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                  <text>A selection of programmes from the Cork International Film Festival. </text>
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                <text>Cork Film Festival, Gene Moskowitz, Ciarín Scott, Kieran Hickey, Joost Roelofz, Derek Jarman, Robin O’Sullivan</text>
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                <text>start=1981-09-25; end=1981-10-02;&#13;
Cork, Ireland</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/610"&gt;Cork International Film Festival programme cover from 1981&lt;/a&gt;</text>
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                <text>The original 1981 programme cover is predominately red and black with the image of a film clapperboard across its front. The festival details are printed across the slate displays. The back of the programme is blank. The programme is a soft card-bound issue measuring 20.5cm x 13cm. The bind is stapled and it has 32 numbered pages. &lt;br /&gt;&lt;br /&gt;The pdf version includes profiles of festival jury members Gene Moskowitz (America), Ciarín Scott (Ireland), Kieran Hickey (Ireland), Joost Roelofsz (Holland), and Derek Jarman (UK). The introduction, by festival director Robin O’Sullivan, notes how financial difficulties impacted the festival that year.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>1956-</text>
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                  <text>&lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;&lt;img alt="Creative Commons License" style="border-width: 0;" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This collection is licensed under a &lt;a rel="license" href="http://creativecommons.org/licenses/by/4.0/"&gt;Creative Commons Attribution 4.0 International License&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.</text>
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                  <text>A selection of programme covers from the Cork International Film Festival</text>
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                <text>Cork International Film Festival programme cover from 1961</text>
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                <text>1961</text>
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                <text>Cork Film Festival, Dermot Breen, Gus Healy, Richard Beamish, Dan Donovan, S Fitzgerald, Lord Mayor, Anthony Barry, Aloys Fleischmann, Robert Breathnach</text>
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                <text>start=1961-09-27; end=1961-10-04;&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, D&amp;A O’Leary Printers</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/623"&gt;1961 Cork Film Festival programme content (pdf)&lt;/a&gt;</text>
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                <text>The 1961 festival programme cover is cream-coloured with a Celtic-stylised faded image of a saint holding a staff in his right hand - probably St Finbarr of Cork. The image is flanked by two emblems – one of the harp and one of the coat of arms of Cork (a ship between two towers). The image is faded where the print has rubbed off. The back cover is cream with no images. The printer is credited at the lower edge of the page.&lt;br /&gt;&lt;br /&gt;The 1961 programme is a soft discoloured card-bound programme measuring 20.5cm x 13.5cm. The bind is stapled and it has 40 numbered pages.</text>
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TIFF&#13;
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12410">
                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>Signed Publicity Photographs</text>
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                  <text>A selection of signed publicity photographs from the Cork International Film Festival collection. Publicity photographs were used for promotional purposes in film distribution and this is a small collection of signed photographs from the archive.</text>
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                  <text>1956-</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Signed photo of Vicki Michelle</text>
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                <text>This is a signed black and white publicity photo of the English actor Vicki Michelle. It is signed in blue ink with a short note to the former festival director Dermot Breen: &lt;em&gt;To Dermot Breen, Lots of Love, Vicki Michelle&lt;/em&gt;.</text>
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                <text>The original 1965 programme is a slim soft card-bound issue measuring 26.5cm x 11cm. The bind is stapled and it has 84 numbered pages. There is minor wear &amp;amp; tear on the cover which is coming away from the rust-damaged staples. &lt;br /&gt;&lt;br /&gt;The 1965 pdf version includes profiles of Jury president Romanian writer Minhea Gheorghiu (1919-2011), Italian screenwriter Sergio Amidei (1904-1981), Hugues Marie Joseph de Place, German producer Ernst Krüger (1898-1995), and film critic Fr John C Kelly. Programme listings include a listing for &lt;em&gt;Dr Hiob Praetorius&lt;/em&gt; (Kurt Hoffman, 1965) starring Heinz Rühmann who came to the festival that year. Irish productions, &lt;em&gt;Saoire Ar Uisce&lt;/em&gt; (&lt;em&gt;Holidays on Water&lt;/em&gt;) and &lt;em&gt;Peictiuiri Chun Pleisiuir&lt;/em&gt; (&lt;em&gt;Pictures for Pleasure&lt;/em&gt;), both directed by Colm ó Laoghaire, and with a commentary by Niall Tóibín, and &lt;em&gt;Rhapsody of a River&lt;/em&gt; directed by Louis Marcus, with music by Seán Ó Riada, are listed this year. Articles include &lt;em&gt;Ten Years Ago&lt;/em&gt; (recalling the birth of the film festival) by Conor Sweeny (pp.6-9), &lt;em&gt;A Tribute to Jean Benoit-Levy: Humanist and Craftsman&lt;/em&gt; by Charles Ford (pp.71-74) and &lt;em&gt;Billy Wilder: Court Jester to the World&lt;/em&gt; by Professor Robert Gessner, New York University (pp.75-79). As well as programme listings the brochure includes a number of advertisements from local and national companies across all sectors of the business world. We also note a symposium on &lt;em&gt;Censorship and the Film&lt;/em&gt; was presented that year with Dan Donovan, Mollie Plowright, Fr Holloway, and Fr Kelly (p.74).</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>Cork Film Festival, Dermot Breen, Gus Healy, Richard Beamish, Lord Mayor Sean Casey</text>
