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                <text>This is a black and white photo of the English actor Judy Geeson with Robin O’Sullivan and an unidentified colleague. Blond-haired Geeson, wearing a white lace evening dress and holding a bouquet of flowers, looks at the camera as she leaves the Savoy Cinema flanked by O'Sullivan and another festival attendee. Robin O’Sullivan, on the left, was a committed member of the Cork Film Festival team and would run it for a few years in the early eighties after the sudden death of the then-festival director, Dermot Breen, in 1978. &lt;br /&gt;&lt;br /&gt;Judy Geeson (1948-) was a popular film, television, and stage actor whose role playing the young student, Pamela Dare, in &lt;em&gt;To Sir, With Love&lt;/em&gt; (James Clavell, 1967) opposite Sidney Poitier secured her place in film history. This image is dated 1969-1970, when Geeson would have been around 22 years old. Her filmography includes &lt;em&gt;10 Rillington Place&lt;/em&gt; (Richard Fleischer, 1971) with Richard Attenborough, &lt;em&gt;Dominique&lt;/em&gt; (Michael Anderson, 1978) with Jenny Agutter,&amp;nbsp;and a supporting role in &lt;em&gt;The Eagle Has Landed&lt;/em&gt; (John Sturges, 1976) alongside Michael Caine, Donald Sutherland and Jenny Agutter. Around the time of this picture in 1970, Geeson had just completed the little-seen &lt;em&gt;One of Those Things&lt;/em&gt; (&lt;em&gt;Hændlight uheld&lt;/em&gt;) (Erik Balling, 1971) starring Roy Dotrice, which was a Danish film made with a British and Japanese cast in English. She was married to Sean Kenny, the extraordinary Irish theatre designer, in 1969 until his sudden death in 1973, age 43. Some of Kenny's set designs can be seen in the theatre and performance collection of the Victoria &amp;amp; Albert (V&amp;amp;A) online digital archive.</text>
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                <text>Cork Film Festival, Tsai Chin, Alan Buttonshaw, Player and Wills, Vida Breen, Robin O'Sullivan, Frank O'Reilly, Kevin Breen, China</text>
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                <text>This is a black and white photo of the Chinese actor, director, and author Tsai Chin with a group of delegates identified at the back of the photo as Alan Buttonshaw, Vida Breen, Robin O'Sullivan, Frank O'Reilly, and Kevin Breen. The formally dressed group, some with a glass in their hand, are chatting and oblivious to the camera while Tsai Chin, wearing an elaborately beaded jacket accessorised with an ornate necklace, faces the camera smiling. &lt;br /&gt;&lt;br /&gt;This is a unique film festival image, dated 1970s, of Tsai Chin. Chin is a Chinese actor born in 1933 and working to this day (2020). The daughter of Zhou Xinfang, a renowned master of the Peking Opera, she was the first Chinese student to study in London at the Royal Academy of Dramatic Art (RADA), the first Chinese actor to star in a West End show, and shored up the exotic quotient in movies such as Bond’s &lt;em&gt;You Only Live Twice&lt;/em&gt; (Lewis Gilbert, 1967) and the Fu Manchu film franchise. In the 1960s she shot to fame when starring as 'Suzie,' the Hong Kong prostitute, in the 1959 West End play &lt;em&gt;The World of Suzie Wong&lt;/em&gt; based on the book by Richard Mason; she would follow this with extensive work on stage, television, and screen including &lt;em&gt;The Face of Fu Manchu&lt;/em&gt; (Don Sharp, 1965), &lt;em&gt;The Virgin Soldiers&lt;/em&gt; (Leslie Thomas, 1966), &lt;em&gt;The Joy Luck Club&lt;/em&gt; (Wayne Wang, 1993), &lt;em&gt;Casino Royale&lt;/em&gt; (Martin Campbell, 2006) and most recently the voice of ‘Nai Nai’ in the computer-animated adventure &lt;em&gt;Abominable&lt;/em&gt; (Jill Culton, 2019). Wishing to break away from being typecast as an exotic ingénue she later took roles that challenged the stereotypes of Asian women on the screen. &lt;br /&gt;&lt;br /&gt;In 1988 Tsai Chin published her autobiography, &lt;em&gt;Daughter of Shanghai&lt;/em&gt;, which recalls her early, and sometimes tragic, life including her early life in Shanghai, and her parents’ brutal deaths during the cultural revolution. It was a worldwide success and inspired the film of the same name, starring Tsai Chin, and directed by Michelle Chen Miao in 2019. (Jill Tweedie, 'From Suzi Wong sex-kitten to theatre pro', &lt;em&gt;The Guardian&lt;/em&gt;, 17.09.2013.)</text>
