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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a colour publicity photo from the &lt;em&gt;Irish Examiner&lt;/em&gt; for the 51st Cork Film Festival in 2006. It shows an outdoor drive-in movie theatre with a large outdoor screen and a parking area full of cars facing the screen. The screen shows the actor Anthony Hopkins in a scene from the 1991 blockbuster movie &lt;em&gt;The Silence of the Lambs&lt;/em&gt; directed by Johnathan Demme. The glow of the screen lights up the parking lot, while in the back-ground the city lights twinkle in the dark. &lt;br /&gt;&lt;br /&gt;Drive-in movie theatres have been around since the 1920s with the first one being patented in America in the 1930s. With the rise of car ownership in the 1940s and 1950s, drive-in theatres became popular ways for families to watch movies, especially in rural areas. They were also great places for young couples to meet and date, as we saw in the movie &lt;em&gt;Grease&lt;/em&gt; (Randal Kleiser, 1978). With the advent of home entertainment and real estate costs, drive-in attendance declined from the 1970s through to the late 1990s. However, their retro-nostalgic appeal created a mini-boom in America which ebbs and flows, dictated by economics (car use, price of oil), access to cinema via online streaming, or coronavirus pandemic.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Ireland’s first drive-in cinema, Movie Junction, was based at Carrigtwohill in Cork for almost ten years, until its closure in 2019. However, with the advent of the coronavirus pandemic, drive-in cinemas are making a come-back as patrons can enjoy a movie while maintaining social distancing. In 2020, Iran had its first post-revolution drive-in film, showing &lt;em&gt;Exodus&lt;/em&gt; by the Iranian filmmaker Ebrahim Hatamikia. Hatamikia’s drama movie was due to be released in theatres around Iran in March 2020 but, due to the pandemic, it went directly to online screening before hitting the big outdoor screen under the iconic Milad tower in the capital Tehran. And, much like drive-in cinemas have always done, patrons sat in their cars, albeit having been sprayed with disinfectant in this case, and listened to the movie via their FM car radio. (AP, 'Coronavirus returns long-banned drive-in movies to Iran', &lt;em&gt;The New York Times&lt;/em&gt;, 05.05.2020.)</text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Photo of German delegates with Lord Mayor Peter Barry</text>
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                <text>Cork Film Festival, Lord Mayor, Peter Barry, Gunther Polzelmeir, EF O'Mahony, Bord Failte Eireann, Dermot Breen, Kai Fischer, Eugen Vetter, German Cultural Institute, Germany</text>
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                <text>This is a black and white photo of festival delegates dated 1970. The photo identifies Gunther Polzelmeir from the Irish Tourist Board in Germany with his wife, festival director Dermot Breen, EF O’Mahony, German actor Kai Fischer, Lord Mayor Peter Barry, and Eugen Vetter from the German Cultural Institute, Dublin. The formally dressed group pose in front of a billboard-sized poster advertising the festival. &lt;br /&gt;&lt;br /&gt;The Czech-born German actor Kai Fischer was born in 1934. Her filmography includes &lt;em&gt;Too Hot to Handle&lt;/em&gt; (Terence Young, 1960) with Jayne Mansfield and Christopher Lee, &lt;em&gt;Bullets Don’t Argue&lt;/em&gt; (aka &lt;em&gt;Le pistole non discutono&lt;/em&gt;) (Mario Caiano, 1964) and &lt;em&gt;The Goalkeeper’s Fear of the Penalty&lt;/em&gt; directed by Wim Wenders (1972), based on the book by Peter Handke. She is accompanied in this photo by Eugen Vetter from the German Cultural Institute in Dublin. In 1965 Vetter founded the Goethe-Institut Choir in Dublin which still performs in Ireland today.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>Turgut Demirag playing with a child </text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Philip Green conducting &lt;em&gt;St Patrick's Mass&lt;/em&gt;</text>
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                <text>Cork Film Festival, Philip Green, Festival Mass, &lt;em&gt;St Patrick's Mass&lt;/em&gt;</text>
