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                <text>President Patrick Hillery and Maeve Hillery with Jim O'Brien </text>
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                <text>This is a black and white photo of President Patrick Hillery and his wife Maeve Hillery accompanied by Jim O’Brien. Hillery, wearing a dark suit and holding his trilby hat, is walking alongside O’Brien as they shake hands. His wife, Maeve Hillery, in a long dress accessorised with a short white fur jacket, holds a bouquet of flowers and is smiling as she too walks forward. Hillery (1923-2008) was a Fianna Fáil politician who served as the sixth President of Ireland from 1976 to 1990 following some time as Ireland's first European commissioner. The photo is dated 1970s and might be 1976 or 1977 as there is a similar picture of Hillery in the archive, wearing the same tie, talking to Seán French who served as Lord Mayor of Cork in the late seventies.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/312"&gt;President Hillery with Lord Mayor Seán French&lt;/a&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Irish director Norman Cohen with Dermot Breen</text>
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                <text>Cork Film Festival, Norman Cohen, Dermot Breen, Greg Smith, Lynda Bellingham, Linda Hayden, Pamela Stephenson, James Mason, Brendan Behan, Carolyn Swift</text>
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                <text>1970&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of the Dublin-born film director and producer Norman Cohen shaking hands with the festival director Dermot Breen. A bearded Cohen, wearing a light-coloured utility jacket, is smiling as he chats with Breen. While there are few images of Norman Cohen in the archive, his fingerprints stretch into the archive via the producer Greg Smith, the actors James Mason, Lynda Bellingham, Linda Hayden, and Pamela Stephenson – all of whom were in Cork during the early 1970s. &lt;br /&gt;&lt;br /&gt;Norman Cohen’s legacy is tied up with a series of risqué X-certificate rated comedies that he worked on such as &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (1975) and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (1977) starring Bellingham and Hayden both of whom are in the archive. He also produced and directed &lt;em&gt;The London Nobody Knows&lt;/em&gt; (1967) with James Mason, Spike Milligan’s &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (1977), based on the book by Leslie Thomas, and starring Bellingham and Stephenson. Around the time of this picture he had directed &lt;em&gt;Dad’s Army&lt;/em&gt; in 1971 based on the popular BBC sitcom of the same name. &lt;br /&gt;&lt;br /&gt;Cohen's production of &lt;em&gt;Brendan Behan’s Dublin&lt;/em&gt; (1966), sometimes misattributed to the BBC, was made by his production company Norcon with the producer Greg Smith – who produced many of his pictures. Written by the Irish director, actor and writer Carolyn Swift, the twenty-nine minute film was narrated by Ray McAnally as Behan, and the soundtrack was supplied by The Dubliners. It was first shown at the Cork Film Festival in September 1966 supporting the MGM film &lt;em&gt;Woman Without a Face&lt;/em&gt; (also known as &lt;em&gt;Mister Buddwing&lt;/em&gt;) (Delbert Mann, 1966), starring Jean Simmons and James Garner. Cohen died of a heart attack, in 1983, in Van Nuys, California. (&lt;em&gt;Irish Times&lt;/em&gt; letter: Carolyn Swift, Brendan Behan’s Dublin, &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.05.1999.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of festival committee members Robin O’Sullivan and Dan Donovan with the English actor George Baker and unidentified colleagues. O’Sullivan, on the left of the photo stands in between a festival attendee identified as Ida and an unidentified guest holding a large bouquet of flowers. George Baker, in a striped shirt and tie, stands on the right next to Dan Donovan on the far right. &lt;br /&gt;&lt;br /&gt;While this photo is dated 1970s we might suggest it is 1972 from the glimpse of the festival brochure in Dan Donovan’s pocket. Donovan (1926-2008) was a founding member of Cork’s Everyman Theatre and