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                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text> Irish actor Eamon Morrissey with Olive Burke</text>
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            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Eamon Morrissey, Olive Burke, Niall Tóibín</text>
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                <text>This is a black and white photo of the Irish actor Eamon Morrissey in conversation with a festival attendee. The flash of the camera lights up his animated face as he turns towards his dark-haired companion, identified at the back of the photo as Olive Burke. &lt;br /&gt;&lt;br /&gt;Dublin-born Eamon Morrissey (1943-) is a stage and television actor. He left school early and went to London where he acted in Brian Friel’s &lt;em&gt;Philadelphia, Here I Come!&lt;/em&gt; in the 1964 world première. Morrissey is known for his comic roles and won an Irish television Jacob’s Award in 1977 for his performances in Frank Hall’s long-running satirical TV series, &lt;em&gt;Hall’s Pictorial Weekly&lt;/em&gt; starring Frank Duggan and Michael Twomey. Twomey also came to the Cork Film Festival on a number of occasions in the seventies. Morrissey has appeared in &lt;em&gt;Father Ted&lt;/em&gt; and the RTÉ soap opera &lt;em&gt;Fair City&lt;/em&gt;. His work in &lt;em&gt;Fair City&lt;/em&gt; was recognised by the annual Irish Film and Television Awards (IFTA) who nominated him for Best Supporting Actor in 2011. Morrissey’s film credits include the Irish comedy film &lt;em&gt;Eat the Peach&lt;/em&gt; (Peter Ormond, 1986) starring Stephen Brennan and Niall Tóibín, who was also a visitor to the festival.</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Donal Sheehan</text>
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                <text>1970&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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              <elementText elementTextId="12723">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Robin O'Sullivan and Dan Donovan with actor George Baker and others</text>
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                <text>Cork Film Festival, George Baker, Inspector Wexford, Dan Donovan, Robin O'Sullivan, Ida O'Sullivan, Everyman Theatre</text>
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Cork, Ireland</text>
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                <text>This is a black and white photo of festival committee members Robin O’Sullivan and Dan Donovan with the English actor George Baker and unidentified colleagues. O’Sullivan, on the left of the photo stands in between a festival attendee identified as Ida and an unidentified guest holding a large bouquet of flowers. George Baker, in a striped shirt and tie, stands on the right next to Dan Donovan on the far right. &lt;br /&gt;&lt;br /&gt;While this photo is dated 1970s we might suggest it is 1972 from the glimpse of the festival brochure in Dan Donovan’s pocket. Donovan (1926-2008) was a founding member of Cork’s Everyman Theatre and Cork’s cultural legacy owes much to his passion and love of the arts. He was a board director of the Cork Choral Festival as well as the Cork Film Festival. His colleague on the left of this photo, Robin O’Sullivan, was also a stalwart film festival committee member who went on to become its director in the late seventies following the unexpected death of festival founder Dermot Breen. He ran it during a difficult time for the festival before handing over the reins to Mick Hannigan and Theo Dorgan in 1985. &lt;br /&gt;&lt;br /&gt;The English actor and writer George Baker (1931-2011) was a star of cinema, stage, and television. He famously had an affair with the French actor Brigitte Bardot whilst married to the first of his three wives. However he is remembered by most for his role as Inspector Wexford in the successful Ruth Rendall crime drama television series &lt;em&gt;The Ruth Rendell Mysteries&lt;/em&gt; (1987-2000). Baker has extensive television and film credits including &lt;em&gt;The Dam Busters&lt;/em&gt; (Michael Anderson, 1955), &lt;em&gt;Goodbye, Mr Chips&lt;/em&gt; (Herbert Ross, 1969) starring Peter O’Toole and Petula Clark, and &lt;em&gt;The Spy Who Loved Me&lt;/em&gt; (Lewis Gilbert, 1977) with Roger Moore. Around the time of this photo he had completed &lt;em&gt;The Executioner&lt;/em&gt; (Sam Wanamaker, 1970) starring Judy Geeson who also came to the Cork festival in the seventies. Baker briefly ran a successful regional theatre company during the late sixties and early seventies bringing his tour of Terence Rattigan’s &lt;em&gt;The Sleeping Prince&lt;/em&gt; (1968) and Christopher Fry’s &lt;em&gt;The Lady’s Not for Burning&lt;/em&gt; (1971) to the West End.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dan Donovan</name>
