilt LAKE Production : Relfhurst Ltd. Producer: Christopher Warburton Director : Lindsey Vickers Script : Lindsey Vickers Photo : Norman Warwick Sound : Bob Cox Music : Richard Walters Barbara and Tony meet again after many years and spend a day at a secret place of their childhood, a lake. Whilst Barbara was at college a murder took place at the farmhouse nearby and the lake is no longer the friendly and innocent playground they knew as children. (Time: 33 mins.) Two Letters Spell the Best Ice Cream 35 �il D. & A. O’LEARY LIMITED The Printers Washington Street, Cork Tel. 21221, 21222, 26591 36 �53 Great Britain — LITTLE ENGLAND — A CELEBRATION Production : Barbara Jamison Director: Barbara Jamison Script: Barbara Jamison Photo : Barbara Jamison Music : Barbara Jamison 54 Great Britain — LORNE GREENE’S CANADA NIAGARA FALLS Production : Raymond Goldsmith Director Raymond Goldsmith Script: Mike Walker Photo: Lewis McLeod (Time: 10 mins.) 55 Great Britain — MARC CHAGALL: THE CHAGALL COLOURS OF PASSION Production : Rarmersuc Director : Charles Harris Script: Charles Harris (with quotations from the works of Marc Chagall) Photo : Derek Waterman Marc Chagall, one of the most significant artists of our times, provides the commentary through his own writings and sayings. (Time : 25 mins.) 56 Great Britain — MERCURIOUS Production: Stuart Wynn Jones Director : Stuart Wynn Jones Script: Stuart Wynn Jones Photo : Stuart Wynn Jones Sound : Stuart Wynn Jones Music: Mat Camison An animated film of fireworks without bangs and ballet without dancers. (Time : 3 mins.) HICKEY & BYRNE PRINTERS 41 MARY STREET & 1 SULLIVANS QUAY, CORK Phone: 021 -20725 37 �57 Great Britain — BOUVERBOOTS Producer: Robert Aarons Director : N. L. Janis Script: N. L. Janis (Time : 26 mins.) 58 Great Britain — NIGHT CALL Production: Illustra Films Ltd. Producer: Barry Palin Director: Ferdinand Fairfax Photo: Mike Dodds Sound: Ivan Sharrock The difficulties and dangers of motorway driving, paiticularly at night, and particularly when there’s a ghost about. (Time : 27 mins.) 59 Great Britain — OVERTURE ONE-TWO-FIVE Production: British Transport Films Producer: James Ritchie Director: John Legard Photo: Ronald Craigen and Trevor Roe Music: David Gow The development of British Rail’s High Speed Train. (Time : 7 mins.) A very important book for everybody who earns money - --------------- wnn” (vg) \ o / n ,£ D BankcFlreiana The bank of a lifetime 38 �60 Great Britain — ROUND ROBIN Production : RSPB Film Unit Director: Andrew Anderson and Hugh Miles Script: Bernard Cribbins Photo : Andrew Anderson and Hugh Miles Pugnacious defender of its own territory, the Robin Redbreast has a private side to his life, kept secret even from his benefactor — man. (Time: 29 mins.) 61 Great Britain — SUPERSONIC ACHIEVEMENT Production : British Airways Producer : Ian Mackerscy Director : Alan R. Tanner Script: lan Mackcrscy Photo : Stuart Bennett Sound : Martin McLean The story of the development of Concorde aircraft as the ultimate in man’s achievement in civil aviation. (Time : 29 mins.) 62 Great Britain — WATERPLAY Production : Taylor Joachim Ltd. Director : John Taylor Photo : John Taylor Sound : John Taylor Music : Richard Blackford A synthesis of music and photography. (Time: 19 mins.) IRISH BUSINESS SYSTEMS LTD. The Office Equipment Specialists Everything for your office OFFICE MACHINES EDUCATIONAL EQUIPMENT OFFICE FURNITURE STATIONERY PHOTOCOPYING 35 MacCurtain Street, Cork Phone (021) 503433 (3 Lines) 39 �63 Great Britain — THE WAY BACK HOME Production : Maureen White Director : Maureen White Script : Maureen White Photo: Maureen White Sound :Maureen White How Irish people living in London are taken “back home” by traditional Irish music. (Time: 16 mins.) 64 Great Britain — ABOVE US THE EARTH Production : British Film Institute Production Board Director: Karl Francis Script : Karl Francis Photo : Roger Evans and Mike Fox Sound : Peter Harvey and Ray Bcckctt Editor: Nicl Thomson Cast: Windsor Rees, Gwen Francis, Ozzie, Dai Morgan, Evan Jones, Evan Watkins, Ted Uzzell, Tom Jenkings, Nicl Kinnock, Michael Foot, Ben Wright, Dai Small, Viv Preece, Mai Jones, Joe Gormley A fictionalised record of the unsuccessful fight by Rhymney Valley miners in Wales to save their Ogilvie colliery from closure by the National Coal Board. (Time: 85 mins.) IRELAND’S MOST EXCITING FASHION STORES RICHARD ALAN At 63 OLIVER PLUNKETT ST., CORK Phone 23759 58 GRAFTON STREET, DUBLIN 2 Phone 775149 40 �65 Great Britain — THE SHOUT Production : Recorded Picture Co. Ltd. Producer : Jcrmy Thomas Director : Jerzy Skolimowski Script: Michael Austin and Jerzy Skolimowski from a story by Robert Graves Photo: Mike Molloy Sound : Alan Bell Art Editor: Simon Holland Music : Rupert Hire. Anthony Banks and Mike Rutherford Editor : Barrie Vince Cast: Alan Bates, Susannah York. John Hurt, Robert Stephens, Tim Curry. Julian Hough Carol Drinkwater, Nick Stringer, John Rees, Susan Woolridge A traditional cricket match as played on village greens all over England, but this is different : it is played in the local mental hospital grounds where once a year the patients play against the villagers. Beneath the polite facade, tensions run high. Inside the scoring tent one of the patients tells a story, his story, to the village scorckccpcr. about the tremendous power of his shout and how he killed his own children. It may be the ravings of a disturbed mind, but the cricket match ends in panic and terror. (Time : 86mins.) 66 Great Britain — MIDNIGHT EXPRESS Production : Casablanca Filmworks Production Producer : Alan Marshall and David Puttnam Director : Alan Parker Script : Oliver Stone, from the book by Billy Hayes and William Hoffer Photo : Michael Seresin Sound : Clive Winter Art Editor : Evan Hercules Music: Giorgio Moroder Editor: Gerry Hambling Cast: Brad Davis, Randy Quaid, Bo Hopkins, John Hurt, Paul Smith, Mike Kellin Billy Hayes, a young American, is arrested at Istan­ bul Airport, and later charged with a drug offence. He is sentenced to four years in Sagamilcar fortress. There he finds squalor, torture, humiliation, brutality .... and warm friendships. He had only days of his sen­ tence to serve when he is sentenced to serve 30 years more. With no hope of lawful relief, he uses the secret “midnight express’’ to effect a spectacular, unique escape from prison, from Istanbul, from Turkey. (Time: 120 mins.) 67 Hungary — AS YOU LIKE IT (A PIACERE) Production: Mafilm Studios, Budapest Director: Zoltan Huszarik Script : Zoltan Huszarik Photo : Peter Jankura The craving of the human person to leave behind some imperishable mark. (Time: 22 mins.) 41 �68 Hungary — THE LONELY PERSONS’ CLUB Production : Mafilm Studio, Budapest Director: Livia Gyarmathy Script Pal Erdoss and Livia Gyarmathy Photo: Ferenc Papp A Hungarian club for senior citizens who find not only companionship and entertainment but opportunity to care for others. (Time: 18 mins.) 69 Hungary — MOON-FLIGHT (HOLDMESE) Production: Pannonia Film, Budapest Director: Sandor Reisenbucher Script: Sandor Reisenbucher Photo: Iren Henrik Reisenbucher elaborates on a suggestion that the moon may be an artificial, rather than natural, satellite of earth and enables him to produce spectacular sequences showing the construction of a moon space­ ship and its disastrous end. (Time: 12 mins.) Winner of London's Top Restaurant Award 1975-1976 THE MILLITELLO BROTHERS welcome you to the CONCORDIA RISTORANTE ITALIANO 29/31 CRAVEN ROAD, LONDON 2 Tel. 01-402 4985 — 01-723 3725 Open Daily 12 a.m. to 3 p.m., 6 p.m. to 11.45 p.m. 42 �70 India — THE BOY WHO BECAME AN ORPHAN (TABBALIYU NENA DE MACANE) Production : Maharaja Movies Producer: B. M. Venkatesh and Chandulal Jain Director: Girish Karnad and B. V. Karanth Script: Girish Karnad from a novel by S. L. Byrappa Photo : A. K. Beer Music : Bhaskar Chandavarkar Nandan returns from America to his native Hindi village and begins to tamper with age-old customs. His American wife, Lidiya, wishes to identify with the vil­ lage but misunderstandings arise and, for a time, Nan­ dan and Lidiya find themselves isolated from their neighbours. (Time : 135 mins.) 71 India — FAITH AND ART Production : Films Division, Ministry of Information and Broadcasting, Bombay Director : Mushir Ahmad Script : Shyam Gudi Photo : D. N. Chandckar Sound : A. Viswanatham Music: Raghunath Seth The architectural1 beauty of the famous mosque at Balkh in Afghanis* Afghanistan and the work of restoration recently carried out. (Time : 17 mins.) 72 India — KANNESHWARA RAMA Production : Sharada Movie Production, Bangalore Director : M. S. Sathyu Script : Shama Zaidi Photo : Ashok Gunjal Music : B. V. Karanth The adventures of Kanneshwara Rama, a real life outlaw, who is still celebrated in Indian ballads, in con­ trast with the attitude of non-violence of the followers of Mahatma Gandhi. (Time: 130 mins.) 73 India — ON TO BHUTAN Production : Films Division, Ministry of Information and Broadcasting, Bombay Producer: S. N. S. Sastry Director : Girish Vaidya Script: V. R. Pillai Photo: B. Khosla Sound : R. G. Chendwankar Music: Raghunath Seth The land, people, culture and progress of Bhutan. (Time. 14 mins.) : i a __ JOIN THE FESTIVAL CLUB Season-Ticket Holders £5.00 Tickets available at Festival Office 43 �74 India — DOMESTIC ELECTRICALS OF INDIA Production : Films Division, Ministry of Information and Broadcasting, Bombay Director: Arun Banerjee The production and export of household electrical gadgets made in small factories in India. (Time: 15 mins.) 75 India — LET’S WORK TOGETHER Production : Films Division, Ministry of Information and Broadcasting, Bombay Director : B. R. Shendgc Script: B. R. Dhilong Photo: Ram Mahtrc, Guru Raju Sound : T. A. Jagannathan Music : Vijay Raghav Rao An animated film on the need for harmonious rela­ tions between labour and management in industry. (Time : 5 mins.) Ill IIIUM-'l' J • ' 76 Iran — LIFE (ZENDEGIE) Production: Ministry of Culture and Arts, Iran Director: Nostratollahc Karimic Script: Nostratollahe Karimie Photo : A. Kafafie Music : F. Hafezie The existence and evolution of life. x (Time: 20 mins.) TATLERS RESTAURANT 18, Princes Street, Cork Tel. 506294 Prime Beef Steaks, Varied Chicken and Fish dishes. Salads, Curries, etc. Open Monday to Saturday incl. 12 Noon — 12.30 a.in. Special Sunday Hours: 12 Noon — 2.30 pan. 6 — 11 p.m. Tatlers Special Lunches available daily, incl. Sunday 44 �77 Ireland — ISLAND Production : Ncvilh Presho, Martello Films Neville Director : Neville 1 :ctor Presho Script: Neville I Presho Photo : Steve Fairchild Sound : Pat Carey Music : Clannad Two days on an i Ireland. island off the coast of Northern (Time : 26 mins.) 78 Ireland — THE BALLAD OF THE IRISH HORSE Production : Pan International Films Producer : Michael Algar Director : Rory O'Farrell Script: Con Houlihan Photo: Shcamus Dcasy Music : Paddy Moloney The relationship between horse and man, and espe­ cially the affinity that exists in Ireland. (Time : 47 mins.) 79 Ireland — DISTILLERY RISING Production: Irish Distillers/James Morris Director : Ted Bonner Script : Group Communications Dept. Irish Distillers Photo: P. Thornton, S. Corcoran, D. Shaw-Smith Sound : James Morris A documentary on the building of new Midlcton Distillery at Midleton, Co. Cork. (Time : 25 mins.) 80 Ireland — REFLECTIONS IRELAND Production : Viscom Production Ltd. Producer : Patrick Carey and John Spencer Director : Patrick Carey Script: Patrick Carey Photo : Patrick Carey Sound : Pat DufTner Music : Paddy Maloney and the Chieftains Patrick Carey depicts the quietness, tranquillity and beauty of Ireland in terms of film only. (Time: 21 mins.) 81 Ireland — SEA-HORSES Production : Vic Purcell Smallfilms Director : Vic Purcell Photo: Pat Kavanagh Music: Hugh O’Donahue, Greg Boland A day at an Irish race meeting. No ordinary meeting, though, as the Laytown Races, are held only once a year on the sands at Laytown, Co. Meath, and on that day the course has to be built and everything from tents and stalls to bookies’ stands has to be erected, and the time of the first race depends on the tide. (Time: 15 mins.) 45 �82 Ireland — VEROLME CORK DOCKYARD Production : Bateman Photography Script: Pat O'Hare and P. Coughlan Photo : Robert Bateman Sound : Pat Hayes (Time: 8 mins.) 83 Ireland — WHAT COLOUR IS THE BIRD? Production : Holywood Films Director : John T. Davis Script: John T. Davis, John Middleton Photo: John T. Davis Sound : John T. Davis assisted by Lesley Tarrant and John Middleton Music: Mahavishnu, John McLaughlin A documentary on a day and life in Ulster. (Time: 17 mins.) 84 Ireland — ANOTHER RING TO KERRY Production : AOF Productions Director : Tiernan MacBride Script: Leo Cullen Photo: Sean Corcoran Sound : Peter Hunt avev and Martin O’Connor Music : Sean Da' Commentator : Niall Toibin I (Time: 25 mins.) IRISH ENTERTAINMENT June 4th — September 30th 6 nights weekly Sunday — Friday Gateway to the South West (Cork and Kerry) MUSIC. SONG, DANCING and STORYTELLING Admission £2.50 Tickets available at hotel reception, tourist office and travel agents ar IL Corl relax320; 46 �85 Ireland — FROM A GREEN FIELD Producer: Joe McCarthy Script: Joe McCarthy Photo : Pat Hayes Sound : Paul O'Flsnn Editor : Jan Stapleton Commentator: Noel O’Carroll A look at the growth of Mitsui Denman (Ireland) Ltd. (Time : 27 mins.) 86 Ireland — “THE KILLER SWIM" Production : Holywood Films, N. Ireland Director : Alwyn James Script : Alwyn James Photo : Alwyn James Sound : Colin James The Killer Swim is a nickname for the North Chan­ nel. a 22-milc stretch of icy water between Scotland and Ireland. Three swimmers only, all from the Irish side, have succeeded in conquering it. Ted Keenan from Enniskillen, has already swum the English Channel, the Bristol Channel and 1973 the North Channel — from Ireland to Scotland. This film is the story of his attempt at the age of 42, to swim the North Channel from the Scottish side which has never been done. Once again the Channel is the victor. (Time : 30 mins.) 87 Italy — A DAY AT THE END OF OCTOBER Production : Cooperativa Mcrcato Europco Cinematogratica Producer : Bruno Ridolfi Director : Paolo Spinola Script : Carlo Castellaneta and Paolo Spinola Photo : Aldo di Marcantonio Art Editor : Carmelo Patrono Music : Daniele Patucchi Editor : Vincenzo Verdecchi (Time : 107 mins.) Twenty-Sixth Cork International Choral and Folk Dance Festival At CORK CITY HALL, APRIL 25—29 1979 Information from: THE FESTIVAL OFFICE, 15, BRIDGE STREET, CORK 47 �88 The Netherlands — HOSANNA Production : Jap van Rij Film Produkties BV Producer : Jaap van Rij Director: Albert Seelen Script: Albert Seelen Photo: Fred Tammes Sound : Albert Seelen That most intimate moment in a person’s life — the moment of death. (Time: 43 mins.) 89 The Netherlands — OH MY DARLING Production : Nico Crama, The Hague Director: Borge Ring Script : Borge Ring Photo: Wim van Beclen Sound : Boy van Hattum Music : Borge Ring An animated film about a couple who love their _ daughter too much, and . . . yet? (Time : 7 mins.) 90 The Netherlands — PASTORALE 1943 Production: Spieghel Film Produktie Maatschappij, Amsterdam Producer: Frans Raskcr Director: Wim Verstappen Script: Wim Verstappen, based on a novel by Simon Vestdijk Photo : Marc Felperlaan Music: Robert Reppener Cast: Frederik de Groot, ” c Renee Soutendijk, Hein Boele, Bernard Droog, Geert de lein Boele Jong The Dutch and their pecularities and especially in German occupied Holland during World War II, when durin iified these pecularities are intensified by the v war, the occu­ ice it; and pation and the resistance movement; ant more parti­ n i. cularly in the town of Doornwijk in 1943 where life ly goes on as normally as possible. (Time: 124 mins.) 91 The Netherlands — REMBRANDT FECIT 1669 Production : Jos Stelling Film Produkties, Utrecht Director: Jos Stelling Script: Jos Stelling and Wil Hildebrand Photo: Ernest Bresser Music: Laurens van Rooyen Cast: Ton de Koff (the ageing Rembrandt), Frans Stelling (the younger Rembrandt) As the title indicates the starting point of the film is Rembrandt’s last self portraits from which it sets off to explore the facts of the life of the great Dutch master and his work as painter, etcher and draughtsman. (Time: 113 mins.) The Council wishes to express appreciation to Radio Telefis Eireann for their assistance and financial support. 