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                <text>This is a black and white photo of Vida (née Daly) Breen with Prince Vittorio Massimo of Rome who was then the husband of the English actor Dawn Addams. Vida Breen was the wife of the film festival director, Dermot Breen, whom she married in 1952. In this picture Breen, wearing a light-coloured evening dress and matching jacket, is facing Massimo and smiling as he places a kiss on the back of her extended left hand.&#13;
&#13;
Vittorio Massimo was from the princely house of Massimo, historically one of the great aristocratic families of Rome and a major patron of the arts. He was married to Dawn Addams from 1954 to 1971 and is the father of the photographer, Stefano Massimo, Prince of Roccasecca.</text>
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                <text>This is a black and white photo of Prince Vittorio Emanuele Massimo from Rome, the husband of the English actor Dawn Addams, taken at the Cork Telephone Exchange.  Massimo is shown, wearing a light-coloured suit,  laughing whilst bent over speaking into the microphone of the switchboard operator's headset. He is surrounded by an animated group of switchboard exchange operators, each with a headset hanging from around their necks. &#13;
&#13;
At the back of the photo, a caption note is attached stating that the image depicts the Prince telling the world about Dawn's request for a milk bath.  His wife, the actor Dawn Addams, achieved notoriety in Cork that year for requesting a bath filled with milk at the Metropole Hotel; the request caused consternation and was turned down by the-then hotel manager, Douglas Vance. She went on to later admit that it was a publicity stunt dreamt up by her publicist. (We can date this photo as 1957 based on this incident.) The couple were separated by the end of the 1950s and the Italian courts granted them a divorce in 1971.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English actor Dawn Addams fishing on the River Lee along the South Mall in Cork. Wearing a light-coloured summer dress accessorised with a coloured headband tied into her dark hair, Addams is facing the river and smiling as she casts the fishing rod overhead. On the ground by her feet lies an open tin-can probably used for bait. She might be reeling in the line as we can see a fish swinging at its end, while above in the clear sky a solitary gull passes over. &lt;br /&gt;&lt;br /&gt;Across the river, we can see a detached two-story building, originally the Christian Brother's School, located at the end of Sullivan's Quay. We can just make out the start of the inscription on the wall at the junction with Sober Lane: 'Founded A.D. 1828'. In the distance, on the far right, the Gothic spires of Saint Fin Barre's Cathedral rise above the horizon beyond the stone facade of the South Gate Bridge, which links the south side of Cork to the city centre. &lt;br /&gt;&lt;br /&gt;Dawn Addams (1930-1985) was an English actor whose work in Hollywood coincided with the early years of the Cork Film Festival. Born Victoria Dawn Addams in England she spent her early life in Calcutta, India after her Cork-born mother, Ethel Mary (née Hickie) passed away when she was a child. Her beauty and talent brought her to the attention of Metro-Goldwyn-Mayer studios to whom she signed a seven-year contract in 1950. For the next two decades, she worked incessantly in film and television including the MGM films &lt;em&gt;Singin' in the Rain&lt;/em&gt; (Stanley Donen, Gene Kelly, 1952), the then-controversial &lt;em&gt;The Moon is Blue&lt;/em&gt; (Otto Preminger, 1953), &lt;em&gt;A King in New York&lt;/em&gt; (Charlie Chaplin, 1957) which was screened at the Cork Film Festival that year, as well as the television series &lt;em&gt;The Saint&lt;/em&gt; (1962-69) with Roger Moore as Simon Templar. &lt;br /&gt;&lt;br /&gt;Addams had a tumultuous personal life and her marriage to Prince Don Vittorio Emanuele Massimo of Roccasecca in 1954, when she was age 23 and he 43, was the subject of a cover story in &lt;em&gt;Life&lt;/em&gt;&amp;nbsp;magazine. She separated from Prince Massimo some four years later although divorce was not granted by the Italian courts until 1971 after which she married Jimmy White. She lived in Paris and America and died from cancer in 1985, age just 54.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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            <description>The topic of the resource</description>
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                <text>Otto Preminger, Patrick Street, Cork, Savoy Cinema, Lee Cinema, Winthrop Street, America</text>
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                <text>This is a black and white photo of the American theatre and film director, Otto Preminger, taken on Patrick Street outside the Savoy Cinema. In this picture Preminger, in a dark suit and bow-tie, is walking purposefully towards the cinema accompanied by two others. A small crowd gathers around Preminger and entourage, and a young girl is caught at the kerb-side looking back over her left shoulder towards the camera. She is wearing a light-coloured dress and a dark jacket, her short hair tousled by the wind. Further behind Preminger, we can see a slice of life on the main thoroughfare that is Patrick Street. Directly behind him, in the distance on Winthrop Street, we can just about make out the crowds gathered outside the now shut Lee Cinema next door to the limestone façade of the &lt;em&gt;Cash &amp;amp; Co&lt;/em&gt;. department store (now &lt;em&gt;Brown Thomas&lt;/em&gt;). &lt;br /&gt;&lt;br /&gt;The Lee Cinema was closed in December 1920 after the 'Burning of Cork' and reopened in September 1921, finally shutting down in April 1989. Beyond the crowds, we can glimpse the Cork General Post Office at the junction of Winthrop Street and Oliver Plunkett Street. Winthrop Street was pedestrianised in the 1970s but in this picture we see how Patrick Street follows down Winthrop Street, passing the Lee Cinema which was so close to the Savoy Cinema. &lt;br /&gt;&lt;br /&gt;Otto Preminger (1905-1986) was born in Austria-Hungary but fled to Austria with his family after the breakout of the First World War. He went on to work for Fox in Los Angeles and was known for defying the censorship code of Hollywood with his controversial films. He directed Dawn Addams (who was also at the festival when this photo was taken in 1957) in &lt;em&gt;The Moon is Blue&lt;/em&gt; (1953) which was nominated for three Oscars.</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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                <text>1957&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <text>219 x 169mm</text>
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                <text>Cork Film Festival, Anna Neagle, Gus Healy, Tom McKenna, Karl McEnry, Chris Curran, Helen Wilcox</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12839">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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            <name>Title</name>
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                <text>Festival programme sellers </text>
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            <description>The topic of the resource</description>
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                <text>This is a black and white photo of eight programme sellers, identified at the back of the photo as the 'first programme sellers'.  The young women are dressed in above-the-knee dresses and low-heeled court shoes. They stand together in a three-quarter pose, turned towards the camera smiling. While the photo is dated '1956' the fashion suggests it was perhaps taken during the 1960s.</text>
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            <name>Creator</name>
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                <text>University College Cork, Cork Film Festival, BL MacGill </text>
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            <name>Publisher</name>
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              <elementText elementTextId="670">
                <text>University College Cork</text>
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                <text>Cork, Ireland</text>
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                <text>Cork Film Festival Collection</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14042">
                <text>&lt;p&gt;©BL MacGill. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>June Thorburn kissing the Blarney Stone</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Blarney Stone, Blarney Castle, Cork, June Thorburn</text>
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                <text>This is a black and white photo of the English actor June Thorburn leaning back to kiss the Blarney Stone at the Blarney Castle, Cork. Thorburn is dressed in a dark top with a light-coloured blouse and is smiling up at the camera as she leans backwards, holding on to iron railings with her white-gloved hands. Born in Karachi, British India, Thorburn was a popular English actor who died in an air crash in 1967, age 36.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12795">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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