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                <text>Lynda Bellingham and Linda Hayden with Bobby Howick and others</text>
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                <text>This is a black and white photo of English actors Lynda Bellingham, Linda Hayden, and their unidentified colleague, with Dick Beamish and the trade director from Guinness, Bobby Howick. The three women are each holding a long-stemmed red rose while Beamish, on the right, holds a pint of Guinness. &lt;br /&gt;&lt;br /&gt;Both Lynda Bellingham and Linda Hayden feature in the archive extensively from their visit to Cork in the 1970s. Hayden, on the far right in this picture, wearing jeans and a white blouse, was best known for her roles in British horror films and sex comedies such as Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy, 1970) starring Christopher Lee, &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971), &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) by the Irish director Norman Cohen. Hayden was the partner of the actor Robin Askwith for some time in the 1970s, and who also starred in the &lt;em&gt;Confessions&lt;/em&gt; sex comedy series. Askwith would be the best man at the wedding of Lynda Bellingham and the film producer Greg Smith&amp;nbsp; – both of whom were at the Cork Film Festival in the 1970s. Bellingham, at the centre of this picture, wearing a long light-coloured dress, worked with her husband Smith and the Irish director Cohen in a number of movies including &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Clare Brough, 1976) and &lt;em&gt;Stand Up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) starring Robin Askwith, Pamela Stephenson and Miriam Margolyes.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo, taken at Dublin airport, of film festival delegates at the Aer Lingus check-in desks. We recognise some of the delegates from the archive including the film director Terry Gilliam and the actor Linda Hayden, together with the film censor Sheamus Smith and Tom Nicholas from London Friends of Cork.&lt;br /&gt;&lt;br /&gt;Terry Gilliam, standing at the centre, smiling broadly at the camera with his arm around the shoulder of Linda Hayden, is an actor, screen writer, director and former member of the Monty Python comedy team. He has directed 13 feature films including &lt;em&gt;Brazil&lt;/em&gt; (1985), &lt;em&gt;Fear and Loathing in Las Vegas&lt;/em&gt; (1998) and most recently &lt;em&gt;The Imaginarium of Doctor Parnassus&lt;/em&gt; (2009). At the time of this picture, taken in the 1970s, Gilliam, who started his career as a cartoonist, was the main animator for the award-winnng BBC sketch comedy show &lt;em&gt;Monty Python’s Flying Circus&lt;/em&gt; which ran from 1969 to 1974. His penchant for the surreal and fantastical can be seen in his future film work which often feature black comedy with a twist.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Linda Hayden, seen here next to Gilliam wearing a fur-trimmed coat and smiling at the camera, features heavily in the Cork Film Festival archive. She came to Cork on a number of occasions and was a favourite of the photographers and was often photographed with fellow actor Lynda Bellingham with whom she starred in the &lt;em&gt;Confessions&lt;/em&gt; series of movies. Born in 1953, Linda Hayden was best known for her roles in British horror films and sex comedies such as &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977) and the ‘video-nasty’ &lt;em&gt;Exposé&lt;/em&gt; (James Kenelm Clarke, 1976). Controversially she appeared, age 15, in the 1968 British drama film &lt;em&gt;Baby Love&lt;/em&gt; (Alastair Reid) in which she acted the part of a young girl who seduces her adoptive family after her mother commits suicide. &lt;br /&gt;&lt;br /&gt;Hayden was the partner of the actor Robin Askwith for some time in the 1970s who also starred in the &lt;em&gt;Confessions&lt;/em&gt; sex comedy series. Askwith was the best man at the wedding of Lynda Bellingham and the film producer Greg Smith&amp;nbsp; – both of whom were at the Cork Film Festival in the 1970s.</text>
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                <text>Trevor Rhone and delegates at a press conference</text>
