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                <text>Sculptor Séamus Murphy, Bebhinn Marten and Peter Barry </text>
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                <text>This is a black and white photo of the sculptor Séamus Murphy and his daughter, Bebhinn Marten, in conversation with the Cork politician Peter Barry. The convivial group is dressed formally, and Marten, wearing a flower-decorated light-coloured dress, is looking up to Barry who is smoking. A whorl of smoke rises up through the air, crowning Barry, who is turned towards Marten as he listens to her. The picture is provisionally dated ‘1970s’ and would have been taken a few years before Murphy’s death in 1975. &lt;br /&gt;&lt;br /&gt;We have a particular affection for Seamus Murphy in the archive as he designed the St Finbarr statuette which was handed out as a film festival award for many years. Murphy was an Irish sculptor and stone carver with a studio based at Watercourse Road, in Blackpool, Cork. He was inspired by the writer Daniel Corkery, a teacher at his school, to attend the Cork Crawford School of Art. After receiving a scholarship he later went to Paris to study under the Irish-American sculptor Andrew O’Connor before returning to Cork and opening up his studio. Murphy was commissioned to design the Church of the Annunciation, in Blackpool, Cork, as well a number of unique carvings of statues, gravestones, and monuments around the City and beyond. Many examples of his work can be seen in the cemetery of St Finn Barre’s Cathedral especially in ‘Musicians’ Corner.’ A favourite City monument is his limestone drinking trough for dogs – tucked away at the top of Patrick’s Street under a now empty shopfront at number 121. It is marked &lt;em&gt;Madraí&lt;/em&gt; – the Irish word for dogs. A short documentary about Seamus Murphy, &lt;a href="https://ifiplayer.ie/the-silent-art/"&gt;The Silent Art &lt;/a&gt;(1958) by Louis Marcus, premiered at the festival in 1959.&lt;br /&gt;&lt;br /&gt;Murphy was married to Maigread, who was a founder of the Cork Arts Society and the Cork Film Society. She was a gifted artist in her own right and designed the well-known Paddy Irish Whisky logo. They met at the Cork Crawford School of Art and went on to have three children, the novelist Orla Murphy, the musician Colm Murphy, and the designer Bebhinn Marten who we see in this picture talking to Peter Barry. &lt;br /&gt;&lt;br /&gt;Bebhinn Marten is a knitwear designer based in Baltimore, Cork. Her company, Beacon Designs, developed during the 1970s, was one of the few knitwear companies designing and manufacturing in Ireland. However, due to the decline in the Irish woolen industry, the knitwear factory shut down and she converted the factory into a home. (Kieran McCarthy, &lt;em&gt;Secret Cork&lt;/em&gt;, Amberley Press, 2017; Mary Leland, 'Making a new home from an old factory by the sea in West Cork', &lt;em&gt;The Irish Times&lt;/em&gt;, 17.02.2018.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the former festival director, Mick Hannigan, reading from a makeshift podium in front of the Long Valley Bar on Winthrop Street in Cork. To the right, leaning against the wall of the arched lobby, we note the distinctive profile of an androgynous glam-rock devotee, dressed in a brass-buttoned jacket, typical of the early 1970s when this picture was taken. The Long Valley hosts a weekly poetry event called Ó Bhéal (word of mouth) in its Hayloft Bar. So the presence of the former film festival director reading poetry from the rostrum, decorated with a poster marked &lt;em&gt;Poetry “Live” All Day&lt;/em&gt;, might not seem incongruous to Corkonians familiar with the bohemian bent of the Long Valley. &lt;br /&gt;&lt;br /&gt;Also known as Moynihan’s Long Valley Bar, the Long Valley opened its doors in 1842. It was run for many years by Mr (Humphrey) Moynihan and Mrs (Rita) Moynihan before being taken over by their son Peader Moynihan who runs it in the same fashion as his parents, and his grandfather John Moynihan before them. It is one of the few bars in Cork that retains a snug, just inside the doors on the left, where the etched windows throw light onto the large table that was once the property of the American Embassy in Dublin. Further into the main bar, the hand-crafted tables include a singular large circular table that you’d be lucky to bag on a busy December day. In his article on the Long Valley, Dan Hickey tells us that it came from the &lt;em&gt;Celtic&lt;/em&gt;, a White Star Line ship that ran aground off Roche’s Point near Cork Harbour in December 1928. Many patrons have sat around these historic tables with a Long Valley pint and an iconic doorstep sandwich. And, as the poet and former film festival organiser, Theo Dorgan notes: “It would take a strong man in the full of his health, with the help of three small children, to munch through their mouth-watering sandwiches.” &lt;br /&gt;&lt;br /&gt;A sculpted bust of the troubled Irish composer, Frederick May (1911-1985), by the Cork-born sculptor Séamus Murphy, sits amongst the artworks on display in the Long Valley, and we note its presence because Murphy designed the St Finbarr statuette which was handed out to award winners in the early decades of the film festival. (Dan Buckley, ‘The Long Valley: A pub with a history as long as its bar counter’, &lt;em&gt;Irish Examiner&lt;/em&gt;, 26.12.2017.)</text>
