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                <text>Katherine Hepburn presenting a tribute award to the American director Stanley Kramer in Hollywood, USA</text>
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                <text>Cork Film Festival, Katherine Hepburn, Award, Stanley Kramer, Hollywood</text>
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                <text>1966&#13;
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                <text>This is a black and white photo of the American actor Katherine Hepburn presenting a festival tribute award to the American director-producer Stanley Kramer. The uncredited photo was taken in Hollywood, USA, and was found among the archive papers. We note that a tribute programme of Stanely Kramer's work was introduced by Professor Robert Gessner at the Cork festival in 1966. Gessner chose six of Kramer's films for the festival and wrote an article for that year's programme.&lt;br /&gt;&lt;br /&gt;Kramer (1913-2001) was a renowned Oscar-winning film director and producer. In general, he made films that tried to address social issues such as racism, greed, and war. Kramer has an extensive filmography which includes &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958), &lt;em&gt;Inherit the Wind&lt;/em&gt; (1960), &lt;em&gt;Judgment at Nuremberg&lt;/em&gt; (1961) and the comedy film &lt;em&gt;It’s a Mad, Mad, Mad, Mad World&lt;/em&gt; (1963) starring Spencer Tracy and Mickey Rooney. &lt;br /&gt;&lt;br /&gt;In this picture, Kramer is being presented the award by Katherine Hepburn (1907-2003) who had just finished Kramer’s &lt;em&gt;Guess Who’s Coming To Dinner&lt;/em&gt; (1967) with Sidney Poitier and a frail Spencer Tracy, her partner of 26 years who would die soon after the film was made. Kramer also directed the German actor Heinz Rühmann in &lt;em&gt;Ship of Fools&lt;/em&gt; (1965) starring Vivien Leigh in her final screen role. Rühmann came to the Cork festival and a couple of undated images of him can be seen in the festival archive. Since 2002 the Producers Guild of America awards the Stanley Kramer Award for films that "illuminate provocative social issues." In 2002 it was awarded to &lt;em&gt;In America&lt;/em&gt; (2002) directed by the Irish playwright and director Jim Sheridan.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/625"&gt;1966 Cork Film Festival programme&lt;/a&gt;</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of a young lady seated in a shoe shop in conversation with a young man, who could be a shoe-salesperson or her companion. The girl, with long wavy fair hair, is wearing a blouse tied at the waist with high-waisted flared light-coloured trousers. She sits amongst shoes whilst holding a platform-style clog, with brass rivets, and is looking up at her companion who is holding a white shoe in his hands. Behind them we notice the shop display of 'handbags' and 'fashion' along the well-stocked shelves. (The back of the photo notes the date as 1960s but the clothes and shoes might suggest the 1970s.)</text>
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                <text>1960&#13;
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Liam O'Leary with Cyril Cusack and others</text>
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                <text>This is a black and white photo of the Irish actor Cyril Cusack holding court with the archivist Liam O’Leary and others. The small group is at a drinks reception on the grounds of Ashbourne House in Glounthaune, Cork, during the 1970s. The photo, which is water-damaged, also includes Dick Beamish, his unidentified colleague, and Jack Mahoney. &lt;br /&gt;&lt;br /&gt;Liam O’Leary, on the far left of the photo turned towards Cusack, was born in 1910 in Youghal, County Cork. He was many things in life including film historian, filmmaker, author, actor, and founder of the Irish Film Society. And, perhaps most importantly for Ireland, he was an archivist. O’Leary was an acquisitions officer for the National Film Archive in London until 1966 when he returned to Ireland to work as a Film Acceptance Viewer for Radio Telefis Éireann. His love for the cinema was profound and he established the Liam O’Leary Archive to rescue Irish film-related objects, stories, and ephemera. He was the driving force behind the Irish Film Archive and his film collection is preserved there. (Kevin Brownlow, Obituary: Liam O’Leary, &lt;em&gt;Independent&lt;/em&gt;, 18.12.1992.)&lt;br /&gt;&lt;br /&gt;In 1986 the Liam O’Leary Archive was donated to the National Library of Ireland where it is now preserved. This archive of materials also includes correspondence, programme information, and newspaper clippings relating to the Cork International Film Festival and can be viewed in Special Collections of the National Library of Ireland.</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>University College Cork</text>