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                <text>This is a black and white photo of a festival press conference, with the Jamaican playwright Trevor Rhone and his colleagues in attendance. Rhone, resting his chin on his right hand, is seated at the top of the table in a checkered shirt, his lean physique is turned towards his (unidentified) companions at the table who are smiling while looking down at the table. The table is littered with papers, cigarettes, ashtrays, and a pair of sunglasses. Behind them, we note the Press Office poster tacked to the wall, next to a man with a cigarette in his mouth who catches the flash of the camera with a smile. &lt;br /&gt;&lt;br /&gt;Trevor Rhone was in Cork for his successful film &lt;em&gt;The Harder They Come&lt;/em&gt; (Perry Henzell, 1972) which he co-wrote with Perry Henzell. (The back of the photo notes that this group includes Perry Henzell, but he isn’t in this picture.) It was the first Jamaican-produced feature film and introduced reggae music to an international audience, becoming a cult hit in the process. Rhone’s later filmography includes &lt;em&gt;Milk and Honey&lt;/em&gt; (Glen Salzman, Rebecca Yates, 1988) and the Cannes Film Festival ‘favourite’ award-winning &lt;em&gt;One Love&lt;/em&gt; (Trevor Rhone, 2003), starring Ky-Mani Marley – the son of Bob Marley. In addition to his film work, Rhone lectured in Jamaica and various American universities including Harvard; his contribution to Caribbean cinema is profound. Rhone died from a heart attack at the age of 69 in 2009 and is buried in Jamaica. (David Katz, &lt;em&gt;The Guardian&lt;/em&gt;, 23.09.2009; B.Paddington and K.Q.Warner, ‘The Emergence of Caribbean Feature Films’, &lt;em&gt;Black Camera&lt;/em&gt;, Winter 2009, pp.91-108.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Trevor Rhone and the Jamaican delegation at the Savoy Cinema</text>
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                <text>This is a black and white photo of the celebrated Jamaican playwright and film director Trevor Rhone and his colleagues at the Savoy Cinema in Cork. They are walking up the stone steps of the Savoy in the company of a lady identified as Dympna Warren. Warren is turned in conversation towards her companion, in sunglasses and a dark suit, who has his head lowered as he listens to her.&amp;nbsp; Behind them Trevor Rhone, wearing a light-coloured cheesecloth shirt, is heading up the steps in the company of his colleagues. We can just make out the day-time scene behind them at the doors of the cinema, where a small crowd can be seen milling around. &lt;br /&gt;&lt;br /&gt;This photo is dated 1972 which was the year that Rhone’s successful film, co-written with Perry Henzell, &lt;em&gt;The Harder They Come&lt;/em&gt; (Perry Henzell, 1972), was released. This gritty realist film, in which the Jamaican reggae singer Jimmy Cliff played a lead role, is credited for introducing reggae music and Jamaican culture to a global audience. It was Jamaica’s first homegrown film and arguably its greatest. When it premiered at the 1,500-seat cinema theatre in Kingston, Jamaica, in December 1972, 40,000 Jamaicans turned up. &lt;br /&gt;&lt;br /&gt;Trevor Rhone (1940-2009) grew up in Kingston, Jamaica, the last child of twenty-three. He went to drama school in England on a scholarship and on his return to Jamaica would instigate a resurgence of interest in Jamaican theatre, in particular with his 1971 play, the comedy &lt;em&gt;Smile Orange.&lt;/em&gt;&amp;nbsp;During this time he teamed up with the Jamaican director Perry Henzell to write the now seminal screenplay for &lt;em&gt;The Harder They Come&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Rhone made a significant impact on the literature and culture of Jamaica helping to bring it to an international audience. In 1972 he received his first award in Cork for the best-edited film (for &lt;em&gt;The Harder They Come)&lt;/em&gt;, before travelling to Brixton’s Classic Cinema in London, where he had to stand outside the cinema handing out leaflets in an attempt to woo an audience in. Rhone later made &lt;em&gt;Smile Orange&lt;/em&gt; (1975), based on his 1971 play; while it didn’t have the same impact as his earlier film, it was well-received in the Caribbean and Jamaica and went on to win a gold medal at the Cork Film Festival in 1975. &lt;br /&gt;&lt;br /&gt;(David Katz, ‘Trevor Rhone obituary’, &lt;em&gt;The Guardian&lt;/em&gt;, 23.09.2009; B.Paddington and K.Q.Warner, ‘The Emergence of Caribbean Feature Films’, &lt;em&gt;Black Camera&lt;/em&gt;, Winter 2009, pp 91-108.)</text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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JPEG</text>
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                <text>Cork, Ireland</text>
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              <elementText elementTextId="12636">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Lord Mayor Seán O'Leary at a reception for the composer Bernard Geary and tenor Kevin Owens</text>