48 �92 The Netherlands — LETTER TO VORSTER Production : Rocland Kerbosch Filmproduktie Director Rocland Kerbosch Script : Bert Schierbeck Photo : Gideo Gitai Music : Miriam Makeba A message to the Prime Minister of South Africa on the meaning and danger of apartheid; a letter that does not expect an answer. (Time : 17 mins.) 93 New Zealand — POUIHI ... A LEGEND OF NEW ZEALAND Production : Air New Zealand Producer : Paul Ricketts Director : GcolT Dixon Script : Paul Ricketts Photo : John Blick (Time : 24 mins.) 94 Poland — CAMOUFLAGE (BAWRY OCHRONNE) Production : Tor Film Unit Director : Krzysztof Zanussi Script : Krzysztof Zanussi Photo : Edward Klosinski Music : Wojciech Kilar A group of university students c a sumi on imer campus, in a story of developing conformi lism and of the com■ plexities of human behaviour. (Time : 106 mins.) 95 Poland — COPYRIGHT Production : Animated Film Studio, Cracow Director : Piotr Szulkin Script: Piotr Szulkin Photo: Dominik Koziol A naturalistic sequence in which an apple is crushed by a powerful press. But why “Copyright”? (Time: 4 mins.) 96 Poland — COSMOGONIA (KOSMOGONIA) Production: Short Film Studio, Lodz Director : Danuta Adamska-Strus Script: Danuta Adamska-Shrus and Slawomir Grabowski Photo: Waclaw Fedak Music: Eugeniusz Rudnik A visual impression of the creation of the universe out of chaos. (Time: 9 mins.) 49 �■d —HOLIDAY (SWIETO) Production: Short Film Studio, Lodz Director: Zbigniew Rybczynski Script: Zbigniew Rybczynski Photo: Zbigniew Rybczynski Music: Janusz Hajdun holiday in the Polish provinces, a day full of little —lenls and simple ceremonies. (Time : 9 mins.) ■and — IT STRUCK ROOTS, FILLED THE EARTH (ZAPUSCILA KORBEN1E NAPEL1LA ZIEMIE) Production : Educational Film Studio, Lodz Director: Anna Dyrka-Brzozowska Script: Anna Dyrka-Brzozowska Photo: Andrzej Jaworski An impression of the first contact of a newly born zaaby with the world. (Time: 18 mins.) 99 Rumania — ION J ALE A Production: Alex. Sahia Film Studio Director: C. Valeni Script: C. Valeni Photo: Fr. Patakfalvi Music: Radu Zamfirescu The Rumanian sculptor. Ion Jalca, at the age of 90, discusses his artistic credo. . x (Time: 10 mtns.) 100 Rumania — THE COLOURS OF BUCOVINA Production: Alex. Sahia Film Studio Director : Ion Visu Script: Ion Visu Photo: C. Teodorescu Music: Mihaela Sergescu The Rumanian province of Bucovina with cole everywhere, on houses, on plain and hill, and ms the homes. (Time: 10 mu 101 Spain — CRIA CUERVOS Producer: Elias Querejeta Director: Carlos Saura Script: Carlos Saura, Paco Lucio Photo: Primitive Alvaro Editor : Pablo G. Delamo Cast: Geraldine Chaplin, Ana Torrent, Conchita Perez Ana, the nine-year old tells the story of her living in a small old house in the centre of M" Her mother has died some years ago and her dies as the story begins. Ana believes that she h her hands the power of life and death over thos to her; she thinks that her power has caused th" of her father. She summons her mother in fant= relives a relationship that vacillates between ten_ nostalgia and domination. Thus in that closed and from the viewpoint of a child the time flow> 50 �102 Switzerland — I AM A REFUGEE Production : Films de VArc Producer : Marc Sursock and Rudy Djabbarzadeh Director: lames Becket Script: Janies Becket Photo : Jack Hazan and Witold Lcsnicwicz Sound : Luc Yersin Music : Emile Ellbergcr (Time : 34 mins.) 103 Switzerland — THE THIRD SKIN (DIE DRITTE HALT) Production : Condor Films Ltd. Director : Herbert E. Meyer Script: Herbert E. Meyer Photo: Edwin Horak Music : Rainer Bosch Gypsum plaster, its origin and production and its many applications in some aspects of life, building, art, medicine and industry. (Time : 16 mins.) 104 U.S.A. — THE ART OF GERALD GOOCH Production: Creative Dimensions, Inc. Director : Seth Hill Script : Seth Hill Photo: Charles Rudnik Sound : Roy Ramsing A portrait of the popular Californian artist, Gerald Gooch, with commentary by the artist. (Time : 16 mins.) 105 4r de U.S.A. — 800 MILES OF WINTER Production: Caterpillar Tractor Co. and Calvin Communications Producer: Don Peterson Director : Larry Winter Script: Don Peterson Photo: E. W. Railsback Music: Bucky Weishaar ‘M I The story of the building of the 800 mile Trans. Alaska pipeline, the ^largest privately financed con largest struction project of all time. (Time: 28 mini I 106 US.A. — GOYA’S DISASTERS OF WAR hear Production : Marvin Albert Films Director : Marvin Albert Script: Marvin Albert Photo: Marvin Albert Music: Pedro Bacan Goya’s etchings translated to film. (Time: 6 ra 51 �107 U.S.A. — HARDWARE WARS Production : Ernie Fosselius/Michacl Wiese A takeoff on Star Wars. (Time: 13 mins.) 108 U.S.A. — HOUSE CALLS Cast: Walter Matthau, Richard Benjamin, Art Carney, Glenda Jackson, Sandra Kerns Dr. Charley Nichols, a surgeon, returns to his prac­ tice after a three-month leave following the death of his wife. He arrives with a newly-grown beard and a new lifestyle and announces to his friend that he in­ tends to have swinging affairs with every beautiful woman that comes his way. Hospital politics and the personality of one woman begin to interfere with his life as a carefree bachelor. (Time: 98 mins.) 109 U.S.A. — GIRL FRIENDS Production : Warner Communications Co., released by Columbia—Warner Distributors Director: Claudia Weill Producer: Claudia Weill, Jan Sounders. Cyclops Film Inc. Script : Vicki Polon, from a story by Claudia Weill and Vicki Polon Photo: Fred Murphy Art Editor: Patrizia Von Brandenstein Music: Michael Small Editor : Suzanne Petit Cast: Melanie Mayron, Eli Wallach, Anita Skinner - story of Susan, out of college and earning her photographing weddings and barmitzvahs. The ic shares her New York apartment with chooses tge. Susan opts for being alone and encounters It situations with an amorous Rabbi, a woman -hiker and a succession of receptionists, resumes She beds down temporarily with a . rejections. ------ E ybung teacher, but success does not come. pjcr p0Wer teachei . led off. She despairs, she quarrels with her mar1 is turned ___r :n _ friend, . ried .riend, with her lover. When she gets a gallery lover, towing show showing of her photographs, she fails to show up for final arrangement of them, but she survives. a f (Time: 87 mins.) 110 U.S. A.— SPOLETO U.S.A.: A FESTIVAL DISCOVERS AMERICA Production : Blackwood Productions Director: Michael Blackwood Script: Clive Barnes Photo: Seth Schneidman Sound : Mead Hunt At once the portrait of a festival in its 20th year, the Spoleto Festival, of two cities, Spoleto in Italy and Charleston in South Carolina and of a gifted composer, Gian Carlo Menotti. (Time: 56 mins.) 52 �Ill VS.A. — PARKS. PLEASANT OCCASIONS AND HAPPINESS Production : Marvin Albert Films Director : Marvin Albert Script : Marvin Albert Photo: Marvin Albert Music : Norman Durkee The pleasures of free public space for the people of urban environments. (Time : 16 mins.) 112 U.S.A. — SHINTO: NATURE. GODS AND MAN IN JAPAN Production : Japan Society. Inc. Producer : Peter Grilli Director : David Westphal Script : Peter Grilli Photo : David Westphal and Makoto Ogawara Sound : Torn Toyama Music : Minoru Miki The development of the Shinto religion, from ancient times to the present day. (Time : 48 mins.) 113 U.S.A. — SPACEBORNE Production : Berkeley Film Associates Director : Philip Dauber Photo : The Astronauts of NASA Sound : Tom Valens Music: Douglas McKechnie and John Lewis Man’s exploration of space over a decade of discovery (Time : 14 mins.) 114 U.S.A. — NANETTE: AN ASIDE Production : White o’ Morn Ltd. Director : Rik van Glintenkamp Script : Willa Cather Photo : Hiro Narita Sound : Maryte Kavaliauskas and Ron Yoshida Cast: Carolyn Mignini, Donna Mitchell. Matej Shirko, Kola Kwariani, Deborah Miller, Maria Gudy Based on a short story by Willa Cather, this film is set in the Europe of 1905, but filmed in the old city of Quebec in mid-winter. Two women, a famous ballerina and her secretary, have become more attached to each other than they realize, but finding their modes and ideas of life growing radically apart, sadly they must separate. (Time : 44 mins.) 53 �97 Poland —HOLIDAY (SWIETO) Production : Short Film Studio, Lodz Director: Zbigniew Rybezynski Script : Zbigniew Rybezynski Photo: Zbigniew Rybezynski Music: Janusz Hajdun A holiday in the Polish provinces, a day full of little ...cidents and simple ceremonies. incidents (Time : 9 mins.) 98 Poland — IT STRUCK ROOTS, FILLED THE EARTH (ZAPUSCILA KORRENIE NAPELILA ZIEMIE) Production : Educational Film Studio, Lodz Director: Anna Dyrka-Brzozowska Script: Anna Dyrka-Brzozowska Photo : Andrzej Jaworski An i... impression of the first contact of a newly born baby will the world. tvith (Time: 18 mins.) 99 Rumania — ION JALEA Production : Alex. Sahia Film Studio Director: C. Valeni Script: C. Valcni Photo : Fr. Patakfalvi Music : Radu Zamfirescu The Rumanian sculptor. Ion Jalea, at the age of 90, discusses his artistic credo. (Time: 10 mins.) 100 Rumania — THE COLOURS OF BUCOVINA Production: Alex. Sahia Film Studio Director : Ion Visu Script: Ion Visu Photo: C. Teodorescu Music: Mihaela Sergescu The Rumanian province of Bucovina with colour everywhere, on houses, on plain and hill, and inside the homes. (Time: 10 mins.) 101 Spain — CRIA CUERVOS Producer: Elias Querejeta Director: Carlos Saura Script: Carlos Saura, Paco Lucio Photo : Primitive Alvaro Editor: Pablo G. Delamo Cast: Geraldine Chaplin, Ana Torrent, Conchita Perez Ana, the nine-year old tells the story of her family living in a small old house in the centre of Madrid. Her mother has died some years ago and her father dies as the story begins. Ana believes that she holds in her hands the power of life and death over those near to her; she thinks that her power has caused the death of her father. She summons her mother in fantasy and relives a relationship that vacillates between tenderness, nostalgia and domination. Thus in that closed universe and from the viewpoint of a child the time flows. 50 �102 Switzerland — I AM A REFUGEE Production : Films de I* Arc Producer : Marc Sursock and Rudy Djabbarzadch Director : James Becket Script : James Becket Photo : Jack Hazan and Witold Lcsnicwicz Sound : Luc Yersin Music : Emile Ellberger (Time : 34 mins.) 103 Switzerland — THE THIRD SKIN (DIE DRITTE HALIT) Production : Condor Films Ltd. Director : Herbert E. Meyer Script : Herbert E. Meyer Photo : Edwin Horak Music : Rainer Bosch Gypsum plaster, its origin and productio action and its many applications in some aspects of life, building, art. Lmedicine and industry. (Time : 16 mins.) 104 U.S.A. — THE ART OF GERALD GOOCH Production : Creative Dimensions, Inc. Director : Seth Hill Script : Seth Hill Photo : Charles Rudnik Sound : Roy Ramsing A portrait of the popular Californian artist, Gerald ] Gooch, with commenl itary by the artist. (Time : 16 mins.) 105 U.S.A. — 800 MILES OF WINTER Production : Caterpillar Tractor Co. and Calvin Communications Producer: Don Peterson Director : Larry Winter Script : Don Peterson Photo : E. W. Railsback Music: Bucky Weishaar Music The story of the building of the 800 mile Trans­ Alaska pipeline, the largest privately financed con­ struction project of all time. (Time: 28 mins.) 106 U.S.A. — GOYA’S DISASTERS OF WAR Production: Marvin Albert Films Director : Marvin Albert Script : Marvin Albert Photo : Marvin Albert Music: Pedro Bacan Goya’s etchings translated to film. 51 (Time : 6 mins.) �115 U.S.A. — 299 FOXTROT Production : Film Projects Branch, Naval Weapons Center, California Director: S. Martin Shelton Script: S. Martin Shelton Photo : Griftin Davies Sound : S. Martin Shelton The story of the restoration and the return of the last flyable B-29 aircraft. (Time: Il mins.) 116 U.S.A. — AN UNMARRIED WOMAN Production : Twentieth Century-Fox Producer : Paul Mazursky and Tony Ray Director: Paul Mazursky Script : Paul Mazursky Photo: Arthur Ornitz Music: Bill Conti Editor: Stuart Pappe Cast : Jill Clayburgh (Erica), Michael Murphy (her husband), Lisa Lucas (her daughter). Kelly Bishop, Linda Miller and Pat Quinn (her woman friends), Cliff Gorman (Charlie) □ry The stoi of a woman whose husband leaves her mteen years of marriage — and the effect it after sever has both on their lives and on their 15-year old daughter as seen primarily from the woman's viewpoint. Two contemporary social themes recur throughout the film : the effects of divorce on all members of a family, and the changing options in women's lives to-day. (Time: 130 mins.) 117 U.S.A. — THE TURNING POINT 118 U.S.A. — HOUSE CALLS Production : Universal Producer : Alex Winitsky and Arlene Sellers Director: Max Shulman, Julius J. Epstein, Alan Mandel and Charles Shyer Script: Max Shulman and Julius J. Epstein Photo : David M. Walsh Sound : Henry Bumstead Music: Henry Mancini Editor: Edward Warschilxa (Time: 98 mins.) 119 U.S.A. — MULLIGAN IN THE LAND OF THE DEIFIED BIG DEAL 120 U.S.A. — MANIMALS Production : Opus Films, Ltd. Director; Robin Lehman Script : Robin Lehman Photo: Robin Lehman The incredible world of exotic pets. (Time: 29 mins.) 54 �121 U.S5.R. — THE PORTRAIT IN BLUE Production : Mosfilm Studio Director: Gennady Shumsky Script : Alcksanor Aleksandrov Photo : Dimitry Korzhikhin Sound : R. Sohinov Music : Isaak Scwartz Cast : Darya Mikhailova, Valery Savishev, Varvara Sosholjskaya, Yury Nasarov, Dima Samodumov, Vitaly Briekhov Aloysha first met Tanjka one morning early walking ne down a meadow; soon she had learned his secret — lad that he wanted to fly a balloor and that he had a in, deserted shed where he built his balloon, and soon she . ...s was spending all her free time w with him. It meant also letting grandma into Aloysha’s v ‘s secret. Then came the forest fire when Aloysha’s world was lost in flames and •‘ ■ ........ i Tanjka’s parents took her away, but grandma remained and together they built the balloon and it flew. How fie’ many years ago was it all? But perhaps the g laps dreams of childhood remain with us for good. 122 U.S.S.R. — MIMINO Production : Mosfilm Studio Director : Georgy Danelia Script: Revas Gabriadze, Victoria Tobareva and Georgy Danelia Photo : Anatoly Petritzky Art Editor : Boris Newechek and Eleonora Nemechek Music : Giya Koncheli Cast: Buba Kikabidze It is, most probably, a fairy' talc — about a falcon. Mimino in the Georgian language means a falcon—but we find a helicopter whirring peacefully above the countryside piloted by Valiko — and he is happy and his home is here and the people need him. One day Valiko met a beautiful stewardess of a jet plane and he decided to become a jet pilot. He goes to Moscow and succeeds in becoming a pilot on international routes and pretty stewardesses smile at him, but Valiko re­ members his mountain village and once again he is at the controls of his helicopter. 123 Wales — GRAND SLAM Production : B.B.C. Wales Producer: John Hefin Script: Gwenlyn Parry Photo : Russ Walker Sound : Mansel Davies Cast: Hugh Griffith, Windsor Davies, Dewi Morris, Sion Probert A “pilgrimage” to Parc des Princes, Paris by a bus • South on the occasion of of load of " ■' Wales rugby fans the nrt occasion a ional. They are all going France v. Wales rugby internatic* e over for the rugby but each one has another reason for making the trip. (Time : 60 mins.) 55 �128 Yugoslavia — TWO BEES OR NOT TWO BEES (DRAMA OKO CVIJECA) Zagreb Film, Zagrem and Windrose Dumont Time, Koln Director : Ante Zaninovic Script : Ante Zaninovic Photo : Franco Malogorski Art Editor: Ante Zaninovic inovic Music : Tomislav Simovic vic Balthazar town had, as do all towns, an air pollu­ tion problem. Franjo, the bee-keeper, moved his bees out of town in order to prevent them from dying, but ecs then the fruit trees no lonj longer bore fruit because of the absence of the bees. So I Franjo moved his bees back again to town. (Time: 12 mins.) The Techniques of Film Making A course on the techniques of film making for senior school students will be held at University College, Cork from Monday, June 12 to Satur­ day, June 17. The course will be conducted by Mr. Kenneth Trodd, Producer (Drama) Plays, B.B.C., London who also runs the National Film School. Beacons­ field. London. INTERNATIONAL PRESS OFFICE AT CONNOLLY HALL A FRIENDSHIP CENTRE is located at Connolly Hall and will be open daily from 10 a.m. to 7 p.m. Delegates, Press and Holders are welcome. 