Cork’s cultural legacy owes much to his passion and love of the arts. He was a board director of the Cork Choral Festival as well as the Cork Film Festival. His colleague on the left of this photo, Robin O’Sullivan, was also a stalwart film festival committee member who went on to become its director in the late seventies following the unexpected death of festival founder Dermot Breen. He ran it during a difficult time for the festival before handing over the reins to Mick Hannigan and Theo Dorgan in 1985. &lt;br /&gt;&lt;br /&gt;The English actor and writer George Baker (1931-2011) was a star of cinema, stage, and television. He famously had an affair with the French actor Brigitte Bardot whilst married to the first of his three wives. However he is remembered by most for his role as Inspector Wexford in the successful Ruth Rendall crime drama television series &lt;em&gt;The Ruth Rendell Mysteries&lt;/em&gt; (1987-2000). Baker has extensive television and film credits including &lt;em&gt;The Dam Busters&lt;/em&gt; (Michael Anderson, 1955), &lt;em&gt;Goodbye, Mr Chips&lt;/em&gt; (Herbert Ross, 1969) starring Peter O’Toole and Petula Clark, and &lt;em&gt;The Spy Who Loved Me&lt;/em&gt; (Lewis Gilbert, 1977) with Roger Moore. Around the time of this photo he had completed &lt;em&gt;The Executioner&lt;/em&gt; (Sam Wanamaker, 1970) starring Judy Geeson who also came to the Cork festival in the seventies. Baker briefly ran a successful regional theatre company during the late sixties and early seventies bringing his tour of Terence Rattigan’s &lt;em&gt;The Sleeping Prince&lt;/em&gt; (1968) and Christopher Fry’s &lt;em&gt;The Lady’s Not for Burning&lt;/em&gt; (1971) to the West End.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text> Irish actor Eamon Morrissey with Olive Burke</text>
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                <text>This is a black and white photo of the Irish actor Eamon Morrissey in conversation with a festival attendee. The flash of the camera lights up his animated face as he turns towards his dark-haired companion, identified at the back of the photo as Olive Burke. &lt;br /&gt;&lt;br /&gt;Dublin-born Eamon Morrissey (1943-) is a stage and television actor. He left school early and went to London where he acted in Brian Friel’s &lt;em&gt;Philadelphia, Here I Come!&lt;/em&gt; in the 1964 world première. Morrissey is known for his comic roles and won an Irish television Jacob’s Award in 1977 for his performances in Frank Hall’s long-running satirical TV series, &lt;em&gt;Hall’s Pictorial Weekly&lt;/em&gt; starring Frank Duggan and Michael Twomey. Twomey also came to the Cork Film Festival on a number of occasions in the seventies. Morrissey has appeared in &lt;em&gt;Father Ted&lt;/em&gt; and the RTÉ soap opera &lt;em&gt;Fair City&lt;/em&gt;. His work in &lt;em&gt;Fair City&lt;/em&gt; was recognised by the annual Irish Film and Television Awards (IFTA) who nominated him for Best Supporting Actor in 2011. Morrissey’s film credits include the Irish comedy film &lt;em&gt;Eat the Peach&lt;/em&gt; (Peter Ormond, 1986) starring Stephen Brennan and Niall Tóibín, who was also a visitor to the festival.</text>
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                <text>1970&#13;
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Trevor Rhone and colleague</text>
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                <text>This is a black and white photo of the Jamaican director Trevor Rhone in conversation with an unidentified delegate at a festival function. Rhone, wearing a light-coloured polo neck jumper under a white suit, is standing while talking to a young lady dressed in a dark-coloured satin dress with ruffles at the sleeves. She is seated and looks up at Rhone as he speaks, gesticulating with his right hand and holding a drink in his left. Behind them the room is busy with guests both seated and standing. &lt;br /&gt;&lt;br /&gt;The photo is undated but other photos of Trevor Rhone in the archive are variously dated 1972 and 1975 and we might put this image at 1975 given its similarity to another archive image. Rhone directed successful movies in both 1972 and 1975. He co-wrote the successful film &lt;em&gt;The Harder They