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                <text>This is a black and white photo of festival director Dermot Breen with Tom Nicholas on the grounds of Ashbourne House in Glounthaune, Cork. The two friends stand together and chat in the convivial setting. Nicholas, with a glass in hand, was a founding member of the London Friends of Cork and often hosted events at the Martini Terrace in London for the festival. The 1980 film festival programme notes that this group of London-based film people raised thousands of pounds to help the development of the Cork festival. Nicholas went on to become Managing Director of Columbia-EMI-Warner Distributors.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the German-born English actor Peter Gilmore on stage with an unidentified companion. Gilmore, in a long-line velvet jacket, and his colleague, in a white frill-trimmed dress, are holding microphones and appear to be singing. &lt;br /&gt;&lt;br /&gt;Peter Gilmore (1931-2013) is best known for his role as James Onedin in the long-running BBC series &lt;em&gt;The Onedin Line&lt;/em&gt; which ran from 1971 to 1980. &lt;em&gt;The Onedin Line&lt;/em&gt; was based in late 19th-century Liverpool and told the story of the rise of a shipping company and the trials and tribulations that beset the Onedin family along the way. His filmography includes 11 appearances in the &lt;em&gt;Carry On&lt;/em&gt; film franchise including its final release &lt;em&gt;Carry On Columbus&lt;/em&gt; (Gerald Thomas) in 1992. Gilmore had a brief singing career and also worked on stage musicals which might back up his singing performance in this photo. (Stuart Jeffries, 'Peter Gilmore obituary,' &lt;em&gt;The Guardian&lt;/em&gt;, 06.02.2013.)</text>
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                <text>This is a black and white photo of Miss Movie Girl 1973, Betty Philbin, at a drinks reception with festival attendees identified on the photo as Phil O’Donovan, Ian Barry and Aileen Brennan. The small group, all holding glasses, pose for the camera in a wallpaper decorated room where other guests mill around in the background. Twenty-year old Philbin, wearing a dark jacket over a light-coloured dress tied at the neck with a ribbon, was Ireland’s 'Movie Girl' in 1973, a title she won at the Cork Film Festival where she was chosen originally from photographs published in the &lt;em&gt;Sunday World&lt;/em&gt; newspaper in association with the festival.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of Miss Movie Girl 1973, Betty Philbin, taken at the airport. Philbin, wearing a white suit accessorised with large sunglasses, and surrounded by her luggage, is accompanied by her sister, also in similarly large sunglasses. A similar item in the archive shows Philbin and her sister at the airport with film festival committee members and we might suppose that they are on festival business as part of the winning prize from the Miss Movie Girl competition. In October 1973 Philbin travelled to an International Congress in Venice where she hosted an Irish Whiskey event in the Hotel Excelsior in Lido, Venice. She was also a guest of the organisers of the Arnhem Film Festival in Holland that year.</text>
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Cork, Ireland</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14139">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>Miss Movie Girl Betty Philbin at a promotional event</text>
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                <text>This is a black and white photo of Miss Movie Girl 1973, Betty Philbin, at a promotional event with an unidentified companion. Philbin, in a short white dress, was Ireland’s ‘Movie Girl’, a title she won at the Cork Film Festival where she was chosen originally from photographs published in the &lt;em&gt;Sunday World &lt;/em&gt;newspaper in association with the festival. As part of her win the Movie Girl was awarded a selection of prizes including trips abroad, a wardrobe of clothes and shoes, beauty care products and an opportunity to meet stars and film directors attending the festival. This picture might be a promotional event hosted by Orlane Paris Skincare whose poster we see in the background.</text>
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Cork, Ireland</text>
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              <elementText elementTextId="12687">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Director Peter Collinson, Richard Johnson, Dermot Breen and others</text>