56 Season Ticket �WOMEN AND CINEMA LEE CINEMA PROGRAMME (At 9.30 a.m. Each Morning) Monday, June 12 Women In Hollywood — 35 mm - 3 hours DANCE GIRL DANCE (U.S.A. 1940—Director : Dorothy Arzncr) OUTRAGE (U.S.A. 1950 — Director: Ida Lupino) Tuesday, June 13 Woman and the Avant-Gardc-History—16 mm-3 hours THE SMILING MADAME BEUDET (France 1922 — Director: Germaine Dulac) MESHES IN THE AFTERNOON (U.S.A. 1943 — Director: Maya Dercn and Alexander Hammid) PIERRE VALLIERES (Canada 1969 — Director : Joyce Weiland) KRISTINA TALKING PICTURES (U.S.A. 1976 — Director: Yvonne Rainer) Wednesday, June 14 New Directions — The Entertainment Film 84 mins, and discussion WIVES (Norway 1975 — Director: Anja Breien) Thursday, June 15 New Directions — The Political Avant-Garde 100 mins, and discussion RIDDLES OF THE SPHINX (G.B. 1977 — Director: Laura Mulvey and Peter Wollen) Friday, June 16 New’ Directions — Shorts from the Women’s Movement 100 mins, and Seminar WHOSE CHOICE? (G.B. 1976 — London Women’s Film Group) THE POINT IS TO CHANGE IT (Germany 1973 — Director: Claudia Alermann) Saturday, June 17 New Directions — The Avant-Garde 90 mins and discussion NEWS FROM HOME (France 1977 — Director: Chantal Akermann) 57 �CORK FILM FESTIVAL FEATURE FILM AWARDS Silver Medallions will be presented by the International Jury to the outstanding Script-writer, Director of Photography, Music Composer, Editor and Art Direc­ ing tor of films shown during the event. Certificates of irdci Merit may also be awarded at the discretion of the Jury. SHORT FILM AWARDS A Bronze Statuette of St. Finbarr will be presented by the International Jury to the outstanding film in each ?ach category (a) General Interest and Documentary Film*-ims: (b) Animated or Cartoon Films: (c) Films on Art; (cl) ( Short Fiction Films; (c) Scientific and Industrial Spo onsored Films. Certificates of Merit will be awarded at the discretion of the Jury to particular films for out­ standing aspects. IRISH FILM SOCIETY'S AWARD The Irish Film Society will present an award for it the best short film shown during the Festival . IRISH FILM SOCIETY’S JURY The members of the Jury for the Irish Film Society’s Award is: DAVID WATTERSON (British Federation of Film Societies) MICHAEL DWYER (Tralee) CORNELIUS HURLEY (Cork) INTERNATIONAL CRITICS AWARD _ ..._J The Waterford Glass Award will be presented to the Film best Irish-made film shown at the Festival. Films made ligible. outside Ireland by Irish film makers are eligiL. COMMISSION OF THE EUROPEAN COMMUNITIES SPECIAL PRIZE The Commission of the European Communities will present an Award for the Short Film, which, in the opinion of the International Jury, will contribute most to mutual understanding between people of different European countries and of the common problems of contemporary’ society. The Commission of the Europeani Communities has nominated a special International Jury to select the . prizewinning short film. E.E.C. SHORT FILM AWARD JURY CONOR P. MAGUIRE KAREL VAN MILEGHEM DENIS CORBOY 58 �ACKNOWLEDGMENTS Cork Film Festival owes its origin, in the main. to the financial support and encouragement of BORD FA1LTE EIREANN (The Irish Tourist Board). The Director and Council of the Festival express their deep appreciation to them, and also to London Friends of Cork and Dublin Friends of Cork. We arc also indebted to the following who have given considerable help to the Festival in various ways: ARTHUR GUINNESS, SON & CO. (IRELAND) LTD. IRISH DISTILLERS LIMITED SWAN BEDDING D. & A. O'LEARY LTD. BRITISH AIRWAYS OYSTER TAVERN WATERFORD GLASS LTD. CORK EXAMINER — ECHO HENRY FORD & SON. LTD. IRISH MIST LIQUEUR LTD. joe McCarthy BEAMISH & CRAWFORD LTD. SMURI IT CORRUGATED CASES LTD. IRISH BUSINESS SYSTEMS ABBEY FILMS LTD. MURTAGH PROPERTIES LTD. THE JOHN DALY GROUP ALLIED IRISH BANKS SOUTHERN ELECTRONICS LTD. GESTETNER LTD. SALON PERNOD CASSIDY FABRICS NATIONAL FILM STUDIOS OF IRELAND KELLY’S KITCHEN CORK CORPORATION CORK FILM SERVICES CONCORDIA NOTTE RESTAURANT, LONDON TOURIST BOARD OF SAN REMO, ITALY RANK XEROX (IRELAND) LTD. EAGLE PRINTING CO. LTD., CORK (Premier supplier of office equipment) ESSO IRELAND LTD. McKECHNIE CLEANING SERVICES LTD. BANK OF IRELAND LTD. WEST CORK TRAVEL SALON INTERNATIONAL CASH & CO. TRACY SHOES LTD. METROPOLE HOTEL PREMIERE BUSSUM, HOLLAND 59 �ASSOCIATE MEMBERS Ashbourne House Hotel Ltd. Richard Alan & Co. Ltd. P. J. Crowley Ltd.. Ophthalmic Opticians. Cork Brooks Haughton Ltd. Dowdall O'Mahoney & Co. Ltd. Cooper Magennis. Cork The Hammond Lane Metal Co. Ltd.. Cork Jim O'Keeffe. T.D.. Bandon Seamus and Mary Lantry Mr. and Mrs. Alfred Navratil. Midlcton Allan J. Navratil. Midleton Mr. & Mrs. Donald Kahn. Miami Mr. & Mrs. Albert Goodslein. Miami Mr. J. Hunter Todd. Miami Mr. A. V. Duffy. Dublin Without the support of our promoters, Bord Failte and of our Sponsors and Advertisers Cork Film Festival could not be organised. The Council and Director express their sincere gratitude to them. Please ensure the Festival's continuation by supporting our Advertisers. * ☆ ☆ Front of house display by Tadhg Lehane ☆ ☆ ☆ WHILE EVERY EFFORT WILL BE MADE TO ADHERE TO THIS PROGRAMME, THE CORK FESTIVAL COUNCIL CAN ACCEPT NO RESPON­ SIBILITY FOR ERRORS, CANCELLATIONS, OR ALTERATIONS 60 �23rd Cork Film Festival President Rt. Hon. the Lord Mayor, Mr. Gerald Y. Goldberg, T.C. Chairman : Mr. A. A. Healy, T.C. Vice-Chairman : R. P. Beamish Director: Dermot Breen, M.LP.R. Executive Council K. G. Breen Mrs. M. Pyne B. B. Curtis. L.R.A.M. Comdt. J. Slye Patrick Fleming T. J. O’Sullivan Mrs. N. Jennings E. O’Mahony T. O’Brien R. O’Sullivan Organising Committee Assistant Director: Harry Conboyc Reception Executive: Shaun O’Sullivan, Moira Pyne, Sean Cunningham Transport: Timothy J. O’Sullivan, Donal O’Sullivan Accommodation : E. O’Mahony Information: Comdt. J. Slye, Constance Madden Press Committee: Frank Sanquest (Chairman), Crichton Healy, Dick Cross, Tom O’Mahony, Vass Anderson (London) Selection Committee: Jim O'Brien (Chairman), Bill Newman (Vice-Chairman), Cyril O’Sullivan (Secretary) Programme Editor: Padraig O Maidin Protocol; Kevin Breen Invitations: Nancy Jennings Films Officer: J. Newman Travel Arrangements : Michael O’Flynn Inclusive Tours: Ross Anderson Sponsors Liaison: Robin O’Sullivan Festival Club: Harry Fitzgerald-Smith, B.Arch., Cyril O’Sullivan Compere: Pat Butler Front of House: Jim O’Brien, A. J. Nolan Specialised Programmes: Fred Conboye, Anne Conboye Imports and Exports: Joseph McNally Activities Committee: Fergus Gilligan, Mary McSweeney, Ann O’Sullivan, Michael O’Flynn, Ken Connole Film Techniques Course: Brother Jerome, Mary O’Shea Mary O’KeelTe, Pat Casey Associate Members Officer: Liam O’Connell Shorts Jury Liaison: Nancy Allitt, Frances FitzgeraldSmith Features Jury Liaison : Mary Murphy European Communities Jury Liaison : Pat O’Brien P.R. Consultants: Bill O’Herlihy, Gabrielle Brennan (Public Relations of Ireland Ltd.) Organist: George McSweeney Festival Headquarters: Connolly Hall Lord Mayor’s Liaison : Gerald O’Flynn �SUNDAY, JUNE 11, 1978 THE CELEBRATION of FESTIVAL MASS for CHOIR and ORCHESTRA Composed by JOHN MURPHY, M.A., B.Mus. at the Church of St. Francis, Liberty St., Cork at 12 noon Celebrant FR. KEVIN PHELAN, O.F.M. Isr Assistant FR. JAMES DONLON, O.F.M. 2nd Assistant FR. VALERIAN GAVIN, O.F.M. Master of Ceremonies BRO. DECLAN HOULIHAN, O.F.M. Solemn Concelebratel Mass will be sung by ST. FRANCIS CHURCH CHOIR Conducted by the Composer Soloist: PETER McBRIEN Leader: MRS. SHEILA RYAN Organist / Choir Master : SENOR ANGEL CLIMENT on the occasion of the 23rd Cork Film Festival DONAL LEHANE, Chairman of Committee Our sincere thanks to the Guardian and Community of St. Francis Church who have made this occasion possible � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Programme Content Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Rights Information about rights held in and over the resource <a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /></a><br />This collection is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. All rights reserved. Please credit <a href="https://corkfilmfest.org/">Cork International Film Festival</a> &amp; provide a link back to this site. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English, eng; Irish, gle Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Description An account of the resource A selection of programmes from the Cork International Film Festival. Subject The topic of the resource Cork Film Festival Programmes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1978 Cork Film Festival programme content Subject The topic of the resource Cork Film Festival, Patrick Kearney, Fred Williams, Mike Catto, Charles Ford, Harry Wallace Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Rights Information about rights held in and over the resource <span>This item is licensed under a </span>Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (<a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0</a>) licence<span>.&nbsp;Please credit the&nbsp;</span>Cork International Film Festival Archive<span> and provide a link back to the site.</span> Language A language of the resource English, eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland Description An account of the resource <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;The 1979 festival programme is slim with an abstract design on its cover in the form of elongated shapes, in various shades of brown and red, stretching from the top to the bottom of the page. Text is presented in dark brown on the white strip along the right edge of the programme. The back cover is plain white.&quot;}" data-sheets-userformat="{&quot;2&quot;:11009,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:3,&quot;12&quot;:0,&quot;14&quot;:{&quot;1&quot;:3,&quot;3&quot;:1},&quot;16&quot;:10}">This is a PDF of the 1978 festival programme. The programme is slim with an abstract design on its cover in the form of elongated shapes, in various shades of blue and orange, stretching from the top to the bottom of the page. The cover was designed by Harry Wallace.<br /><br />The softbound programme, costing 50 pence, includes notes on the features jury including Patrick Kearney, Fred Williams, Mike Catto and Charles Ford.</span> Date A point or period of time associated with an event in the lifecycle of the resource 1978 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Programme Charles Ford Fred Williams Harry Wallace Mike Catto Patrick Kearney https://corkfilmfest.ucc.ie/files/original/991bd3f058b4e94acf3b75cd9e29d724.pdf 629ce8b695253bf23bd6a78500c2a79e PDF Text Text �SCANNAN FHEILE CHORCAIGHE I J 24th CcrCi FiDroi Festival 1379 SATURDAY, 23rd JUNE TO SATURDAY, 30th JUNE �24th Cork Film Festival President Rt. Hon. the Lord Mayor of Cork, Cllr. James A. Corr Chairman: Mr. A. A. Healy Vice-Chairman : R. P. Beamish Director: Robin O’Sullivan Executive Council K. G. Breen B. B. Curtis, L.R.A.M. Patrick Fleming Mrs. N. Jennings T. O’Brien Mrs. M. Pyne Comdt. J. Slye T. J. O’Sullivan E. O’Mahony Organising Committee Assistant Director: Harry Conboye Reception Executive: Shaun O’Sullivan, Moira Pyne, Sean Cunningham, Mary Murphy Transport: Timothy J. O’Sullivan, Donal O’Sullivan Accommodation: E. O’Mahony Information: Comdt. J. Slye, Constance Madden Press Committee: Frank Sanquest, Crichton Healy, Dick Cross, Tom O’Mahony, Billy Crosbie Selection Committee: Jim O’Brien (Chairman) Programme Editor: Padraig O Maidin Protocol: Kevin Breen, Mairin Cotter Invitations: Nancy Jennings Films Officer: J. Newman Travel Arrangements: Michael O’Flynn Inclusive Tours: Ross Anderson Festival Club: Harry Fitzgerald-Smith, B.Arch, Cyril O’Sullivan Front of House: Jim O’Brien, A. J. Nolan Specialised Programmes: Fred Conboye Imports and Exports: Joseph McNally Special Activities: Liam O’Connell Childrens Programme: Mary O’Keeffe, Dermot Breen Associate Members Officer: Liam O’Connell Shorts Jury Liaison: Nancy Allitt, Frances FitzgeraldSmith European Communities Jury Liaison: Pat O’Brien P.R. Consultants: Bill O’Herlihy, Gabrielle Brennan (Public Relations of Ireland Ltd.) Organist: George McSweeney Festival Headquarters: Connolly Hall I �SUNDAY, JUNE 24, 1979 THE CELEBRATION of CHOIR ond-ORCHESTRAT^ Composed by JOHN MURPHY, M.A., B.Mus. at the Church of St. Francis, Liberty St., Cork at 12 noon Celebrant FR. AILBE MURPHY, O.F.M. 1st Assistant FR. ROBERT O’NEILL, O.F.M. 2nd Assistant FR. JAMES DONLON, O.F.M. Master of Ceremonies BRO. DECLAN HOULIHAN, OFM Solemn Concelebrated Mass will be sung by ST. FRANCIS CHURCH CHOIR Conducted by the Composer Soloist: CHRISTY MORRIS Leader: FRANCIS HORGAN Organist: DAVID O’SULLIVAN, B.Mus. Choir Mistress: CATHERINE JANACHEK on the occasion of the 24th Cork Film Festival DONAL LEHANE, Chairman of Committee Our sincere thanks to the Guardian and Community of St. Francis Church who have made this occasion possible �The Festival Director introduces the 24th Cork Film Festival . . For the first time the Cork Festival is to be held without the guidance and inspiration of its founding director, Dermot Breen. His tragically early death last October has deprived his adopted city, the Film Industry and most of all, the Festival, of a man whose imagination, courage and dedication combined to make Cork a recog­ nised venue for a very important event in the international film calendar. Writing in the Programme for the first Festi­ val in 1956, Dermot Breen had this to say: “The Cork Film Festival is in its first year but as a result of the excellent support given by the various national associations and production companies, it promises to be unique in the history of Cinema. The Council has endea­ voured to ensure that the quality and technique of the films will be the primary interest; that the international representatives who have honou­ red us by their presence will be afforted an opportunity of discussing each other’s problems in an atmosphere of cheerfulness and goodwill; and that the Jury is representative not alone of experts in the Cinema but experts also in the assessment of high-quality entertainment films.” 4 �And in his last message in the programme for the 23rd Festival last year, he picked up that theme again: “When the International Federation of Film Producers’ Association granted our application for the First Cork Festival in 1956 we asked our­ selves not only what we expected to gain but also what we had to offer in return. “In our approach to the two questions the most outstanding thought was that since film had become the greatest medium of mass com­ munication and mass entertainment the world had ever known, it was of crucial importance that an appreciation of film as an art form should be made as widespread as possible among the public and that film makers should be provided with a Festival that would help them to achieve the technical and artistic potentialities that film offered. “This year, in the full maturity of the ideals that guided us in the beginning, we welcome you all to Cork again.” Those ideals are our ideals and what has made this Festival possible is a determination that the ideals which he expressed, and through which he gathered to himself a dedicated group of people to help in the organisation and running of the Festival, will continue to be an inspiration. Addi­ tionally, here in Cork, throughout Ireland and overseas, we had evidence of a determination that the Festival should build on his work for 23 years to become a memorial to him. The name of Dermot Breen will be forever associated with the world of film in Ireland and overseas. At every Festival he paid tribute to all the many people whom he led. It is most heartening to be able to record that all those people have shown the commitment to the Festival which they showed under his leadership and the same determination to make it succeed. That is will do so. is a tribute to their commitment and most of all, to their hard work. Our friends overseas, particularly the committee known as “The London Friends Of Cork” and their sister com­ mittee “The Dublin Friends Of Cork” have again given us magnificent support, and indeed in some ways their encouragement was even more important than the money they raised as we faced the daunting task of building for the 24th Festival. 