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                <text>&lt;p&gt;©MacGill News. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the celebrated Cork-born poet Theo Dorgan, on the left in a leather jacket, with an unidentified companion. They are both looking down at the programme for the 31st Cork International Film Festival which took place in 1986 (and helps us date this photo). Dorgan had just taken over the film festival that year, along with Mick Hannigan, and this photo might be from the launch of that years’ festival. &lt;br /&gt;&lt;br /&gt;Dorgan’s name, together with Hannigan, is intrinsically tied up with the film festival in the mid-eighties and beyond. They took it on together in 1986 after the resignation of the then-director Robin O’Sullivan, who had gamely run it for some years following the unexpected death of festival founder Dermot Breen in 1978. Dorgan and Hannigan ran the festival together until 1989, when Dorgan moved on following his appointment as director of Poetry Ireland.&lt;br /&gt;&lt;br /&gt;Dorgan, a graduate of University College Cork - where he also taught - is a member of the Irish arts organisation Aosdána and was an appointee of the Arts Council from 2003 to 2008. His most recent work includes &lt;em&gt;Liberty Walks Naked&lt;/em&gt; (from the French of Maram al-Masri) (Southword Editions, Cork, 2017), &lt;em&gt;Orpheus&lt;/em&gt; (Dedalus Press, 2018), &lt;em&gt;Bailéid Giofógacha&lt;/em&gt; (from the Spanish of Federico García Lorca) (Coiscéim, Baila Átha Cliath, 2019), and &lt;em&gt;The Abduction&lt;/em&gt; (from the French of Maram al-Masri) (Southword Editions, Cork, 2020).</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>David Kelly, Dermot Breen and others at the Imperial Hotel</text>
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                <text>Cork Film Festival, David Kelly, Dermot Breen, Jim O'Brien, Imperial Hotel, Mary Larkin</text>
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                <text>1974&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of the Irish actor David Kelly with festival director Dermot Breen, Jim O’Brien, and an unidentified companion. The small group are arriving into the marble lobby of the Imperial Hotel on the South Mall in Cork. Kelly, on the right next to Dermot Breen, is wearing a tweed jacket and tie, with light-coloured trousers and two-tone brogues. &lt;br /&gt;&lt;br /&gt;Born in Dublin, Kelly (1929-2012) was an Irish actor with a recognisable presence on the Irish stage and screen. His notable work includes &lt;em&gt;Strumpet City&lt;/em&gt; (RTÉ, 1980), &lt;em&gt;Into the West&lt;/em&gt; (Mike Newell, 1992), &lt;em&gt;Waking Ned&lt;/em&gt; (Kirk Jones, 1998), and &lt;em&gt;Charlie and the Chocolate Factory&lt;/em&gt; (Tim Burton, 2005). &lt;em&gt;Into the West&lt;/em&gt; was shown at the 2019 festival and is also preserved in the IFI Irish Film Archive. Kelly had an uncredited role in &lt;em&gt;The McKenzie Break&lt;/em&gt; (Lamont Johnson, 1970) which starred Brian Keith and the Irish actor Mary Larkin who came to the Cork festival in 1980. Around the time of this picture, which is dated 1974, Kelly would play the inept builder in an episode of &lt;em&gt;Fawlty Towers&lt;/em&gt; ('The Builders', 1975) which won him great acclaim. &lt;br /&gt;&lt;br /&gt;In an &lt;em&gt;Irish Examiner&lt;/em&gt; article by John Daly looking back at the film festival, David Kelly is quoted recalling the train journey from Dublin to Cork: "Irish hospitality was at its finest on that train, an elegant Orient Express atmosphere wrapped in a thoroughly Celtic welcome that made strangers who got on in Dublin lifelong friends by the time it arrived in Cork. Revelry and romance are the two words that come mostly to mind when I recall the journey." (&lt;em&gt;Irish Examiner&lt;/em&gt;, 04.11.2017.)</text>
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              <elementText elementTextId="12916">
                <text>&lt;p&gt;This item is licenced with a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Miss Movie Girl Mary Tilson with Frank Sanquest</text>
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                <text>Cork Film Festival, Frank Sanquest, Miss Movie Girl, Mary Tilson, Brian Coomber</text>
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                <text>This is a black and white photo of Mary Tilson, Frank Sanquest, and Brian Coomber at a press conference. Mary Tilson, in a dark-coloured top and Movie Girl sash, was Miss Movie Girl in 1975. Miss Movie Girl was a ‘Rose of Tralee’ type contest that ran for a few brief years in the seventies. Run in conjunction with the &lt;em&gt;Sunday World&lt;/em&gt; tabloid, it was a contest of county representatives vying for the ultimate title of 'Miss Movie Girl’. It was an enticing affair, the winner would meet with celebrities, be showered with prizes and go on to promote the festival throughout Ireland.&lt;br /&gt;&lt;br /&gt;In this picture Tilson is talking to the artist and journalist Frank Sanquest. Sanquest was a Cork-born artist who specialised in portraiture and landscapes. He was a past president of the Munster Fine Art Society and for many years was resident set designer for the Cork Opera House until it burnt down in 1954. Sanquest was on the board of the Southern Theatre Group with Dan Donovan and James N. Healy which toured with John B Keane plays often with the Cork actor Michael Twomey. From 1940 to 1987 he also worked as the Arts Editor for &lt;em&gt;The Cork Examiner&lt;/em&gt;, in whose capacity he might have been attending the Film Festival press briefings. He died in 2008, age 95.</text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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                <text>1975&#13;
Cork, Ireland</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12612">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Brian Coomber</name>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of Miss Movie Girl, Mary Tilson, with fellow festival guests in 1975. Tilson, wearing a long light-coloured evening dress and sash, is looking up towards her colleague as he speaks to the formally dressed group. The photo identifies two of the guests as Fergus Gilligan and Hank Nimwegen. Nimwegen was a member of the Advertising Producers Association (APA) which is a the trade body for the commercials production industry. APA began in 1955 as the Advertising Film Producers Association (AFPA), the same year that the first television commercial aired in the United Kingdom. </text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4412">
                <text>Bateman Photography</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4414">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="4415">
                <text>1975&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12593">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12594">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="496">
        <name>Mary Tilson</name>
      </tag>
      <tag tagId="339">
        <name>Miss Movie Girl</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
