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                <text>Harry Towb and others</text>
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                <text>This is a black and white photo of the actor Harry Towb in conversation with two guests one of whom is identified as Brian Coomber at the back of the photo. We have no information on Coomber but recognise Towb as the popular actor from Northern Ireland who was familiar on screen as well as stage. He began his acting career travelling with theatrical groups on both sides of the border and following a move to London in the early 1950s his presence on the British stage was cemented, in particular with his work at the National Theatre. The film critic Eric Shorter wrote of him: “Towb was one of the gentlest, most imaginative and thoughtful actors of his generation… He was always on the stage if he could afford it – taking television and film work to balance out his income.” (&lt;em&gt;The Guardian&lt;/em&gt;, 30.07.2009.)</text>
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                <text>Finbarr O'Connell </text>
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                <text>1960&#13;
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Harry Towb with James and Delia Mitchell</text>
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                <text>Cork Film Festival, Harry Towb, James Mitchell, Delia Mitchell, Shaun O'Riordan</text>
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                <text>This is a black and white photo of the Irish actor Harry Towb in conversation with the English writer James Mitchell and his wife Delia Mitchell. Towb, standing on the left of this picture, is turned towards the Mitchells who both hold a liqueur glass and cigarette in hand. &lt;br /&gt;&lt;br /&gt;Harry Towb (1925-2009) was a popular actor from Northern Ireland who began his acting career travelling with theatrical groups on both sides of the border. His work at the English National Theatre was highly regarded including parts in Neil Simon’s &lt;em&gt;Brighton Beach Memoirs&lt;/em&gt; (1986), Tom Stoppard’s &lt;em&gt;Rosencrantz and Guildenstern Are Dead&lt;/em&gt; (1996), and Nikolai Erdman’s Russian comedy &lt;em&gt;The Mandate&lt;/em&gt; (2004).&amp;nbsp;The film critic Eric Shorter wrote of him: "Towb was one of the gentlest, most imaginative and thoughtful actors of his generation… He was always on the stage if he could afford it – taking television and film work to balance out his income." (&lt;em&gt;The Guardian&lt;/em&gt;, 30.07.2009.) &lt;br /&gt;&lt;br /&gt;In this photo, Towb is talking to the writer James Mitchell (1926-2002) and his wife Delia to whom he was married from 1968 until her death in 1990. Mitchell was a prolific writer, writing under his own name and the pen names James Munro and Patrick O McGuire. He wrote the successful television series &lt;em&gt;When the Boat Comes In&lt;/em&gt; (BBC) which ran between 1976 and 1981. Around the time of this photo, dated 1972, Mitchell had just completed a successful run of &lt;em&gt;Callan&lt;/em&gt; (Thames Television), which ran between 1969 and 1972, starring Edward Woodward as the hitman David Callan.</text>
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Cork, Ireland</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <text>  285 x 237mm</text>
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                <text>Heidelinde Weis, Bettine Le Beau and Eva-Ingeborg Scholz signing photographs at Beamish and Crawford</text>
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                <text>1969&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of film actors, Heidelinde Weis, Bettine Le Beau and Eva Ingeborg-Scholz, signing autographs for the office staff of Beamish &amp;amp; Crawford Ltd during a reception for delegates attending the 13th Cork Film Festival in 1969. Weis and Le Beau are shown sitting on a bench smiling while they sign scraps of paper and autograph books for the ladies that surround them excitedly. On the right Scholz is leaning against the bench and laughing as she signs her signature. All three are dressed in the distinctive fashion of late 1960s be it a floppy hat, pearls, a bright ribbon in the hair, or a paisley-print dress. Behind them there is evident joy in the faces of the staff as they jostle around the actors seeking an autograph. &lt;br /&gt;&lt;br /&gt;The photograph identifies the location as the Beamish and Crawford brewery and, based on the wooden panelling in this picture, this might be the tudor-framed reception room of the iconic Counting House on South Main Street in Cork. The brewery was established in 1792 by William Beamish and William Crawford. It was once Ireland’s biggest brewery until overtaken by Guinness in 1833. It closed in March 2009 and its site on South Main Street, is currently being converted into student accommodation and a possible events centre. It has a special place in the cultural memory of Corkonians and former Beamish workers note that the brewery was more than just a workplace but was the very ‘heart of Cork’. (Barry Roche, 'Nazi links and the colourful history of Beamish and Crawford',&lt;em&gt; Irish Times, &lt;/em&gt;27.10.2015; Donal Ó Drisceoil and Diarmuid Ó Drisceoil, &lt;em&gt;Beamish&amp;nbsp;and Crawford: the History of an Irish Brewery&lt;/em&gt;, Collins Press, 2015)&lt;br /&gt;&lt;br /&gt;Eva-Ingeborg Scholz (1928-) was a German film and television actor known for &lt;em&gt;The Girl from the Marsh Croft&lt;/em&gt; (Gustav Ucicky, 1958), &lt;em&gt;Emil and the Detectives&lt;/em&gt; (Peter Tewksbury, 1964) and the televison show &lt;em&gt;Tatort&lt;/em&gt; (1970) for which she won a German Actors Award. &lt;br /&gt;&lt;br /&gt;The Belgian actor Bettine La Beau (1932-2015) was known for her television, film and radio appearances in the UK. In particular she would be associated with the long-running &lt;em&gt;Benny Hill Show&lt;/em&gt; (1969) from 1971 to 1972, &lt;em&gt;The Prisoner&lt;/em&gt; (1967), and &lt;em&gt;Call My Bluff&lt;/em&gt;. She had an uncredited appearance in the first James Bond film &lt;em&gt;Dr. No&lt;/em&gt; (Terence Young, 1962) and small parts in a number of films. Her radio appearances included regular appearances on the BBC World Service programme &lt;em&gt;Animal, Vegetable, Mineral?&lt;/em&gt; Her personal life is poignant as she was separated from her parents during World War II and held in two concentration camp during the Holocaust before escaping eventually to England. She would later work as a public speaker speaking about her experience of the Holocaust and authored a book &lt;em&gt;Help Yourself to Happiness&lt;/em&gt;&amp;nbsp;in 1999. &lt;br /&gt;&lt;br /&gt;The third actor in this picture is Heidelinde Weis (1940-). She is an Austrian actor whose film work around the time she came to Cork, in 1969, include &lt;em&gt;The Man Outside&lt;/em&gt; (Samuel Gallu, 1967), and &lt;em&gt;Something for Everyone&lt;/em&gt; (Harold Prince,1970). Her 1964 film directed by Michael Pfleghar, &lt;em&gt;Die Tote von Beverly Hills&lt;/em&gt; (Dead Women From Beverly Hills), was re-released in 2019 as a digitally restored HD version. It has a place in German film history for its invitation to Cannes in 1964, where it won the Palme d’Or and for taking the ‘Bambi’ award for most artistically valuable film in 1965.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Heinz Rühmann and Dermot Breen</text>
