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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the celebrated Jamaican playwright and film director Trevor Rhone and his colleagues at the Savoy Cinema in Cork. They are walking up the stone steps of the Savoy in the company of a lady identified as Dympna Warren. Warren is turned in conversation towards her companion, in sunglasses and a dark suit, who has his head lowered as he listens to her.&amp;nbsp; Behind them Trevor Rhone, wearing a light-coloured cheesecloth shirt, is heading up the steps in the company of his colleagues. We can just make out the day-time scene behind them at the doors of the cinema, where a small crowd can be seen milling around. &lt;br /&gt;&lt;br /&gt;This photo is dated 1972 which was the year that Rhone’s successful film, co-written with Perry Henzell, &lt;em&gt;The Harder They Come&lt;/em&gt; (Perry Henzell, 1972), was released. This gritty realist film, in which the Jamaican reggae singer Jimmy Cliff played a lead role, is credited for introducing reggae music and Jamaican culture to a global audience. It was Jamaica’s first homegrown film and arguably its greatest. When it premiered at the 1,500-seat cinema theatre in Kingston, Jamaica, in December 1972, 40,000 Jamaicans turned up. &lt;br /&gt;&lt;br /&gt;Trevor Rhone (1940-2009) grew up in Kingston, Jamaica, the last child of twenty-three. He went to drama school in England on a scholarship and on his return to Jamaica would instigate a resurgence of interest in Jamaican theatre, in particular with his 1971 play, the comedy &lt;em&gt;Smile Orange.&lt;/em&gt;&amp;nbsp;During this time he teamed up with the Jamaican director Perry Henzell to write the now seminal screenplay for &lt;em&gt;The Harder They Come&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Rhone made a significant impact on the literature and culture of Jamaica helping to bring it to an international audience. In 1972 he received his first award in Cork for the best-edited film (for &lt;em&gt;The Harder They Come)&lt;/em&gt;, before travelling to Brixton’s Classic Cinema in London, where he had to stand outside the cinema handing out leaflets in an attempt to woo an audience in. Rhone later made &lt;em&gt;Smile Orange&lt;/em&gt; (1975), based on his 1971 play; while it didn’t have the same impact as his earlier film, it was well-received in the Caribbean and Jamaica and went on to win a gold medal at the Cork Film Festival in 1975. &lt;br /&gt;&lt;br /&gt;(David Katz, ‘Trevor Rhone obituary’, &lt;em&gt;The Guardian&lt;/em&gt;, 23.09.2009; B.Paddington and K.Q.Warner, ‘The Emergence of Caribbean Feature Films’, &lt;em&gt;Black Camera&lt;/em&gt;, Winter 2009, pp 91-108.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of a festival press conference, with the Jamaican playwright Trevor Rhone and his colleagues in attendance. Rhone, resting his chin on his right hand, is seated at the top of the table in a checkered shirt, his lean physique is turned towards his (unidentified) companions at the table who are smiling while looking down at the table. The table is littered with papers, cigarettes, ashtrays, and a pair of sunglasses. Behind them, we note the Press Office poster tacked to the wall, next to a man with a cigarette in his mouth who catches the flash of the camera with a smile. &lt;br /&gt;&lt;br /&gt;Trevor Rhone was in Cork for his successful film &lt;em&gt;The Harder They Come&lt;/em&gt; (Perry Henzell, 1972) which he co-wrote with Perry Henzell. (The back of the photo notes that this group includes Perry Henzell, but he isn’t in this picture.) It was the first Jamaican-produced feature film and introduced reggae music to an international audience, becoming a cult hit in the process. Rhone’s later filmography includes &lt;em&gt;Milk and Honey&lt;/em&gt; (Glen Salzman, Rebecca Yates, 1988) and the Cannes Film Festival ‘favourite’ award-winning &lt;em&gt;One Love&lt;/em&gt; (Trevor Rhone, 2003), starring Ky-Mani Marley – the son of Bob Marley. In addition to his film work, Rhone lectured in Jamaica and various American universities including Harvard; his contribution to Caribbean cinema is profound. Rhone died from a heart attack at the age of 69 in 2009 and is buried in Jamaica. (David Katz, &lt;em&gt;The Guardian&lt;/em&gt;, 23.09.2009; B.Paddington and K.Q.Warner, ‘The Emergence of Caribbean Feature Films’, &lt;em&gt;Black Camera&lt;/em&gt;, Winter 2009, pp.91-108.