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                <text>This is a black and white photo of the film festival director Dermot Breen and three women marked as 'Italian Girls' on the back of the photo. Breen is shown laughing in the centre of the photo surrounded by the three women who are smiling towards the camera. The women are between them accessorised with pearls and a fur stole and we might guess that they are Italian actors who visited Cork this year and include Luisa Della Noce.&lt;br /&gt;&lt;br /&gt;On the wall behind them we can just make out the edge of a poster advertising &lt;em&gt;Padri e figli&lt;/em&gt; (Fathers and Sons) (Mario Monicelli, 1957), an Italian comedy film starring Vittorio De Sica who would visit the Cork Film Festival a number of times during the 1950s.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>The front cover image on the 2007 festival programme is by Patrick Morrison, who was an LA-based Cork-born artist (1945-2013). It is a detail from &lt;em&gt;The Golden Gate Bridge &lt;/em&gt;and depicts a couple on, or near, the red-orange steel struts of the bridge. Wearing a white shirt, with his sleeves rolled up, the man appears to be carrying the woman towards a car. Mustard-yellow clouds swirl against an azure-blue sky in the background. The rich oppressive colours of the scene reflecting the drama being played out on the bridge. &lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for 'Corona Extra Beer' who are the main sponsors of the festival. The image of an ice-cold bottle of Corona Extra beer – with beads of condensation on its face and a wedge of lime inserted in the neck – dominates the length of the black-green coloured page. A transparent film reel is wrapped around the gold beer-filled bottle in a loose circular fashion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The 2007 Cork Film Festival programme is a soft card-bound programme measuring 21cm x 29.5cm. The spine is glue-bound and it has 136 numbered pages.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>The 2002 festival programme cover is a green-themed montage of film stills and festival information. The montage depicts twelve film stills from films being shown that year at the festival; they include &lt;em&gt;Magdalene Sisters&lt;/em&gt; (Peter Mullan, 2002), &lt;em&gt;A Man Without a Past&lt;/em&gt; (Aki Kaurismäki, 2002), &lt;em&gt;John Ford Goes to War&lt;/em&gt; (Tom Thurman, 2002), as well as stills from the shorts programme &lt;em&gt;Aria&lt;/em&gt; (Pjtor Sapegin, 2001), &lt;em&gt;A Man Thing&lt;/em&gt; (Sławomir Fabicki, 2001), &lt;em&gt;Face&lt;/em&gt; (Bertha Bay-Sa Pan, 2002), and the animation programme (a selection from Phil Mulloy). The festival sponsors are noted in a green box at the bottom right corner of the programme and the festival information is noted in a green band above this. &lt;br /&gt;&lt;br /&gt;The back of the programme, also green, has a circular orange and black image at its centre. The image is taken from &lt;em&gt;Film 1st&lt;/em&gt; (Gustave Deutsch, 2002) and is found footage of a young woman, looking down with her hands raised up resting on her head, dressed in a vintage-styled twenties dress accessorised with drapes over her shoulders. &lt;br /&gt;&lt;br /&gt;The programme is a soft card-bound programme with a glue-bound spine. It comprises 128 pages and measures 21cm x 29.5cm.</text>
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