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                  <text>Cork Film Festival Collection</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Irish director Norman Cohen with Dermot Breen</text>
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                <text>Cork Film Festival, Norman Cohen, Dermot Breen, Greg Smith, Lynda Bellingham, Linda Hayden, Pamela Stephenson, James Mason, Brendan Behan, Carolyn Swift</text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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            <name>Format</name>
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                <text>1970&#13;
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                <text>This is a black and white photo of the Dublin-born film director and producer Norman Cohen shaking hands with the festival director Dermot Breen. A bearded Cohen, wearing a light-coloured utility jacket, is smiling as he chats with Breen. While there are few images of Norman Cohen in the archive, his fingerprints stretch into the archive via the producer Greg Smith, the actors James Mason, Lynda Bellingham, Linda Hayden, and Pamela Stephenson – all of whom were in Cork during the early 1970s. &lt;br /&gt;&lt;br /&gt;Norman Cohen’s legacy is tied up with a series of risqué X-certificate rated comedies that he worked on such as &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (1975) and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) starring Bellingham and Hayden both of whom are in the archive. He also produced and directed &lt;em&gt;The London Nobody Knows&lt;/em&gt; (1967) with James Mason, Spike Milligan’s &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (1977), based on the book by Leslie Thomas, and starring Bellingham and Stephenson. Around the time of this picture he had directed &lt;em&gt;Dad’s Army&lt;/em&gt; in 1971 based on the popular BBC sitcom of the same name. &lt;br /&gt;&lt;br /&gt;Cohen's production of &lt;em&gt;Brendan Behan’s Dublin&lt;/em&gt; (1966), sometimes misattributed to the BBC, was made by his production company Norcon with the producer Greg Smith – who produced many of his pictures. Written by the Irish director, actor and writer Carolyn Swift, the twenty-nine minute film was narrated by Ray McAnally as Behan, and the soundtrack was supplied by The Dubliners. It was first shown at the Cork Film Festival in September 1966 supporting the MGM film &lt;em&gt;Woman Without a Face&lt;/em&gt; (also known as &lt;em&gt;Mister Buddwing&lt;/em&gt;) (Delbert Mann, 1966), starring Jean Simmons and James Garner. Cohen died of a heart attack, in 1983, in Van Nuys, California. (&lt;em&gt;Irish Times&lt;/em&gt; letter: Carolyn Swift, Brendan Behan’s Dublin, &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.05.1999.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dermot Breen</name>
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        <name>Greg Smith</name>
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        <name>Linda Hayden</name>
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        <name>Lynda Bellingham</name>
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        <name>Norman Cohen</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of President Patrick Hillery and his wife Maeve Hillery accompanied by Jim O’Brien. Hillery, wearing a dark suit and holding his trilby hat, is walking alongside O’Brien as they shake hands. His wife, Maeve Hillery, in a long dress accessorised with a short white fur jacket, holds a bouquet of flowers and is smiling as she too walks forward. Hillery (1923-2008) was a Fianna Fáil politician who served as the sixth President of Ireland from 1976 to 1990 following some time as Ireland's first European commissioner. The photo is dated 1970s and might be 1976 or 1977 as there is a similar picture of Hillery in the archive, wearing the same tie, talking to Seán French who served as Lord Mayor of Cork in the late seventies.