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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Director Peter Collinson, Richard Johnson, Dermot Breen and others</text>
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                <text>Cork Film Festival, Richard Johnson, Peter Collinson, Dermot Breen, Robert Monks</text>
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                <text>This is a black and white photo, dated 1971, of festival attendees including English film director Peter Collinson, actor Richard Johnson, festival director Dermot Breen and others unidentified. The group all smile for the camera while Collinson, with his distinctive sideburns, stares up at Johnson. In 1963 Collinson made the documentary &lt;em&gt;The One-Nighters&lt;/em&gt; of the Royal Showband, with Brendan Bowyer, on tour. It was screened at the Cork Film Festival in 1963, receiving a Certificate of Merit. Following this Collinson went on to make &lt;em&gt;Up the Junction&lt;/em&gt; (1967) and the now-legendary &lt;em&gt;The Italian Job&lt;/em&gt; (1969) starring Michael Caine. Collinson also directed the war film &lt;em&gt;The Long Day’s Dying&lt;/em&gt; (1968) starring the English actor David Hemmings who also came to the film festival in the 1970s. Around the time of this photo, dated 1971, Collinson has just finished the British thriller &lt;em&gt;Straight On till Morning&lt;/em&gt; (1972) starring Shane Briant and John Clive, both of whom were in Cork for the film festival in the early 70s.&lt;br /&gt;&lt;br /&gt;The Irish Film &amp;amp; Television Network (IFTN) site notes that Collinson (1936-1980) started out working as a senior floorman at RTÉ and was originally making a TV commercial for the Royal Showband, with cameraman Robert Monks, before persuading the band to commit to a documentary. Monks, who passed away in 2012, also worked with Cork-born Louis Marcus on his Award-nominated short films &lt;em&gt;Páistí ag Obair&lt;/em&gt; (&lt;em&gt;Children at Work&lt;/em&gt;) (1973) and &lt;em&gt;Conquest of Light&lt;/em&gt; (1975). Monks began his film career working as a film technician with the Irish National Film Institute and continued to collaborate with them throughout his life. A highlight of his career is the documentary on Irish film production &lt;em&gt;Memories in Focus&lt;/em&gt; (1996) with Peter Canning, which drew on the Liam O'Leary collection from the National Library.</text>
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                <text>&lt;p&gt;This item is licenced with a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Finbarr O'Connell </text>
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                <text>This is a black and white photo of a festival discussion panel chaired by the Irish television presenter Bunny Carr. The three panellists, sitting at a table in front of long-armed microphones, include the English writer James Mitchell, the Irish actor Joe Tomelty, and the English screenwriter Michael Pertwee. &lt;br /&gt;&lt;br /&gt;Joseph Tomelty, sitting at the centre, was an Irish character actor, novelist and playwright known for his radio and stage work. He was a frequent visitor to the Cork festival, as far back as 1960, when that years programme noted that Tomelty presented awards to recipients in the presence of the then Lord Mayor of Cork Stephen Barrett. Tomelty was born in County Down, and was based in Northern Ireland where he made a significant contribution to its cultural history. Tomelty was instrumental in founding and managing the Group Theatre in Belfast in 1940 where his plays would be staged - apart from the controversial &lt;em&gt;The End House&lt;/em&gt; (1944) which was premiered at the Abbey Theatre because Northern theatres wouldn't show it at the time. He wrote comedy dramas for the BBC, in particular &lt;em&gt;The McCooeys&lt;/em&gt; which lasted seven years. Tomelty’s film work includes &lt;em&gt;Odd Man Out&lt;/em&gt; (Carol Reed, 1947), and &lt;em&gt;Moby Dick&lt;/em&gt; (John Huston, 1956) with Gregory Peck and the Irish actor Noel Purcell, but it was for his enduring commitment to the North of Ireland that he is fondly remembered.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Michael Pertwee, sitting on the far right of the photo, was an English playwright and screenwriter born in 1916. He comes from a prolific family of actors including his father, the actor and playwright Roland Pertwee, his brother the actor Jon Pertwee, best known for his Dr.Who, and his nephew the actor Sean Pertwee. As well as TV work, Michael Pertwee’s screenwriting credits include Richard Lester’s &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; (1966) and &lt;em&gt;One More Time&lt;/em&gt; (Jerry Lewis, 1970) starring Sammy Davis Jr. At the time of this photo he had just finished &lt;em&gt;Digby, the Biggest Dog in the World&lt;/em&gt; (Joseph McGrath, 1973) with Spike Milligan and the Irish actor Milo O’Shea. &lt;br /&gt;&lt;br /&gt;The photo also identifies the writer James Mitchell on the far left, cigarette in hand raised towards his mouth. Born in the North of England, Mitchell (1926-2002) was a prolific writer writing under his own name and the pen-names James Munro and Patrick O McGuire. Mitchell wrote over 70 novels, mostly crime fiction and spy thrillers, and 100 television scripts. He will be remembered best for the successful television series &lt;em&gt;Callan&lt;/em&gt; (Thames Television) and &lt;em&gt;When the Boat Comes In&lt;/em&gt; (BBC) which ran between 1976 and 1981. Around the time of this photo, dated 1972, Mitchell had just completed &lt;em&gt;Callan&lt;/em&gt; (1969-1972) starring Edward Woodward as the secret agent and hitman David Callan. The series went on to spawn novels, short stories, the film &lt;em&gt;Callan&lt;/em&gt; (Don Sharp, 1974), and a TV movie &lt;em&gt;Wet Job &lt;/em&gt;(1981) directed by Shaun O’Riordan. Interestingly, the full name of O’Riordan, who was born in Sri Lanka in 1927, is Shaun Stuart Harry Daniel O’Connell O’Riordan. O'Riordan also starred in the long-running popular British television sitcom &lt;em&gt;The Larkins&lt;/em&gt; (1958-1964), playing the part of Eddie Larkin alongside the actors Margaret Rose Mount and David Kossoff, both of whom came to the Cork festival during the 1960s. In 1974 Mitchell served on the Shorts Jury for the Short Film Competition alongside Bernard Blin (France), Bill Starr (USA), Kevin Marron (Ireland), and Noel Ryan (Ireland).</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Donal Sheehan</text>
