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                <text>Film composer Dimitri Tiomkin with Olivia Tiomkin and others at a press reception in London</text>
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                <text>Cork Film Festival, Dimitri Tiomkin, Olivia Tiomkin, &lt;em&gt;Tchaikovsky&lt;/em&gt;, Dermot Breen, Russia</text>
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                <text>This is a black and white photo of the Russian film composer Dimitri Tiomkin with his wife, Olivia Tiomkin, and two others including festival director Dermot Breen. They are attending a press reception at the Café Royal in London, for the Soviet biopic film &lt;em&gt;Tchaikovsky&lt;/em&gt; (Igor Talakin, 1970). Tiomkin and his wife are standing on the left of the photo, holding drinks, while in conversation with Breen and an unidentified colleague. &lt;br /&gt;&lt;br /&gt;Dimitri Tiomkin (1894-1979) was Ukrainian by birth and trained in Russia and Berlin, before moving eventually to Hollywood where he was best known for his scores for Western films, including work with the directors Frank Capra, Fred Zinnemann, and Alfred Hitchcock amongst others. In all, he received twenty-two Academy Award nominations and won four Oscars including three for Best Original Score for &lt;em&gt;High Noon&lt;/em&gt; (Fred Zinneman, 1952), &lt;em&gt;The High and the Mighty&lt;/em&gt; (William Wellman, 1954), and &lt;em&gt;The Old Man and the Sea&lt;/em&gt; (John Sturges, Fred Zinnemann, 1958) as well as an Oscar for Best Original Song for &lt;em&gt;The Ballad of High Noon&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;In this image, Tiomkin and his wife are at a reception for the film &lt;em&gt;Tchaikovsky&lt;/em&gt; which was a Soviet-American collaboration about the Russian composer Pytor Illyich Tchaikovsky. Tiomkin scored the music for the film which was nominated for an Academy Award in the foreign-language category. It was a tribute by Tiomkin, as a composer, to another Russian composer and was one of the last motion picture films to be scored by him.</text>
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                <text>1973&#13;
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                <text>&lt;p&gt;©Pic Photo, London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text> Dermot Breen and colleague in London</text>
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                <text>This is a black and white photo of the festival director Dermot Breen with an unidentified colleague. They are turned towards each other in conversation, while the light of the camera catches the warm smile of the woman. The photo is marked ‘London, 1975’ and might be taken at one of the London Friends of the Festival events that were hosted by Tom Nicholas at the Martini Terrace in London. The London Friends of the Festival raised thousands of pounds for the festival during the 1970s.</text>
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                <text>&lt;p&gt;©Pic Photos, London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Pic Photos, London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Cork Film Festival Collection</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>Information about rights held in and over the resource</description>
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            <name>Date</name>
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                <text>1960s</text>
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                <text>Cork, Ireland</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14187">
                <text>&lt;p&gt;©PR Services, Dublin. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Posters</text>
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                  <text>Cork International Film Festival Posters</text>
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                  <text>A selection of posters from the Cork International Film Festival</text>
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                <text>Cork International Film Festival poster from 1998</text>
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                <text>The 1998 festival poster is a painterly representation of a large yellow face, slightly smiling - we can only see the edge of the mouth - looking out at the viewer from the right edge of the poster. Half the face is shown with the focus on the right eye which is painted in sky-blue with faint white shadows as if a cloud floats in the background. The pupil is represented by a daisy flower, yellow centred with white petals. To the left of the face, on a blackened background, festival notes are detailed in black. &#13;
&#13;
Two bands of white frame the upper and lower sections of the poster onto which the festival details are noted.  The poster is damaged by damp and slight ‘folding’ has occurred. There is water/damp damage around the lower edges.</text>
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                <text>University College Cork, Cork Film Festival, Raven Design, City Print</text>
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                <text>Cork Film Festival, Arts Council, deontas bardas corcai, Commission of the European Communities, RTE, The Examiner</text>
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            <description>The nature or genre of the resource</description>
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                <text>1998&#13;
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                <text>Cork Film Festival Collection</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="13949">
                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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              <description>A name given to the resource</description>
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                  <text>Programme Covers</text>
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                <text>1998&#13;
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>University College Cork, Cork Film Festival, Raven Design, Inspiration Jean Vigo,  Allied Print Ltd.</text>
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                <text>The front of the 2000 festival programme is black, fading to metallic silver at the middle, with four vertical slices of azure blue and white in the centre of the programme – as if the light is shining through four broad gashes. This design, of four vertical slashes at varying heights, appear in blue as a logo for the festival at the lower right-hand corner of the programme too. The programme information, in white font, is positioned at the top and bottom of the programme on a black background. &lt;br /&gt;&lt;br /&gt;The back cover is an advertisement for Murphy’s Irish Stout (the main festival sponsors). The black and white photographic image is of a cinema screening where a young lady, dressed as a cinema usher, is selling refreshments to the audience. She is wearing a black dress with a white lace collar and a large satin bow to the front, together with a white frilled apron; she sports a bob-style hair cut clipped back with a smaller ribbon. Her usherette tray, hanging from around her neck, is laden with hyper-realised Murphy’s pint glasses, filled to the brim with black Murphy’s cream-topped stout. &lt;br /&gt;&lt;br /&gt;The 2000 programme is a soft card-bound programme measuring 21cm x 29.5cm. The spine is glue-bound and it has 120 numbered pages.</text>
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                <text>Cork Film Festival, Cllr PJ Hourican, Charles Hennessy, Michael Hannigan, Una Feely, Don O’Mahony, Adrian Connoll, Padraic Liston, Jean Vigo (Inspiration)</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                <text>The 1965 festival programme is slim, with an abstract design on its cover in the form of text decorated film negative winding around itself on a black background. The back cover is plain white with an advertisement for ‘Cork Dry Gin’ showing the distinctive Cork Dry Gin bottle on a silver platter along with two glasses – one of which is decorated with a lemon slice.&lt;br /&gt;&lt;br /&gt;The 1965 programme is a soft card-bound programme measuring 26.5cm x 11cm. The bind is stapled and it has 84 numbered pages. There is minor wear &amp;amp; tear on the cover. Note articles: &lt;em&gt;Ten Years Ago&lt;/em&gt; (on the birth of the film festival) by Conor Sweeney (pp.6-9); &lt;em&gt;Tribute to Billy Wilder (&lt;/em&gt;pp.75-78); Symposium: &lt;em&gt;Censorship and the Film&lt;/em&gt; (with Dan Donovan, Mollie Plowright, Fr Holloway, and Fr Kelly) (p.74).</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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