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                <text>Cork Film Festival, Lord Mayor, Seán O'Leary, Bernard Geary, Kevin Owens, Dermot Breen, &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt;, Festival Mass</text>
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                <text>This is a black and white photo of the Lord Mayor of Cork Seán O'Leary at a dinner reception for the composer Bernard Geary and the tenor Kevin Owens. The Lord Mayor, wearing the chain of office, is standing at the round dinner table making a speech while Kevin Owens, on his right next to the festival director Dermot Breen, looks up to the camera as the picture is taken. A young child, arms crossed, also catches the flash of the camera. Geary, with his distinctive sideburns, sits on the far left and glances down at the table while O’Leary speaks. &lt;br /&gt;&lt;br /&gt;Seán O'Leary (1941-2006) was an Irish accountant, barrister, judge and Fine Gael politician who served as Lord Mayor of Cork in 1972-73. He studied at the University College Cork before being called to the Bar and was appointed a high court judge in 2003. Kevin Owens, sitting next to O'Leary in this picture, was born in Charleville; he was a well-known radio performer with radio programmes including &lt;em&gt;Melody from Munster&lt;/em&gt;, &lt;em&gt;Songs of the Night&lt;/em&gt;, and &lt;em&gt;Music of the Nation&lt;/em&gt;. Owens worked with Bernard Geary and gained success with his solo performance in Geary’s &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt; on the Aisling record label. For many years Owens was a member of the Holy Cross Church Parish Choir in Charleville and in 1994 he received the Papal honor &lt;em&gt;Benemerenti Medal&lt;/em&gt; from the then Bishop of Cloyne Dr John Magee for his services to the parish as a singer. His colleague at this table, Bernard Geary, was born in Gurranabraher, Cork in 1934. He studied music at the University College Cork during the 1950s and was encouraged in his compositions by Professor Aloys Fleischmann. Geary composed the Cork Film Festival-commissioned nine-movement &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt; for tenor, choir and organ in 1973 which was first performed at the Church of St. Francis in Cork, with Kevin Owens as a soloist and the Cork Film Festival Choir.</text>
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                <text>Cork Film Festival Collection</text>
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                <text>1973</text>
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              <elementText elementTextId="3556">
                <text>Donal Sheehan</text>
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              <elementText elementTextId="3558">
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JPEG</text>
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                <text>1973&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12750">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actors Francesca Annis and Jon Finch with a guest identified as Ivan Ruttle. They are probably sitting under the Harp Lager-sponsored umbrella of the festival club and are chatting, drinking, and smoking as are the animated guests who sit at tables around them. &lt;br /&gt;&lt;br /&gt;Jon Finch, at the right of the photo in a leather jacket pulling on a cigarette, was an English film and stage actor born in 1942. He was a handsome in demand actor who achieved some notoriety for turning down plum roles when offered them due to a self-proclaimed lack of ambition, such as the chance to replace Sean Connery and play James Bond in &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973) (the part went to Roger Moore instead). In the early 1970s Finch played supporting roles in Hammer Horror productions &lt;em&gt;The Horror of Frankenstein&lt;/em&gt; (Jimmy Sangster, 1970) and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) with Dawn Addams, a regular visitor to the Cork Film Festival in its earlier days, with her then-husband Prince Vittorio Massimo. But it was for his Shakespearean roles Finch would become well known. Most famously he played Macbeth in &lt;em&gt;Macbeth&lt;/em&gt; (aka &lt;em&gt;The Tragedy of Macbeth&lt;/em&gt;) (Roman Polanski, 1971) alongside his companion in this picture, Francesca Annis, as Lady Macbeth. Finch also starred in Alfred Hitchcock’s &lt;em&gt;Frenzy&lt;/em&gt; (1972) as well the BBC television productions &lt;em&gt;Richard II&lt;/em&gt; (1978), &lt;em&gt;Henry IV&lt;/em&gt;, parts one and two (1979), and as Don Pedro in the BBC’s &lt;em&gt;Much Ado About Nothing&lt;/em&gt; (1984). His final film role