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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a signed publicity headshot of the English actor Linda Hayden. Wearing a white lace top she is turned towards the camera with a smile. The undated photo is signed in blue ink, with a note to the former festival director Dermot Breen: &lt;em&gt;To my favourite Irishman. Thank you Dermot for a lovely festival. Lots of Love, Linda Hayden&lt;/em&gt;.</text>
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                <text>&lt;p&gt;©BKM PA Ltd., London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Eddie Kalish. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Denbry Repros Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a signed black and white publicity photo of the English actor Peter Cushing (1913-1994). The picture shows the seated actor, in a velvet smoking jacket holding his pince-nez glasses to his mouth, while a tabby cat peaks out from under his left arm. Cushing has signed the photo to the festival founder Dermot Breen with the message: &lt;em&gt;Dermot, May God's blessing be with you always. In all sincerity, P Cushing. 1972&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;The photo is a stock image from the 1971 British horror film &lt;em&gt;I, Monster&lt;/em&gt; (Stephen Weeks) which was an adaptation of Robert Louis Stevenson’s 1886 novella &lt;em&gt;Strange Case of Dr Jekyll and Mr Hyde.&lt;/em&gt; &lt;em&gt;I, Monster&lt;/em&gt; was released a year before Peter Cushing came to Cork in 1972.</text>
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                <text>This is a black and white photo of a school audience provisionally dated 1980. The photo shows a teenage audience, dressed in school uniform, probably waiting for a film to commence. They are seated in rows and fill the room with their animated presence. &#13;
&#13;
The Cork Film Festival, in partnership with the Irish Film Institute Education Department, has supported a schools’ programme for many years. The festival presents a selection of films that support film in the school curricula across the Junior and Senior Cycle. The festival also runs workshops for young students,  in conjunction with Screen Skills Ireland, promoting the variety of career paths available to them in film and television.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white undated photo of a film screening at the historic indoor English Market in Cork. The light of the projector can be seen on the crowded balcony that is home to the Farmgate Café. Downstairs, in the market foyer, the audience are seated around the cast-iron market fountain looking up at a screen out of shot. The distinct signage for the long-established &lt;em&gt;Moynihan’s Poultry&lt;/em&gt; market stall can be seen in the background. &lt;br /&gt;&lt;br /&gt;The English Market has often been transformed into a cultural hub and ad hoc cinema over the years, be it for the Cork Film Festival or the season finale premiere of &lt;em&gt;The Young Offenders&lt;/em&gt; in 2018. The Farmgate has been the venue for a series of film festival ‘Grand Café Screenings’ of silent classics, sometimes with live musical accompaniment, and this image might be of one of those screenings. &lt;br /&gt;&lt;br /&gt;The market dates back to King James 1 in 1610 but it began trading as a covered market in 1788. It was named the ‘English Market’ to reflect the protestant makeup of the corporation of the time – the name also distinguished it from a nearby ‘Irish Market,’ otherwise known as St. Peter’s Market, located on North Main Street at the junction of Cornmarket Street. The English Market once served the wealthier classes in Cork, while the less well-off shopped at the Irish Market. The Irish Market is long since gone and is now the Bodega Bar at Cornmarket Street, while the English Market continues to thrive. Its fortunes wax and wane in tandem with the history of the city – be it revolution, fire, recession, or coronavirus pandemic – however it continues to act as the heartbeat of the city and its importance is unquestionable. You can read more about it in the book &lt;em&gt;Serving a City: The Story of Cork’s English Market&lt;/em&gt; by Cork-born historians Diarmuid Ó Drisceoil and Donal Ó Drisceoil (Collins Press, 2005).</text>
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