5 �One again, as they have been from the very first Festival. Bord Failte Eireann are our major sponsors. We greatly value their support and the report which they commissioned on last year’s Festival has proved to be a great source of en­ couragement to us. It also provided a number of ideas which we are putting into practice this year. For the first time we have a promise of a major grant from the Arts Council. We are deeply indebted to them for this as it came at a time when our finances were not in a very healthy situation. Our many long-standing friends and sponsors have, as always, rallied round and their vital financial contributions have enabled us to plan for an ambitious Festival. The big change this year is that our principal location is the Cork Opera House. This is some­ thing which has been discussed on and off for a number of years, particularly since the closure of our old home, the Savoy Cinema. We are deligh­ ted that, thanks to the technical expertise made available to us by our friends in London and the total co-operation of the Board of the Cork Opera House, it has proved possible to move the Festival to this magnificent new venue. You will notice from the Programme that we have not, of. course, abandoned the city cinemas. We are as ever extremely grateful to their man­ agements and staffs and particularly to Messrs. Leo Ward and Kevin Anderson of Abbey Films who have been tremendous supporters over the years and who, once again, have placed their city-centre cinemas at our disposal for the various programmes of the Festival. This type of co-operation epitomises what is best about the Cork Festival, the friendly Festival, which Dermot Breen always wanted it to be and which we are determined to retain. Thank you for your support. I trust that our programme will have many features to interest you and we look forward to a succesful 24th Festival and further ahead to a star-studded Silver Jubilee next year. ROBIN O’SULLIVAN, Director 6 �DERMOT BREEN I The following tribute written by Mrs. Nancy A Hitt, long a member of the Festival's Organising Committee. When an International Film Festival was first mooted, the reaction was one of incredulity; a Film Festival in Cork! with all it would entail in money, organisation, the absurdities associa­ ted with so many International Film Festivals all over the world. The Organiser, a young man, Dermot Breen, almost unknown in the film world of that time. People said he was a good organiser. Time proved him a superb one. He had determination, charm, a quick wit and rich humour which soothed many a stormy interlude. He had a shrewd appraisal of people; and gathe­ red around him a band of loyal workers. They threw themselves wholeheartedly into all his plans. No crowd of paid workers would have spent day and night, as they did. He was always the one who paid them tribute; in public and in private as they all knew that they were doing it for him. The hurler on the ditch sees most of the game and being on the periphery of the organisation for years, the writer had a good idea of the work done by Dermot Breen. He drove himself and them to exhaustion at times, yet the ready quip 7 �relieved the tension always. He was very con­ siderate and appreciative of all who worked for him no matter how important or unimportant the worker. There was always laughter and ex­ asperation at the many crises that arose. It is a great pity that he never had time to write the hilarious best-seller of “How to Direct a Film Festival”. Above all. is the deep sense of per­ sonal loss at his sudden death. The friendly greeting and amused grin which made the loads light for e/eryone. It would be true to say that behind every great man is a great woman. He could not have mana­ ged all he did without the support of his wife Vida. Her charm and unaffected dealings with the famous and the less famous were his greatest asset. She was always there to entertain and look after the comforts of the many guests who came year after year to enjoy our serious but goodhumoured and important Festival. What Dermot Breen envisaged and created for Cork was remarkable. As a city we were not accustomed to the impact of serious film work nor indeed did we realise the importance of the media. Nothing exceeds it as a communicator. It is worldwide. Der Breen hoped to inculcate a critical approach to this important subject. We were accustomed to let it wash over us. The Film Festival altered that. Being a Festival of short films we were able to see and evaluate films from all over the world. Short films gave the potential artistic director a chance to make films according to his genius and his pocket. It was always the beginning. For others like the short story, it was their perfect medium. Der Breen realised this and the list of short films shown in Cork in the last twenty-three years is astounding. Some bad, as in all other arts; some mediocre, some magical. He introduced us to films from all over the world. It was Der Breen who started all this, who con­ trolled it, who inspired the magnificent band of workers to carry out his ideas, who left behind him skilled, appreciative workers who are pre­ pared. under Robin O’Sullivan, to carry on the tremendous work he started. When our friends die in Ireland we say- “May God's blessing be with his soul” and it is a fitting wish to our late beloved Dermot. Beannacht De lena anam. 8 �RETROSPECTIVE PROGRAMME “CORK —THE FIRST TWENTY-THREE YEARS” Of the many memorials to Dermot Breen, none seems more appropriate than a film programme to highlight some of the great work which he did in creating and running the Cork Film Festival. In this year’s Retrospective Season may be seen a few of the many films which be brought to the Festival and it is hoped in future years to con­ tinue this look back at the Festival under his direction. The programme will be officially opened in the Palace Cinema, home of the Festival for a number of years, on Monday morning. June 25th at 10.45 a.m. by the Chairman of the Festival Council. Mr. A. A. Healy, who has been associa­ ted with the event since it began in 1956. The programme for the first morning includes two prize winning shorts from the beginning and the very first feature film shown at the first Cork festival in 1956. ‘A Town Like Alice’. The retro­ spective season will continue each morning up to and including Saturday, at 11 o’clock. Films to be screened in this programme will include: The Shepherd — Canada — 1956 (First St. Finbarr Award winner) A Town Like Alice — Britain — 1956 (First feature shown at Festival) The Silent Art — Ireland — 1959 (Louis Marcus’ film on Seamus Murphy) City of Gold — Canada — 1957 To Your Health — Britain — 1957 Les Quatre Cents Coups — France — 1959 History of ihe Cinema — Britain — 1957 Conquest of Light — Ireland — 1975 Hoffnung Symphony — Britain — 1965 Automania — Britain — 1963 Taxi Driver — U.S.A. — 1976 Devil's Playground — Australia — 1977 Ruddigore — Britain — 1967 Fleadh Cheoil — Ireland — 1967 Sunday Too Far Away — Australia — 1976 Information not available at time of going to press on Polish and Dutch participation in this section. 9 �LOUIS MARCUS Louis Marcus was born in Cork in 1936, educated at St. Mary’s Shandon N.S., Glasheen Secondary School, and at University College, Cork. To date he has directed over thirty docu­ mentaries. mainly for Gael-Linn, Government Departments and Bord Failte. His documentary “Fleadh Cheoil" won a Silver Bear at Berlin, a Diploma of Honour at Moscow, a first prize at Brussels, and a Critics’ Award at La Felguera. His “Capallology” took a first prize at Brussels. He has been the recipient of two Academy Award nominations for his films “Paisti Ag Obair” (“Children At Work”), and “Conquest Of Light”. Cinema documentaries have been dis­ tributed throughout the world through United Artist Corporation and Columbia Pictures. Most recently, he has produced a six-hour television series on the heritage of Ireland for World Tele­ vision. For the last few years he has been promi­ nent in the efforts to get Government support for Irish film making, so far largely without success. PATRICE LEGENDRE Born in 1954 Patrice Legendre is Administra­ tive Manager of the Society Clap 24 whose pro­ ductions include (in 1978) one feature, four short fiction, five industrial and three T.V. documen­ taries. He is Deputy Director of Association of Short Film Producers. 12 �Synopses of Films Films are listed numerically. The numbers correspond to those shown opposite the names of the films in the Coloured inset in this brochure. 1 Australia — AUSTRALIA GAME Production : Film Australia 2 Australia — THE LAND MY MOTHER Production : Film Australia 3 Australia — FIVE BELLS Production : Film Australia 4 Australia — CHILD’S PLAY: THE DEVELOPING CHILD Production : Film Australia 5 Australia — PORTRAIT OF DAME MARY GILMORE Production : Film Australia 6 Australia — SUNDAY TOO FAR AWAY Production : Film Australia 7 Australia — DEVIL’S PLAYGROUND Production : Film Australia 8 Australia — CATHY’S CHILD Production : C.B. Film Production Producer: Errol Sullivan and Pom Oliver Director : Donald Crombie Script: Ken Quinnell from the book by Dick Wordley Photo : Gary Hansen Music : William Motzing Cast: Michele Fawdon, Alan Cassell. Bryan Brown, Arthur Dignam, Willie Fennell. The factual story of a young mother’s tenacious efforts to get back her abducted child and involves her in a search halfway round the globe, made possible only because a jaded newspaper reporter is jolted into a crusade against child abduction. (Time: 89 mins.) 13 �CORk opeRa house IS PROUD TO BE ASSOCIATED WITH conk film festival We extend a Hearty Welcome to all 14 �9 Australia — HIGH COUNTRY Production : Yenan Productions Producer: Geoff Burrowes Director: George Miller Photo: Keith Wagstaff Music: Mario Mills and Jon English A look at the high country of Victoria. (Time: 13 mins.) 10 Australia — RIVERS Production : Riverside Studios iduu.w Producer: Trevor Ling >ducer Photo : Volk Moc Sound : Peter Willett A pictorial essay on the rivers of Victoria. (Time: 171 mins.) 11 Belgium — LA POUPEE Production : Unibelfilm, Brussels 12 Belgium — LA BELLE ENDORMIE Production : Unibelfilm, Brussels 13 Belgium — LES PEI DE BRUXELLES Production : Unibelfilm, Brussels 14 I Belgium — MIREILLE (MIREILLE DANS LA VIE DES AUTRES) Produc Production : “F3”, Unite 3 and Selta Films Produc : Jean-Marie Bouchet Producer Script: Daniele Desouches (Time: 90 mins.) 15 Belgium — KASPER IN THE UNDERWORLD (KASPER IN DE ONDERWERELD) Production : Films Van de Velde Director : Jef Van der Heyden Script: Jef Van derHayden Photo: Fernand Tack and Theo Van der Sande Music : Francois Glorieux (Time: 91 mins.) The Council expresses deep appreciation to Radio Telefis Eireann for their assistance and financial support. 15 �FIDELMA SUPPLE MANNEQUIN AGENCY LTD. Presents AN AFTERNOON OF FASHION AND ENTERTAINMENT At CHANDRA’S EXCLUSIVE CLUB, GRAND PARADE THURSDAY, JUNE 28th, 1979 at 3.30 p.m. in conjunction with the CORK FILM FESTIVAL Fashions from: Galligan & Lady G One Step Ahead Miriam Scarffe-Coady So why not avail of the opportunity to meet the stars at our Champagne Reception and enjoy a fashionable afternoon with a difference. ADMISSION: £1.20 is �16 Brazil — NORTHEAST A TOURISM AREA NUMBER THREE Production : Agencia Nacional Producer: Renato Bittencourt Script: Vitoria Perrone Photo : Claudi Assumpcao, Vitaliano Muratori and Valmir Ribeiro c Nilo Sergio Music: Ely Avcoverde Sound : Celio Farias Commentator: Ronaldo Rosas (Time : 10 mins.) I I 17 Canada — THE ODD ANGRY SHOT Production : Australian Film Commission and New South Wales Film Corporation Producer: Sue Killiken and Tom Jeffrey Director: Tom Jeffrey Script: Tom Jeffry mnedy, John Hargreaves, Cast: Graham Kei John Jarratt, Bryan Brown, Graeme Blundell From 1965 to 1972 Australia sent 60,000 soldiers to Vietnam to serve as allies of the U.S. forces there, in a war that could not be won. The film concentrates on ..„ ---------------- ... a small group of the Australian soldiers, the Special Air Service Regiment (SAS) operating deep in enemy territory. (Time: 90 mins.) A New Film is not an unusual event in Cork. However a New Book Shop and Educational Aids Centre is unusual. Why not pay us a visit at: VERITAS 14/15 BRIDGE ST., CORK Open Mon./Sat. until 5.45 p.m. 17 �(Etiemng Morning and Evening newspapers who combine up-to-the-minute national and international news with unrivalled local photographic and editorial coverage : in short, to be fully informed it is best to read both daily. (Efje Orfe Examiner 20 �21 Canada — CITY OF GOLD Production: National Film Board of Canada Producer : Tom Daly Director: Colin Low and Wolf Koenig Script: Roman Kroitor Photo: Colin Low. Wolf Koenig and Douglas Roberts Music : Eldon Rathburn Sound : George Croll Commentator : Pierre Berton Dawson City at the height of the Yukon gold rush, famed in song and story, and the later Dawson, forgot­ ten city. 22 Canada — SAMI HERDERS Production : National Film Board of Canada Producer: Bill Brind Director: Hubert Schuurman Photo : Hubert Schuurman Music: Larry Crosley Sound : Ken Page and Michel Dcscombes Commentator : Gudrun Bjerring Parker . . A year in the life of the Mikkcl Hocttc family, ig Sami or Lapps, who spend six moi months travellini from their home in Norway up to the Arctic coast, their *t'~ companions a herd of reindeer. (Time: 7+ mins.) 23 Canada — THE SHEPHERD Production : National Film Board of Canada _ Against the background of the Kamloops Valley in British Columbia, the ageless shepherd follows his routine tasks from dawn 1_ dusk as he guides his flock to from valley to hill rul- assisted by his sheepdogs. ably —1 24 Canada — TRAVEL LOG Production : National Film Board of Canada Producer_: Tom Daly _____ Director: Donald Winkler A travel album and diary in which a journey into the world becomes also a journey into a character. (Time: 9| mins.) FOR HOTEL AND RESTAURANT CATERING YOU CAN’T BEAT CORK GAS w Phone 25252 21 �25 Canada — SPECIAL DELIVERY Production : National Film Board of Canada Producer: Derek Lamb Director: John Weldon and Eunice Macaulay Script: John Weldon and Eunice Macaulay Photo: Raymond Dumas and Simon Leblanc Music: Karl Duplessis Sound : Jean Pierre Joutel and Michel Descombes Commentator: Sandy Sanderson Alice Phelps tells her husband Ralph to sweep the snow off the front steps. Ralph ignores her request. Later that morning when he goes to pick up the mail he finds the postman's body sprawled on the icy steps. (Time: 7 mins.) 26 Cyprus — IRENE PAPAS VISITS CYPRUS Production : Cyprus Tourism Organization Director: Michael Cocoyianis Photo: Sakis Chistodouldis (Time: 15 mins.) IRELAND’S MOST EXCITING FASHION STORES RICHARD ALAN At 63 OLIVER PLUNKETT ST., CORK Phone 23759 58 GRAFTON STREET, DUBLIN 2 Phone 775149 22 �27 Czechoslovakia — JAN STURSA-ZENY Production : Ceskoslovensky Films 28 Czechoslovakia — VZTAHY Production : Ccskoslovensky Films 29 Czechoslovakia — MASINKI KLUKOVSKYCH LET Production : Ccskoslovcnsky Films 30 Czechoslovakia — SOPKA Production : Ccskoslovensky Films 31 Czechoslovakia — CTYRIKRAT DO CERNEHO Production: Ceskoslovensky Films 32 Czechoslovak^ — AUTICKA Production : Ceskoslovensky Films 33 Czechoslovak!! — VSEHOCHLUP Production : Ceskoslovensky Films 34 Czechoslovakia — LUCISTNICI A LUKOSTRELEI Production : Ceskoslovensky Films 35 Czechoslovakia — CEKANI NA DEST Production : Ccskoslovensky Films Best of all iboflor iboflor Loose Laid—Interchangeable—Mothproof See Samples at your Local Carpet Store or contact HARCO LTD I CORK 23 Tel. 505033 �36 Egypt — A NEW HORIZON 37 Egypt — HOLIDAY IN EGYPT 38 Egypt — TORCHES OF LIGHT 39 Egypt — FOLKLORE DANCING 40 Egypt — COPTIC DECORATION 41 Federal Republic of Germany — CAMERA Production : Bernd Dehne Director: Bernd Dehne Script : Bernd Dehne Photo : Bernd Behne Bernd Dchne, himself an artist from Stuttgart, attempts to catch the atmosphere of those artists to whom he has dedicated his work, Vermeer van Dent and Johann Sebastian Bach. . . (Time: 25 nuns.) TATLERS RESTAURANT 18, Princes Street, Cork Tel. 506294 Prime Beef Steaks, Varied Chicken and Fish dishes, Salads, Curries, etc. Open Monday to Saturday incl. 12 Noon —12.30 a.in. Special Sunday Hours: 12 Noon — 2.30 p.m. 6 —11 p.m. Tatlers Special Lunches available daily, incl. Sunday 24 �42 Federal Republic of Germany — TRANSFORMATIONS (WANDLUNGEN) Production : Oasc Film GmbH, Essen Director : Renate Strach Script: Renate Strach Photo: Renate Strach (Time: 12 mins.) 43 Federal Republic of Germany — THE FIST IN THE POCKET (DIE FAUST IN DER TASCHE) Production : Basis-Filmproduktion GmbH Berlin Producer : Volker Messerschmidt Director : Max Willutzki Script : Martin Buchholz and Max Willutzki Photo: Mario Masini A group of teenagers from Kreuzberg in Berlin who long for independence and adventure but run the risk of drifting into criminality, alcoholism or drug taking. (Time: 106 mins.) 44 FESTIVAL CLUB (CORK) This is simply to remind you to visit the Festival Club at Connolly Hall, where you will meet visiting actresses, actors and other film personalities in a gay atmosphere. (Time: 10 p.m. Nightly) Two Letters Spell the Best Ice Cream �No matter what your own place is, HGW have the paint for it. From their modest beginnings in 1885 at Shandon Works, Cork, Harringtons and Goodlass Wall have grown to-day into Ireland s largest paintmakers. Backed by extensive technical resources and research facilities, HGW produce such well-known paints for the home as Uno, Valspar and Dulux. If your own place needs timber protection there’s always Cuprinol; or if your own place is a farm, then Galoxide is the paint specially developed for all farm buildings — and safe for animals too! Even more specialised paints are sometimes required — and so HGW are proud that they provided these for many major contracts including the Whiddy Island complex, the Pfizer Chemical plant at Ringaskiddy and Irish Distillers Ltd. at Midleton. An associate company, Irish Industrial Finishes Ltd., supplies industrial and automotive paints made by HGW to many large Irish manufacturers including Henry Ford & Son Ltd., Cork. So when your own place needs decoration or protection — think of the locals who are Ireland’s largest paintmakers. Harringtons & Goodlass Wall. They have what it takes. Harrington & Goodlass Wall Ltd. Ireland’s largest paintmakers 26 �45 France — NATURA Production : Ecofilm Director: Philippe Fagnant 46 France — THE LADY OF MONTE CARLO (LA DAME DE MONTE CARLO) Production : Les Films du Prieure Director : Dominique Delouche Script: Jean Cocteau Photo: Henri Alckan Music: Francis Poulenc Commentator: Edith Stockhausen (Time: 8 mins.) 47 France — LES CHIENS Production: Laurent Meyniel Producer : Alain Jessua Script: Benedictc Kermadec Photo: Etienne Becker Music: Rene Koering Sound : Harald Maury Cast: Gerard Depardieu, Victor Lanoux, •ard Nicole Calfan, Pierre Vernier, Gen Sety 48 Ireland — CELTIC GAS Production : George Fleischmann Filmproductions Producer: George Fleischmann Script: John Kelleher Photo: George Fleischmann Music: Joylan Jackson Sound: Liam Saurin Commentator: Eamonn Andrews Ireland’s first commercial offshore gas-find, its de­ velopment by Marathon Petroleum Ireland Ltd.; the construction and operation of the onshore pipeline by Bord Gais Eireann; the construction and adaptation at Aghada and the Marina by the E.S.B. and the develop­ ment of a major ammonia/urea complex at Marino Point by Nitrigin Eireann Teoranta. (Time: 36 mins.) i BARRY’S TEA As well-known as Shandon 27 �Buying Ford is buying qualify Irish 28 �49 Ireland — THE SILENT ART Written, produced and directed by Louis Marcus, a study in black and white of the Cork sculptor, the late Seamus Murphy, R.H.A. This was Louis Marcus’ first film (1959) made with the help of Cork friends and blown up from 16 mm. to 35mm. Production Assistants: Padraig O Coileain and John Cashman Commentator: Dan Donovan Organist: Bernard Geary Violinist: Declan Townsend (Time: 14 mins.) SO Ireland — FLEADH CHEOIL Production: Gael-Linn and Roinn na Gacltachta Director: Louis Marcus Script: Brcandan O hEithir Photo: Robert Monks Commentator: Chris Curran Portrait of Ireland’s annual folk music festival in Kilrush, Co. Clare in 1967. (Time: 23 mins.) 51 Ireland — SO . . . WHO NEEDS THE TRAINING? Production: AOF Productions, Dublin 52 Ireland — CONQUEST OF LIGHT Production: Louis Marcus for Waterford Glass Ltd. Photo: Robert Monks Music : Vic Flick Commentator: Denis Brennan The ancient craft of glass making in Waterford. (Time: 14 mins.) TADHG LEHANE i Artist 9, PATRICK STREET, CORK Phone 24725 Oils, Watercolours, Acrylics Illuminating and Lettering, Cartoons etc. Display Artist to the Festival since its inception 29 �D.M. O'LEARY LIMITED The Printers Washington Street, Cork Tel. 21221, 21222, 26591 30 �programme: SATURDAY, JUNE 23 Cork Opera House, 7.30 p.m. CCScfel Opening By THE RIGHT HON. THE LORD MAYOR, COUNCILLOR JAMES A. CORR NORTH EAST TOURISM (Brazil) 16 LA POUPEE (Belgium) 11 CELTIC GAS (Ireland) 48 NORMA RAE (USA.) 107 SUNDAY, JUNE 24 12 Noon Festival Celebration —• Concelebrated Mass at Church of St. Francis Cork Opera House, 8.00 p.m. AFTER LIFE (Canada) 19 THE LAND, MY MOTHER (Australia) ... KOLOROWE PIORKA (Poland) ... THE ODD ANGRY SHOT (Australia) 2 65 ... 