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            <name>Rights</name>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Garden Party</name>
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        <name>Liam O'Leary</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Linda Hayden with a trophy</text>
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                <text>This is a black and white photo of the English actor Linda Hayden posing with a trophy. Hayden, in a light-coloured jumpsuit, sits on the edge of a small round table looking down at the enamelled glass-trimmed trophy which sits on a wooden base with an inscribed plaque. As far as we can determine the trophy is engraved &lt;em&gt;Presented by the Commission of the European Communities&lt;/em&gt;, and might be presented to the festival as part of the Commission’s support of the festival through their Creative Europe MEDIA programme. &lt;br /&gt;&lt;br /&gt;Linda Hayden came to Cork on a number of occasions and was a favourite of the photographers, often photographed with fellow actor Lynda Bellingham with whom she starred in the &lt;em&gt;Confessions&lt;/em&gt; series of movies. Born in 1953 she was best known for her roles in British horror films and sex comedies such as &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977) and the ‘video-nasty’ &lt;em&gt;Exposé&lt;/em&gt; (James Kenelm Clarke, 1976) which was re-released with cuts, as &lt;em&gt;Stalker&lt;/em&gt; (Martin Kemp, 1997). Controversially Hayden appeared, age 15, in the 1968 British drama film &lt;em&gt;Baby Love&lt;/em&gt; (Alastair Reid) in which she acted the part of a young girl who seduces her adoptive family after her mother commits suicide. She would have been too young to see her own movie which was rated X in British cinemas and abroad. The&lt;em&gt; New York Times&lt;/em&gt; noted that &lt;em&gt;Baby Love&lt;/em&gt; was: “… meaningful and even moving. &lt;em&gt;Baby Love&lt;/em&gt; however is basically a chiller, like the dripping water with the initial credits – a drop, a trickle, and a cold flow.” She followed this foray into horror films with Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy,1970) starring Christopher Lee, and &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971) before making her name with the &lt;em&gt;Confession&lt;/em&gt; comedies so beloved of the seventies. &lt;br /&gt;&lt;br /&gt;Hayden was the partner of the actor Robin Askwith for some time in the 1970s who also starred in the &lt;em&gt;Confessions&lt;/em&gt; sex comedy series. Askwith would be the best man at the wedding of Lynda Bellingham and the film producer Greg Smith’s wedding – both of whom were at the Cork Film Festival in the 1970s. (Howard Thompson, ‘Chilling Baby Love’, &lt;em&gt;The New York Times&lt;/em&gt;, 20.03.1969.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>These black and white photos, both taken by the photographer Donal Sheehan from Bishopstown in Cork, are of the English actor Linda Hayden and the festival director Dermot Breen. The convivial shot shows Hayden and Breen embracing while posing for the photographer. Hayden, wearing a dark halter-neck dress and holding a packet of 20 Marlboro cigarettes, has her left arm around Breen’s neck. Breen, with a festival ribbon pinned to the lapel of his jacket, smiles for the camera as does Hayden. &lt;br /&gt;&lt;br /&gt;Hayden came to Cork on a number of occasions and was a favourite of the photographers, often photographed with fellow actor Lynda Bellingham who also came to the festival. Born in 1953 Hayden was best known for her roles in British horror films and sex comedies such as &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974) and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) directed by the Irish director Norman Cohen. Around the time of these photos, taken in 1976, she had completed the ‘video-nasty’ &lt;em&gt;Exposé&lt;/em&gt; (James Kenelm Clarke, 1976) which was re-released in 1997 with cuts, as &lt;em&gt;Stalker&lt;/em&gt; (Martin Kemp, 1997), and the British-German comedy film &lt;em&gt;Queen Kong&lt;/em&gt; (Frank Agrama, 1976) starring Robin Askwith with whom Hayden was partnered for some years.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo, taken at Dublin airport, of film festival delegates at the Aer Lingus check-in desks. We recognise some of the delegates from the archive including the film director Terry Gilliam and the actor Linda Hayden, together with the film censor Sheamus Smith and Tom Nicholas from London Friends of Cork.