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                <text>This is a black and white photo of the English film and television composer and conductor Philip Green. In this picture Green is conducting his composition &lt;em&gt;St Patrick’s Mass&lt;/em&gt;, which was televised live from the Franciscan Church in Cork for the opening of the 1971 Cork Film Festival. He is shown in profile, leaning over the music lectern, arms slightly raised as he concentrates on reading the score, whilst conducting under the bright glare of a stage light. &lt;br /&gt;&lt;br /&gt;Philip Green was born in East London in 1911 and had an extensive career in film-music composition. He was appointed the musical director for the Rank Organisation (who had strong links with the festival in its earlier years) and composed hundreds of film scores and themes for popular television programmes during his career. His stock music production work even features on &lt;em&gt;The Ren and Stimpy Show &lt;/em&gt;and &lt;em&gt;SpongeBob SquarePants&lt;/em&gt;. However his conversion to Catholicism, in the early 1970s, contributed to his creation of the &lt;em&gt;St Patrick's Mass&lt;/em&gt;, which he composed, produced, and recorded in 1970, before bringing it to Cork in 1971. Green died in 1982 but his recording of &lt;em&gt;St Patrick’s Mass&lt;/em&gt;, performed by Canon Sydney MacEwan and Trinity Chorale, is still available and can be streamed on-line.</text>
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                <text>Cork Film Festival Collection</text>
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                <text>Donal Sheehan</text>
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                <text>1971&#13;
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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              <elementText elementTextId="12717">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <name>Rights</name>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Athlete Noel Carroll with Vicki and Ann Michelle</text>
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                <text>Cork Film Festival, Noel Carroll, Vicki Michelle, Ann Michelle, Olympics, Dublin Marathon, George Sanders</text>
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                <text>This is a black and white photo of the Irish athlete Noel Carroll posing with the actors Vicki and Ann Michelle at the festival club. The group are standing in front of a poster advertising the French-Belgian film &lt;em&gt;Rendezvous at Bray&lt;/em&gt; (André Delvaux, 1971) which starred the Danish-French actor Anna Karina (1940-2019) who featured in several films made by her ex-husband Jean-Luc Goddard. A bespectacled Carroll and Ann Michelle both smile at the camera while Vicki Michelle looks up at Carroll laughing. &lt;br /&gt;&lt;br /&gt;Noel Carroll (1941-1998) was an Irish middle-distance runner who set European and World Records in the 1960s and competed for Ireland in the Tokyo Olympic Games. He was one of the founders of the Dublin Marathon in 1980 and, since his untimely death in 1998, the winner of the Marathon receives the &lt;em&gt;Noel Carroll Memorial Trophy&lt;/em&gt;. Carroll was married to the international harpist Deirdre O'Callaghan who also came to the film festival.&lt;br /&gt;&lt;br /&gt;The Michelle sisters are both English actors born in Essex. Vicki Michelle (1950-) is best known for her work on the BBC television series &lt;em&gt;‘Allo ‘Allo&lt;/em&gt;. She has an extensive television and stage career appearing on &lt;em&gt;Celebrity Masterchef&lt;/em&gt; (2008), &lt;em&gt;Emmerdale&lt;/em&gt; (2007-2009), &lt;em&gt;I’m a Celebrity … Get Me Out of Here!&lt;/em&gt; (2014). She has also appeared on the Irish sketch show &lt;em&gt;The Mario Rosenstock Show&lt;/em&gt; (2012). &lt;br /&gt;&lt;br /&gt;Vicki Michelle played alongside her sister Ann Michelle (1952-) in &lt;em&gt;The Virgin Witch&lt;/em&gt; (Ray Austin, 1971) which was rejected by the British Board of Film Censors before being passed with an X rating. The cut version was released in 1972 around the time of this photograph. Ann Michelle also had a small part in the British horror-cult film &lt;em&gt;Psychomania&lt;/em&gt; (aka &lt;em&gt;The Death Wheelers&lt;/em&gt;) (Don Sharp, 1973) starring George Sanders and Beryl Reid. Sanders (1906-1972) was an English actor with an extensive film career including &lt;em&gt;All About Eve&lt;/em&gt; (Joseph L Mankiewicz, 1950) starring Bette Davis, for which he won an Academy Award for Best Supporting Actor.&amp;nbsp;However his personal life was fraught and in 1972, soon after completing &lt;em&gt;Psychomania&lt;/em&gt;, he committed suicide stating in a suicide note that he was bored.</text>