17 MONDAY, JUNE 25 Capitol Cinema, 9.15 a.m. HOW THE MYTH WAS MADE (USA) ... 112 STEP BY STEP (USA) 117 FIVE BELLS (Australia) AERIAL AMBASSADOR (U.K.) HARVEST (U.K.) HIGH COUNTRY (Australia) 3 103 95 9 �MONDAY, JUNE 25 Pavilion Cinema, 10.00 a.m. OFFICIAL OPENING OF CHILDREN’S PROGRAMME Palace Cinema, 11.00 a.m. RETROSPECTIVE PROGRAMME — “CORK—THE FIRST 23 YEARS” —A MEMORIAL TO DERMOT BREEN “THE FIRST CORK FESTIVAL” (Courtesy George Fleischmann) THE SHEPHERD (Canada) (1956) THE SILENT ART (Ireland) (1959) A TOWN LIKE ALICE (U.K.) (1956) 23 49 80 ... Cork Opera House, 2.30 p.m. 24 37 35 TRAVEL LOG (Canada) HOLIDAY IN EGYPT (Egypt) ... CEKANI NA DEST (Czechoslovakia) Cork Opera House, 8.00 p.m. 30 1 100 84 SOPKA (Czechoslovakia) THE AUSTRALIAN GAME (Australia) ... MIRACLE OF FLIGHT (U.K.) PORRIDGE (U.K.) TUESDAY, JUNE 26 Capitol Cinema, 9.15 a.m. 102 77 92 20 75 62 94 38 ABOUT FACE (U.K.) OMNIBUS 150 YEARS (U.K.) DANCERS (U.K.) BRAVERY IN THE FIELD (Canada) ... ERSATZ (U.K.) RED MOLE IN THE ROAD (New Zealand) FAREWELL MY PROBLEM (U.K.) TORCHES OF LIGHT (Egypt) Pavilion Cinema, 10.00 a.m. CHILDREN’S PROGRAMME Palace Cinema, 11.00 a.m. “CORK — THE FIRST 23 YEARS” CITY OF GOLD (Canada) (1957) 21 TO YOUR HEALTH (U.K.) (1957) LES QUATRE CENTS COUPS (France) (1959) Cork Opera House, 230 p.m. 121 RUCAK (Yugoslavia) 42 WANDLUNGEN (Germany) CASPER IN THE UNDERWORLD (Belgium) 15 Cork Opera House, 8.00 p.m. DO CERNEHO (Czechoslovakia) BUTCH MINDS THE BABY (U.K.) LA DAME DE MONTE CARLO (France) LES CHIENS (France) 31 91 46 47 �WEDNESDAY, JUNE 27 Capitol Cinema, 9.15 a.m. JACK WINTERS DREAM (New Zealand) ENERGY FOR THE 80’s (U.S.A.) THE ARTISTS HORSE (U.K.) ... RIVERS (Australia) COOKING IN FRANCE (U.S.A.) HIGHLAND WINTER (Scotland) NATURA (France) 61 119 90 10 118 70 45 Pavilion Cinema, 10.00 a.m. CHILDREN’S PROGRAMME Palace Cinema, 11.00 a.m. PALM COURT ORCHESTRA (U.K.) (1965) FLEADH CHEOIL (Ireland) (1967) SUNDAY TOO FAR AWAY (Australia) (1976) ... Cork Opera House, 2.30 p.m. EASY ACTION ANIMATED (Netherlands) TYMSZALENSTWIE (Poland) CATHY’S CHILD (Australia) Cork Opera House, 8.00 p.m. LE PEI DU BRUXELLES (Belgium) A NEW HORIZON (Egypt) MASINSKY KLUKOVSKYCHLET (Czechoslovakia) ... ACH TA CHATA ROZSPIEWANE (Poland) DIE FAUST IN DER TASCHE (Germany) 50 6 73 8 13 36 29 66 43 THURSDAY, JUNE 28 Capitol Cinema, 9.15 a.m. SECRETS OF AN ALIEN WORLD (U.S.A.) CHILD’S PLAY (Australia) VOICES FROM PURGATORY (Netherlands) RAINBOW ACRES (U.S.A.) IF IT STANDS, KNOCK IT (Ireland) COPTIC DECORATION (Egypt) ... 116 4 ... 60 115 56 40 ... 52 Pavilion Cinema, 10.00 a.m. CHILDREN’S PROGRAMME Palace Cinema, 11.00 a.m. CONQUEST OF LIGHT (IRELAND) (1975) TAXI DRIVER (U.S.A.) (1976) ... Cork Opera House, 2.30 p.m. UZTAHY (Czechoslovakia) JAN STURSA-ZENY (Czechoslovakia) TIRO (Netherlands) 28 27 74 Cork Opera House, 8.00 p.m. JEREMY (France) TIME ON YOUR HANDS (U.K.) WILHELM BUSCH ALBUM (U.K.) ... GOIN’ SOUTH (U.S.A.) 55 86 104 �FRIDAY, JUNE 29 Capitol Cinema, 9.15 a.m. PORTRAIT OF DAME MARY GILMORE (Australia) ... SAMI HERDERS (Canada) SO . . .WHO NEEDS THE TRAINING? (Beland) 5 53 WITHDRAWAL (Ireland) 22 ... 51 SHELL SHOCK ROCK (Northern Ireland) 59 Pavilion Cinema, 10.00 a.m. CHILDREN’S PROGRAMME Palace Cinema, 11.00 a.m. AUTOMANIA 2000 (U.K.) (1963) RUDDIGORE (U.K.) (1967) DEVIL’S PLAYGROUND (Australia) (1977) Cork Opera House, 2.30 p.m. ... 33 USEHOCHLUP (Czechoslovakia) LUCISTNICI A LUKOSTRELEI (Czechoslovakia) 7 ... 34 67 POKOI ASOLOLEVI (Poland) Cork Opera House, 8.00 p.m. 85 12 RESTING ROUGH (U.K.) LA BELLE ENDORMIE (Belgium) WILHELM BUSCH ALBUM (U.K.) 82 EAGLE’S WING (U.K.) SATURDAY, JUNE 30 Capitol Cinema, 9.30 a.m. PATCHWORK OF SANTIAGO (U.K.) ... IT HURTS US TOO (U.K.) KEY WEST PICTURE SHOW (U.S.A.) ... TELL MY WIFE I WON'T BE HOME FOR DINNER (U.K.) ... I WANNA BE A CLOWN, MOMMA (U.K.) ... OSPREY (U.K.) ROSC—POETRY OF VISION (Ireland) 79 97 113 88 96 78 57 Cork Opera House, 2.30 p.m. KWIATUSZEK (Poland) BLOODBROTHERS (U.S.A.) Cork Opera House, 8.00 p.m. AUTICA (Czechoslovakia) 63 105 32 58 CAROLE (Ireland) AWARD CEREMONY and OFFICIAL CLOSING By Mr. H. C. Nicholas, Chairman, London Friends of Cork and Managing Director Columbia - EMI - Warner Distributors CHINA SYNDROME (U5.A.) 106 This Programme is subject to alteration without notice. The Festival Committee can accept no responsibility for errors, cancellations or alterations. �53 Ireland — WITHDRAWAL Production : Joe Comerford Based on book of sai same title in memory of David Chaplin, it portrays pal patients in a mental institution who suffer alienation, s stress and pressure, and con­ trasts the hopes on the foundation of the Irish State lopes lities of to-day. with the reali 54 LUNCH TIME CONCERTS Savoy Centre Monday — Wednesday — Fridcy Doors Open 12.45 p.m. 55 France — JEREMY Production : Les Films Jean Fauvcaud Producer: Jean Fauvcaud Director: Dominique Maillet A young man (Remy Laurent) a student in a dioce­ san college, falls in love with a barmaid and suffers the reproaches of his society. (Time: 15 mins.) 56 Ireland — IF IT STANDS. KNOCK IT Production : Tomlin Productions Producer: Ela Kasprzak-Tomlin Director: Fergus Tomlin Script : Fergus Tomlin Photo: Bill Magalos Music: Rod Stewart Sound : Helena Consuegra Two New York couples come together for ‘a quiet dinner at home’. The facade to the home is elegant, dim eclectic, Neopolitan, while the background is definitely eck ‘Br Burnt Out Bronx’. The topics of conversation range from Chad, Africa to politicians, while absurdity reigns supreme. (Time: 14 mins.) HICKEY & BYRNE PRINTERS 41 MARY STREET & 1 SULLIVAN’S QUAY, CORK Phone: 021 -20725 31 �60 Netherlands — VOICES FROM PURGATORY, A DIARY FROM SOUTH AFRICA Production: Roeland Kerbosch Filmproduktie Director : Roeland Kerbosch Script: William Offenberg Narrator: Anthony Akerman In 1978 Roeland Kerbosch made two secret visits to South Africa, with his camera. The result is this in­ formative account of everyday life as most South Africans have to face. (Time : 43 mins.) 61 New Zealand — JACK WINTER’S DREAM Production: New Zealand Film Unit Producer: Tom Williamson and David H. Fowler Director: David Sims Script: James K. Baxter’s play adapted by David Sims Photo: Kel Fowler Music: John Charles Sound : Geoff Shepherd _r .. In the depression stricken 1930s Jack Winter still tramps the now worked out goldfields he knew in his ... night he settles prime ....„ ___irs before. One bitter r fifty yeai down to sleep in the ruins of the ‘Dre Drover’s Rest’, a ’iwn i derelict inn. He has a premonition that this will be his irelict Hi fir.oi «-uCp. so jt js> ancj he dreams the ‘Drover’s Inn’ final slei ad figures from the goldback to• life and peoples it with fig* ... rush days. (Time: 59 mins.) 62 New Zealand — RED MOLE ON THE ROAD Production : New Zealand National Film Unit Producer: Derek Wright and David H. Fowler Director: Sam Neill Script: Sam Neill and John Reid Photo: Stephen Gibb Music: Jan Preston Sound: Geoffrey Shepherd “In 1978 I was asked to make a film of New Zea­ - - — land theatre and I decid decided that rather than cover the id field with an unsatisfactory ‘Magazine’ approach, I would divide one film between two extremes. The first would be about a successful, conventional theatre, say Mercury or Downstage, and the second on a fringe experimental group. For the latter I picked ‘Red Mole*. I’d been attracted for some time by their energy, their innovativeness, their incisive satire and their catholic approach to theatre that involved, among other things, puppets, mime, dance, acrobatics, poetry, music, bur­ lesque and even fire-eating”—Sam Neill, director. (Time: 53 mins.) 32 �57 Ireland — ROSC — THE POETRY OF VISION Production: Tarragon Ltd. Producer: Ciarin Scott Photo: George Morrison, Mike Malloy, and Seamus Dcasy Commentator: Sean Barret (Time: 28 mins.) 58 Ireland — CAROLE Production: Kestrel Film Productions Ltd. Producer: Stephen Rabbctte Director : Dominique Maillet Script: Jean-Jacques Bernard Photo: Jean-Claude Maillet Music: Denis Lcfebure Sound : Philippe Schilovitz A youni man, jilted by his girl-friend, takes refuge ig on the roads of Ireland where he encounters a tramp i and discovers the value of life. (Time: 20 mins.) 59 Northern Ireland — SHELLSHOCK ROCK Production : Holywood Films Producer: John T. Davis Script: John T. Davis Photo : John T. Davis Sound : Derek Booker The mood and feelings in Belfast through the eyes and ears of its young New Wave musicians. (Time: 50 mins.) FESTIVAL CLUB at CONNOLLY HALL Open from 10 p.m. Nightly Dress Formal (Black Tie) Season Ticket Holders £5.00 (A limited number of Club Only Memberships available at £12.00) 33 �e Tunn loss TOCZ] BY STCPFD-23 EmSY WASTAGE When you waste energy you lose money. Not only for yoursell but for your country. At pre'See! .. scores Of different ways that energy is being wasted without benefit to anyone and possible harm to an. everyone plays their pan in homes, lactones, offices, and farms a great deal can bo done to eitmino « energy wastage and safeguard future prosperity tor ail. To become energy-efficient you need you will the facts. These youv find in the wide selection of E.S.B. literature available. .X tuntiinffiM ei tenurin' is rrei'< MC «w‘ Energy be saved withoutlowering your living standards? Of course Of al the countries of the E E C Denmark is dong most to keep down its energy needs to the rrorwrxxn Ttvsthey have done without damage eancr to then economy or to their very tvyi Irving standards It the Danes can do < why can't the Insh. /J ff / E.S.B. CONSUMER SERVICE CENTRES At E S B offcos and shops literature and advisory services are available to gvde consumers on tne most effedwe methods of using energy-without reducton of living standards Getting the Best from Electricity In the Home- GuidanceonThannallnaulaUon Methods- r comprehensive gu«S* on * A 36 page tun colour comprehorirtrsgus*—“ A comprehensive indexed puWcainn lor stage all of energy-elfoenl budding and roconsrruction. reducing energy wastage m aS spheres c. Specialty lor architects, consultant domestic actmry engineers and other appropriate ageroes. How to Save Electricity In theKItchen- A short leaflet patted with sound artnce Every housewife should keep one bcsrie her in the kitchen Advice to commercial and industrial management on the wise use of rvghf-rate electricity Keep the Heat In and Cut yourCosts- Cutting Costa In Electrically Heated Schools- Ttvs is a must lor every home It gives details ol draught proofing and muiabon. Some practical hints to s -------- ... ------------------ o school management on wastage. on reducing energy was Insulation Information- Whether you run a home or manage • factory or farm tor any other business) you can learn the best way to arod wastage by Lterature.herena sampeistol wtiatrs Getting the Best from Night-Rate Electric Heating - Are you In a Position to Profit from Changing to the Optional Maiimunt Demand Rate- A more detailed review of the energy-saving value of insulation m the home Panicuiarty recommended lor the do-«-yourse<f enthusiast. ■ Attic Insulation Service- Informabon on an alternative rate of Charge to reduce expenditure tor ekg«le non-domestic consumers Are you Getting Full Value from the Some details oiE S B arte insulaton Optional Demand Rateservice lor consumers who prefer to leave the A guide to peak efficiency in the use of work to the E S B Maximum Demand Rale. GETTHE RIGHT ADVICE CALL TO YOUR CONSUMER SERVICE CENTRE 34 �63 Poland — DZWIEKOWA Production : Film Polski 64 Poland — KNIATUSZEK Production : Film Polski 65 Poland — KOLOROVE PIORKE Production : Film Polski 66 Poland — ACH TA CHATA ROZSPIEWANA Production : Film Polski 67 Poland — POKOJ ZWIDOKIEMNAMORZE Production : Film Polski 68 Republic of China — DR. LEE’S WORLD OF INSECTS (LEE CHUN-YANG DE KUN CHON SHI CHEH) Production : Kwang Hwa Film Syndicate Director: Yao Yu-Shun Producer: Lok Jen-Yat Script: Yao Yu-Shun Photo: Dr. Lee Chun-Yang The: relationship between man and insects and the develoi ipmcnt of insect life. (Time: 28 mins.) 69 Scotland — THE ADMAN Production : Pelicula Films Ltd. Producer: Mike Alexander and Mark Prodi Littlewood Director : Mike Alexander Script: Mike Alexander Photo: Mark Littlewood Music: Nicky Ash Sound : Louis Kramer Cast: David Hayman, Alec Heggie, Angie Rew. Carett Wardell, James Kennedy, Jill Fenner. Jennifer Angus. John, a successful advertising executive, finds his well-ordered routine suddenly shattered when he is the lone witness to a robbery with violence. His personal and business relationships are undermined and his out­ look on life permanently altered. (Time: 22 mins.) 70 Scotland — HIGHLAND WINTER Production: Tree Films, Glasgow Producer : Charles Gormley Director: Allister Brebner Script: Dan McKinney Photo: Allister Brebner Music: John Maxwell Geddes Sound : Alex Brown A personal vision by Allister Brebner of a Highlands the tourist rarely sees. (Time: 17 mins) 35 �^SMconie Co ©safe the Etome off BREWED BY BEAMISH & CRAWFORD LIMITED CORK. MASTER BREWERS SINCE 1792. 36 �71 Switzerland — IDEAS - EXPERIMENTS - RESULTS (KUNST UND COMPUTER: IDEEN VERSUCHE - ERGEBNISSE) Production : Peter-Christian Fuctcr Director : Horst Kunze Script: Herbert W. Franke and Horst Kunze Photo : Jurg Zehnder and Daniel Spalinger Music: John Chowning and Edward Kobrin Sound: Roger Bonnot Artists from five countries, three painters, two com­ posers. a sculptor and a poet, have one thing in com­ mon — they work with a computer. (Time: 32 mins.) 72 Switzerland — TELECOMMUNICATIONS — MADE IN SWITZERLAND Production : Condor Films Ltd., Zurich iristian Producer: Petcr-Christia.. Fueter Director: Andres Brutsch Script: Andres Brutsch Photo : Jurg Zehnder and Marc Schlatter Music : Rainer Boesch Sound: Paul Boiler, Dusan Bohunicky and Hans Gerstengarbe The complete telecommunications system — “Made in Switzerland”. (Time: 21 mins.) 73 The Netherlands — EASY ACTION Production: Ministry of Culture, Netherlands 74 The Netherlands — TIRO Production: Ministry of Culture, Netherlands JOSEPH BARTER & SONS LTD. TRAVEL AGENTS Est. 1856 92 ST. PATRICK’S STREET, CORK Phone 24261 29 WEST BEACH, COBH Phone 811202 Experts in all Travel Arrangements, Package Holidays, Travel Insurances, Travellers’ Cheques. 