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/312"&gt;President Hillery with Lord Mayor Seán French&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mick Hannigan, Kieran O'Connor, Ruth Riddick and colleagues </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Mick Hannigan, Kieran O'Connor, Ruth Riddick, Festival Staff, IndieCork Film Festival, Cork Film Centre, First Cut! Youth Film Festival</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of festival director Mick Hannigan with his colleagues. The photo is undated but we might suggest that it was taken during the late 1980s/1990s when Hannigan ran the festival, after taking it over from Robin O’Sullivan in 1986. After his departure in 2013, he set up &lt;a href="https://indiecork.com/"&gt;IndieCork Film Festival&lt;/a&gt; with Úna Feely who was a programmer for the Cork Film Festival from 2001 until her departure in 2013. IndieCork champions short films, documentaries and independent features. Hannigan and Feely also run the independent film company Green Ray Film Agency which provides a broad range of services to filmmakers, festivals and event organisers. &lt;br /&gt;&lt;br /&gt;The photo shows Hannigan sitting on the edge of the office desk, leaning on the monitor of the IBM-type PC. His colleagues sit and stand around the desk posing for the camera. We recognise the artist Kieran O’Connor standing at the back in glasses. O’Connor is an artist and graphic designer based in Cork. A graduate of University College Cork, O’Connor worked for the festival under the stewardship of Hannigan, and his contribution to the festival can be recognised in the artwork of festival posters, programmes and logos. His art reflects a sense of place, and we can see this in his work on posters and programme covers in the archive, in particular how he often entwined the imagery of film and festival with that of Cork itself. O’Connor is a founding member of the Cork Film Centre which is a resource centre for aspiring young filmmakers in the Cork area. The centre also facilitates the successful &lt;a href="https://firstcutfilmfestival.com/"&gt;First Cut! Youth Film Festival&lt;/a&gt; - a youth-centred festival dedicated to showing films made by young filmmakers.&lt;br /&gt;&lt;br /&gt;In front of O’Connor, perched on the edge of the desk, we note the then press officer, Ruth Riddick, in a floral shirt. Riddick was press officer for the festival from 1990 to 1995 before serving on the Board of Directors in 1996. Riddick also worked for the Dublin Film Festival in the early nineties, and as a campaigner and activist until her move to America where she is now based. In America, Riddick works as an educator and counsellor through her education company Sobriety Together. She is a prolific writer and her work has been published in the &lt;em&gt;Field Day Anthology of Irish Writin&lt;/em&gt;g (2000), among other publications including &lt;em&gt;Ireland’s Great Hunger Museum&lt;/em&gt; (Riddick et al, Quinnipiac University, 2002).</text>
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            <name>Creator</name>
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                <text>University College Cork, Cork Film Festival,   </text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cork, Ireland</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="12110">
                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/551"&gt;Festival staff contact sheet&lt;/a&gt;</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="12111">
                <text>English, eng</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14141">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Cork Film Centre</name>
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        <name>Dublin Film Festival</name>
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        <name>Festival Staff</name>
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        <name>Indie Film Festival</name>
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        <name>IndieCork Film  Festival</name>
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        <name>Kieran O'Connor</name>
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        <name>Mick Hannigan</name>
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        <name>Ruth Riddick</name>
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