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                <text>This is a black and white photo of the English actor Sally Thomsett in conversation with unidentified companions. They appear to be at a drinks reception which, as we know from a similar item in the archive, was also attended by fellow English actors Shane Briant, Virginia Wetherell and Vicki Coomber. Thomsett, on the far left with a liqueur glass in hand, looks on as the others chat. Born in 1950 she would have been around 22 years old in this picture. She had just finished the film &lt;em&gt;Straw Dogs&lt;/em&gt; (Sam Peckinpah, 1971) starring Dustin Hoffman, but was best known for her role, playing the part of a young girl, in the British drama film &lt;em&gt;The Railway Children&lt;/em&gt; (1970) written and directed by Lionel Jeffries. Jeffries (1926-2010) came to the film festival in 1964 and an image of him can be seen in the archive.</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Sally Thomsett with the actors Julian Glover and Shane Briant and others. The small group are standing in a busy room, decorated with promotional adverts for Harp Lager. A tentative Sally Thomsett, at the centre in a dark velour jacket, looks towards Glover as he speaks. Born in 1935, Julian Glover is an English actor of stage, television and film including &lt;em&gt;The Empire Strikes Back&lt;/em&gt; (aka &lt;em&gt;Star Wars: Episode V – The Empire Strikes Back&lt;/em&gt;) (Irvin Kershner, 1980), &lt;em&gt;For Your Eyes Only&lt;/em&gt; (John Glen, 1981), and as the voice of Aragog, the giant spider in &lt;em&gt;Harry Potter and the Chamber of Secrets&lt;/em&gt; (2002) directed by Chris Columbus. Most recently he had a recurring role in &lt;em&gt;Game of Thrones&lt;/em&gt; (2011-2016) as Grand Maester Pycelle, and has appeared in an episode of the historical television series &lt;em&gt;The Crown&lt;/em&gt; (2019). Around the time of this photo, dated 1972, Glover had appeared in &lt;em&gt;Nicholas and Alexandra&lt;/em&gt; (Franklin J Schaffner, 1971), and &lt;em&gt;Antony and Cleopatra&lt;/em&gt; (1972) directed by Charlton Heston who also played the main role of Mark Antony. The film was made by Rank Organisation who were key players in the early days of the film festival and would sent their stars and representatives to the festival – some of whom can be seen in the archive. &lt;br /&gt;&lt;br /&gt;Glover, standing next to a young woman identified as Yvonne O’Reilly, is looking towards Sally Thomsett in this picture. Thomsett, born in 1950, is an actor best known for her role as one of the children (Phyllis Waterbury) in the 1970 film &lt;em&gt;The Railway Children&lt;/em&gt; directed by Lionel Jeffries. Around the time of this photo she had just completed the thriller &lt;em&gt;Straw Dogs&lt;/em&gt; (Sam Peckinpah, 1971) starring Dustin Hoffman and the Irish actor Jim Norton. On the far right the fair-haired actor Shane Briant, in a velvet jacket over a white ruffled tuxedo shirt, is turned towards his companion, identified as Nora Prendergast from Cork. Briant is best known for his roles in Hammer Film Productions and worked with Virginia Wetherell, who also came to the festival in 1972, in the British horror film &lt;em&gt;Demons of the Mind&lt;/em&gt; (1972) directed by Peter Sykes.</text>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="11491">
              <text>215  x 165mm</text>
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                <text>Savoy Cinema, Cork </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, International Film Festival, Savoy Cinema</text>
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              <elementText elementTextId="3">
                <text>This is a black and white photo of the Savoy Cinema on Patrick Street in Cork, advertising the 1956 festival. Flags adorn the building in a night-time scene and crowds are gathered outside. Posters include signs for &lt;em&gt;World Premiere - tonight at 8pm;&lt;/em&gt; &lt;em&gt;Anna Neagle, Sylvia Syms&lt;/em&gt;; and the film &lt;em&gt;My Teenage Daughter &lt;/em&gt;(Herbert Wilcox, 1956). &lt;br /&gt;&lt;br /&gt;The Savoy cinema was opened by the then Lord Mayor of Cork, Frank J Wallace, in May 1932. With almost 2,000 seats it was the largest cinema in the country at the time. It had an elaborate art-deco exterior and hosted the festival from its beginning in 1956. The last feature film screened at the Savoy was &lt;em&gt;The Towering Inferno&lt;/em&gt; (John Guillermin, 1974) on Saturday 1st February 1975. Hosted by Cork Film International it was a Gala Premiere and a &lt;a href="https://corkfilmfest.ucc.ie/items/show/111"&gt;special programme&lt;/a&gt; was compiled, printed and presented to Cork Film International by the London Friends of Cork.</text>
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            <name>Creator</name>
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                <text>University College Cork, Cork Film Festival, RW Hammond</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>University College Cork</text>
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            <name>Date</name>
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              <elementText elementTextId="70">
                <text>Photo&#13;
TIFF&#13;
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="71">
                <text>1956&#13;
Cork, Ireland</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="1226">
                <text>You can see an image of the &lt;a href="https://corkfilmfest.ucc.ie/items/show/111"&gt;Gala Premiere programme&lt;/a&gt; cover for the screening of &lt;em&gt;The Towering Inferno&lt;/em&gt;&amp;nbsp;in the &lt;a href="https://corkfilmfest.ucc.ie/items/browse?collection=3"&gt;Programme Collection&lt;/a&gt;.</text>