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of festival delegates including the director Terry Gilliam, actor Linda Hayden, former film censor Sheamus Smith and unidentified companions. The convivial group are shown in a huddle in conversation; Gilliam and his companions are sitting on a table resting up against the wall while Sheamus Smith, arms folded, stands and listens to them. &lt;br /&gt;&lt;br /&gt;Smith was a producer and director at RTÉ around the time of this photo (1970s) before being appointed managing director of Ardmore Film Studios in 1975. He was instrumental in setting up the Irish Film Board and was later appointed Irish film censor, going on to become Ireland's longest-serving film censor in the history of the State from 1986 to 2002. Smith published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill &amp;amp; MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;We know Terry Gilliam as part of the Monty Python troupe and the long-running BBC sketch comedy &lt;em&gt;Monty Python’s Flying Circus&lt;/em&gt; (1969-1974), which relied heavily on his surreal animation skills. Around the time of this photo in the 1970s, Gilliam had co-directed &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (with Terry Jones, 1975) and soon after directed &lt;em&gt;Jabberwocky&lt;/em&gt; (1977), based on &lt;em&gt;Jabberwocky&lt;/em&gt; by Lewis Carroll, and starring Michael Palin. He has been nominated a number of times for an Academy Award for &lt;em&gt;Brazil&lt;/em&gt; (1985), &lt;em&gt;The Fisher King&lt;/em&gt; (1991), &lt;em&gt;12 Monkeys&lt;/em&gt; (1995), and &lt;em&gt;The Imaginarium of Doctor Parnassus&lt;/em&gt; (2009). &lt;br /&gt;&lt;br /&gt;Linda Hayden, on the far left of the photo in a knitted halter-neck dress, and holding a cigarette, came to Cork on a number of occasions and often features in the festival archive photographed with fellow actor Lynda Bellingham, with whom she starred in a series of &lt;em&gt;Confessions &lt;/em&gt;movies based on the series of risqué best-selling paperback books by Christopher Wood. Co-produced by Greg Smith and the Irish director Norman Cohen they include &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen,1977) which starred both Bellingham and Hayden. She also appeared in horror movies including Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy,1970) starring Christopher Lee, and &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971).</text>
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                <text>This is a black and white photo of English actors Lynda Bellingham, Linda Hayden, and their unidentified colleague, with Dick Beamish and the trade director from Guinness, Bobby Howick. The three women are each holding a long-stemmed red rose while Beamish, on the right, holds a pint of Guinness. &lt;br /&gt;&lt;br /&gt;Both Lynda Bellingham and Linda Hayden feature in the archive extensively from their visit to Cork in the 1970s. Hayden, on the far right in this picture, wearing jeans and a white blouse, was best known for her roles in British horror films and sex comedies such as Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy, 1970) starring Christopher Lee, &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971), &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) by the Irish director Norman Cohen. Hayden was the partner of the actor Robin Askwith for some time in the 1970s, and who also starred in the &lt;em&gt;Confessions&lt;/em&gt; sex comedy series. Askwith would be the best man at the wedding of Lynda Bellingham and the film producer Greg Smith&amp;nbsp; – both of whom were at the Cork Film Festival in the 1970s. Bellingham, at the centre of this picture, wearing a long light-coloured dress, worked with her husband Smith and the Irish director Cohen in a number of movies including &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Clare Brough, 1976) and &lt;em&gt;Stand Up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) starring Robin Askwith, Pamela Stephenson and Miriam Margolyes.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©PR Services, Dublin. