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Cork, Ireland</text>
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                <text>This is a black and white photo of the Irish actor David Kelly with his wife the actor Laurie Morton, Father Burke, and Tom Hickey. The convivial group are shown in a huddle speaking, with Kelly, cigarette in hand, looking over to Morton as she speaks. We have a few pictures of David Kelly in the archive but this is the only one that identifies his wife the actor Laurie Morton. Like Kelly she too worked on the television series &lt;em&gt;Strumpet City&lt;/em&gt; (1980), as well as &lt;em&gt;Snakes and Ladders&lt;/em&gt; (Trish McAdam,1996) and the Irish comedy film &lt;em&gt;Adam &amp;amp; Paul&lt;/em&gt; (2004) directed by Lenny Abrahamson and starring Tom Murphy and Mark O’Halloran. Their daughter Miriam Kelly is also an actor and voiceover artist who has worked with The Abbey Theatre and The Royal Shakespeare Company.</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actor David Kelly at the festival club with Vida Breen and Margaret Kerrigan. The formally dressed group are sitting, with a colleague identified as Vaz Anderson, under an umbrella at the busy Harp Lager-sponsored festival club surrounded by other festival patrons. &lt;br /&gt;&lt;br /&gt;Margaret Kerrigan, sitting on the far right next to David Kelly, was the wife of the labour politician Patrick Kerrigan, who served Cork as Lord Mayor from 1973 to 1974. He was nominated to the 13th Seanad by Liam Cosgrave, the then-Taoiseach, where he served until 1977. Kerrigan won a seat in the Cork City constituency in the 1977 general election and took his seat that year before dying two years later, age 51. They had four children, one of whom, Cathal Kerrigan, worked as a librarian in UCC for many years before his retirement in 2020. He recently collaborated with the Germany-based artist Padraig Robinson on his book &lt;em&gt;Gaze Against Imperialism&lt;/em&gt; (Metaflux Publishing, 2019). &lt;br /&gt;&lt;br /&gt;The actor David Kelly appears in the archive on a number of occasions. Around the time of this photo, which is dated 1972 – but it might be 1973 or 1974 to coincide with the mayoralty of Patrick Kerrigan – Kelly had just completed the rarely seen 1973 British comedy film &lt;em&gt;Never Mind the Quality, Feel the Width&lt;/em&gt; (Ronnie Baxter, 1973) which also starred the Irish actor Joe Lynch (1925-2001).</text>
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Cork, Ireland</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>German actor Ferdy Mayne with Michael Twomey</text>
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                <text>&lt;ol start="346"&gt;&lt;/ol&gt;&#13;
&lt;p&gt;This is a black and white photo of the German-born actor Ferdy Mayne on stage with the Irish actor Michael Twomey. &amp;nbsp;Mayne on the left of this photo, with his distinctive dark eye brows, is speaking into the microphone while Twomey looks on, papers in hand. &lt;br /&gt;&lt;br /&gt;Born in Cork, Michael Twomey (1933-2017) grew up on the Mardyke and attended the Presentation Brothers College. Twomey will be remembered in Cork, and beyond, for his two-hander Cha and Miah with his friend Frank Duggan on the RTÉ television show &lt;em&gt;Hall’s Pictorial Weekly&lt;/em&gt;. His other stage work included work with the playwright John B Keane for whom he played in many of his productions, including &lt;em&gt;Many Young Men of Twenty&lt;/em&gt;, &lt;em&gt;The Year of the Hiker&lt;/em&gt; and &lt;em&gt;Sharon’s Grave&lt;/em&gt;. He gave his last stage performance as in 2015 two years before his death. In 2013, along with Frank Duggan and Billa O’Connell, Twomey was awarded the Freedom of Cork City for his “unwavering lifetime contribution to professional and amateur theatre, arts, drama and song.” (&lt;em&gt;The Irish Times&lt;/em&gt;, 09.09.2017)&lt;br /&gt;&lt;br /&gt;The actor Ferdinand ‘Ferdy’ Mayne, was born in Germany in 1916. Being a Jew, he was sent to England from Germany as a child to stay with his aunt and later attended the Royal Academy of Dramatic Art and the Old Vic School. A fluent German speaker he was in demand for propaganda broadcasts during the Second World War and supposedly operated as an informant for the M15. Mayne had a prolific film and theatre career. His stage work includes the role of Max in the long-running Rodgers and Hammerstein production &lt;em&gt;The Sound of Music&lt;/em&gt;. Mayne would later achieve international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate, &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968), and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who was in Cork too around the same time as this photo, and he also worked with Kubrick in &lt;em&gt;Barry Lyndon&lt;/em&gt; (Stanley Kubrick, 1975).&amp;nbsp; &lt;br /&gt;&lt;br /&gt;In his later years Mayne worked mainly in Europe where he was a favourite with German audiences, and lived in America, working until the late 1990s. His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actors Suzanna Leigh and Virginia Wetherell with two festival guests identified as John Gavin and Jim O’Connell. The photo, dated 1972, was taken at the festival club. Virginia Wetherell, standing on the far left wearing an ornately fashioned dress, worked in Hammer horror productions including &lt;em&gt;Dr Jekyll and Sister Hyde&lt;/em&gt; (Roy Ward Baker, 1971) and &lt;em&gt;Demons of the Mind&lt;/em&gt; (Peter Sykes, 1972), both of which were released around the time she came to visit the Cork festival in 1972. She has a large body of television work throughout the 1960s to the 1980s, including the part Dyoni in the first Dalek story series of &lt;em&gt;Doctor Who&lt;/em&gt;. Wetherell was married to the English actor Ralph Bates (1940-1991) who was educated in Trinity College Dublin and made his stage debut at the Gate Theatre in Dublin in Shaw’s &lt;em&gt;You Never Can Tell&lt;/em&gt; in 1963. &lt;br /&gt;&lt;br /&gt;Suzanna Leigh, standing on the right in a light-coloured dress, also starred in Hammer horror films during the early seventies including &lt;em&gt;The Deadly Bees&lt;/em&gt; (Freddie Francis, 1967) and &lt;em&gt;Son of Dracula&lt;/em&gt; (Freddie Francis, 1974) starring Ringo Starr, earning her a cult following amongst horror fans. Her personal life was of great interest to the press of the day and her boyfriends included the actors Richard Harris, Steve McQueen, and Michael Caine. Leigh’s Hollywood career was cut short due to a union row about foreign actors in Hollywood and she would return to England. In 2000 she published her memoirs, &lt;em&gt;Paradise, Suzanna Style&lt;/em&gt;, where she describes her encounters with various film stars and directors including Roman Polanski, Peter Finch and Otto Preminger - who also came to the Cork festival with his film &lt;em&gt;St Joan&lt;/em&gt; (1957).