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                <text>Cork Film Festival Collection</text>
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            <name>Language</name>
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              <elementText elementTextId="12312">
                <text>English, eng</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12843">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Anna Neagle</name>
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        <name>Gala</name>
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        <name>London Friends of Cork</name>
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        <name>Savoy Cinema</name>
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        <name>Sylvia Syms</name>
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        <name>Towering Inferno</name>
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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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              <name>Creator</name>
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                  <text>University College Cork</text>
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              <name>Source</name>
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                  <text>Cork Film Festival Collection</text>
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                  <text>University College Cork</text>
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                  <text>1956-&#13;
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                <elementText elementTextId="90">
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="11741">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>School audience </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, School, Audience</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>This is a black and white photo of a school audience provisionally dated 1980. The photo shows a teenage audience, dressed in school uniform, probably waiting for a film to commence. They are seated in rows and fill the room with their animated presence. &#13;
&#13;
The Cork Film Festival, in partnership with the Irish Film Institute Education Department, has supported a schools’ programme for many years. The festival presents a selection of films that support film in the school curricula across the Junior and Senior Cycle. The festival also runs workshops for young students,  in conjunction with Screen Skills Ireland, promoting the variety of career paths available to them in film and television.</text>
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              <elementText elementTextId="4026">
                <text>University College Cork, Cork Film Festival</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="4027">
                <text>Cork Film Festival Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>University College Cork</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4031">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="4032">
                <text>1980&#13;
Cork, Ireland</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14128">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>1956-&#13;
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <elementTextContainer>
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                <text>Screening at the English Market</text>
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                <text>This is a black and white undated photo of a film screening at the historic indoor English Market in Cork. The light of the projector can be seen on the crowded balcony that is home to the Farmgate Café. Downstairs, in the market foyer, the audience are seated around the cast-iron market fountain looking up at a screen out of shot. The distinct signage for the long-established &lt;em&gt;Moynihan’s Poultry&lt;/em&gt; market stall can be seen in the background. &lt;br /&gt;&lt;br /&gt;The English Market has often been transformed into a cultural hub and ad hoc cinema over the years, be it for the Cork Film Festival or the season finale premiere of &lt;em&gt;The Young Offenders&lt;/em&gt; in 2018. The Farmgate has been the venue for a series of film festival ‘Grand Café Screenings’ of silent classics, sometimes with live musical accompaniment, and this image might be of one of those screenings. &lt;br /&gt;&lt;br /&gt;The market dates back to King James 1 in 1610 but it began trading as a covered market in 1788. It was named the ‘English Market’ to reflect the protestant makeup of the corporation of the time – the name also distinguished it from a nearby ‘Irish Market,’ otherwise known as St. Peter’s Market, located on North Main Street at the junction of Cornmarket Street. The English Market once served the wealthier classes in Cork, while the less well-off shopped at the Irish Market. The Irish Market is long since gone and is now the Bodega Bar at Cornmarket Street, while the English Market continues to thrive. Its fortunes wax and wane in tandem with the history of the city – be it revolution, fire, recession, or coronavirus pandemic – however it continues to act as the heartbeat of the city and its importance is unquestionable. You can read more about it in the book &lt;em&gt;Serving a City: The Story of Cork’s English Market&lt;/em&gt; by Cork-born historians Diarmuid Ó Drisceoil and Donal Ó Drisceoil (Collins Press, 2005).</text>
