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                <text>James Mason and others arriving at the Savoy Cinema, Cork</text>
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                <text>This is a black and white photograph of the actor James Mason arriving at the Savoy Cinema accompanied by a small entourage that includes Jimmy Campbell, festival director Dermot Breen, and others. Wearing evening suits accessorised with a festival ribbon they smile as they approach the entrance of the cinema - their faces lit by the flash of the press camera. A large crowd, held back by two uniformed guards, jostle for a glimpse of the stars. &lt;br /&gt;&lt;br /&gt;James Mason (1909-1984) was an English actor who found success in England and Hollywood from the 1950s through to the 1980s starring in more than 100 films. Around the time of this picture, Mason was making the war film &lt;em&gt;The Blue Max&lt;/em&gt; (John Guillermin, 1966) which was shot at Ardmore Studios and filmed in various locations around Ireland.&amp;nbsp; Some of the aerial warfare scenes were shot at the Carrickabrack Viaduct in Fermoy, Co. Cork where James Mason, as General von Klugermann, flew several times under the spectacular railway bridge which spans the River Blackwater.</text>
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                <text>&lt;p&gt;©BL MacGill. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Sinéad Cusack and Jane Asher with the Italian film director Corrado Farina</text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of Sinéad Cusack and Jane Asher with the Italian film director Corrado Farina. The three of them are chatting and laughing while standing facing each other. Jane Asher, on the left of the photo, is wearing a light-coloured polo-neck jumper and is looking over to a smiling Sinéad Cusack, who is wearing an embroidered high-neck shirt under a checkered jacket. Farina, in the middle of the group, with a festival ribbon pinned to the lapel of his jacket, leans in as he chats. &lt;br /&gt;&lt;br /&gt;The back of the photo notes that Corrado Farina was at the festival as a member of the Jury that year in a photo marked 1972. He directed two horror feature films during the 1970s: &lt;em&gt;They Have Changed Their Face&lt;/em&gt; (1971) and &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The American actor Carroll Baker, who was in Cork in the same year as Farina, played the part of ‘Baba Yaga’ – a middle-aged seductress who ultimately controls the main character Valentina, played by Isabelle De Funès, through a doll that she gives her. &lt;em&gt;Baba Yaga&lt;/em&gt; was based on the graphic stories written by the Italian Guido Crepax who is famous for his ‘Valentina’ series of books. Crepax is also a keen wargamer and is the author of the first wargames to be published in Italy. &lt;br /&gt;&lt;br /&gt;Jane Asher, on the left of the photo, is an English actor, writer and businesswoman with a particular interest in baking. She has worked in film, theatre, radio and television since she was a young child. Her filmography includes the under-rated &lt;em&gt;Deep End&lt;/em&gt; (Jerzy Skolimowksi, 1970) (with music by Cat Stevens), &lt;em&gt;Alfie&lt;/em&gt; (Lewis Gilbert, 1966) with Michael Caine, and the British sitcom &lt;em&gt;The Old Guys&lt;/em&gt;. At the time of this picture, marked 1972, Asher starred in &lt;em&gt;Henry VIII and His Six Wives&lt;/em&gt; (Waris Huessein, 1972) where she played the part of Jane Seymour. Asher is a shareholder in the magazine &lt;em&gt;Private Eye&lt;/em&gt; and has written many books including best-selling novels and lifestyle books. (Ryan Gilbey, ‘Deep End: pulled from the water,’ &lt;em&gt;The Guardian&lt;/em&gt;, 01.05.11) &lt;br /&gt;&lt;br /&gt;Sinéad Cusack appears in the archive a number of times. Born in Dublin she is the daughter of the actor Maureen Cusack and the actor Cyril Cusack. She is married to the actor Jeremy Irons who appeared with her in &lt;em&gt;Stealing Beauty&lt;/em&gt; (Bernardo Bertolucci, 1996). Most recently she was the winner of the Irish Times Theatre Award for Best Actress for &lt;em&gt;Our Few and Evil Days&lt;/em&gt; in 2015. Her film work includes &lt;em&gt;Hoffman&lt;/em&gt; (Alvin Rakoff, 1970) with Peter Sellers which was released around the time of this photograph.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the British actor Suzanna Leigh with the festival director Dermot Breen, Brian Coomber, and an unidentified guest. Breen is turned towards Leigh in conversation while the others face each other smiling.&lt;br /&gt;&lt;br /&gt;Suzanna Leigh (1945-2017) was a British actor best known for her film and television work during the 1960s and 1970s. She was born Sandra Smith but was encouraged by Vivien Leigh (who was possibly her Godmother but not confirmed) to use her name in acting. Suzanna Leigh started acting at the age of 13 with &lt;em&gt;Tom Thumb&lt;/em&gt; (George Pal, 1958) before working opposite Tony Curtis in &lt;em&gt;Boeing Boeing&lt;/em&gt; (John Rich, 1965) and opposite Elvis Presley in &lt;em&gt;Paradise, Hawaiian Style&lt;/em&gt; (Michael D Moore, 1966). Leigh worked in several Hammer horror films, including &lt;em&gt;The Deadly Bees&lt;/em&gt; (Freddie Francis, 1967) and &lt;em&gt;Son of Dracula&lt;/em&gt; (Freddie Francis, 1974) with Ringo Starr, gaining her a cult following amongst horror fans.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Carol Cleveland</name>
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        <name>Festival Club</name>