was in the historical drama &lt;em&gt;Kingdom of Heaven&lt;/em&gt; (Ridley Scott, 2005) alongside Orlando Bloom and Eva Green. Finch died in 2012, age 71. &lt;br /&gt;&lt;br /&gt;Francesca Annis, chatting to her companion in this picture, is also an English film and stage actor with a prolific film career. At the time of this photo she had just completed &lt;em&gt;Macbeth &lt;/em&gt;(1971) with Jon Finch, directed by Roman Polanski, whose wife Sharon Tate had recently been murdered in Hollywood by followers of Charles Manson. The film was financed by the &lt;em&gt;Playboy&lt;/em&gt; magazine editor Hugh Hefner as mainstream studios refused to finance it given Polanski’s mental state and yet, despite its critical mauling at the time, the film has gone on to garner plaudits for its somewhat accurate depiction of a bleak violent world. As Polanski notes: &lt;em&gt;… [the film] is violent. But the play is violent. And life is violent too&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;(Bernard Weinraub, ‘“If you don’t show violence the way it is,” says Roman Polanski, “I think that’s immoral and harmful. If you don’t upset people then that’s obscenity,’’’ &lt;em&gt;The New York Times&lt;/em&gt;, 12.12.1971; Ronald Bergan, ‘Jon Finch obituary: Charismatic star of Polanski’s Macbeth and Hitchcock’s Frenzy’, &lt;em&gt;The Guardian&lt;/em&gt;, 12.01.2013)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>University College Cork</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="16">
                  <text>University College Cork</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="90">
                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>252 x 204mm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Film composer Dimitri Tiomkin with Olivia Tiomkin and others at a press reception in London</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Dimitri Tiomkin, Olivia Tiomkin, &lt;em&gt;Tchaikovsky&lt;/em&gt;, Dermot Breen, Russia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of the Russian film composer Dimitri Tiomkin with his wife, Olivia Tiomkin, and two others including festival director Dermot Breen. They are attending a press reception at the Café Royal in London, for the Soviet biopic film &lt;em&gt;Tchaikovsky&lt;/em&gt; (Igor Talakin, 1970). Tiomkin and his wife are standing on the left of the photo, holding drinks, while in conversation with Breen and an unidentified colleague. &lt;br /&gt;&lt;br /&gt;Dimitri Tiomkin (1894-1979) was Ukrainian by birth and trained in Russia and Berlin, before moving eventually to Hollywood where he was best known for his scores for Western films, including work with the directors Frank Capra, Fred Zinnemann, and Alfred Hitchcock amongst others. In all, he received twenty-two Academy Award nominations and won four Oscars including three for Best Original Score for &lt;em&gt;High Noon&lt;/em&gt; (Fred Zinneman, 1952), &lt;em&gt;The High and the Mighty&lt;/em&gt; (William Wellman, 1954), and &lt;em&gt;The Old Man and the Sea&lt;/em&gt; (John Sturges, Fred Zinnemann, 1958) as well as an Oscar for Best Original Song for &lt;em&gt;The Ballad of High Noon&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;In this image, Tiomkin and his wife are at a reception for the film &lt;em&gt;Tchaikovsky&lt;/em&gt; which was a Soviet-American collaboration about the Russian composer Pytor Illyich Tchaikovsky. Tiomkin scored the music for the film which was nominated for an Academy Award in the foreign-language category. It was a tribute by Tiomkin, as a composer, to another Russian composer and was one of the last motion picture films to be scored by him.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival, Pic Photo, London</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>University College Cork</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1973</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pic Photo, London</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3610">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1973&#13;
London, England&#13;
Cork, Ireland</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="12292">
                <text>English, eng</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14206">
                <text>&lt;p&gt;©Pic Photo, London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dermot Breen</name>
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        <name>Dimitri Tiomkin</name>
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        <name>Russia</name>
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        <name>Tchaikovsky</name>
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