</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>These black and white photos include Mick Hannigan who was the director of the Cork festival from 1986 and its CEO from 2009 to 2013. The photos are undated, but we might suggest they are from the late 1980s/early 1990s.&lt;br /&gt;&lt;br /&gt;We include the second photo of an unidentified person for its similarity to the first photo. It shows a festival colleague sitting in the same white-washed festival office as Hannigan, with its fern-like plant on the office cabinet and a poster of the German short &lt;em&gt;Tour d'Amour&lt;/em&gt; (Veit El-Mer, 1989) which helps us date this image.&lt;br /&gt;&lt;br /&gt;The first photo shows Hannigan, mug in hand, working at his office desk under the painted cladding of the vaulted ceiling. Cork-born Hannigan had a keen interest in film since his time at University College Cork (UCC) as a member of its film society. He is a former member of the Irish Film Board, the European Film Academy, and worked as a programmer for the Irish Film Institute in the 1990s. As co-director of the Triskel Arts Centre in the eighties, Hannigan worked with Theo Dorgan, and together they ran the film festival after the resignation of O'Sullivan in 1985. In 2013, following his departure from the film festival, Hannigan set up the &lt;a href="https://indiecork.com/"&gt;IndieCork Film Festival&lt;/a&gt; with festival programmer Úna Feely who had worked for the Cork festival for many years.</text>
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&#13;
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        <name>transport</name>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Guests including Ronan O'Leary</text>
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                <text>This is a stylised black and white photo of three unidentified guests taken at the 1996 festival. They stand together laughing in front of a sign for Murphy’s 41st Cork Film Festival. Two of the guests are wearing lanyards – one of which identifies the wearer as a jury guest. He is also carrying a festival programme with the name ‘Ronan O’Leary’ marked on its cover. O’Leary is an Irish filmmaker who has served on juries in Cork, Berlin, Bosnia, and Croatia.</text>
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                <text>1996&#13;
Cork, Ireland</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14130">
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                <text>This is a black and white undated photo of a film screening at the historic indoor English Market in Cork. The light of the projector can be seen on the crowded balcony that is home to the Farmgate Café. Downstairs, in the market foyer, the audience are seated around the cast-iron market fountain looking up at a screen out of shot. The distinct signage for the long-established &lt;em&gt;Moynihan’s Poultry&lt;/em&gt; market stall can be seen in the background. &lt;br /&gt;&lt;br /&gt;The English Market has often been transformed into a cultural hub and ad hoc cinema over the years, be it for the Cork Film Festival or the season finale premiere of &lt;em&gt;The Young Offenders&lt;/em&gt; in 2018. The Farmgate has been the venue for a series of film festival ‘Grand Café Screenings’ of silent classics, sometimes with live musical accompaniment, and this image might be of one of those screenings. &lt;br /&gt;&lt;br /&gt;The market dates back to King James 1 in 1610 but it began trading as a covered market in 1788. It was named the ‘English Market’ to reflect the protestant makeup of the corporation of the time – the name also distinguished it from a nearby ‘Irish Market,’ otherwise known as St. Peter’s Market, located on North Main Street at the junction of Cornmarket Street. The English Market once served the wealthier classes in Cork, while the less well-off shopped at the Irish Market. The Irish Market is long since gone and is now the Bodega Bar at Cornmarket Street, while the English Market continues to thrive. Its fortunes wax and wane in tandem with the history of the city – be it revolution, fire, recession, or coronavirus pandemic – however it continues to act as the heartbeat of the city and its importance is unquestionable. You can read more about it in the book &lt;em&gt;Serving a City: The Story of Cork’s English Market&lt;/em&gt; by Cork-born historians Diarmuid Ó Drisceoil and Donal Ó Drisceoil (Collins Press, 2005).</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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&#13;
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14128">
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                <text>This is a signed black and white publicity photo of the English actor Peter Cushing (1913-1994). The picture shows the seated actor, in a velvet smoking jacket holding his pince-nez glasses to his mouth, while a tabby cat peaks out from under his left arm. Cushing has signed the photo to the festival founder Dermot Breen with the message: &lt;em&gt;Dermot, May God's blessing be with you always. In all sincerity, P Cushing. 1972&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;The photo is a stock image from the 1971 British horror film &lt;em&gt;I, Monster&lt;/em&gt; (Stephen Weeks) which was an adaptation of Robert Louis Stevenson’s 1886 novella &lt;em&gt;Strange Case of Dr Jekyll and Mr Hyde.&lt;/em&gt; &lt;em&gt;I, Monster&lt;/em&gt; was released a year before Peter Cushing came to Cork in 1972.</text>
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        <name>Peter Cushing</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
