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                <text>Dermot Breen and &lt;em&gt;The Adventures of Barry McKenzie&lt;/em&gt; display board</text>
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                <text>This is a black and white photo of the festival director Dermot Breen standing in front of a large display board with an unidentified colleague. The two men chat as Breen rests his left hand on the display for the film &lt;em&gt;The Adventures of Barry McKenzie&lt;/em&gt; (Bruce Beresford, 1972). The comic-book style promotional posters for &lt;em&gt;The Adventures of Barry McKenzie&lt;/em&gt; reflect the madcap bawdy nature of this Australian comedy. The film is based on a character created for the British satirical weekly &lt;em&gt;Private Eye&lt;/em&gt; magazine and the iconic role of Aunt Edna was played by Barry Humphries. The film also starred Barry Crocker, Spike Milligan, and Peter Cook – one of the original founders of &lt;em&gt;Private Eye&lt;/em&gt;. &lt;em&gt;The Adventures&lt;/em&gt; was a hit and was the first Australian film to make over $1 million at the national box office.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                <text>This is a black and white photo of the American actor Hurd Hatfield standing with two festival guests from Ballinlough in Cork. Hatfield, in a dress suit, is smiling as he looks to his right at his young companion. On his left a lady, in a white fur-trimmed jacket, smiles broadly at the camera. &lt;br /&gt;&lt;br /&gt;This is the only image we have of Hurd Hatfield in the archive and is particularly special because his name is forever associated with Cork in the naming of Hatfield House on Tobin Street. Hatfield House was the headquarters for the Cork film festival for many years and was named for Hurd Hatfield who was a friend of the festival. Hatfield House is now the home of Barbara Hubert Hand Bookbindery. Tobin Street itself is the home of the Triskel Arts Centre which is attached to the medieval Christchurch which fronts onto South Main Street. In 1984 excavations on this narrow street revealed medieval layers constituting backyards of houses that once fronted onto Tobin Street.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Hurd Hatfield (1917-1998) was born in New York City, studied drama in London, but eventually made his home in East Cork after visiting his friend, the actor Angela Lansbury, whom he met on the set of &lt;em&gt;The Picture of Doran Gray&lt;/em&gt;, and who lived in nearby Conna. He restored the 13th-century Ballinterry House and spent the last twenty years or so of his life there. He made his name in Hollywood after playing the title role of Dorian Gray in the MGM film &lt;em&gt;The Picture of Dorian Gray&lt;/em&gt; (Albert Lewin, 1945). His filmography includes &lt;em&gt;The Diary of a Chambermaid&lt;/em&gt; (Jean Renoir, 1946), &lt;em&gt;The Beginning or the End&lt;/em&gt; (Norman Taurog, 1947), &lt;em&gt;Mickey One&lt;/em&gt; (Arthur Penn, 1961) with bit parts in movies such as &lt;em&gt;The Boston Strangler&lt;/em&gt; (Richard Fleischer, 1968) and &lt;em&gt;Her Alibi&lt;/em&gt; (Bruce Beresford, 1989).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Interestingly Hatfield was a student of the Russian-American actor and teacher Mikhail Chekhov, nephew of the playwright Anton Chekhov, and would perform extensively with his company in the former Soviet Union. His link with Russian culture was profound and on his death bed in Cork, he was attended to by a Russian Orthodox priest. ('Manhattanite of many parts,' &lt;em&gt;irishtimes.com&lt;/em&gt;, 08.01.1999; Ronald Bergan, 'Hurd Hatfield obituary: the face behind Dorian Gray,' &lt;em&gt;The Guardian&lt;/em&gt;, 05.02.1999.)</text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Sculptor Patrick O'Sullivan and festival director Robin O'Sullivan</text>
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                <text>Cork Film Festival, Sculptor, Patrick O'Sullivan, Robin O'Sullivan, Award, Aosdána</text>
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                <text>This is a black and white photo, taken during the 1980s, of the sculptor Patrick O’Sullivan in conversation with festival director Robin O’Sullivan. Patrick O’Sullivan is sitting on Robin O’Sullivan’s desk who is looking up at him as they talk. A small stone sculpture, which might be a festival award, sits on the table between them and behind them, pinned to the back wall, we note a hand-drawn cartoon of a&amp;nbsp;robin on top of a Coca-Cola can wrapped in film reel. