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                <text>This is a black and white photo of the sculptor Séamus Murphy and his daughter, Bebhinn Marten, in conversation with the Cork politician Peter Barry. The convivial group is dressed formally, and Marten, wearing a flower-decorated light-coloured dress, is looking up to Barry who is smoking. A whorl of smoke rises up through the air, crowning Barry, who is turned towards Marten as he listens to her. The picture is provisionally dated ‘1970s’ and would have been taken a few years before Murphy’s death in 1975. &lt;br /&gt;&lt;br /&gt;We have a particular affection for Seamus Murphy in the archive as he designed the St Finbarr statuette which was handed out as a film festival award for many years. Murphy was an Irish sculptor and stone carver with a studio based at Watercourse Road, in Blackpool, Cork. He was inspired by the writer Daniel Corkery, a teacher at his school, to attend the Cork Crawford School of Art. After receiving a scholarship he later went to Paris to study under the Irish-American sculptor Andrew O’Connor before returning to Cork and opening up his studio. Murphy was commissioned to design the Church of the Annunciation, in Blackpool, Cork, as well a number of unique carvings of statues, gravestones, and monuments around the City and beyond. Many examples of his work can be seen in the cemetery of St Finn Barre’s Cathedral especially in ‘Musicians’ Corner.’ A favourite City monument is his limestone drinking trough for dogs – tucked away at the top of Patrick’s Street under a now empty shopfront at number 121. It is marked &lt;em&gt;Madraí&lt;/em&gt; – the Irish word for dogs. A short documentary about Seamus Murphy, &lt;a href="https://ifiplayer.ie/the-silent-art/"&gt;The Silent Art &lt;/a&gt;(1958) by Louis Marcus, premiered at the festival in 1959.&lt;br /&gt;&lt;br /&gt;Murphy was married to Maigread, who was a founder of the Cork Arts Society and the Cork Film Society. She was a gifted artist in her own right and designed the well-known Paddy Irish Whisky logo. They met at the Cork Crawford School of Art and went on to have three children, the novelist Orla Murphy, the musician Colm Murphy, and the designer Bebhinn Marten who we see in this picture talking to Peter Barry. &lt;br /&gt;&lt;br /&gt;Bebhinn Marten is a knitwear designer based in Baltimore, Cork. Her company, Beacon Designs, developed during the 1970s, was one of the few knitwear companies designing and manufacturing in Ireland. However, due to the decline in the Irish woolen industry, the knitwear factory shut down and she converted the factory into a home. (Kieran McCarthy, &lt;em&gt;Secret Cork&lt;/em&gt;, Amberley Press, 2017; Mary Leland, 'Making a new home from an old factory by the sea in West Cork', &lt;em&gt;The Irish Times&lt;/em&gt;, 17.02.2018.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Irish director Norman Cohen with Dermot Breen</text>
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                <text>Cork Film Festival, Norman Cohen, Dermot Breen, Greg Smith, Lynda Bellingham, Linda Hayden, Pamela Stephenson, James Mason, Brendan Behan, Carolyn Swift</text>
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                <text>1970&#13;
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                <text>This is a black and white photo of the Dublin-born film director and producer Norman Cohen shaking hands with the festival director Dermot Breen. A bearded Cohen, wearing a light-coloured utility jacket, is smiling as he chats with Breen. While there are few images of Norman Cohen in the archive, his fingerprints stretch into the archive via the producer Greg Smith, the actors James Mason, Lynda Bellingham, Linda Hayden, and Pamela Stephenson – all of whom were in Cork during the early 1970s. &lt;br /&gt;&lt;br /&gt;Norman Cohen’s legacy is tied up with a series of risqué X-certificate rated comedies that he worked on such as &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (1975) and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) starring Bellingham and Hayden both of whom are in the archive. He also produced and directed &lt;em&gt;The London Nobody Knows&lt;/em&gt; (1967) with James Mason, Spike Milligan’s &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (1977), based on the book by Leslie Thomas, and starring Bellingham and Stephenson. Around the time of this picture he had directed &lt;em&gt;Dad’s Army&lt;/em&gt; in 1971 based on the popular BBC sitcom of the same name. &lt;br /&gt;&lt;br /&gt;Cohen's production of &lt;em&gt;Brendan Behan’s Dublin&lt;/em&gt; (1966), sometimes misattributed to the BBC, was made by his production company Norcon with the producer Greg Smith – who produced many of his pictures. Written by the Irish director, actor and writer Carolyn Swift, the twenty-nine minute film was narrated by Ray McAnally as Behan, and the soundtrack was supplied by The Dubliners. It was first shown at the Cork Film Festival in September 1966 supporting the MGM film &lt;em&gt;Woman Without a Face&lt;/em&gt; (also known as &lt;em&gt;Mister Buddwing&lt;/em&gt;) (Delbert Mann, 1966), starring Jean Simmons and James Garner. Cohen died of a heart attack, in 1983, in Van Nuys, California. (&lt;em&gt;Irish Times&lt;/em&gt; letter: Carolyn Swift, Brendan Behan’s Dublin, &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.05.1999.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Gus Healy, Frank Sanquest, and Dermot Breen</text>
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                <text>Cork Film Festival, Gus Healy, Frank Sanquest, Dermot Breen</text>
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                <text>This is a black and white photo of the festival director Dermot Breen with the artist and journalist Frank Sanquest and the politician, and former Lord Mayor of Cork, Gus Healy. &lt;br /&gt;&lt;br /&gt;Gus Healy, seated on the far left, was an Irish Fianna Fáil politician who would later serve Cork as Lord Mayor from 1964 to 1965 and 1975 to 1976. He is seated next to the artist Frank Sanquest, in half-rimmed spectacles and wearing his trade-mark dickie bow. Sanquest (1912-2008) was a Cork-born artist who worked for many years as resident set-designer for the Cork Opera House before it burnt down in 1954. He was on the board of the Southern Theatre Group with Dan Donovan and James N. Healy; they often toured with John B Keane plays, starring the Cork actor Michael Twomey who also came to the Cork Film Festival. From 1940 to 1987 Sanquest worked as the Arts Editor for the &lt;em&gt;Cork Examiner&amp;nbsp;&lt;/em&gt;and would attend festival press conferences for the paper.</text>