37 �in on a'd Guinness GD885 �75 United Kingdom — ERSATZ Production : Christopher Taylor Producer : Christopher Taylor Script: Christopher Taylor A short animated pa? istiche film featuring small puppets playing Humphrej Bogart and juggling with :y the favourite rave movies of the ’forties. lhe (Time: 12 mins.) 76 United Kingdom — NEWS FROM NOWHERE Production : Alister Hallum Director : Alistcr Hallum Script : Philip Henderson Photo : Jeremy Stavenhagen Sound : Simon Okin Cast: Timothy West, Kika Markham, John Carter and Clive Smith William Morris, English artist, writer and socialist, died in 1896. His doctor said of him that he died of simply being William Morris; he had done the work of a dozen men. The film tells of the work and the man and his friendship with the painter-poet Dante Gabriel Rossetti. (Time: 53 mins.) 77 United Kingdom — OMNIBUS 150 Production : British Transport Films Producer : Lionel Cole Director : David Lochner Script: Lionel Cole Photo: Ronald Craigen and Merlyn Davies Commentator: David Firth The origins and development of the London omnibus from George Shillibeer’s elegant three-horse bus in 1829 to the double-deckers of to-day. (Time: 16 mins.) 78 United Kingdom — OSPREY Production : Royal Society for the Protection of Birds Film Unit Director : Hugh Miles Script: Brian Jackman Photo : Hugh Miles Music: Carl Davis Sound : John Kirby Commentator : Robert Powell How does the magnificent osprey’s private life com­ pare with the public image, and what makes it one of the most spectacular birds in the world? (Time: 52 mins.) 39 �ST. PATRICK'S BELL Made about 1100A.D. to enshrine the relic of St. Patrick— ‘the Bell of the Will’-lhe ornate shrine of St. Patrie k's Bell is dec orated with animal enlacemenls tn gold and silver gilt and a superb openwork pattern bl c rosses in silver. T TREASURE THE PAST BUT E WORK FOR THE FUTURE Helping maintain the great traditions of yesterday, Allied Irish Banks work for today and tomorrowwithoverfour hundred offices throughout Ireland, and twenty-seven in Britain, together with a Merchant Bank, an Industrial Bank and a Leasing Company. XAllied IrishBanks CORK AREA OFFICE:<>0. South Mall. (ork DuBLIN:ll«*.Kl(XtK<-.|.inMliMiM-|{ouv,Dul>iui-l E hiclFofiignBrandi-KlWcstnvMi-LxxINrtitDulilinl. INTERNATIONAL OFFICES:London:H llvoKmurttmAvtUUt*. Brussels; FwupcE «iWi.Ru»*/Vdxm/<>-. ll/Jl.KMOIkussek New York: JOO Park Au we. New X oik Chicago: t fi South I a Salle. ( hx awi BRANCHES tNBRlTAIN:lkrlenJxad.Banxn4i.ifnf!nslti.( <nctvr\.(Itsgow.leccRItxeslef.liMllxxrf.ltrxkxi, . , ",in< hi^ir NtflintfuncShikliin. Waltixdarxl Wohetliatnputn. Arks �79 United Kingdom — PATCHWORKS OF SANTIAGO Production: Educational and Television Films Ltd. Producer : Stanley Forman Director: Martin Smith Script: Martin Smith Photo: Mike Fox Music : Samuel Durran Commentator : Jenny Naden The story of Chile as depicted in the patchwork < . pictures of Santiago, first made in the prisons but now nearly all made by families of political prisoners and ade ies iployed the families of the unemployed living in the poorest areas around Santiago. (Time: 9 mins.) 80 United Kingdom — A TOWN LIKE ALICE 81 United Kingdom — ARABIAN ADVENTURE Production : Badger Films Ltd. Producer: John Dark Director : Kevin Connor Script: Brian Hayles Photo: Alan Hume Sound : Jim Atkinson Cast: Christopher Lee, Milo O’Shea, Oliver Tobias, Emma Samms, Puncct Sira At the foot of the magic moi >untain lies the troubled city of Jadur, ruled by the evil :sorccror Alquazar. Into the city comes Prince Hasan to seek the hand of Alquazar’s stepdaughter, Zuleir* Zuleira. Alquazar strikes a cunning bargain with Hasan but Hasan and Zuleira survive to live happily ever after. (Time: 98 mins.) FITZGERALD'S MENSWEAR 24 PATRICK STREET, CORK Tel. 20095 Finest Men’s Wear Shop in Cork Extensive Idllgua, 1UV1. Daks, JJUlUCliy, Van ranges, incl. Burberry, YOU Heusen, Jaegar Knitwear, Irish Handwoven Ties, Hats, Caps and Jackets. Credit Cards Accepted. French Spoken 41 �Waterford Crystal Hold a piece of Waterford Crystal in your hands, turning it so that the light is continually caught, reflected and dispersed. One sees in it the brilliance of diamonds, the purity of snowflakes and marvels that anything so beautiful was created by man. Cashs Patrick St. Cork. 42 �82 United Kingdom — EAGLE’S WING Production : Rank Films Producer: Peter Shaw and Ben Arbeid Director : Anthony Harvey Script: John Briley from original story by Michael Syson Photo : Billy Williams Music: Marc Wilkinson Cast : Martin Sheen, Sam Waterston, Harvey Keitel, Stephane Audran, Caroline Langrishe, John Castle, Jorkc Luke le, “The West as it really was, before the myths were born”. (Time : 109 mins.) 83 United Kingdom — ELECTRIC ESKIMO Production : Monument for Children’s Film Foundation Ltd. Producer: Frank Goodwin and Edgar Anstey Script: Frank Godwin and H. MacLeod Robertson Photo: Ray Orton Music: Harry Robinson Sound : John Thurston and Tony Anscombe Cast: Kris Emmerson, Debby Padbury, Ian Sears, Derek Francis, Tom Chadbon, Diana King, Ivor Danvers Accidentally involved in an experiment to harness the electromagnetic power of the North Pole, elcctroi Poochook, a young Eskimo boy, becomes an incredibly loofc powerful source of electricity. He is brought to London rful for a, series of tests, but his secret is discovered by a pair g. international crooks who attempt to kidnap of him. (Time: 57 mins.) 84 United Kingdom — PORRIDGE Production: Witzent for Black Lion Films Producer: Allan McKeown and Ian La Frenais Director: Dick Clement Script: Dick Clement and Ian La Frenais Photo : Bob Huke Sound : Clive Winter Cast: Ronnie Barker. Richard Beckinsale, Fulton Mackay, Brian Wilde, Peter Vaughan, Geoffrey Bayion, Christopher Godwin, Barrie Rutter, Daniel Peacock. The word “porridge” refers to a prisoner’s last day inside, when he is given a bowl of porridge. Prison lore says that if he finishes the porridge he will not re­ turn to prison; conversely, if he doesn’t finish it he will return. The film is based on the comedy television play “Prisoner and Escort”. .43 �85 United Kingdom — RESTING ROUGH Production : Thorntip Ltd. Producer: Roberta Aarons Director: Nikolas L. Janis Script: Tony Toller and Nikolas L. Janis Photo : Brian Tufano Music : Judd Lander Sound : John Scarlett Davis (Time: 25$ mins.) 86 United Kingdom — TIME ON YOUR HANDS Production: Global Queensway Productions Producer: Arnold and Sheila Miller and L. Berins Director : Arnold L. Miller Script: Arnold L. Miller 87 United Kingdom — PRISONERS OF CONSCIENCE: THE RUSSIAN CONNECTION Production : Crowndene Films Producer: Maurice Kanareck and Christopher Toyne Director: Maurice Kanareck Script: Victor Menzies Photo: Raymond Crafter Sound : Brian Harvey-Garret A drama-documentaiy which looks at the plight of those Jews in the Soviet Union who apply for a visa to Israel and are refused. (Time: 53 mins.) MANGAN for Engagement and Wedding Rings, Jewellery, Clocks and Watches, Silver, Electro-Plate, Waterford and Galway Crystal also China Department JAMES MANGAN LTD., 3-4 Patrick Street, Cork Tel. 20998 Estd 1817 (Branch at High Street, Killarney) 44 �88 United Kingdom — “TELL MY WIFE I WON’T BE HOME FOR DINNER” Production : Management Training Ltd. Director: Jack Duncan and Adrian Arnold Photo : D. Ransom Three humorous case studies of mismanagement of time. (Time : 32 mins.) 89 United Kingdom — RECENT FICTION Production : University of Bristol, Department of Drama Producer: Bill Stair Director: Dave Borthwick Script: Dave Borthwick and Kevin Duggan Photo: Kevin Duggan Sound : Dave Borthwick and Kevin Duggan A small-time magician practises his act in a room by himself. Night falls : he looks out through the win­ dow and sees some events that may or may not in­ volve him. This leads to his performing in a nightclub which may or may not be a real event. His act turns into a visionary experience which ends up back in his own room. He finds that he is in a mirror image of the room. (Time: 30 mins.) 90 United Kingdom — THE ARTISTS’ HORSE Production : John Bulmer Films Director: John Bulmer Script : Angela Conner Photo : John Bulmer Music : Robert Boyle The horse depicted in painting and sculpture in Europe up to the 1750s ,_s high stepping, up headed, ~r ....----- was high muscular and refined: q**’*.*' different from the horses ir quite we sec in Europe to-day. The film shows that this ancient horse did exist — and still does to-day as the Morgan breed. (Time : 20 mins.) 91 United Kingdom — BUTCH MINDS THE BABY Production: Park Village Productions Producer: Adrian Tughes Director: Peter Webb Script: Peter Webb, based on a short story by Damon Runyan Photo: Ian McMillan Set in New York in the 1920s the story is about the bungling attempts of three gangsters to break into a safe, aided and abetted by Butch, the safe cracker, who is forced to take his baby along as he can’t get a baby sitter. (Time: 31 mins.) 45 I �92 United Gingdom — DANCERS Production: Concord Films Council Ltd. Producer: John Chatsworth, Derek Hart and Yukata Yamazaki Photo: Clive Ticker Music: Carlos Miranda The dancers of the Ballet Rambert observed backstage. in performance, in rehearsal and class and at home seen by three directors in an interweaving of three personal views of dancing. (Time: 31 mins.) 93 United Kingdom — EYE OF THE HEART Production: Stephen Cross Films Ltd. Director: Stephen Cross Script: Stephen Cross Photo: Derek Waterman Found: Malcolm Hirst and Ted Ryan The film explores, primarily through the paintings themselves, but also through interviews and scenes from his daily life and work, the achievement of the present-day British painter, Cecil Collins. (Time: 48 mins.) A very important book for everybody who earns money —“ 5S5i” cbjA BanKtfltetand \ D BanKcrlreiana The bank of a lifetime 46 �94 United Kingdom — FAREWELL, MY PROBLEM Production : Cinevista Producer : Boyd Catling Director : Don Higgens Script : Boyd Catling and Don Higgens Photo : Olive Tickner Sound : Dave Johns It was a matter of profit or loss; the consignment of i to gowns had t be got to Amsterdam by the morning, but >ing Miss Mannii.„ isn’t convinced that Steve Carr is up to ‘ ags the problem, so she tag* along. Steve reads Chandler fantasies, but he has the answer. novels and has Bogart f_. (Time : 21 mins.) 95 United Kingdom — HARVEST Production : Viscom Production Ltd. Producer: John Spencer Director: David Gowing Script: Theo Richmond Photo : Arthur Wooster Commentator : Peter Barkworth Although British farmers each year lose an area of land equivalent to the Isle of Wight, they produce more and more food on what is left. British Gas, amongst others, have ‘husbanded’ the land too, so that when pipelines have been laid through fertile farming areas, they are invisible a year later and crops are growing. (Time: 27 mins.) 96 United Kingdom — I WANNA BE A CLOWN MOMMA Production : London International Film School Director: Laurens Potsma Script: Laurens Potsma Photo: Paulo Cabrac and Hatvic Smildiger Music: Tim Horrocks and Arturo Puiz del Poso Sound : Netaya Anbor and Segun Olafioye The development of a young and nearly professional clown in relation to his art, his audience and his selfawareness of his theatrical maturation. (Time: 17 mins.) 97 United Kingdom — IT HURTS US TOO Production : Eothen Films Ltd. Producer: David Jenner Director: Alison Taylor Script: Alison Taylor Photo : John Shann and Ian Franks Commentator: David Morris The story of children with arthritis. To mark the International Year of the Child. (Time: 15 mins.) 47 �48 �98 United Kingdom — MR. PASCAL Production: Wyatt-Cattaneo Productions Ltd. Director : Alison de Vere Music: Derek Hodson and John S. Smith One evening in spring an elderly shoemender, Mr. Pascal, does somet :thing ral ithcr audacious. (Time: 7J mins.) 99 United Kingdom — MUSIC IN PROGRESS Production : Malachite Ltd. Director : Charles Maplcston Script: Charles Mapleston Photo: Ian Wilson Music: Mike Westbrook Sound : Bruce White and Chris Wangler Mike Westbrook, a composer working in the jazz c r w ... tradition, has evolved a unique and European this traditionally American music. ((Time : 44 mins.) 100 United Kingdom — MIRACLE OF FLIGHT Production: I.T.C. Entertainment Ltd. 101 US.A. — GEORGE SEGAL Production : Blackwood Productions, Inc. Producer : Michael Blackwood Script: Michael Blackwood Photo: Mead Hunt Sound : Stuart Rickey Commentator : George Segal George Segal, possibly America’s most eloquent artist and certainly one of the most engaging, is docu­ mented at the height of his career. (Time: 58 mins.) 102 United Kingdom — ABOUT FACE Production: Chris James Director : Chris James iris T------Script: Chris. Jai James Photo: Julian 1. i Holdaway Music : Claude Jouvin An animated gallop among the faces of Mick Jagger, Oscar Wilde, Queen Elizabeth, Pablo Picasso, Salvador Dali, the Marx Brothers, David Bowie and others. (Time : ) 103 United Kingdom — AERIAL AMBASSADOR Production: Cygnet Guild Communications, Ltd. Director: Paul Harrison Script: Paul Harrison Photo : Paul Harrison Music : Derek Wadsworth The construction of airship Europa at its base in Rome and the summer tour of the airship. (Time: 29 mins.) 49 �104 U.S.A. — GOIN’ SOUTH Director: Jack Nicholson Script: John Herman Sh< i an Shaner, Al Ramrus, Charles Sh: lyer, Alan Mandel Photo : Nestor■ Almendros Cast: Jack Nicholson, Mary Stccnburgcn, 1 John Belushi, Christopher Lloyd. Jeff :shi, Morris Set just after the American Civil War, the film de­ picts Nicholson as Henry Moon, a good hearted rogue and Texas outlaw hero, who marries Julia Tait (Mary Steenburger) in a mari._o_ of convenience : she needs marriage _ someone to work her unsuccc unsuccessful gold mine, while he needs a respectable wife to shield him from the law. (Time: 105 mins.) 105 U.S.A. — BLOOD BROTHERS Production : Warner Bros. Producer: Stephen Friedman Director : Robert Mulligan Script: Walter Newman based on the novel by Richard Price Photo: Robert Surtees Sound : Clark Knight Following his graduation from high school, Stony de Coco learns that his future has been planned by his well-meaning family, but he has some unresolved thoughts of his own. (Time: 116 mins.) 106 U.S.A. — THE CHINA SYNDROME Production : IPC Films—A Columbia Picture Producer: Michael Douglas Director: James Bridges Script: Mike Gray, T. S. Cook and James Bridges Photo : James Crabe Music: Stephen Bishop Cast: Jack Lemmon, Jane Fonda, Michael Douglas (Time : 122 mins.) 107 U.S.A. — NORMA RAE Production: Twentieth Century Fox Producer: Tamava Asseyev and Alex Rose Director: Martin Ritt Script: Irving Ravetch and Harriet Frank, Jr. Photo: John A. Alonzo Music: David Shire Cast: Sally Field. Beau Bridges, Ron Leibman Pat Hingle, Barbara Baxley Norma 1Rae (Sally Field) has her life dramatically altered wh< she meets Reuben (Ron Leibman), who icn guides her into an awakening sense of her dignity and worth as a human being. 50 �108 U.S.S.R. — COUNCIL FOR THE DEFENCE 109 U.S.S.R. — THE SHOOTING PARTY 110 U.S5.R. — POOL LISA 111 U.S.A. — FOUR TIMES DAILY Production : Bravura Films Producer : John Armstrong and Robert Kalsey Director : Christopher Robson Photo : Christopher Robson Music : Riley McLaughlin (Time: 27) mins.) 112 U.S.A. — HOW THE MYTH WAS MADE Production : George C. Stoney Associates Inc. Director: George C. Stoney and James B. Brown Script: Jill Fairchild and George C. Stoney Photo : James B. Brown The pioneer documentary Man of Aran, made by Robert Flaherty, has long been regarded as a world classic. George C. Stoney and his colleague James Brown go back to Aran to find out “how and why America’s greatest film poet worked as he did, and to see what effect the release of his masterpiece has had on the people who represented themselves on the t en’’ screen”. They record how scenes were set up and how Flaherty moulded locations and local customs for his purposes, Islanders who participated in the original ?rviewed and heatedly debate the “myth” film are intei v. the truth in their portrayal, as Flaherty’s purpose becomes clearer. Cast: Maggie Dirrane (heroine of Man of Aran); Stephen Dirrane (oarsman in Man of Aran); Peter Gill (historian); Kevin Gill (schoolmaster); Colic Hernon (fisherman). (Time: 59 mins.) 113 U.S.A. — THE KEY WEST PICTURE SHOW Production : Souternmost Films Producer : B. J. Martin and Wm. G. Dodds Photo : Mark Henricksen Sound : Anna Benson Commentator : Regis A. Schnupp (Time: 40 mins.) 51 �114 U.S.A. — A PLACE OF DREAMS Production : Peter Vogt and Associates Producer : Peter Vogt and Sherry Jones Director : Peter Vogt Script: Harry Miles Muheim Photo : Tom Ackerman Music : Michael Rendish Commentator : Cliff Robertson (Time : 58J mins.) 115 U.S.A. — RAINBOW ACRES Production : FMS Productions, Inc. Producer: John Fredrick and Herman Saunders Director: Russell A. Murphy Script: John Frederick Photo : Hilliard John Brown Music : Jack Allocco Sound : David Schwartz Commentator : Rev. Ralph Showers Ralph Showers had a dream : to create a ranch where mentally retarded adults, often overlooked and for­ gotten in the social welfare systems, would be given the opportunity to grow spiritually, vocationally, physi­ cally, socially and mentally. Rainbow Acres is a com­ munity of loving, caring, adults, working to be inde­ pendent, striving to be free, who look upon themselves as pioneers, doing things that have never been done before. (Time : 25 mins.) 116 U.S.A. — SECRETS OF AN ALIEN WORLD Production : Bravura Films Production : John Verbeck Script: Robert Kalsey Photo: Christopher Robson Music: Riley McLaughlin Sound : Peter Mithdefer Commentator: Henry Fonda (Time : 52 mins.) 117 U.S.A. — STEP BY STEP Production: Hubley Studios Producer: Faith Hubley Photo: Nick Vasu Inc. Music: Elizabeth Snados Made in honour essays to interpret as it exists and as the future when recognized by all. of the Year of the Child, this film the world of childhood as it was, it might be, and the possibilities of the basic rights of the child are (Time: 11 mins.) :P �118 U.S.A. — COOKING IN FRANCE: AN ALPINE MENU Production : Screenscope Inc. Producer : Hal Weiner and Marilyn Weiner Director : Hal Weiner Script : Herb Rosen Photo: Leo Rosenberg Sound : Jim Hristakos Commentator: Peter Thomas and Claude Chcnaui (Time : 25 mins.) 119 U.S.A. — ENERGY FOR THE 80s Production : The Peterson Company Producer : Gabrielle Topping Director: Eric Karson Proto: Bryce Mac III and Eric Karson Music : Bob Thompson Commentator : Gordon Gould )Timc : 281 mins.) 120 U.S.A. — FARM SONG Production: John Nathan Productions Producer : John Nathan Script : John Nathan Photo : Hiroshi Segawa Music : Toru Takemitsu Sound : Shimpei Kikuchi (Time : 58 mins.) 121 Yugoslavia — DINNER (RUCAK) Production : Zagreb Film Director: Zlatko Bourek Script : Zlatko Bourck Photo : Franjo Malogorski Music : Tomica Simovic A man sits at table, eating. He is interrupted by the sound of a bell and in his troubled mind he sees his childhood, the war, his parents in a Jewish ghetto, and all the forms of aggression which he has experienced up to the day when he sat down at the table, eating. (Time : 9^ mins.) While every effort will be made to adhere to this programme, the Cork Festival Council can accept no responsibility for errors,* cancellations, or alterations. 