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Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English-born actor Carol Cleveland possibly taken at the festival club in 1972. She is sitting on a low-sized metal chair, posing for the camera, wearing a dark-patterned dress that drapes around her long legs. Her brown hair falls in curls around her shoulders as she smiles up at the camera, resting her chin on her left hand. Behind her the lattice-work on the walls, similar to other images in the archive, indicate that this is possibly the Cork film festival club. &lt;br /&gt;&lt;br /&gt;Carol Cleveland was born in London in 1942 and lived in America for some years before returning to London to attend the Royal Academy of Dramatic Art (RADA) in 1960. She worked in television and film in the late 1960s and early 1970s, including work with Spike Milligan and the Two Ronnies, before regular work on the Monty Python’s Flying Circus series earned her the sobriquet ‘the seventh Python’. Cleveland was the only woman associated with the show and would appear in thirty of the forty-five Monty Python episodes as well as the Monty Python films &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (Terry Gilliam, Terry Jones 1975), &lt;em&gt;Monty Python's Life of Brian&lt;/em&gt; (Terry Jones, 1979) and &lt;em&gt;Monty Python's The Meaning of Life&lt;/em&gt; (Terry Jones, 1983).&amp;nbsp;</text>
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                <text>This is a signed black and white publicity photo of the Lithuanian-born English actor and director Laurence Harvey (1928-1973). It shows Harvey, in a dark polo neck jumper, looking directly at the lens of the camera. The photo is signed and dedicated to the former festival director Dermot Breen: &lt;em&gt;To Dermot Breen, with thanks &amp;amp; affectionate good wishes, Laurence Harvey&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Harvey's extensive filmography includes &lt;em&gt;The Manchurian Candidate&lt;/em&gt; (John Frankenheimer, 1962) with Frank Sinatra and Janet Leigh; &lt;em&gt;Life at the Top&lt;/em&gt; (Ted Kotcheff, 1965); and narration for the Soviet film &lt;em&gt;Tchaikovsky&lt;/em&gt; (Igor Talankin, 1969). Around the time of his visit to the Cork festival, Harvey starred in &lt;em&gt;Escape to the Sun&lt;/em&gt; (Menahem Golan, 1972) and &lt;em&gt;The Deep&lt;/em&gt; (Orson Welles, 1970) which was an unfinished film starring Harvey and Jeanne Moreau. When Harvey died in 1973 it ended any chance of the picture being finished. One of Harvey's final commitments was to film &lt;em&gt;Cockatrice&lt;/em&gt; (1963), a satirical novel about filmmakers by Wolf Mankowitz, which was never made. Wolf Mankowitz was also a visitor to the festival during the 1960s and 1970s.</text>
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                <text>University College Cork, Cork Film Festival, Chris J Arthur, TransWorld eye</text>
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TIFF&#13;
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                <text>Cork, Ireland</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/283"&gt;Laurence Harvey at the Cork Film Festival&lt;/a&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12337">
                <text>&lt;p&gt;©Chris J Arthur, TransWorld Eye. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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                  <text>Programme Covers</text>
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                  <text>A selection of programme covers from the Cork International Film Festival</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1247">
                <text>Cork International Film Festival programme cover from 2001</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1305">
                <text>University College Cork, Cork Film Festival, Clare Langan, Raven Design,  Allied Print Ltd, Inspiration Chris Marker</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1401">
                <text>University College Cork</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1438">
                <text>Cork Film Festival Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1568">
                <text> Cork Film Festival</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1569">
                <text>The front of the 2001 festival programme is black with a cinematic image at its centre of a turbulent blue-saturated sky. Clouds in varying shades of blue and white reach out across the screen of the sky and there are slight variations of distortion across the image as if viewed through a lens. Festival information is noted at the top and bottom of the programme in white and red font on the black background. &lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for Murphy’s Irish Stout (the main festival sponsors). The black and white photographic image is of a cinema screening where a young lady, dressed as a cinema usher, is selling refreshments to the audience. She is wearing a black dress with a white lace collar and a large satin bow to the front, together with a white frilled apron; she sports a bob-style hair cut clipped back with a smaller ribbon. Her usherette tray, hanging from a string around her neck, is laden with hyper-realised Murphy’s pint glasses, filled to the brim with black Murphy’s cream-topped stout.&lt;br /&gt;&lt;br /&gt;The 2001 programme is a soft card-bound programme measuring 21cm x 29.5cm. The spine is glue-bound and it has 132 numbered pages. Note: An article on page 9, credited to the Festival Team 2001, speaks of the then-recent September 11th atrocity and how it affected cinema culture and how images themselves became problematic as a result.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1570">
                <text>2001-10</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1571">
                <text>Cork Film Festival, Cllr T O’Driscoll, Charles Hennessy, Michael Hannigan, Una Feely, Adrian Connolly, Raven Design, Padraic Liston, Chris Marker</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="1572">
                <text>Paper, 21cm x 29.5cm&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1573">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="1574">
                <text>2001&#13;
Cork, Ireland</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12389">
                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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            </elementTextContainer>
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    <tagContainer>
      <tag tagId="89">
        <name>Murphy's</name>
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    </tagContainer>
  </item>
</itemContainer>