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                <text>These black and white photos are of the German film actor Heinrich (Heinz) Rühmann and the film festival director Dermot Breen.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Heinz Rühmann, standing on the left in these photos, was born in 1902. He was a prolific German film and television actor who acted in over 100 films in his lifetime and is considered a film legend for his contribution to the German film industry. Rühmann managed to court all sectors of German society including the Third Reich, where seemingly he was a favourite of Adolf Hitler and Joseph Goebbels, as well as the diarist Ann Frank, who had his picture pinned on the wall of her hiding place, where it still hangs on display today. &lt;br /&gt;&lt;br /&gt;Rühman's filmography includes &lt;em&gt;Er Kannes Nicht Lassen&lt;/em&gt; (Alex von Ambesser, 1962), based on the &lt;em&gt;Father Brown&lt;/em&gt; stories by GK Chesterton, and the Hollywood-produced &lt;em&gt;Ship of Fools&lt;/em&gt; (Stanley Kramer, 1965) with Vivien Leigh and Lee Marvin. His final film role was as Konrad in &lt;em&gt;Faraway, So Close&lt;/em&gt; (1993) directed by Wim Wenders and starring Peter Falk and Nastassja Kinski. Rühmann died in 1994 and was posthumously awarded the 'Goldene Kamera' in 1995 for his contribution to German cinema.</text>
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                <text>University College Cork</text>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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                <text>Finbarr O'Connell </text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Heinz Rühmann</name>
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                  <text>University College Cork</text>
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                  <text>1956-&#13;
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              <name>Rights</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <text>257 x 202mm</text>
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          <element elementId="50">
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                <text>Ida MacSweeney, Dick Beamish and others</text>
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                <text>Cork Film Festival, Ida MacSweeney, Dick Beamish, Dermot Breen, Vida Breen</text>
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                <text>This is a black and white photo of a formally dressed group of five, laughing and posing for the camera. The delegate at the far left of the photo, in a flowing puff-sleeved dress, is identified at the back of the photo as ‘Ida’. The others include Dick Beamish, festival director Dermot Breen and his wife Vida Breen.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Owen and Moroney. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the Dublin-born film director and producer Norman Cohen shaking hands with the festival director Dermot Breen. A bearded Cohen, wearing a light-coloured utility jacket, is smiling as he chats with Breen. While there are few images of Norman Cohen in the archive, his fingerprints stretch into the archive via the producer Greg Smith, the actors James Mason, Lynda Bellingham, Linda Hayden, and Pamela Stephenson – all of whom were in Cork during the early 1970s. &lt;br /&gt;&lt;br /&gt;Norman Cohen’s legacy is tied up with a series of risqué X-certificate rated comedies that he worked on such as &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (1975) and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) starring Bellingham and Hayden both of whom are in the archive. He also produced and directed &lt;em&gt;The London Nobody Knows&lt;/em&gt; (1967) with James Mason, Spike Milligan’s &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (1977), based on the book by Leslie Thomas, and starring Bellingham and Stephenson. Around the time of this picture he had directed &lt;em&gt;Dad’s Army&lt;/em&gt; in 1971 based on the popular BBC sitcom of the same name. &lt;br /&gt;&lt;br /&gt;Cohen's production of &lt;em&gt;Brendan Behan’s Dublin&lt;/em&gt; (1966), sometimes misattributed to the BBC, was made by his production company Norcon with the producer Greg Smith – who produced many of his pictures. Written by the Irish director, actor and writer Carolyn Swift, the twenty-nine minute film was narrated by Ray McAnally as Behan, and the soundtrack was supplied by The Dubliners. It was first shown at the Cork Film Festival in September 1966 supporting the MGM film &lt;em&gt;Woman Without a Face&lt;/em&gt; (also known as &lt;em&gt;Mister Buddwing&lt;/em&gt;) (Delbert Mann, 1966), starring Jean Simmons and James Garner. Cohen died of a heart attack, in 1983, in Van Nuys, California. (&lt;em&gt;Irish Times&lt;/em&gt; letter: Carolyn Swift, Brendan Behan’s Dublin, &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.05.1999.)</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12634">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12635">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="20">
        <name>Dermot Breen</name>
      </tag>
      <tag tagId="462">
        <name>Greg Smith</name>
      </tag>
      <tag tagId="485">
        <name>Linda Hayden</name>
      </tag>
      <tag tagId="346">
        <name>Lynda Bellingham</name>
      </tag>
      <tag tagId="568">
        <name>Norman Cohen</name>
      </tag>
      <tag tagId="580">
        <name>Pamela Stephenson</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