53 �LATE ENTRIES 122 Italy THE MAGIC FLUTE JOHN WAYNE The film world will remember, as indeed will, the millions who watched him on screen, John Wayne as one of the giants of cinema. Many' tributes have been paid since his death, finally, from the cancer which he fought so courageously for so long and it is appropriate that we too re­ member this epitome of the film ‘star’. One of the American entries for the very first Cork Film Festival in 1956 was a John Wayne film . . . one of his hugely successful collabora­ tions with John Ford — "The Searchers”. And last year an invitation was sent, through the Irish Embassy in Washington, to come to Cork where it was intended to honour him for his service to the cinema. Alas, he was not well enough to undertake the journey and now we cannot honour in person this man who more than any other meant cinema to people all over the world. At this time we send our sympathy to his family, and especially to one of his sons. Pat, who was such a popular visitor to the Festival' himself a few years ago. Ar dheis De go raibh a anam dhil . . . May he rest in peace. 54 �CORK FILM FESTIVAL SHORT FILM AWARD A Bronze Statuette of St. Finbarr will be presented by the International Jury to the outstanding film in each category (a) General Interest and Documentary Films; (b> Animated or Cartoon Films; (c) Films on Art; (d) Short Fiction Films; (c) Scientific and Industrial Spon­ sored Films. Certificates of Merit will be awarded at the discretion of the Jury to particular films for out­ standing aspects. IRISH FILM SOCIETY’S AWARD The Irish Film Society will present an award for the best short film shown during the Festival. THE FEDERATION OF IRISH FILM SOCIETIES will present an award to the outstanding short film shown during the Festival. The Jury consists of : PHYL MOLONEY (Waterford Film Society) PADDY MURPHY (U.C.C. Film Society) ALAN SAWYER (British Federation of Film Societies) INTERNATIONAL CRITICS AWARD The Waterford Glass Award will be presented to the best Irish-made film shown at the Festival. Films made outside Ireland by Irish film makers are eligible. COMMISSION OF THE EUROPEAN COMMUNITIES SPECIAL, PRIZE The European Commission will present an award for the best short film made in a member State of the European Community or in a State which is an appli­ cant for membership of the Community (Greece, Spain, Portugal), which in the opinion of the Jury contributes most to understanding between peoples. The film should have been completed since September 1, 1978, may be up to 60 minutes in duration and may be either 35 mm or 16 mm. JURY: / MLLE. CHANTAL CUER JUDGE CONOR P. MAGUIRE KAREL VAN MILEGHEM DENIS CORBOY ALAN WATSON 55 �INTERNATIONAL YEAR OF THE CHILD The Irish National Steering Committee for the International Year of the Child commissioned Cork sculptor. Mr. Patrick O’Sullivan, to design a special award for the proposed children’s sec­ tion of this year’s Festival. Mr. O’Sullivan, an artist of international reputation, has used polished Cork limestone and marble for this work. The children’s section means that for the first time youngsters will have a special programme at the Cork Film Festival, something which is particularly appropriate because of the United Nations designation of 1979 as the year of the child. Special programmes will be held at the Pavilion Cinema at 10 a.m. from Monday to Friday inclusive during the Festival and those attending will be brought from the city primary schools, by arrangement with, and kind permis­ sion of. the various school authorities. Please note that no admission is possible except as mem­ bers of school groups. The Festival is pleased to be able to contribute in some measure to Ireland’s ‘Year of the Child’ programme and records a special word of thanks to the Cork Soroptimists Club for their initiative in the matter. The support of the National Steer­ ing Committee has been most welcome and their fine gesture in commissioning the award is of benefit both to the world of film and that of sculpture. Without the support of our promoters, Bord Failte and our Sponsors and Advertisers, Cork Film Festival could not be organised. The Council and Director express their sincere grati­ tude to them. Please ensure the Festival's con­ tinuation by supporting our Advertisers. 56 �A FRIENDSHIP CENTRE is located at Connolly Hall and will be open daily from 10 a.m. to 7 p.m. Delegates, Press and Holders are welcome. Season Ticket LUNCH TIME CONCERTS In co-operation with the Savoy Centre in Patrick Street, the Film Festival is promoting lunch time concerts during Festival Week this year. On Monday, June 25th. Wednesday. June 27th and Friday. June 29th. there will be very. attractive concerts in the Savoy, which as a cinema was the Festival’s original home. The admission charge of £2.50 includes pro­ vision of a cold plate lunch, tea or coffee, as well as the concert. The full programme is: Monday, June 25th — Na Fili, one of Ireland’s leading traditional music groups. Wednesday, June 27th — The Montfort Singers Friday. June 29th — Jack Brierley Jazz Quintet Festival visitors, delegates and press will attend and the concerts will also be open to the general public. Doors open 12.45 p.m. INTERNATIONAL PRESS OFFICE AT CONNOLLY HALL 57 �CARROLL’S PRESS PHOTOGRAPHER OF THE YEAR EXHIBITION On display in Cork during the week of the Film Festival will be the Carrolls Press Photo­ grapher of the Year Exhibition. The Press Photo­ graphers’ Association of Ireland Exhibition Touring Committee has arranged for the show­ ing to be held in conjunction with the Festival and in all some 102 pictures will be on view, representing the prize winners and other top pictures from an entry of 481 for the award of PPAI Photographer of the Year 1978. Winner of the award last year was Colman Doyle of The Irish Press, and section winners were : Cyril Cain, Daily Mirror (News); Des Barry, Cork Examiner (Sport); Tom McElroy. Sunday World (Feature) and Liam O’Connor, Sunday World (Picture Essay). The judges were Mrs. Shirley Freeman, Picture Editor, Sunday Times; M. Jacques de Potier, Picture Editor, Paris-Maich. and Mr. Sheamus Smith, Managing Director, National Film Studios of Ireland. Sponsors of the competition are Messrs. P. J. Carroll & Co. PPAI President Brian Barron and his collea­ gues on the Exhibition Touring Committee, Donal Doherty. Liam O’Connor and Sean Larkin, with the co-operation of the Cork Examiner’s Des Barry, are those we thank for bringing the exhibition to Cork for the Festival. 58 �acknowledgments Cork Film Festival owes its origin, in the main, to the financial support and encouragement of BORD FAILTE EIREANN (The Irish Tourist Board). The Director and Council of the Festival express their deep appreciation to them, and also to the London Friends of Cork and Dublin Friends of Cork. This year, we are also greatly indebted to An Chomhairle Ealaion (The Arts Council) for a special and substantial grant to meet the situa­ tion of this year's Festival, and to Radio Telefis Eircann for their valuable assistance. We are also indebted to the following who have given considerable help to the Festival in various ways: ARTHUR GUINNESS, SON & CO. (IRELAND) LTD. IRISH DISTILLERS LIMITED . SWAN BEDDING CORK OPERA HOUSE LTD. D. & A. O’LEARY LTD. . BRITISH AIRWAYS OYSTER TAVERN WATERFORD GLASS LTD. . CORK EXAMINER — ECHO HENRY FORD & SON, LTD. . IRISH MIST LIQUEUR LTD. BEAMISH & CRAWFORD LTD. SMURFIT CORRUGATED CASES LTD. IRISH BUSINESS SYSTEMS ABBEY FILMS LTD. MURTAGH PROPERTIES LTD. THE JOHN DALY GROUP ALLIED IRISH BANKS CASSIDY FABRICS NATIONAL FILM STUDIOS OF IRELAND CORK CORPORATION CORK FILM SERVICES EAGLE PRINTING CO. LTD., CORK (Premier supplier of office equipment) ESSO IRELAND LTD. McKECHNIE CLEANING SERVICES LTD. BANK OF IRELAND LTD. WEST CORK TRAVEL METROPOLE HOTEL WESTREX T. CROWLEY & SON LTD. . P. J. CROWLEY & SONS LTD. . (Scientific Instruments) MR. GERARD JONES, BELGIAN CONSUL CONNOLLY HALL SAVOY CENTRE REMINGTON OFFICE MACHINES AND SYSTEMS 59 �ASSOCIATE MEMBERS RICHARD ALAN & CO. LTD., Dublin & Cork MR. A. V. DUFFICY ASHBOURNE HOUSE HOTEL LTD. P. J. CROWLEY LTD.. Ophthalmic Opticians, Cork BROOKS HAUGHTON LTD. COOPER MAGENNIS, CORK THE HAMMOND LANE METAL CO. LTD., CORK MR. FRANK LAWTON, POOLE, DORSET SEAMUS & MARY LANTRY ALLAN NAVRATIL. MIDLETON BORD GAIS EIREANN QUIGLEY OF EUROPE LTD. JIM O’KEEFFE, T.D., BANDON The Director, Council and Organising Committee of the Cork Film Festival owe a debt of gratitude to the WESTREX organisation in London for their splen­ did and readily forthcoming co-opera­ tion in the supply and installation of the most modern projection equipment and a screen in the Opera House for the Festival. 60 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Programme Content Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Rights Information about rights held in and over the resource <a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /></a><br />This collection is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. All rights reserved. Please credit <a href="https://corkfilmfest.org/">Cork International Film Festival</a> &amp; provide a link back to this site. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English, eng; Irish, gle Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Description An account of the resource A selection of programmes from the Cork International Film Festival. Subject The topic of the resource Cork Film Festival Programmes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1979 Cork Film Festival programme content Subject The topic of the resource Cork Film Festival, Robin O'Sullivan, Dermot Breen, Nancy Allitt Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Rights Information about rights held in and over the resource <span>This item is licensed under a </span>Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (<a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0</a>) licence<span>.&nbsp;Please credit the&nbsp;</span>Cork International Film Festival Archive<span> and provide a link back to the site.</span> Language A language of the resource English, eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland Description An account of the resource <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;The 1979 festival programme is slim with an abstract design on its cover in the form of elongated shapes, in various shades of brown and red, stretching from the top to the bottom of the page. Text is presented in dark brown on the white strip along the right edge of the programme. The back cover is plain white.&quot;}" data-sheets-userformat="{&quot;2&quot;:11009,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:3,&quot;12&quot;:0,&quot;14&quot;:{&quot;1&quot;:3,&quot;3&quot;:1},&quot;16&quot;:10}">This is a PDF of the 1979 festival programme. The slim programme has an abstract design on its cover in the form of elongated shapes, in various shades of brown and red, stretching from the top to the bottom of the page.<br /><br />This was the first programme since the inception of the festival which did not have an introduction by Dermot Breen who died in 1978. Robin O'Sullivan stepped in to take over the festival and wrote his first introduction to the festival on pages 4 to 6. A tribute to Dermot Breen, written by Nancy Allitt, is included on pages 7 to 8. Programme notes include a retrospective: <em>Cork - the First Twenty-Three Years</em> (page 9) and a tribute to John Wayne who passed away earlier that year (page 54).</span> Date A point or period of time associated with an event in the lifecycle of the resource 1979 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Programme Dermot Breen Nancy Allitt Robin O'Sullivan https://corkfilmfest.ucc.ie/files/original/ad6eab4b2a00d2aa8f4fae81a08b5728.pdf e3ca24cb0b5db2a3a21164594db61db8 PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Programme Content Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Rights Information about rights held in and over the resource <a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /></a><br />This collection is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. All rights reserved. Please credit <a href="https://corkfilmfest.org/">Cork International Film Festival</a> &amp; provide a link back to this site. Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English, eng; Irish, gle Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Description An account of the resource A selection of programmes from the Cork International Film Festival. Subject The topic of the resource Cork Film Festival Programmes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1975 Gala Premiere programme - <em>The Towering Inferno </em>(content) Subject The topic of the resource Cork Film Festival, Cork Film International, Savoy Cinema, Towering Inferno, London Friends of Cork Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Rights Information about rights held in and over the resource <span>This item is licensed under a </span>Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (<a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0</a>) licence<span>.&nbsp;Please credit the&nbsp;</span>Cork International Film Festival Archive<span> and provide a link back to the site.</span> Language A language of the resource English, eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland Description An account of the resource <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;Gala Premiere \&quot;The Towering Inferno\&quot; Programme 1975&quot;}" data-sheets-userformat="{&quot;2&quot;:10241,&quot;3&quot;:{&quot;1&quot;:0,&quot;3&quot;:1},&quot;14&quot;:{&quot;1&quot;:3,&quot;3&quot;:1},&quot;16&quot;:10}">This is a PDF of the 1975 Gala Premiere programme. The cover is off-white with a line drawing depicting a cinema with outline figures of people queuing up outside to enter. To the right are spotlights throwing up star-flecked light to the right edge of the programme. It is a soft card-bound issue measuring 21.5cm x 28cm. The bind is stapled and it has 18 unnumbered pages together with a loose-leaf insert of the film details within. <br /><br />The programme was issued for the screening of <em>The Towering Inferno</em> to aid Cork Film International. The film was screened at the Savoy Cinema, Cork on Saturday 1 February 1975. The programme was compiled, printed and presented to Cork Film International by the London Friends of Cork.