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                <text>The 1986 festival poster depicts a young couple in a celebratory mode. The man, dressed in a blue denim shirt and wearing sunglasses, is blowing on a party whistle shaped as film reel negative. The woman, laughing and wearing blue-rimmed glasses, has her pink-shod arms thrown around the man's shoulders. Her watch has what seems like a cartoon-like image of the Virgin Mary on its face.</text>
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                <text>University College Cork, Cork Film Festival, John MacMonagle, Barry McCullough, Limerick School of Art &amp; Design, Lithod by Guy &amp; Co. Ltd, Cork.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>Cork Film Festival, Michael O’Herlihy, Carmen Dillon, Dagmar Hirtz, Patrick Carey, Bert Haanstra, Joy Batchelor, Jerzy Bossak, Tony Barry, Ronnie Saunders,  Jean Lefebvre, Canada, Association of Independent Producers Ireland (AIP), John Boorman, Vida Breen,  London Friends of Cork</text>
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                <text>start=1980-10-10; end=1980-10-17;&#13;
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                <text>Cork Film Festival, A Healy, Robin O'Sullivan, Harry Conboye, Lord Mayor T O'Sullivan, Vida Breen</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/608"&gt;Cork International Film Festival programme cover from 1980&lt;/a&gt;</text>
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                <text>The original 1980 programme is a slim soft card-bound issue measuring 26.5cm x 11cm. The bind is stapled and it has 82 numbered pages. &lt;br /&gt;&lt;br /&gt;The pdf version includes profiles of festival jury members Michael O’Herlihy (Ireland), Carmen Dillon (UK), Dagmar Hirtz (Germany), Patrick Carey (Ireland), Bert Haanstra (Netherlands), Joy Batchelor (UK), Jerzy Bossak (Poland), Tony Barry (Ireland) and Ronnie Saunders (Ireland). Programme listings include a programme of features and shorts for a Canadian film week which was staged with the collaboration of Jean Lefebvre, Canadian Secretary of the State Department. In addition, the Association of Independent Producers Ireland (AIP) curated an Irish Showcase of feature films and shorts including &lt;em&gt;Cry of the Mountain&lt;/em&gt; (Eamon de Buitlear); &lt;em&gt;The Special Per Cent&lt;/em&gt; (Jim Sherwin); &lt;em&gt;Revival – Pearse’s Concept of Ireland&lt;/em&gt; (Louis Marcus);&lt;em&gt; So … Who Needs the Training&lt;/em&gt; (Tiernan MacBride) with Niall Tóibín; and &lt;em&gt;Portrait of a Library&lt;/em&gt; (Kieran Hickey) starring Cyril Cusack. The programme also details a John Boorman Season (p.76) and a selection of his films was shown that year. We note an article by Vida Breen, C&lt;em&gt;ork Film Festival – 25 years on&lt;/em&gt; (pp.7-8), that references the origins of the festival and the London Friends of Cork whose work raised thousands of pounds for the festival. The brochure also includes a number of advertisements from local and national companies across all sectors of the business world.</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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&#13;
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                <text>The 1992 festival programme cover depicts a photographic montage of a gritty realist scene comprising a large silver film reel in the upper right corner against a concrete distressed-coloured grey/blue-black background tinted with reddish tones. The lower half of the programme depicts a scene strewn with film-like debris including torn cinema tickets, watch parts, teeth, foil sweet-wrappers, small cogs and wheels, a champagne bottle cork, a radiator key, a bracelet with bright beads as well as pictures of cinema actors including Sharon Stone and Sylvester Stallone.&lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for Murphy’s Irish Stout (the main festival sponsors). The main image is a photo of a handsome man dressed in a plain white t-shirt, stained with oil, and jeans sitting astride a (possibly) Triumph motorbike. He is leaning forward, gazing off to the distance on his right. He has a spanner in his left hand and his hands (and left cheek) are oil-stained. The black and white photo references a similar pose by Marlon Brando in the 1953 movie &lt;em&gt;The Wild One &lt;/em&gt;(László Benedek, 1953). The lower half of the page is given over to text describing the iconic status of the plain white t-shirt and how its status is similar to that of Murphy’s stout. A full pint of black stout, with its cream head, is centred amidst the text. The glass, with Murphy’s logo across its front, is dotted with condensation. &lt;br /&gt;&lt;br /&gt;The 1992 programme is a soft card-bound programme measuring 21cm x 30cm. The spine is glue-bound and it has 76 numbered pages.&lt;br /&gt;&lt;br /&gt;Note: The introduction by Donal Sheehan (programming director) and Fran Bergin (administrative director) reference Michael Hannigan and his recent departure from the director’s chair and thank him for his work. The introduction also references an exhibition that the film festival held that year of archive material relating to the Festival. It also notes the success of the first Irish Lesbian and Gay Film Festival held in 1991.</text>
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                <text>Cork Film Festival, Michael Martin, Charles Hennessy , David Puttnam, Fran Bergin, Donal Sheehan, Kieran O’Connor, Una Feely, Margaret Dorgan, Maura O’Keefe, Michael Foley</text>
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                <text>The 1990 festival programme cover is of a gritty realist scene comprising a large silver film reel against a concrete distressed-coloured grey/blue-black background. To the left of the film reel is a smaller spray-painted image of a man carrying a flag, depicted in the Russian workers' style. There are two white borders on the upper and lower edges of the programme on which festival notes are printed. The back of the programme is an advertisement by festival sponsors Murphy’s for Murphy’s Irish Stout. It shows a black and white image of a young man, in jeans and a white t-shirt, sitting astride his motorbike – looking off into the distance. The image is accompanied by text and a colourised picture of a full pint of stout with its cream-topped head. &lt;br /&gt;&lt;br /&gt;The 1990 programme is a soft card-bound programme measuring 29.5 x 20.5cm. The bind is stapled and it has 76 numbered pages.</text>
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