&lt;br /&gt;&lt;br /&gt;Terry Gilliam, standing at the centre, smiling broadly at the camera with his arm around the shoulder of Linda Hayden, is an actor, screen writer, director and former member of the Monty Python comedy team. He has directed 13 feature films including &lt;em&gt;Brazil&lt;/em&gt; (1985), &lt;em&gt;Fear and Loathing in Las Vegas&lt;/em&gt; (1998) and most recently &lt;em&gt;The Imaginarium of Doctor Parnassus&lt;/em&gt; (2009). At the time of this picture, taken in the 1970s, Gilliam, who started his career as a cartoonist, was the main animator for the award-winnng BBC sketch comedy show &lt;em&gt;Monty Python’s Flying Circus&lt;/em&gt; which ran from 1969 to 1974. His penchant for the surreal and fantastical can be seen in his future film work which often feature black comedy with a twist.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Linda Hayden, seen here next to Gilliam wearing a fur-trimmed coat and smiling at the camera, features heavily in the Cork Film Festival archive. She came to Cork on a number of occasions and was a favourite of the photographers and was often photographed with fellow actor Lynda Bellingham with whom she starred in the &lt;em&gt;Confessions&lt;/em&gt; series of movies. Born in 1953, Linda Hayden was best known for her roles in British horror films and sex comedies such as &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977) and the ‘video-nasty’ &lt;em&gt;Exposé&lt;/em&gt; (James Kenelm Clarke, 1976). Controversially she appeared, age 15, in the 1968 British drama film &lt;em&gt;Baby Love&lt;/em&gt; (Alastair Reid) in which she acted the part of a young girl who seduces her adoptive family after her mother commits suicide. &lt;br /&gt;&lt;br /&gt;Hayden was the partner of the actor Robin Askwith for some time in the 1970s who also starred in the &lt;em&gt;Confessions&lt;/em&gt; sex comedy series. Askwith was the best man at the wedding of Lynda Bellingham and the film producer Greg Smith&amp;nbsp; – both of whom were at the Cork Film Festival in the 1970s.</text>
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                <text>&lt;p&gt;©Liam Kennedy. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <elementText elementTextId="5673">
                <text>Cork Film Festival, Lord Mayor, Patrick McGrath, Louis Elliman, Ardmore Studios</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5674">
                <text>This is a black and white photo of the Lord Mayor, Patrick McGrath, posing with the Irish film producer Louis Elliman and a representative from Rank Organisation. The photo has a note marked on the front in blue ink: &lt;em&gt;First Cork International Film Festival, May 1956.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Elliman, in a dark suit with his left hand in his pocket, was an Irish impresario who managed many of Ireland's cinema screens during the 1950s. He brought film production to Ireland opening the Ardmore Studios, with Emmet Dalton, in 1958. Elliman was involved with the early planning of the Cork Film Festival, advising and encouraging the festival founder Dermot Breen. The website &lt;em&gt;louiselliman.com&lt;/em&gt; notes that he was a regular at the festival during the remaining 11 years of his life and, on its 10th anniversary, his name was included in a select list of international patrons.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5675">
                <text>University College Cork, Cork Film Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="5676">
                <text>Cork Film Festival Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="5677">
                <text>University College Cork</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5678">
                <text>1956</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5680">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="5681">
                <text>1956&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12998">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14153">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt;&lt;span&gt; and provide a link back to the site.&lt;/span&gt;&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="170">
        <name>Ardmore Studios</name>
      </tag>
      <tag tagId="34">
        <name>Lord Mayor</name>
      </tag>
      <tag tagId="169">
        <name>Louis Elliman</name>
      </tag>
      <tag tagId="224">
        <name>Patrick McGrath</name>
      </tag>
      <tag tagId="1">
        <name>Rank Organisation</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