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan (1940-2015) was born in London to Irish parents and studied sculpture in England before moving to Cork in 1971. He lectured in sculpture at the Crawford College of Art and Design and during the time of this photo, dated 1980s, he was Head of Sculpture, a post he held from the 1980s to 1990s. O’Sullivan’s work, in marble, wood and bronze, has been exhibited around Ireland and his commission, &lt;em&gt;City&lt;/em&gt;, made from Kilkenny limestone, was placed on the South Mall in Cork as part of the Cork 800 sculpture symposium in 1985. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan was a member of Aosdána. Established in 1981, Aosdána was set up by the Arts Council to honor artists whose work has contributed to the arts in Ireland. Membership is by peer nomination and is limited to 250 living artists who have produced a distinguished body of work. Fellow artist and Aosdána member Michael Quane speaking of O’Sullivan notes that: "Patrick O’Sullivan was always insightful and never failed to challenge. Like his work, he too in his personal style was quiet, quizzical, and enigmatic. All those who came within his reach, within his department, were often left guessing, questioning, perhaps occasionally exasperated, but always some way altered. That he changed, in some way, the world with which he came into contact, in such a non-didactic way, is a fine and worthy legacy for the quiet man and artist that Patrick O’ Sullivan was." (&lt;a href="(http://www.artscouncil.ie/News/Arts-Council-expresses-its-sadness-at-the-passing-of-Patrick-O_Sullivan/)"&gt;Arts Council 6.1.2015&lt;/a&gt;)</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Frank Sanquest and Dermot Breen in conversation</text>
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                <text>This is a black and white photo of the festival director, Dermot Breen, in conversation with the artist and journalist Frank Sanquest.&lt;br /&gt;&lt;br /&gt;Breen, with a cigarette in hand, was a colleague of Sanquest for many years – they would have come across each other in Cork through their involvement with the theatre. For example, when the Cork Opera House burnt down in 1954 the Palace theatre, then managed by Dermot Breen, stepped in offering its stage to the Cork Operatic Society. Sanquest was then set-designer for the Cork Opera House and the Cork Operatic Society. By the late fifties Breen gave up managing the theatre in order to run the film festival and his job at the Palace was taken over by Dan Donovan. &lt;br /&gt;&lt;br /&gt;Frank Sanquest was also a journalist for the then &lt;em&gt;Cork Examiner&lt;/em&gt; and worked as its arts editor from 1940 to 1987. He was the father of five children with his wife Rose, including the artist Kevin Sanquest and the writer Rosalind (Roz) Crowley. In 2009 Kevin Sanquest created a national portrait collection in Fota House, Carrigtwohill, Cork, titled &lt;em&gt;Inheritance – Honouring the Cork Legacy&lt;/em&gt;; he passed away in 2013. Interestingly Kevin Sanquest was the first manager of the Cork music legend Rory Gallagher and the band &lt;em&gt;Taste&lt;/em&gt;. His sister, the journalist and author Roz Crowley, refers to the legacy of Rory Gallagher in her book &lt;em&gt;Macroom Mountain Dew – Memories of Ireland’s First Rock Festival&lt;/em&gt; (OnStream Publications Ltd., 2016). (‘Frank Sanquest obituary: All-round artist with a love for the theatre,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 12.01.2008; Vera Ryan, &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt;, The Collins Press, 2008; Barry Roche, ‘Book marks 40th year of Macroom Mountain Dew Festival,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.06.2016.)</text>
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              <elementText elementTextId="14278">
                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Gus Healy, Frank Sanquest, and Dermot Breen</text>
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                <text>This is a black and white photo of the festival director Dermot Breen with the artist and journalist Frank Sanquest and the politician, and former Lord Mayor of Cork, Gus Healy. &lt;br /&gt;&lt;br /&gt;Gus Healy, seated on the far left, was an Irish Fianna Fáil politician who would later serve Cork as Lord Mayor from 1964 to 1965 and 1975 to 1976. He is seated next to the artist Frank Sanquest, in half-rimmed spectacles and wearing his trade-mark dickie bow. Sanquest (1912-2008) was a Cork-born artist who worked for many years as resident set-designer for the Cork Opera House before it burnt down in 1954. He was on the board of the Southern Theatre Group with Dan Donovan and James N. Healy; they often toured with John B Keane plays, starring the Cork actor Michael Twomey who also came to the Cork Film Festival. From 1940 to 1987 Sanquest worked as the Arts Editor for the &lt;em&gt;Cork Examiner&amp;nbsp;&lt;/em&gt;and would attend festival press conferences for the paper.</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Singing sensation Helen Shapiro with the actor Ferdy Mayne and Dermot Breen</text>
