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                <text>Mick Hannigan with James Nesbitt and others</text>
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                <text>This is a black and white photo of festival director Mick Hannigan with film festival attendees one of whom is identified as James Nesbitt. The photo is marked '1980s' coinciding with Hannigan’s stewardship of the festival. He stands on the right of the photo, glass in hand, smiling broadly at the camera. Nesbitt, leaning forward with his hand on the shoulder of a beaming child, and his companion in a light-coloured dress, also smile for the camera. Behind them, artwork adorns the walls of the unidentified location. &lt;br /&gt;&lt;br /&gt;Hannigan worked for the festival for 27 years until leaving in 2013. He previously worked with the poet Theo Dorgan at the Triskel Arts Centre in the early eighties before they took up the cudgels of the film festival. Together they were a formidable team and consolidated the work of the festival bringing short and independent films to big venues such as the Cork Opera House. Hannigan later opened the first art-house cinema in Cork – The Kino – based on Washington Street at the top of the Western Road in 1996. It shut down in 2009 but for many years ran both popular and art-house films and, in conjunction with the Cork Film Festival, brought retrospective and cultural films to Cork. Hannigan now runs the &lt;a href="https://indiecork.com/"&gt;IndieCork Film Festival&lt;/a&gt; with Úna Feely, who was a programmer for the Cork Film Festival from 2001 until her departure in 2013.</text>
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                <text>&lt;p&gt;©Dave Blunt. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Cork Film Festival, Mick Hannigan, Theo Dorgan, Úna Feely, Indie Film Festival, The Kino</text>
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                <text>This is a publicity picture of Mick Hannigan who was the director of the Cork Film Festival from 1986 and its CEO from 2009 to 2013. The photo is undated, but we might suggest that it is from the 1980s when Hannigan, along with the poet Theo Dorgan, took the helm of the festival from Robin O’Sullivan who had managed it magnanimously after the unexpected death of festival founder Dermot Breen in 1978. &lt;br /&gt;&lt;br /&gt;Hannigan and Dorgan were a formidable team and consolidated the work of the festival bringing short and independent films to big venues such as the Cork Opera House. In 1996 Hannigan opened the first art house cinema in Cork – The Kino – located on Washington Street, at the top of the Western Road. Its first film was the low-key British film &lt;em&gt;Brassed Off&lt;/em&gt; (Mark Herman, 1996) but it was &lt;em&gt;Shine&lt;/em&gt; (Scott Hick, 1996) that sustained an eleven-week run ensuring the early success of the Kino. It ran both popular and art-house films and, in conjunction with the Cork Film Festival, brought retrospective and cultural films to Cork. However, plagued by financial concerns, the Kino closed its doors in 2009 and the building, once a cultural hub for the city, is now destined for redevelopment. &lt;br /&gt;&lt;br /&gt;Following his departure from the Cork Film Festival in 2013, Hannigan set up the Indie Cork Film Festival with festival programmer Úna Feely. Feely had worked for the Cork Film Festival since 1995 and was its festival programmer from 2001 until her departure, with Hannigan, in 2013. Hannigan and Feely also run Green Ray Film Agency which provides a broad range of services to filmmakers, festivals, and event organisers. (Joe Lyons, 'The Kino', &lt;em&gt;The Archive, &lt;/em&gt;Issue 17, 2013; Michael Moynihan, &lt;em&gt;Crisis and Comeback: Cork in the Eighties, &lt;/em&gt;Collins Press, 2018.)</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
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              <text>254 x 202mm</text>
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                <text>Theo Dorgan and others with the 1986 festival programme</text>
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                <text>Cork Film Festival, Theo Dorgan</text>
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                <text>This is a black and white photo of the celebrated poet, writer, translator, and broadcaster Theo Dorgan with two unidentified guests at a drinks reception for the film festival. Dorgan, on the right in a light-coloured jacket and glass in hand, is looking down at the programme of the 31st Cork Film Festival which took place in 1986. He had just taken over the film festival, along with Mick Hannigan, and this photo might be from the launch of that years’ festival. The location is not identified but given the artwork hanging on the walls behind them we might suggest the Crawford Art Gallery in Cork. &lt;br /&gt;&lt;br /&gt;Theo Dorgan’s name, together with Mick Hannigan, is intrinsically tied up with the early days of Hannigan’s tenureship of the festival. Born in Cork in 1953, Dorgan was educated at the North Monastery School and University College Cork where he later taught. Dorgan managed the literature programme at the Triskel Arts Centre in Cork from 1977 to 1979 crossing paths with Mick Hannigan and together they took on the then-struggling Cork Film Festival in 1986. He was later appointed director of Poetry Ireland and moved on from the festival in 1989. Dorgan has presented &lt;em&gt;Poetry Now&lt;/em&gt;, the &lt;em&gt;Inprint&lt;/em&gt; series, and &lt;em&gt;The Invisible Thread&lt;/em&gt;, on RTÉ and Lyric FM radio. His poetry collections include &lt;em&gt;The Ordinary House of Love&lt;/em&gt; (Salmon Publishing, Galway, 1991) (which was republished in 1998 with &lt;em&gt;Rosa Mundi&lt;/em&gt; in the single volume &lt;em&gt;What this Earth Cost Us &lt;/em&gt;[Dedalus Press, 2008]), &lt;em&gt;Sappho’s Daughter&lt;/em&gt; (Wave Train Press, 1998), &lt;em&gt;Greek&lt;/em&gt; (Dedalus Press, 2010), and &lt;em&gt;Nine Bright Shiners&lt;/em&gt; (Dedalus Press, 2014) for which he was awarded the 2015 Poetry Now Award. With a keen interest in sailing Dorgan published his memoirs &lt;em&gt;Sailing for Home&lt;/em&gt; (Dedalus Press, 2004) and &lt;em&gt;Time on the Ocean&lt;/em&gt; (New Island Books, 2010). He was appointed to the Irish arts foundation Aosdána in 1999 and was an appointee of the Arts Council from 2003 to 2008.</text>