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                <text>1970&#13;
Cork, Ireland</text>
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            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="12608">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of five Jury members in a photo marked 1970s. The photo only identifies the archivist Liam O’Leary sitting second left, wearing a patterned dickie bow. &lt;br /&gt;&lt;br /&gt;Liam O’Leary (1910-1992), from Youghal, County Cork, was a film maker, film historian and archivist. He established the Liam O’Leary Archive to rescue Irish film-related objects, stories and ephemera. The collection includes his research into Irish, European and international cinema and film as well as his hand-written notes and correspondence on local events including the Cork International Film Festival. The archive can be viewed in Special Collections of the National Library of Ireland.</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Liam O Laoghaire</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This black and white photo shows a formally dressed George McSweeney (or McSwiney) sitting at the piano of the Cork City Hall in a photo marked ‘60s or 70s’. It might be the 1970s as we have an archive photo of an award presentation that was organised by McSweeney in 1976. The back of this photo also mentions that McSweeney was the Head of the Dental Department at the time.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/424"&gt;David Hemmings and others at the City Hall&lt;/a&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12589">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <description>Information about rights held in and over the resource</description>
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            <name>Title</name>
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                <text>Lord Mayor Pearse Wyse, Dick Burke, Mary O'Keeffe and others</text>
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                <text>Cork Film Festival, Brother Jerome, Dick Lester, Lord Mayor, Pearse Wyse, Dick Burke, Minister of Education, Dermot Breen, Jerry O' Halloran, Mary O'Keeffe</text>
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                <text>This is a black and white photo from 1974 during the mayoralty of Pearse Wyse. It shows the Lord Mayor seated with festival committee colleagues as they listen to a speaker at the microphone. The photo identifies the small group as Brother Jerome, Dick Lestor, Lord Mayor, Dick Burke (at the microphone), Dermot Breen, Gerry O’Halloran and Mary O’Keeffe. </text>
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TIFF&#13;
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                <text>1974&#13;
Cork, Ireland</text>
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              <elementText elementTextId="12607">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Pearse Wyse</name>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dermot and Vida Breen with Tom Nicholas</text>
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                <text>Cork Film Festival, Dermot Breen, Vida Breen, Tom Nicholas, Ashbourne House, Garden Party, London Friends of Cork</text>
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                <text>This is a black and white photo of festival director Dermot Breen and his wife Vida Breen with their colleague Tom Nicholas on the grounds of Ashbourne House in Glounthaune, Cork. They stand together and chat in the convivial setting of the Ashbourne House garden party. Nicholas, with a glass in hand, was a founding member of the London Friends of Cork and often hosted events at the Martini Terrace in London for the festival. The 1980 film festival programme notes that this group of London-based film people raised thousands of pounds to help the development of the festival.</text>
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                <text>1974&#13;
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12599">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Vida Breen</name>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>Dermot Breen with Richard Lester and others</text>
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                <text>Cork Film Festival, Dermot Breen, Dick Burke, Richard Lester</text>
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                <text>This is a black and white group photo of festival director Dermot Breen with festival friend Dick Burke, the film director Richard Lester and an unidentified colleague. Lester in a light-coloured check suit smiles for the camera. Around the time of this photo, which is dated 1975, Lester had finished &lt;em&gt;The Four Musketeers&lt;/em&gt; (1974) starring Oliver Reed and Raquel Welsh, and &lt;em&gt;Royal Flash&lt;/em&gt; (1975) with Malcolm McDowell and Oliver Reed. In 1976 he directed the British-American romance and adventure film &lt;em&gt;Robin and Marian&lt;/em&gt; starring Sean Connery, Audrey Hepburn and the English actor Robert Shaw who also came to the Cork Film Festival in the early seventies. &lt;br /&gt;&lt;br /&gt;In 2010 Lester donated his large archive of film-related materials to the British Film Institute (BFI). The archive consisting of letters, scripts, notes, and photographs is available to the public via their Special Collections. (Mark Brown, ‘Richard Lester archive donated to BFI full of riches,’ &lt;em&gt;The Guardian&lt;/em&gt;, 23.08.2020.)</text>
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            <elementTextContainer>
              <elementText elementTextId="5110">
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          <element elementId="38">
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dermot Breen</name>
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      <tag tagId="520">
        <name>Dick Burke</name>
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      <tag tagId="514">
        <name>Richard Lester</name>
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