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                <text>University College Cork, Cork Film Festival, Dermot Breen, Robert Breathnach,  D&amp;A O'Leary Printers, Cork</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/625"&gt;1966 Cork Film Festival programme content (pdf)&lt;/a&gt;</text>
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                <text>The 1966 festival programme is slim, with an abstract design on its cover in the form of a stylised logo of the CIFF letters arranged against a cream coloured background. The back cover is plain white with an advertisement for ‘Nordoff Vodka’ in the form of a Nordoff Vodka bottle placed on a chessboard alongside dark-coloured chess pieces. &lt;br /&gt;&lt;br /&gt;The programme is a soft card-bound programme measuring 26cm x 11cm. The bind is stapled and it has 80 numbered pages. Note: &lt;em&gt;Tribute to Stanley Kramer&lt;/em&gt; by Gessner (pp.69-71), &lt;em&gt;Tribute to Alberto Lattuada&lt;/em&gt; (pp.72-75).</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>Publicity photo  of Dawn Addams posing on steps</text>
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                <text>This is a black and white publicity photo of a young Dawn Addams posing on the metal handrails of a concrete staircase. Dressed in jeans with cowboy boots - her left leg stretched out on the handrail – she is shown looking over her left shoulder smiling for the camera. &lt;br /&gt;&lt;br /&gt;Born Victoria Dawn Addams in England she spent her early life in Calcutta, India, after her Cork-born mother, Ethel Mary (née Hickie) passed away when she was a child. Her beauty and talent brought her to the attention of Metro-Goldwyn-Mayer studios to whom she signed a seven-year contract in 1950. For the next two decades she worked incessantly in film and television including the MGM films &lt;em&gt;Singin' in the Rain&lt;/em&gt; (Stanley Donen, Gene Kelly 1952), and the then-controversial &lt;em&gt;The Moon is Blue&lt;/em&gt; (1953) which was directed by Otto Preminger who also came to the Cork festival.</text>
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              <elementText elementTextId="12467">
                <text>&lt;p&gt;©Dial Elda Luxardo &amp;amp; Franc, Alessi Photography, Unitalia Film. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan</text>
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                <text>This is a black and white photo of an unidentified choir participating at the annual film festival mass. We can see the back of the choir, facing the conductor, as they sing. The conductor is looking down at his music - his arms raised in gesticulation. To the right of the choir an organist, his music strewn on the lid of the piano, accompanies the choir. Below them we can see the congregation seated in church pews that stretch before us and up as far as the mosaic-tiled apse that surrounds the marble altar. The Church is not identified but we can tell from this photo that it is the interior of St Francis Church on Liberty Street in Cork. With its Byzantine-styled red-brick exterior the Church and Friary of St Francis was founded on Liberty Street in the mid-nineteenth century, before being rebuilt in July 1953. It is tucked behind the Cork Courthouse and partially stands on the site of old Broad Lane Church. Whilst typical in style for 1950s Ireland it retains notable interior fittings that distinguish it, such as its stained glass windows and doors. It is spacious, full of light and decorated with mosaics designed in the main by the Italian artist, Professor Umberto Noni who declared it to be 'the very crowning of [his] life's work'.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of the President of Ireland, Patrick Hillery, inspecting the troops on MacCurtain Street, Cork. He is wearing a dark suit and his trademark trilby hat walking along the street, accompanied by a uniformed officer in a tailored tunic and Sam Browne belt. Uniformed soldiers, in regulation dark berets, line up before him, standing at attention, with their arms fixed to their sides and their thumbs parallel to their trousers. In the distance, just before MacCurtain street meets St Patrick's Hill, we see the Army band. Patrick Hillery (1923-2008) was a Fianna Fáil politician who served as the sixth President of Ireland from 1976 to 1990 following some time as Ireland's first European commissioner from 1973 to 1976. In this picture Hillery is seen walking past the distinctive façade of the Cork Baptist Church which was established in King Street (now MacCurtain Street) in 1892. Its red-brick façade, with its unusual tower and carving over the door entrance, is a distinctive landmark on MacCurtain Street. On its right, and just out of shot, we note the unique red-break façade of Victoria Buildings which were designed by the Cork-born architect Arthur Hill (1846-1921).</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text> Award presentation </text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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