Come&lt;/em&gt; (1972) with Perry Henzell which won his first award for best-edited film in Cork that year. He later made &lt;em&gt;Smile Orange&lt;/em&gt; (1975) based on an earlier play of his and, while it didn’t have the same impact as his earlier work, it was well received in the Caribbean and Jamaica. It went on to win a gold medal at the Cork Film Festival in 1975. His later filmography includes &lt;em&gt;Milk and Honey&lt;/em&gt; (Glen Salzman, Rebecca Yates, 1988) and the Cannes Film Festival ‘favourite’ award winning &lt;em&gt;One Love&lt;/em&gt; (Trevor Rhone, 2003), starring the son of Bob Marley – the reggae and hip-hop artist Ky-Mani Marley.</text>
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                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Judy Geeson with Robin O’Sullivan and an unidentified colleague. Blond-haired Geeson, wearing a white lace evening dress and holding a bouquet of flowers, looks at the camera as she leaves the Savoy Cinema flanked by O'Sullivan and another festival attendee. Robin O’Sullivan, on the left, was a committed member of the Cork Film Festival team and would run it for a few years in the early eighties after the sudden death of the then-festival director, Dermot Breen, in 1978. &lt;br /&gt;&lt;br /&gt;Judy Geeson (1948-) was a popular film, television, and stage actor whose role playing the young student, Pamela Dare, in &lt;em&gt;To Sir, With Love&lt;/em&gt; (James Clavell, 1967) opposite Sidney Poitier secured her place in film history. This image is dated 1969-1970, when Geeson would have been around 22 years old. Her filmography includes &lt;em&gt;10 Rillington Place&lt;/em&gt; (Richard Fleischer, 1971) with Richard Attenborough, &lt;em&gt;Dominique&lt;/em&gt; (Michael Anderson, 1978) with Jenny Agutter,&amp;nbsp;and a supporting role in &lt;em&gt;The Eagle Has Landed&lt;/em&gt; (John Sturges, 1976) alongside Michael Caine, Donald Sutherland and Jenny Agutter. Around the time of this picture in 1970, Geeson had just completed the little-seen &lt;em&gt;One of Those Things&lt;/em&gt; (&lt;em&gt;Hændlight uheld&lt;/em&gt;) (Erik Balling, 1971) starring Roy Dotrice, which was a Danish film made with a British and Japanese cast in English. She was married to Sean Kenny, the extraordinary Irish theatre designer, in 1969 until his sudden death in 1973, age 43. Some of Kenny's set designs can be seen in the theatre and performance collection of the Victoria &amp;amp; Albert (V&amp;amp;A) online digital archive.</text>
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                <text>These black and white images of a press conference are taken upstairs at the Savoy Cinema, Cork, during the 1970s. The photographs, by the photographer Donal Sheehan, include the festival director Dermot Breen holding forth alongside the journalist and artist Frank Sanquest, Dick Beamish, and journalist Larry Lyons. They are sitting around a table which is scattered with the detritus of the day including papers, ashtrays, and a black Ericsson Dialog-style telephone. &lt;br /&gt;&lt;br /&gt;Frank Sanquest, sitting on the far left of the photo, wearing a striped shirt with a dickie-bow, was a Cork-born artist who specialised in portraiture and landscapes. He studied art at the Cork Crawford School of Art and London’s Central School of Art and the College of Printing before returning to Cork. He was a past president of the Munster Fine Art Society and for many years was resident set designer for the Cork Opera House. He was an excellent scene painter and his work at the Cork Opera House included the set for &lt;em&gt;Oklahoma&lt;/em&gt; in the 1950s when Dan Donovan was directing for the Cork Operatic Society. Sanquest was on the board of the Southern Theatre Group with Dan Donovan and James Healy which toured with John B Keane plays often with the Cork actor Michael Twomey. They had great success with &lt;em&gt;Sive&lt;/em&gt; in 1959. From 1940 to 1987 Sanquest also worked as the Arts Editor for &lt;em&gt;The Cork Examiner&lt;/em&gt;, in whose capacity he might have been attending the Film Festival press briefings. He died in 2008, age 95. (Vera Ryan, &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt;, The Collins Press, 2008.) &lt;br /&gt;&lt;br /&gt;The journalist Larry Lyons, sitting behind Dick Beamish by the wall, also worked for &lt;em&gt;The Cork Examiner&lt;/em&gt; in the 1970s; his journalism covered the fraught days of the troubles in the early 1970s as well as film reviews. (Larry Lyons, Walter Ellis, ‘British troops bowed their heads,’ &lt;em&gt;The Cork Examiner&lt;/em&gt;, 02.02.1972.