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                <text>University College Cork, Cork Film Festival</text>
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              <elementText elementTextId="5034">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <name>Coverage</name>
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                <text>1986&#13;
Cork, Ireland</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14223">
                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>English, eng</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/612"&gt;1986 festival programme cover&lt;/a&gt;</text>
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        <name>Mick Hannigan</name>
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        <name>Theo Dorgan</name>
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        <src>https://corkfilmfest.ucc.ie/files/original/723a9f9a56cf629ec3ed8caaa021664e.jpg</src>
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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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                  <text>Cork Film Festival Collection</text>
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                  <text>University College Cork</text>
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                  <text>1956-</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>252 x 206mm</text>
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                <text>Award ceremony at the City Hall</text>
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            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Award, City Hall, Lord Mayor, O'Sullivan, Gus Healy</text>
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                <text>This is a black and white photo of an award ceremony at the Cork City Hall and shows the all-male guests and dignitaries seated across the expanse of the stage. Small tables at the front of the stage display four glass whiskey decanters and the Waterford Crystal trophy. The guests are not identified but we recognise the Lord Mayor, Timothy J O’Sullivan, which helps us date this photo to his mayoralty in 1971. O’Sullivan is seated alongside festival director Dermot Breen on his left and committee member Gus Healy on his right. Healy was Lord Mayor of Cork from 1964 to 1965 and 1975 to 1976.</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Finbarr O'Connell </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="5047">
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TIFF&#13;
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                <text>1971&#13;
Cork, Ireland</text>
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              <elementText elementTextId="8025">
                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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                <text>English, eng</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14226">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Lord Mayor</name>
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        <name>O'Sullivan</name>
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        <name>Timothy J O'Sullivan</name>
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                  <text>University College Cork</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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              <text>246 x 202mm</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Lord Mayor Pearse Wyse, Dick Burke, Mary O'Keeffe and others</text>
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          <element elementId="49">
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                <text>Cork Film Festival, Brother Jerome, Dick Lester, Lord Mayor, Pearse Wyse, Dick Burke, Minister of Education, Dermot Breen, Jerry O' Halloran, Mary O'Keeffe</text>
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          <element elementId="41">
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              <elementText elementTextId="5053">
                <text>This is a black and white photo from 1974 during the mayoralty of Pearse Wyse. It shows the Lord Mayor seated with festival committee colleagues as they listen to a speaker at the microphone. The photo identifies the small group as Brother Jerome, Dick Lestor, Lord Mayor, Dick Burke (at the microphone), Dermot Breen, Gerry O’Halloran and Mary O’Keeffe. </text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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TIFF&#13;
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                <text>1974&#13;
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                <text> Dermot Breen and colleague in London</text>
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                <text>This is a black and white photo of the festival director Dermot Breen with an unidentified colleague. They are turned towards each other in conversation, while the light of the camera catches the warm smile of the woman. The photo is marked ‘London, 1975’ and might be taken at one of the London Friends of the Festival events that were hosted by Tom Nicholas at the Martini Terrace in London. The London Friends of the Festival raised thousands of pounds for the festival during the 1970s.</text>
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                <text>&lt;p&gt;©Pic Photos, London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dermot Breen with Richard Lester and others</text>
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                <text>Cork Film Festival, Dermot Breen, Dick Burke, Richard Lester</text>