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actor Francesca Annis with the actor Ferdy Mayne and Brian O’Connell. The three are standing in front of hoarding advertising the Harp Lager-sponsored festival. Annis, wearing a cheese-cloth style tunic, is turned to O’Connell chatting while Mayne smiles directly at the camera. &lt;br /&gt;&lt;br /&gt;O’Donnell, in dark-rimmed glasses, might be the legendary Cork publican Brian O’Donnell of the tiny Hi-B bar on Oliver Plunkett Street in Cork. Infamously he would throw you out of his bar, located at the top of a somewhat dilapidated staircase, if you took a call on your phone or caused him consternation in any way. O’Donnell died in 2019 attracting warm tributes from Cork and beyond. (Dan Buckley, ‘Friends in Hi places lie low when Brian’s on warpath,’ &lt;em&gt;Irish Examiner&lt;/em&gt;, 01.12.2012; Barry Roche, ‘Tributes paid to eccentric Cork publican Brian O’Donnell,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 16.12.2019.) &lt;br /&gt;&lt;br /&gt;Francesca Annis is an English film and stage actor born in 1945 who began acting when she was a teenager. She has a prolific film career and films include &lt;em&gt;Cleopatra&lt;/em&gt; (Joseph Mankiewicz,1962) when she was age 16, with Elizabeth Taylor; &lt;em&gt;Krull&lt;/em&gt; (Peter Yates, 1983), &lt;em&gt;Dune&lt;/em&gt; (David Lynch, 1984) and the directorial debut by Prince, &lt;em&gt;Under the Cherry Moon&lt;/em&gt; (1986). At the time of this photo she had just completed &lt;em&gt;Macbeth&lt;/em&gt; (1971) directed by the Polish-French film director Roman Polanski, whose wife, Sharon Tate, had been murdered recently in Hollywood by the Charles Manson family.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Annis is shown in this picture with Ferdy Mayne, who also worked with Polanski in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate whom Polanski married the following year. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968), and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams, who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo. Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to the Cork festival.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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              <text>Photo</text>
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              <text>241 x 189mm</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Michael Pertwee and Francesca Annis </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Michael Pertwee, Francesca Annis </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>1972</text>
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            <name>Contributor</name>
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                <text>Finbarr O'Connell</text>
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TIFF&#13;
JPEG</text>
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                <text>1972&#13;
Cork, Ireland</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of the English playwright and screenwriter Michael Pertwee and the English actor Francesca Annis. Pertwee, in a dinner jacket with a Cork Film International ribbon pinned to its left lapel, is turned towards Annis with his arm around her shoulders. He was an English playwright and screenwriter from a prolific family of actors including his father the actor and playwright Roland Pertwee, his brother the actor Jon Pertwee, best known for his Dr Who, and his nephew the actor Sean Pertwee. As well as TV work Michael Pertwee’s screenwriting credits include Richard Lester’s &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; (1966) with an award-winning score by Stephen Sondheim and &lt;em&gt;One More Time&lt;/em&gt; (Jerry Lewis, 1970) starring Sammy Davis Jr. At the time of this photo, dated 1972, he had just finished &lt;em&gt;Digby, the Biggest Dog in the World&lt;/em&gt; (Joseph McGrath, 1973) with an all-star cast including Spike Milligan and Milo O’Shea. &lt;br /&gt;&lt;br /&gt;Annis, in a light-coloured cheesecloth tunic, was in Cork with her co-star Jon Finch from Roman Polanski’s &lt;em&gt;Macbeth&lt;/em&gt; (1971). She started acting as a teenager with &lt;em&gt;Cleopatra&lt;/em&gt; (Joseph Mankiewicz,1962) starring Elizabeth Taylor and went on to have a prolific film career including roles in &lt;em&gt;Krull&lt;/em&gt; (Peter Yates, 1983), &lt;em&gt;Dune&lt;/em&gt; (David Lynch, 1984) and the directorial debut by Prince, &lt;em&gt;Under the Cherry Moon&lt;/em&gt; (1986). Her most recent film &lt;em&gt;King of Thieves&lt;/em&gt; (James Marsh, 2018) is based on the Hatton Garden safe deposit heist, starring Michael Caine, Tom Courtenay, Michael Gambon and Jim Broadbent.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Language</name>
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                <text>English, eng</text>
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        <name>Francesca Annis</name>
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        <name>Michael Pertwee</name>
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