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                <text>Finbarr O'Connell </text>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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                <text>This is a black and white photo of the singer Helen Shapiro in conversation with the actor Ferdy Mayne and festival director Dermot Breen. They are probably at the Harp Lager-sponsored festival club and, as with the convivial crowd around them, they drink and chat, cigarette in hand.&lt;br /&gt;&lt;br /&gt;Helen Shapiro, in a white blouse and embroidered top accessorised with a festival ribbon, was a singing sensation in her day. Born in East London in 1946, she was a British singer whose repertoire included the blues, jazz, gospel and pop music. By the age of 15 she was England’s top recording star with &lt;em&gt;You Don’t Know&lt;/em&gt; and &lt;em&gt;Walking Back to Happiness&lt;/em&gt; earning her two gold discs. She toured and performed with the Beatles; John Lennon and Paul McCartney wrote the song &lt;em&gt;Misery&lt;/em&gt; for her but her then-management refused to let her record it. Shapiro’s film career was brief and she played herself in &lt;em&gt;Play It Cool&lt;/em&gt; (Michael Winner,1962) and the lead female role in &lt;em&gt;Its Trad, Dad!&lt;/em&gt; directed by Richard Lester (1962) who went on to direct the Beatles’ film &lt;em&gt;Hard Day’s Night&lt;/em&gt; (1964). Her stage career includes the West End play &lt;em&gt;Oliver&lt;/em&gt; by Lionel Bart and the part of Sally Bowles in &lt;em&gt;Cabaret&lt;/em&gt;. Later she toured with the British jazz trumpeter Humphrey Lyttelton and his band between 1984 and 2001, as well as touring with her one-woman show &lt;em&gt;Simply Shapiro&lt;/em&gt;. Shapiro published her autobiography &lt;em&gt;Walking Back to Happiness&lt;/em&gt; in 1993.&lt;br /&gt;&lt;br /&gt;Ferdy Mayne, on the right, cigar in hand, faces Breen as they chat. A festival ribbon is pinned to the left lapel of his jacket. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate; &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968); and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). &lt;br /&gt;&lt;br /&gt;Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to Cork around the same time as this photo. (While this photo is marked 1970 it is possibly 1972 based on other items in the archive.) His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease. (Tom Vallance, 'Obituary: Ferdy Mayne', &lt;em&gt;The Independent&lt;/em&gt;, 04.02.1998.)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11278">
                <text>This is a black and white photo of the German actor Hannelore Elsner, wearing a heart-patterned dress, looking up at the camera smiling. Elsner’s long-standing career ended only with her death in 2019, age 77. In the early 1970s Elsner appeared in &lt;em&gt;The Stuff That Dreams are Made Of&lt;/em&gt; (Alfred Vohrer, 1972) and the German drama film &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with the German actor Ferdy Mayne, who also came to the Cork Film Festival in 1972.&lt;br /&gt;&lt;br /&gt;Elsner is best remembered in Germany for playing the title role of Inspector Lea Sommer, in a long-running German TV series &lt;em&gt;Die Kommissarin&lt;/em&gt; (&lt;em&gt;The Inspector&lt;/em&gt;) which ran from 1994 to 2006. She also played the lead role in the highly acclaimed black-and-white film &lt;em&gt;Die Unberührbare&lt;/em&gt; (&lt;em&gt;No Place to Go&lt;/em&gt;) (Oskar Roehler, 2000) based on the life of novelist Gisela Elstner, the mother of the director. The film went to the Cannes Film Festival and won Elsner the &lt;em&gt;Deutscher Filmpreis&lt;/em&gt; (German Film Award) for Best Actress. In his review, &lt;em&gt;The New York Times&lt;/em&gt; critic, A.O. Scott, notes that Elsner “holds the screen with the intensity of a silent-film goddess.” (Melissa Eddy, ‘Hannelore Elsner, Compelling German actor, is dead at 76,’ &lt;em&gt;The New York Times&lt;/em&gt;, 10.05.2019.)</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11279">
                <text>German actor Hannelore Elsner</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11334">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12725">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="482">
        <name>Ferdy Mayne</name>
      </tag>
      <tag tagId="408">
        <name>Germany</name>
      </tag>
      <tag tagId="765">
        <name>Hannelore Elsner</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