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                <text>This is a black and white photo of Sinéad Cusack and Jane Asher with the Italian film director Corrado Farina. The three of them are chatting and laughing while standing facing each other. Jane Asher, on the left of the photo, is wearing a light-coloured polo-neck jumper and is looking over to a smiling Sinéad Cusack, who is wearing an embroidered high-neck shirt under a checkered jacket. Farina, in the middle of the group, with a festival ribbon pinned to the lapel of his jacket, leans in as he chats. &lt;br /&gt;&lt;br /&gt;The back of the photo notes that Corrado Farina was at the festival as a member of the Jury that year in a photo marked 1972. He directed two horror feature films during the 1970s: &lt;em&gt;They Have Changed Their Face&lt;/em&gt; (1971) and &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The American actor Carroll Baker, who was in Cork in the same year as Farina, played the part of ‘Baba Yaga’ – a middle-aged seductress who ultimately controls the main character Valentina, played by Isabelle De Funès, through a doll that she gives her. &lt;em&gt;Baba Yaga&lt;/em&gt; was based on the graphic stories written by the Italian Guido Crepax who is famous for his ‘Valentina’ series of books. Crepax is also a keen wargamer and is the author of the first wargames to be published in Italy. &lt;br /&gt;&lt;br /&gt;Jane Asher, on the left of the photo, is an English actor, writer and businesswoman with a particular interest in baking. She has worked in film, theatre, radio and television since she was a young child. Her filmography includes the under-rated &lt;em&gt;Deep End&lt;/em&gt; (Jerzy Skolimowksi, 1970) (with music by Cat Stevens), &lt;em&gt;Alfie&lt;/em&gt; (Lewis Gilbert, 1966) with Michael Caine, and the British sitcom &lt;em&gt;The Old Guys&lt;/em&gt;. At the time of this picture, marked 1972, Asher starred in &lt;em&gt;Henry VIII and His Six Wives&lt;/em&gt; (Waris Huessein, 1972) where she played the part of Jane Seymour. Asher is a shareholder in the magazine &lt;em&gt;Private Eye&lt;/em&gt; and has written many books including best-selling novels and lifestyle books. (Ryan Gilbey, ‘Deep End: pulled from the water,’ &lt;em&gt;The Guardian&lt;/em&gt;, 01.05.11) &lt;br /&gt;&lt;br /&gt;Sinéad Cusack appears in the archive a number of times. Born in Dublin she is the daughter of the actor Maureen Cusack and the actor Cyril Cusack. She is married to the actor Jeremy Irons who appeared with her in &lt;em&gt;Stealing Beauty&lt;/em&gt; (Bernardo Bertolucci, 1996). Most recently she was the winner of the Irish Times Theatre Award for Best Actress for &lt;em&gt;Our Few and Evil Days&lt;/em&gt; in 2015. Her film work includes &lt;em&gt;Hoffman&lt;/em&gt; (Alvin Rakoff, 1970) with Peter Sellers which was released around the time of this photograph.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Sally Thomsett with the actors Julian Glover and Shane Briant and others. The small group are standing in a busy room, decorated with promotional adverts for Harp Lager. A tentative Sally Thomsett, at the centre in a dark velour jacket, looks towards Glover as he speaks. Born in 1935, Julian Glover is an English actor of stage, television and film including &lt;em&gt;The Empire Strikes Back&lt;/em&gt; (aka &lt;em&gt;Star Wars: Episode V – The Empire Strikes Back&lt;/em&gt;) (Irvin Kershner, 1980), &lt;em&gt;For Your Eyes Only&lt;/em&gt; (John Glen, 1981), and as the voice of Aragog, the giant spider in &lt;em&gt;Harry Potter and the Chamber of Secrets&lt;/em&gt; (2002) directed by Chris Columbus. Most recently he had a recurring role in &lt;em&gt;Game of Thrones&lt;/em&gt; (2011-2016) as Grand Maester Pycelle, and has appeared in an episode of the historical television series &lt;em&gt;The Crown&lt;/em&gt; (2019). Around the time of this photo, dated 1972, Glover had appeared in &lt;em&gt;Nicholas and Alexandra&lt;/em&gt; (Franklin J Schaffner, 1971), and &lt;em&gt;Antony and Cleopatra&lt;/em&gt; (1972) directed by Charlton Heston who also played the main role of Mark Antony. The film was made by Rank Organisation who were key players in the early days of the film festival and would sent