</span> Date A point or period of time associated with an event in the lifecycle of the resource 1975 Contributor An entity responsible for making contributions to the resource London Friends of Cork Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Programme London Friends of Cork Savoy Cinema Towering Inferno https://corkfilmfest.ucc.ie/files/original/7dbfb9cd734dd752b977b3bb54cca983.jpg f5195e0fe660ee2ddc83f63d3e41ed3a https://corkfilmfest.ucc.ie/files/original/376ccddde9e3814058192517f2b4a0d8.jpg b407a0a72c36020f6e8fe17d7d35db7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1962 Cork International Film Festival promotional leaflet Subject The topic of the resource Cork Film Festival, Sophia Loren, Award, Trophy Description An account of the resource This is a promotional three-fold leaflet for the 1962 Cork International Film Festival. The leaflet describes the founding of the festival in 1956 and the plans for the seventh edition of the festival. There is a short description of the Festival Club and ticket options (£1 for festival club membership). An image of Sophia Loren on the inside of the leaflet is accompanied by text detailing her win of the 1961 Waterford Glass Trophy, for outstanding acting performance, for her part in <em>Two Women </em>(Vittorio de Sicca, 1960).&nbsp;Other images of celebrities from the 1961 festival decorate the opening page of the leaflet. Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1962 Contributor An entity responsible for making contributions to the resource Cork Film Festival Format The file format, physical medium, or dimensions of the resource Paper, 27cm x 21.5cm TIFF JPEG Language A language of the resource English, eng Type The nature or genre of the resource Leaflet Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant start=1962-09-16; end=1962-09-23; Cork, Ireland Relation A related resource <a href="https://corkfilmfest.ucc.ie/items/show/644">Telegram from Sophia Loren to Dermot Breen</a> Rights Information about rights held in and over the resource <a href="https://creativecommons.org/licenses/by/4.0/">CC-BY 4.0</a>. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site. Award Festival Club Sophia Loren Trophy https://corkfilmfest.ucc.ie/files/original/6921259449a87953ee670ea591edee3b.jpeg f813f4b4bda504db45ed995c39ac5bb1 https://corkfilmfest.ucc.ie/files/original/4b9d1594ddf9080a542a3186f7ac149b.jpeg 700565425758a7953339c1f294d1ad7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper, 18cm x 12cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Telegram from Sophia Loren to Dermot Breen Subject The topic of the resource Cork Film Festival, Sophia Loren, Vittorio de Sica, Dermot Breen, Telegram Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Language A language of the resource English, eng; Irish, gle Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956 Cork, Ireland Description An account of the resource <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;This is an image of an Irish Post telegram, with an address of San Lorenzo Escorial, from Sophia Loren to the festival director Dermot Breen. It reads Sorry but impossible accept your king [sic] invitation because work regards Sophia Loren. The post office stamp date is Corcaigh 11.V.56. Sophia Loren’s actual link with the film festival is one of association rather than presence. Sophia Loren came to the archive, in 1956, at the behest of Mr Dermot Breen, the original organiser of the festival. We might guess that he invited Loren to the first Cork Film Festival in early 1956 – an invitation that she politely declined by this telegram in May of that year. The short truncated text was typical of this medium which charged according to the word count. Seemingly Oscar Wilde sent the shortest telegram in history to his publisher when asking about how his book was doing the message read “?”. The publisher replied with “!”. In the pre-internet age telegrams were a thriving form of communication and transatlantic messages were sent via cable from Valentia Island in Kerry. However with the advent of technology they are no longer in use in Ireland and the final telegram was sent in 1977. We note also that Loren was awarded, in absentia, the Waterford Glass Trophy for outstanding acting performance at the 1961 Cork Film Festival. This was for the Vittorio De Sica movie, Two Women (La Ciociara) (1960) which was shown at the Cork Film Festival on the 4th October 1961. The film won the Academy Award for Best Actress for Loren. This was the first time an acting Oscar had been given for a non-English-speaking performance. She also won the award for Best Actress at the 1961 Cannes Film Festival that year. The director De Sica, was a regular visitor to the Cork festival and, as well as Two Women, the festival also screened the Academy award-winning Bicycle Thieves (1948)&quot;}" data-sheets-userformat="{&quot;2&quot;:769,&quot;3&quot;:{&quot;1&quot;:0},&quot;11&quot;:3,&quot;12&quot;:0}">This is an image of an <em>An Poist</em> (Irish Post) telegram, with an address of San Lorenzo Escorial, from Sophia Loren to the festival director Dermot Breen. It reads <em>Sorry but impossible accept your king</em> [sic] <em>invitation because work regards Sophia Loren</em>. The post office stamp date is <em>Corcaigh 11.V.56</em>. The back is an advertisement for the Irish Sweep which was a lottery established in the Irish Free State in 1930 as a means to finance hospitals.&nbsp;<br /><br />Sophia Loren’s actual link with the film festival is one of association rather than presence. She came to the archive in 1956, at the behest of festival director Dermot Breen. We might guess that he invited Loren to the first edition of the festival in early 1956 – an invitation that she politely declined by this telegram in May that year. The short truncated text was typical of this medium which charged according to the word count. (Seemingly Oscar Wilde sent the shortest telegram in history; it was to his publisher asking how his book was doing and the message read “?”. The publisher replied with “!”.) In the pre-internet age telegrams were a thriving form of communication and transatlantic messages were sent via cable from Valentia Island in Kerry. However, with the advent of technology, they are no longer in use in Ireland and the final telegram was sent in 1977. <br /><br />We note also that in 1961 the festival awarded Loren, in absentia, the Waterford Glass Trophy for outstanding acting performance. This was for the Vittorio De Sica movie, <em>Two Women</em> (<em>La Ciociara</em>) (De Sica, 1960) which was shown on 4th October 1961. The film won Loren the Academy Award for Best Actress; this was the first time an acting Oscar had been given for a non-English-speaking performance. She also won the award for Best Actress at the 1961 Cannes Film Festival that year. The director De Sica was a regular visitor to the Cork festival and, as well as <em>Two Women</em>, the festival screened his Academy award-winning <em>Bicycle Thieves</em> (1948).</span> Date A point or period of time associated with an event in the lifecycle of the resource 1956 Contributor An entity responsible for making contributions to the resource Irish Post, Sophia Loren Format The file format, physical medium, or dimensions of the resource Paper, 18cm x 12cm TIFF JPEG Relation A related resource <a href="https://corkfilmfest.ucc.ie/items/show/645">Cork International Film Festival promotional leaflet 1962</a> Rights Information about rights held in and over the resource ©Sophia Loren. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site. Sophia Loren Two Women Vittorio de Sica https://corkfilmfest.ucc.ie/files/original/210155f040c696176afd19b21d84120d.jpg bd23739bf7ea0f05129d2134d2bdeb8f https://corkfilmfest.ucc.ie/files/original/c22102d32acb0a2ba6015d2558d0ca60.jpg b01f7670ce3dcc351d0764cd8b1f3be4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Postcard Physical Dimensions The actual physical size of the original image 18cm x 12.5cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Finbarr statuette postcard from 1958 Subject The topic of the resource Cork Film Festival, St Finbarr, Award, Trophy, Seamus Murphy, Denmark Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival, A/S Nordisk Film Junior, Seamus Murphy Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Language A language of the resource English, eng; Irish, gle; Danish, da Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1958 Copenhagen, Denmark Cork, Ireland Description An account of the resource This is a black and white postcard originating from the Danish production company A/S Nordisk Film Junior. It is dated December 1958 and depicts the St Finbarr bronze statuette. The base of the statuette in this image is engraved <em>Féile Scannán Corcaige 1958 </em>(Cork Film Festival)<em>.</em><br /><br />The greeting on the card is <em>Merry Christmas and Happy New Year. </em>The small type along its spine notes <em>Seamus Murphy: St Finbarr (Bronze Statuette). First Prize at the Cork Film Festival 1958 to “The Bicyclist” (“Cyklisten”) produced for British Petroleum by A/S Nordisk Film Junior</em>. <em>Cyklisten</em> (Henning Carlsen, 1958) was a 16 min. company film starring the prolific Danish actor Buster Larsen (1920-1993). Date A point or period of time associated with an event in the lifecycle of the resource 1958 Contributor An entity responsible for making contributions to the resource A/S Nordisk Film Junior Format The file format, physical medium, or dimensions of the resource Paper, 18cm x 12.5cm TIFF JPEG Relation A related resource <a href="https://corkfilmfest.ucc.ie/items/show/639" title="St Finbarr Statuette 2009">St Finbarr award 2009</a> Rights Information about rights held in and over the resource <span><a href="https://creativecommons.org/share-your-work/public-domain/cc0/">CC0</a>. Please credit the </span>Cork International Film Festival Archive<span> and provide a link back to the site.</span> Award Denmark Postcard Seamus Murphy St Finbarr Statuette Trophy https://corkfilmfest.ucc.ie/files/original/13bd2ff4bb3eaf1b4fbd4f1161b03765.jpg 7a0cb6fa6d42faf95476baddfdd46299 https://corkfilmfest.ucc.ie/files/original/2426877d5b1e1be75ef25f5b6e61a23e.mp4 19f4a7e06baa36e50465b940a5d12df3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork Film Festival award 2012 Subject The topic of the resource Cork Film Festival, Award, Liz Morrissey Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival, Liz Morrissey Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Language A language of the resource English, eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2012 Cork, Ireland Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource This small bronze-coloured trophy is 21.5cm tall and depicts the organic form of a figure looking through the single lens of a camera. The slim award, designed so that it can be hung on a wall, is presented in a wooden box tied with a red ribbon. The unsigned award is inscribed at its base <em>Corona Cork Film Festival 2012.</em>&nbsp;We note that the 2012 festival programme attributes trophy design that year to the Irish sculptor Liz Morrissey. Format The file format, physical medium, or dimensions of the resource Bronze 21.5cm JPEG MP4 Contributor An entity responsible for making contributions to the resource Liz Morrissey Rights Information about rights held in and over the resource ©Liz Morrissey. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site. Award Liz Morrissey Sculptor Trophy https://corkfilmfest.ucc.ie/files/original/df19046d18f1b5a36f3502da58e36e34.jpg c2de1779d90337101468b7f9fb92544e https://corkfilmfest.ucc.ie/files/original/753593aafb92e7adf66bf2ebcee13273.mp4 715c8c424062b3e5ebded6c682d01815 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork Film Festival award 2002 Subject The topic of the resource Cork Film Festival, Award, Liz Morrissey, Sculptor Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival, Liz Morrissey Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Language A language of the resource English, eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2002 Cork, Ireland Description An account of the resource This small cast bronze trophy is 25cm tall and depicts the organic form of a figure, with its right arm raised to its eye as it looks out through a single-lens binocular. The unsigned statue is inscribed <em>Cork Film Festival 2002</em> along its spine. We note that the 2002 festival programme attributes trophy design that year to the Irish sculptor Liz Morrissey. Date A point or period of time associated with an event in the lifecycle of the resource 2002 Format The file format, physical medium, or dimensions of the resource Bronze 25cm JPEG MP4 Contributor An entity responsible for making contributions to the resource Liz Morrissey Rights Information about rights held in and over the resource ©Liz Morrissey. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site. Award Liz Morrissey Sculptor Trophy https://corkfilmfest.ucc.ie/files/original/a13bec1cf64e353cbc424fd0d37e63c6.jpg c3d070cea48dca1db83991a2f1cf31f4 https://corkfilmfest.ucc.ie/files/original/1e10f1c28d80d10de358c9f7745ae209.mp4 93b73118e1180c5020deb4363a06c9c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Finbarr statuette 2009 Subject The topic of the resource Cork Film Festival, Seamus Murphy, Award, Trophy, St Finbarr, Dermot Breen Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival, Seamus Murphy Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Language A language of the resource English, eng; Irish, gle Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2009 Cork, Ireland Date A point or period of time associated with an event in the lifecycle of the resource 2009 Format The file format, physical medium, or dimensions of the resource Bronze 31cm JPEG MP4 Description An account of the resource Since its establishment in 1956, the festival has awarded the St Finbarr statuette to its winners. Designed by the Cork-born sculptor Seamus Murphy, the bronze-coloured representation of the saint is 31cm high including the base. The base in this image is faintly inscribed on its sides with a Celtic harp and the Cork coat of arms, along with the date of the festival. This award is inscribed <em>2009 Seamus Murphy, Naom Fionnbarra</em>. The inscription across the base reads <em>Cork International Film Festival Trophy by Seamus Murphy RHA</em>.&nbsp;<br /><br />The 1965 festival programme notes, in an article by Conor Sweeney, that the awards were used from the very beginning of the festival and that the silver and bronze awards were “lined up on Dermot’s desk”. Dermot Breen was the founder of the film festival and was its director from its inception in 1956 until his untimely death in 1978. Contributor An entity responsible for making contributions to the resource Seamus Murphy Relation A related resource <a href="https://corkfilmfest.ucc.ie/items/show/463">St Finbarr Statuette photo</a> Rights Information about rights held in and over the resource ©Seamus Murphy. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site. Award Dermot Breen Sculptor Seamus Murphy St Finbarr award St Finbarr Statuette Trophy https://corkfilmfest.ucc.ie/files/original/db9d8e28d37e59077e518892dca2c803.jpg 1ad6a52f1b482804f40a1fedf3e83919 https://corkfilmfest.ucc.ie/files/original/2df4ca71b901a9ed2b1e3da83e6ca934.mp4 6f9a9dcd2950c98d83d9d29509b5de83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellany Description An account of the resource A selection of items from the Cork International Film Festival collection Publisher An entity responsible for making the resource available University College Cork Date A point or period of time associated with an event in the lifecycle of the resource 1956- Language A language of the resource English, Irish Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1956- Cork, Ireland Rights Information about rights held in and over the resource Please see individual items for licencing information. ©Reproduction rights CIFF Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Best Black &amp; White Short Film award 1998 Subject The topic of the resource Cork Film Festival, Award, Sandra Bell, short film Creator An entity primarily responsible for making the resource University College Cork, Cork Film Festival, Sandra Bell Source A related resource from which the described resource is derived Cork Film Festival Collection Publisher An entity responsible for making the resource available University College Cork Language A language of the resource English, eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1998 Cork, Ireland Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource Bronze 17.5cm x 13cm JPEG MP4 Description An account of the resource This is a cast bronze crescent-shaped award in gold and green hues. The base, measuring 17.5cm x 8cm, is engraved: <em>Winner Best Black &amp; White Short Film, Murphy's 43rd Cork Film Festival 1998</em>. The back of the base is signed with the initial 'B' - the signature of the contemporary Irish sculptor Sandra Bell. Contributor An entity responsible for making contributions to the resource Sandra Bell Rights Information about rights held in and over the resource ©Sandra Bell. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site. Award Sandra Bell Sculptor