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                <text>This is a black and white group photo of festival director Dermot Breen with festival friend Dick Burke, the film director Richard Lester and an unidentified colleague. Lester in a light-coloured check suit smiles for the camera. Around the time of this photo, which is dated 1975, Lester had finished &lt;em&gt;The Four Musketeers&lt;/em&gt; (1974) starring Oliver Reed and Raquel Welsh, and &lt;em&gt;Royal Flash&lt;/em&gt; (1975) with Malcolm McDowell and Oliver Reed. In 1976 he directed the British-American romance and adventure film &lt;em&gt;Robin and Marian&lt;/em&gt; starring Sean Connery, Audrey Hepburn and the English actor Robert Shaw who also came to the Cork Film Festival in the early seventies. &lt;br /&gt;&lt;br /&gt;In 2010 Lester donated his large archive of film-related materials to the British Film Institute (BFI). The archive consisting of letters, scripts, notes, and photographs is available to the public via their Special Collections. (Mark Brown, ‘Richard Lester archive donated to BFI full of riches,’ &lt;em&gt;The Guardian&lt;/em&gt;, 23.08.2020.)</text>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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                <text>1975&#13;
Cork, Ireland</text>
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            <name>Rights</name>
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              <elementText elementTextId="12611">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dermot Breen</name>
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        <name>Dick Burke</name>
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Cork, Ireland</text>
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              <name>Rights</name>
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              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <text>257 x 203mm</text>
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          <element elementId="50">
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                <text>David Hemmings, Lord Mayor Seán French and others at festival presentation</text>
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                <text>Cork Film Festival, David Hemmings, Dan Donovan, Teddy O'Brien, Dermot Breen, Lord Mayor, Seán French, Gus Healy, George McSweeney, Award</text>
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                <text>This is a black and white photo, dated 1976, of the actor David Hemmings speaking at an award presentation which was organised by George McSweeney (who might be sitting at the piano). The Lord Mayor Seán French, wearing his chain of office, is seated behind Hemmings next to the former Lord Mayor Gus Healy. Some of the other nine delegates are provisionally identified at the back of the photo as the Everyman Theatre founder, and Presentation Brothers College (PBC) teacher, Dan Donovan, Teddy O’Brien, festival director Dermot Breen, and Dorinda Coomber.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;David Hemmings was an English actor, director, and producer who achieved international fame as a sixties icon following his memorable role, as a London fashion photographer (which might have been based on David Bailey), in &lt;em&gt;Blow-Up&lt;/em&gt; (1966), by the Italian director Michelangelo Antonioni, starring Vanessa Redgrave and Sarah Miles. He later played the leading man, opposite Jane Fonda, in Roger Vadim’s fantasy &lt;em&gt;Barbarella&lt;/em&gt; (1970). His filmography includes &lt;em&gt;The Charge of the Light Brigade&lt;/em&gt; (Tony Richardson, 1968), &lt;em&gt;Alfred the Great&lt;/em&gt; (Clive Donner, 1969) (which was filmed in Ireland), &lt;em&gt;Juggernaut&lt;/em&gt; (Richard Lester, 1974), with Richard Harris and Omar Sharif, and the gangster movie &lt;em&gt;The Squeeze&lt;/em&gt; (Michael Apted, 1977) with Stacy Keach and Edward Fox. Distracted by television roles and running his company, Hemdale Corporation, during the 1980s, his credits include &lt;em&gt;Magnum PI&lt;/em&gt;, &lt;em&gt;Airwolf&lt;/em&gt;, &lt;em&gt;The A-Team,&lt;/em&gt; and &lt;em&gt;Quantum Leap&lt;/em&gt;. By the 2000s his return to film was well-received and included the role of ‘Cassius’ in &lt;em&gt;Gladiator&lt;/em&gt; (Ridley Scott, 2000), and the role of ‘Lenny’ in the poignant &lt;em&gt;Last Orders&lt;/em&gt; (2001), alongside Tom Courtenay and Michael Caine, which was shown at the 46th edition of the Cork Film Festival in 2001. His role in &lt;em&gt;The League of Extraordinary Gentleman&lt;/em&gt; (2003), with Sean Connery, was one his final roles before his unexpected death in Romania in 2003, age 62, whilst filming the British-Romanian horror film &lt;em&gt;Blessed&lt;/em&gt; (a.k.a.&lt;em&gt;Samantha’s Child&lt;/em&gt;) (Simon Fellows, 2004) with Heather Graham and James Purefoy. We also note that he had a minor role in the film &lt;em&gt;St Joan&lt;/em&gt; (1957), based on the George Bernard play, directed by Austrain-born director Otto Preminger, who came to the film festival with Jean Seberg in the late 1950s.</text>
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JPEG</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1976&#13;
Cork, Ireland</text>
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            <description>A language of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14228">
                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Dan Donovan</name>
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        <name>David Hemmings</name>
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        <name>Dermot Breen</name>
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      <tag tagId="809">
        <name>Everyman Theatre</name>
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      <tag tagId="812">
        <name>George McSweeney</name>
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        <name>Gus Healy</name>
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        <name>Lord Mayor</name>
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        <name>Otto Preminger</name>
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        <name>Seán French</name>
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        <name>Teddy O'Brien</name>
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