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                <text>This is a black and white photo, taken during the 1980s, of the sculptor Patrick O’Sullivan in conversation with festival director Robin O’Sullivan. Patrick O’Sullivan is sitting on Robin O’Sullivan’s desk who is looking up at him as they talk. A small stone sculpture, which might be a festival award, sits on the table between them and behind them, pinned to the back wall, we note a hand-drawn cartoon of a&amp;nbsp;robin on top of a Coca-Cola can wrapped in film reel. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan (1940-2015) was born in London to Irish parents and studied sculpture in England before moving to Cork in 1971. He lectured in sculpture at the Crawford College of Art and Design and during the time of this photo, dated 1980s, he was Head of Sculpture, a post he held from the 1980s to 1990s. O’Sullivan’s work, in marble, wood and bronze, has been exhibited around Ireland and his commission, &lt;em&gt;City&lt;/em&gt;, made from Kilkenny limestone, was placed on the South Mall in Cork as part of the Cork 800 sculpture symposium in 1985. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan was a member of Aosdána. Established in 1981, Aosdána was set up by the Arts Council to honor artists whose work has contributed to the arts in Ireland. Membership is by peer nomination and is limited to 250 living artists who have produced a distinguished body of work. Fellow artist and Aosdána member Michael Quane speaking of O’Sullivan notes that: "Patrick O’Sullivan was always insightful and never failed to challenge. Like his work, he too in his personal style was quiet, quizzical, and enigmatic. All those who came within his reach, within his department, were often left guessing, questioning, perhaps occasionally exasperated, but always some way altered. That he changed, in some way, the world with which he came into contact, in such a non-didactic way, is a fine and worthy legacy for the quiet man and artist that Patrick O’ Sullivan was." (&lt;a href="(http://www.artscouncil.ie/News/Arts-Council-expresses-its-sadness-at-the-passing-of-Patrick-O_Sullivan/)"&gt;Arts Council 6.1.2015&lt;/a&gt;)</text>
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                <text>This is a black and white photo of the sculptor Séamus Murphy and his daughter, Bebhinn Marten, in conversation with the Cork politician Peter Barry. The convivial group is dressed formally, and Marten, wearing a flower-decorated light-coloured dress, is looking up to Barry who is smoking. A whorl of smoke rises up through the air, crowning Barry, who is turned towards Marten as he listens to her. The picture is provisionally dated ‘1970s’ and would have been taken a few years before Murphy’s death in 1975. &lt;br /&gt;&lt;br /&gt;We have a particular affection for Seamus Murphy in the archive as he designed the St Finbarr statuette which was handed out as a film festival award for many years. Murphy was an Irish sculptor and stone carver with a studio based at Watercourse Road, in Blackpool, Cork. He was inspired by the writer Daniel Corkery, a teacher at his school, to attend the Cork Crawford School of Art. After receiving a scholarship he later went to Paris to study under the Irish-American sculptor Andrew O’Connor before returning to Cork and opening up his studio. Murphy was commissioned to design the Church of the Annunciation, in Blackpool, Cork, as well a number of unique carvings of statues, gravestones, and monuments around the City and beyond. Many examples of his work can be seen in the cemetery of St Finn Barre’s Cathedral especially in ‘Musicians’ Corner.’ A favourite City monument is his limestone drinking trough for dogs – tucked away at the top of Patrick’s Street under a now empty shopfront at number 121. It is marked &lt;em&gt;Madraí&lt;/em&gt; – the Irish word for dogs. A short documentary about Seamus Murphy, &lt;a href="https://ifiplayer.ie/the-silent-art/"&gt;The Silent Art &lt;/a&gt;(1958) by Louis Marcus, premiered at the festival in 1959.&lt;br /&gt;&lt;br /&gt;Murphy was married to Maigread, who was a founder of the Cork Arts Society and the Cork Film Society. She was a gifted artist in her own right and designed the well-known Paddy Irish Whisky logo. They met at the Cork Crawford School of Art and went on to have three children, the novelist Orla Murphy, the musician Colm Murphy, and the designer Bebhinn Marten who we see in this picture talking to Peter Barry. &lt;br /&gt;&lt;br /&gt;Bebhinn Marten is a knitwear designer based in Baltimore, Cork. Her company, Beacon Designs, developed during the 1970s, was one of the few knitwear companies designing and manufacturing in Ireland. However, due to the decline in the Irish woolen industry, the knitwear factory shut down and she converted the factory into a home. (Kieran McCarthy, &lt;em&gt;Secret Cork&lt;/em&gt;, Amberley Press, 2017; Mary Leland, 'Making a new home from an old factory by the sea in West Cork', &lt;em&gt;The Irish Times&lt;/em&gt;, 17.02.2018.)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of a press briefing with Sheamus Smith, Bill O’Herlihy and Disney representative whom we have provisionally identified as Roy Disney. Smith and O’Herlihy are turned towards Disney listening to him as he speaks. Behind them we notice part of a sign advertising the Cork International Film Festival. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, on the left in a leather jacket, started his career as a photojournalist for the now defunct Dublin paper &lt;em&gt;Evening Press&lt;/em&gt; before moving to Canada to study film and television. He returned to Ireland in 1961 to join the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) starting as a cameraman before becoming a producer and director with the station in 1963. Later he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). &lt;br /&gt;&lt;br /&gt;Sitting in the middle is the Cork-born RTÉ television broadcaster and Irish Film Board Chairman Bill O’Herlihy (1938-2015). He grew up in Glasheen in Cork and attended Glasheen Boys' national school, and St Finbarr’s College in Farranferris, leaving school at fifteen to join the &lt;em&gt;Cork Examiner&lt;/em&gt; before working for RTÉ. He would become a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. O’Herlihy was a keen cinephile and brought this to his work at the film board. O’Herlihy promoted the film industry and in particular was keen to develop filming in rural Ireland; he worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)&lt;br /&gt;&lt;br /&gt;Roy Disney, on the far right, cigar in hand, was the nephew of the late Walt Disney and a senior executive of the Walt Disney Company. Born in 1930 in California, he worked all his life for Walt Disney Productions and made a significant impact on its direction, striving to keep it from being split up by fellow Disney executives. Disney became an adopted native of Cork when he purchased Coolmain Castle near Killbrittan, Cork in the early 1990s and, being a keen sailor, was a regular visitor to Cork race week before his death in 2009.</text>
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                <text>1970&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <text>212 x 163mm</text>
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            <name>Title</name>
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                <text>Sheamus Smith, Greg Smith and guests at the Festival Club</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Donal Sheehan</text>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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                <text>Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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                <text>This is a black and white photo of festival guests at the Harp-sponsored festival club. The photo identifies the producer Greg Smith, William (Bill) Harpur, former film censor Sheamus Smith, Sheila Hampson, and Hillary O’Herlihy, the wife of Bill O’Herlihy. They are standing together, drink in hand, some smiling for the camera. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, wearing his distinctive glasses, stands on the left. Smith started working as a cameraman at the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) in 1961 before becoming a producer and director with the station in 1963. The following decade he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). He published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill and MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;The producer Greg Smith (1939-2009), in a light-coloured jacket, stands on the far right of the photo. Smith owned a talent agency in London where he signed on the Irish film-maker Norman Cohen with whom turned a series of risqué best-selling paperback books, by Christopher Wood, into a successful run of ‘confessions’ movies including &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). He went on to produce &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977), starring his then-wife Lynda Bellingham who was also at the Cork Film Festival. &lt;br /&gt;&lt;br /&gt;Hillary O’Herlihy was married to the Cork-born, Glasheen-raised, RTÉ television broadcaster, and Irish Film Board Chairman Bill O’Herlihy. O’Herlihy (1938-2015) was a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. He was a keen cinephile and brought this to his work at the Irish Film Board. O’Herlihy promoted the film industry and in particular, was keen to develop filming in rural Ireland. He also worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, ‘Bill O’Herlihy: I lost millions from life savings’, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)</text>
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            <name>Subject</name>
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              <elementText elementTextId="11046">
                <text>Cork Film Festival, Festival Club, Sheamus Smith, Hillary O'Herlihy, Bill O'Herlihy, William (Bill) Harpur, RTÉ, Sheila Hampson, Greg Smith, Irish Film Board, Film Censor</text>
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            <name>Language</name>
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                <text>English, eng</text>
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            <name>Rights</name>
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              <elementText elementTextId="12767">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Bill O'Herlihy</name>
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        <name>Festival Club</name>
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        <name>Film Censor</name>
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        <name>Greg Smith</name>
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        <name>Irish Film Board</name>
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        <name>RTE</name>
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        <name>Sheamus Smith</name>
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        <name>William (Bill) Harpur</name>
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