their stars and representatives to the festival – some of whom can be seen in the archive. &lt;br /&gt;&lt;br /&gt;Glover, standing next to a young woman identified as Yvonne O’Reilly, is looking towards Sally Thomsett in this picture. Thomsett, born in 1950, is an actor best known for her role as one of the children (Phyllis Waterbury) in the 1970 film &lt;em&gt;The Railway Children&lt;/em&gt; directed by Lionel Jeffries. Around the time of this photo she had just completed the thriller &lt;em&gt;Straw Dogs&lt;/em&gt; (Sam Peckinpah, 1971) starring Dustin Hoffman and the Irish actor Jim Norton. On the far right the fair-haired actor Shane Briant, in a velvet jacket over a white ruffled tuxedo shirt, is turned towards his companion, identified as Nora Prendergast from Cork. Briant is best known for his roles in Hammer Film Productions and worked with Virginia Wetherell, who also came to the festival in 1972, in the British horror film &lt;em&gt;Demons of the Mind&lt;/em&gt; (1972) directed by Peter Sykes.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the Lord Mayor Seán O’Leary, scissors in hand, and unidentified festival guests at the opening of the Harp Lager-sponsored festival club. The Fine Gael politician Seán O'Leary (1941-2006) was an Irish accountant, barrister, and judge who served as Lord Mayor of Cork in 1972-1973. He studied at the University College Cork (UCC) before being called to the Bar and was appointed a high court judge in 2003. He is shown here with Peter Barry, standing on his left, who was Lord Mayor of Cork in 1970.</text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>219 x 165mm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="3078">
                <text>Dermot Breen with the director Lionel Jeffries and others at the airport</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Airport, Donal Crosbie, Dermot Breen, Lionel Jeffries, Larry Doyle, Columbia Pictures</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of the festival director Dermot Breen with his colleague Donal Crosbie and festival attendees at the airport. Crosbie and Breen, on the left of the photo, are meeting festival delegates off the Aer Lingus flight behind them. &lt;br /&gt;&lt;br /&gt;The photo identifies only the actor and director Lionel Jeffries and Larry Doyle. Lionel Jeffries (1926-2010), with his distinctive moustache, was an English actor, director and screenwriter. He served in the Second World War and was awarded the campaign medal Burma Star for his contribution to the war effort. Jeffries has an extensive filmography but is perhaps best known for &lt;em&gt;The Railway Children&lt;/em&gt; (1970) which he wrote and directed. We note that while this photo is dated 1960s it might be 1964 as the Columbia-produced film &lt;em&gt;The First Men in the Moon&lt;/em&gt; (Nathan Juran, 1964), starring Jeffries, was screened at the film festival that year on 17 September 1964. Columbia executives were also in attendance and might be included in this picture.</text>
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            <name>Creator</name>
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                <text>University College Cork, Cork Film Festival, Cork Examiner</text>
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            <name>Source</name>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1964</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cork Examiner</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3087">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3088">
                <text>1964&#13;
Cork, Ireland</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="12769">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14272">
                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Airport</name>
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      <tag tagId="20">
        <name>Dermot Breen</name>
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      <tag tagId="140">
        <name>Donal Crosbie</name>
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      <tag tagId="431">
        <name>Larry Doyle</name>
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      <tag tagId="430">
        <name>Lionel Jeffries</name>
      </tag>
      <tag tagId="946">
        <name>transport</name>
      </tag>
    </tagContainer>
  </item>
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