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              <elementText elementTextId="12687">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Miss Movie Girl Betty Philbin and her sister</text>
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                <text>This is a black and white photo of Miss Movie Girl 1973, Betty Philbin, taken at the airport. Philbin, wearing a white suit accessorised with large sunglasses, and surrounded by her luggage, is accompanied by her sister, also in similarly large sunglasses. A similar item in the archive shows Philbin and her sister at the airport with film festival committee members and we might suppose that they are on festival business as part of the winning prize from the Miss Movie Girl competition. In October 1973 Philbin travelled to an International Congress in Venice where she hosted an Irish Whiskey event in the Hotel Excelsior in Lido, Venice. She was also a guest of the organisers of the Arnhem Film Festival in Holland that year.</text>
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                <text>1973&#13;
Cork, Ireland</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14139">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>transport</name>
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                <text>Cork Film Festival, Miss Movie Girl, Betty Philbin, Phil O'Donovan, Ian Barry, Aileen Brennan</text>
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                <text>This is a black and white photo of Miss Movie Girl 1973, Betty Philbin, at a drinks reception with festival attendees identified on the photo as Phil O’Donovan, Ian Barry and Aileen Brennan. The small group, all holding glasses, pose for the camera in a wallpaper decorated room where other guests mill around in the background. Twenty-year old Philbin, wearing a dark jacket over a light-coloured dress tied at the neck with a ribbon, was Ireland’s 'Movie Girl' in 1973, a title she won at the Cork Film Festival where she was chosen originally from photographs published in the &lt;em&gt;Sunday World&lt;/em&gt; newspaper in association with the festival.</text>
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                <text>This is a black and white photo of Miss Movie Girl, Mary Tilson, with fellow festival guests in 1975. Tilson, wearing a long light-coloured evening dress and sash, is looking up towards her colleague as he speaks to the formally dressed group. The photo identifies two of the guests as Fergus Gilligan and Hank Nimwegen. Nimwegen was a member of the Advertising Producers Association (APA) which is a the trade body for the commercials production industry. APA began in 1955 as the Advertising Film Producers Association (AFPA), the same year that the first television commercial aired in the United Kingdom. </text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Miss Movie Girl Mary Tilson with Frank Sanquest</text>
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                <text>This is a black and white photo of Mary Tilson, Frank Sanquest, and Brian Coomber at a press conference. Mary Tilson, in a dark-coloured top and Movie Girl sash, was Miss Movie Girl in 1975. Miss Movie Girl was a ‘Rose of Tralee’ type contest that ran for a few brief years in the seventies. Run in conjunction with the &lt;em&gt;Sunday World&lt;/em&gt; tabloid, it was a contest of county representatives vying for the ultimate title of 'Miss Movie Girl’. It was an enticing affair, the winner would meet with celebrities, be showered with prizes and go on to promote the festival throughout Ireland.&lt;br /&gt;&lt;br /&gt;In this picture Tilson is talking to the artist and journalist Frank Sanquest. Sanquest was a Cork-born artist who specialised in portraiture and landscapes. He was a past president of the Munster Fine Art Society and for many years was resident set designer for the Cork Opera House until it burnt down in 1954. Sanquest was on the board of the Southern Theatre Group with Dan Donovan and James N. Healy which toured with John B Keane plays often with the Cork actor Michael Twomey. From 1940 to 1987 he also worked as the Arts Editor for &lt;em&gt;The Cork Examiner&lt;/em&gt;, in whose capacity he might have been attending the Film Festival press briefings. He died in 2008, age 95.</text>
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                <text>1975&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Miss Movie Girl Mary Tilson presenting an award to the director Louis Marcus</text>
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                <text>This is a black and white photo of Miss Movie Girl, Mary Tilson, making a presentation to the filmmaker Louis Marcus in 1975. Tilson, wearing a long light-coloured evening dress and sash marked Movie Girl ’75, is presenting an award made from Waterford Glass to Marcus. &lt;br /&gt;&lt;br /&gt;Born in Cork City, Marcus began his career in Dublin as assistant director on &lt;em&gt;Mise Éire&lt;/em&gt; (George Morrison, 1959) and &lt;em&gt;Saoirse?&lt;/em&gt; (George Morrison, 1965). His first documentary film &lt;em&gt;The Silent Art&lt;/em&gt; (1958), on the Cork-born sculptor Séamus Murphy (1907-1975) was shown at the Cork Film Festival in 1959, with music by Bernard Geary and Declan Townsend and commentary by festival stalwart Dan Donovan. Marcus was later nominated for the Academy Award for Best Documentary in 1974 for &lt;em&gt;Children at Work&lt;/em&gt; (&lt;em&gt;Páisti ag Obair&lt;/em&gt;), and in 1976 he was nominated for Best Live Action Short Film at the 48th Academy Awards for &lt;em&gt;Conquest of Light&lt;/em&gt; (1976) which detailed how Waterford Glass is made with an emphasis on the aesthetic nature of the process.</text>
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                <text>1973&#13;
Cork, Ireland</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12615">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12616">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="197">
        <name>Award</name>
      </tag>
      <tag tagId="166">
        <name>Louis Marcus</name>
      </tag>
      <tag tagId="496">
        <name>Mary Tilson</name>
      </tag>
      <tag tagId="339">
        <name>Miss Movie Girl</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