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actors John Clive, Pamela Stephenson and Nicholas Ball in a photo dated 1970. All three are facing the camera smiling. Clive and Ball wear a festival ribbon pinned to their jackets and we also notice how the belt of Nicholas Ball has the logo ‘ball’ stitched onto it. &lt;br /&gt;&lt;br /&gt;John Clive, on the left in a tweed jacket, was an English film and television actor and author. He is best known to us from his film roles in &lt;em&gt;The Italian Job&lt;/em&gt; (Peter Collinson, 1969) with Michael Caine, &lt;em&gt;A Clockwork Orange&lt;/em&gt; (Stanley Kubrick, 1971) and four of the &lt;em&gt;Carry On&lt;/em&gt; films from the 1970s. He also played a small part in the Norman Cohen directed movie &lt;em&gt;Stand Up, Virgin Soldiers&lt;/em&gt; (1977); the Irish director Cohen also came to Cork around the time of this photo. Famously Clive was the voice of John Lennon in the animated film &lt;em&gt;Yellow Submarine&lt;/em&gt; (George Dunning, 1968) as the Beatles did not want to use their own voices in the movie. He was also a successful author for his best-selling books including &lt;em&gt;KG200&lt;/em&gt;, &lt;em&gt;The Last Liberator&lt;/em&gt;, and &lt;em&gt;Barossa&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Nicholas Ball and Pamela Stephenson were a couple around the time of this photo having being married for brief time in the 1970s before she met, and eloped with, Billy Connolly in 1979. Born in New Zealand, Stephenson has forged a prolific career as writer, performer and psychologist. Her movie credits include &lt;em&gt;Stand Up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) in which she acted with John Clive and Lynda Bellingham, both of whom were at the festival.</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="4708">
              <text>Photo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="11790">
              <text>255 x 200mm</text>
            </elementText>
          </elementTextContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4697">
                <text>Mary O'Keeffe, Michael Twomey and others at the Imperial Hotel</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4698">
                <text>Cork Film Festival, Mary O'Keeffe, Michael Twomey, Jim O'Brien, Fergus Killigan, Imperial Hotel</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4699">
                <text>This is a black and white photo taken at the Imperial Hotel of a festival attendee holding a large bouquet of flowers accompanied by fellow festival delegates. Some of the group are identified at the back of the photo and include Mary O’Keeffe, Jim O’Brien, a young Michael Twomey, and Fergus Killigan. They are shown sweeping into the marble lobby of the Imperial Hotel, located on the South Mall in Cork.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="4701">
                <text>Cork Film Festival Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="4702">
                <text>University College Cork</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4703">
                <text>1970</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4704">
                <text>Donal Sheehan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4706">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="4707">
                <text>1970&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8019">
                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12677">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12678">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="582">
        <name>Imperial Hotel</name>
      </tag>
      <tag tagId="560">
        <name>Jim O'Brien</name>
      </tag>
      <tag tagId="581">
        <name>Mary O'Keeffe</name>
      </tag>
      <tag tagId="363">
        <name>Michael Twomey</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
