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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of Roy Gunson, Margaret Savage, and the vice-chairman of the festival committee, Richard (Dick) Beamish, taken at a reception held at the Martini Terrace, New Zealand House, in London. On the far left the bespectacled Roy Gunson is posing towards the camera with his right hand raised holding a glass. &lt;br /&gt;&lt;br /&gt;Gunson worked as a dance director and choreographer with the popular &lt;em&gt;The Black and White Minstrel Show&lt;/em&gt; which ran on BBC television in the UK from 1958 to 1978. Margaret Savage, wearing a flamboyant patterned dress accessorised with a scarf tied at her neck, stands in the middle of the group. She was a singer who also worked on &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Black and White Minstrel Show&lt;/em&gt; with Gunson. &lt;br /&gt;&lt;br /&gt;On the far right, Dick Beamish, wearing his distinctive dark-framed glasses, is smiling directly at the camera. They are attending a reception, held at the Martini Terrace in London, where details of the 20th Cork Film International Festival were announced. The Martini Terrace is an iconic landmark that sits on the top floor of the 18-storey New Zealand House located at the corner of Haymarket and the Pall Mall in London.&amp;nbsp;</text>
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                <text>&lt;p&gt;©Theo Cowan, plc Photos. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Photo of the Breens with  Jimmy Campbell and Frank O'Reilly</text>
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                <text>This is a black and white photo, dated 1969, of festival director Dermot Breen and his wife Vida, accompanied by two colleagues identified as Jimmy Campbell and Frank O'Reilly. The small group is shown in evening wear ascending the stone steps of the Savoy Cinema. The men wear dark evening suits and Vida Breen is wearing a dark fur jacket over a long light-coloured floral dress accessorised with a satin clutch bag. Above them posters advertise &lt;em&gt;Scannán Chorcaí&lt;/em&gt; (Cork Film) and the Cork International Film Festival.</text>
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                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©George Jervas Photo Studio NY. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Sir Alec Guinness standing with the festival director Dermot Breen. They are outdoors, possibly on a boat, standing side-by-side wearing heavy coats. Both are looking directly at the camera; Guinness is wearing a dark-coloured coat and a flat hat with his hands folded in front of him carrying a pair of light-coloured gloves. Breen, in a tweed coat, has his hands in his pockets. In the distance we see the silhouette of tall chimney stacks on the horizon. &lt;br /&gt;&lt;br /&gt;Sir Alec Guinness (1914-2000) featured in many Ealing Comedies including &lt;em&gt;Kind Heart and Coronets&lt;/em&gt; (Robert Hamer, 1949) where he played nine characters. His collaborations with the film director David Lean include Fagin in &lt;em&gt;Oliver Twist&lt;/em&gt; (1948) and opposite William Holden in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957), for which he won the Academy Award for Best Actor. He has made many television appearances including the role of George Smiley in the serialisation of two novels by John le Carré, &lt;em&gt;Tinker Tailor Soldier Spy&lt;/em&gt; (1979) and &lt;em&gt;Smiley's People&lt;/em&gt; (1982). &lt;br /&gt;&lt;br /&gt;Most notably he is remembered for his role as Obi-Wan Kenobi in George Lucas' original &lt;em&gt;Star Wars Trilogy&lt;/em&gt; for which he received an Academy Award nomination for Best Supporting Actor. He was knighted by Queen Elizabeth II in 1959 for his services to the arts.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Alec Guinness</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Iranian film producer Vasgen Badal and Norma Crosbie</text>
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                <text>This is a black and white photo of the film producter Vasgen Badal and Norma Crosbie greeting each other. Both are in formal wear and Badal looks on, vaguely distracted, while Norma Crosbie, dressed in a white lace dress, leans in to kiss him. The photo is dated 1958 and we note from the 1959 Festival of Cork Programme that Badal was presented with a statuette of St. Finbarr that year by Jack Lynch, TD, for the documentary &lt;em&gt;Dreamroad of the World&lt;/em&gt; (Hans Domnick, 1958). &lt;br /&gt;&lt;br /&gt;Badal was an Iranian-born film producer and distributor who moved to Germany as a young man where he learnt about film and set up the film company 'Badal-Filmproduktion.' He produced a number of films in the thirties and forties including a Nazi propaganda film &lt;em&gt;Roter Nebel&lt;/em&gt; (UA, 1941) which was released after the German attack on the USSR in June 1941. Vasgen Badal died in 1959 - a year after this photo was taken. As so little is known about him we are fortunate to have images of him in the archive.</text>
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              <elementText elementTextId="2008">
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                <text> RW Hammond </text>
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                <text>1958&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival,  RW Hammond </text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Norma Crosbie</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>At the steps of the Savoy Cinema</text>
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                <text>Cork Film Festival, Dermot Breen, Lea Massari, Forella Mari, Savoy</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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                <text>This is a black and white photo of the festival director Dermot Breen escorting an unidentified actor at the steps of the Savoy Cinema in Cork. Both are dressed in formal evening wear, Breen in a dark suit and the lady in a three-quarter length dress accessorised with a fur stole and white gloves. She is carrying a bouquet of flowers in her left hand and is looking directly at the camera. An usher escorts them while all around a crowd jostles to view the passing entourage. Some of the images of the crowd are blurred but we can sense the hustle and bustle of the event. &lt;br /&gt;&lt;br /&gt;Above the passing cinema-goers, we can read posters advertising two personal appearances that evening: &lt;em&gt;Personal appearance: Lea Massari&lt;/em&gt; and &lt;em&gt;Tonight at 8pm: Fiorella Mari&lt;/em&gt;. Both Massari and Mari were Italian actors and from this, we might guess that this fair-haired woman in this picture is Forella Mari. Born in Brazil, Mari moved to Rome in the 1950s and is best known for her roles in &lt;em&gt;Are We Men or Corporals?&lt;/em&gt; (Camillo Mastrocinque, 1955) and &lt;em&gt;Fathers and Sons&lt;/em&gt; (&lt;em&gt;Padri e figli&lt;/em&gt;) (1957) by Mario Monicelli, which was shown at the Cork Film Festival that year.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12826">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Italy</name>
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        <name>Lea Massari</name>
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        <name>Savoy Cinema</name>
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