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                <text>This is a black and white photo, dated 1971, of festival attendees including English film director Peter Collinson, actor Richard Johnson, festival director Dermot Breen and others unidentified. The group all smile for the camera while Collinson, with his distinctive sideburns, stares up at Johnson. In 1963 Collinson made the documentary &lt;em&gt;The One-Nighters&lt;/em&gt; of the Royal Showband, with Brendan Bowyer, on tour. It was screened at the Cork Film Festival in 1963, receiving a Certificate of Merit. Following this Collinson went on to make &lt;em&gt;Up the Junction&lt;/em&gt; (1967) and the now-legendary &lt;em&gt;The Italian Job&lt;/em&gt; (1969) starring Michael Caine. Collinson also directed the war film &lt;em&gt;The Long Day’s Dying&lt;/em&gt; (1968) starring the English actor David Hemmings who also came to the film festival in the 1970s. Around the time of this photo, dated 1971, Collinson has just finished the British thriller &lt;em&gt;Straight On till Morning&lt;/em&gt; (1972) starring Shane Briant and John Clive, both of whom were in Cork for the film festival in the early 70s.&lt;br /&gt;&lt;br /&gt;The Irish Film &amp;amp; Television Network (IFTN) site notes that Collinson (1936-1980) started out working as a senior floorman at RTÉ and was originally making a TV commercial for the Royal Showband, with cameraman Robert Monks, before persuading the band to commit to a documentary. Monks, who passed away in 2012, also worked with Cork-born Louis Marcus on his Award-nominated short films &lt;em&gt;Páistí ag Obair&lt;/em&gt; (&lt;em&gt;Children at Work&lt;/em&gt;) (1973) and &lt;em&gt;Conquest of Light&lt;/em&gt; (1975). Monks began his film career working as a film technician with the Irish National Film Institute and continued to collaborate with them throughout his life. A highlight of his career is the documentary on Irish film production &lt;em&gt;Memories in Focus&lt;/em&gt; (1996) with Peter Canning, which drew on the Liam O'Leary collection from the National Library.</text>
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                <text>This is a black and white photo of Dan Donovan and the English actor Maxine Audley. Donovan, holding a festival brochure dated 1972, is smiling broadly as he reaches out to shake Audley’s hand. &lt;br /&gt;&lt;br /&gt;Donovan (1926-2008) was a founding member of Cork’s Everyman Theatre and Cork’s cultural legacy owes much to his passion and love of the arts. He was a board director of the Cork Choral Festival as well as the Cork Film Festival. Donovan was also an actor and a beloved teacher at the Presentation Brothers College in Cork, where he taught for almost 40 years, and whose theatre is named after him. In 2008 the Everyman, in association with Collins Press, published &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt; to mark his 80th birthday. He died, age 92, in 2008. &lt;br /&gt;&lt;br /&gt;At the time of this picture, in 1972, Maxine Audley (1923-1992) had just completed her final film role in &lt;em&gt;Running Scared&lt;/em&gt; (David Hemmings, 1972). &lt;em&gt;Running Scared&lt;/em&gt; was directed and co-written by David Hemmings who also came to the Cork Film Festival during the seventies. Audley was an English stage and film actor who consistently worked in theatre to high acclaim. She toured with the Old Vic and worked in the West End and Stratford with John Gielgud, Kenneth Tynan, and Peter Brook. Audley also worked in television, radio and over 20 films, including Charlie Chaplin’s satirical comedy &lt;em&gt;A King in New York&lt;/em&gt; (1957), which also starred the English actor Dawn Addams who came to the Cork festival in its early days.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/479"&gt;Signed publicity photo of Maxine Audley&lt;/a&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="4275">
                <text>1972&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11267">
                <text>This is a black and white photo of the English actor Jane Asher and a guest identified as Brian Wakefield from Harrogate in Yorkshire. They are both standing in front of a promotional poster for the Harp Lager-sponsored Cork Film Festival and smiling at the camera. &lt;br /&gt;&lt;br /&gt;Asher has become well known in recent years for her writing, business and charity work. However she had a prodigious career in film, theatre, radio and television since she was a young child. Her television work in England is extensive and includes Brideshead Revisited, Miss Marple, New Tricks, and A Voyage Round My Father with Laurence Olivier. Her filmography includes &lt;em&gt;Deep End&lt;/em&gt; (Jerzy Skolimowksi, 1970) (with music by Cat Stevens), &lt;em&gt;Alfie&lt;/em&gt; (Lewis Gilbert, 1966) with Michael Caine, and the British sitcom &lt;em&gt;The Old Guys&lt;/em&gt;. At the time of this picture, marked 1972, Asher starred in &lt;em&gt;Henry VIII and His Six Wives&lt;/em&gt; (Waris Huessein, 1972) where she played the part of Jane Seymour. &lt;br /&gt;&lt;br /&gt;The personal life of Asher was of great interest to the British media when she was engaged to the Beatle Paul McCartney, whom she met when she was 17. However she broke off her engagement some years later, age 22, after finding him in bed with someone else. She later married the satirical cartoonist Gerald Scarfe in 1981. As well as being a shareholder in the satirical magazine, &lt;em&gt;Private Eye,&lt;/em&gt; Asher has written many books including best-selling novels and lifestyle books with a particular interest in baking. Her range of kitchenware is sold in Poundland in the UK and in Dealz in Ireland. (Ryan Gilbey, ‘Deep End: pulled from the water,’ T&lt;em&gt;he Guardian&lt;/em&gt;, 01.05.11)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13979">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14137">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="419">
        <name>Jane Asher</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
