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                <text>This is a black and white photo of festival delegates including the director Terry Gilliam, actor Linda Hayden, former film censor Sheamus Smith and unidentified companions. The convivial group are shown in a huddle in conversation; Gilliam and his companions are sitting on a table resting up against the wall while Sheamus Smith, arms folded, stands and listens to them. &lt;br /&gt;&lt;br /&gt;Smith was a producer and director at RTÉ around the time of this photo (1970s) before being appointed managing director of Ardmore Film Studios in 1975. He was instrumental in setting up the Irish Film Board and was later appointed Irish film censor, going on to become Ireland's longest-serving film censor in the history of the State from 1986 to 2002. Smith published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill &amp;amp; MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;We know Terry Gilliam as part of the Monty Python troupe and the long-running BBC sketch comedy &lt;em&gt;Monty Python’s Flying Circus&lt;/em&gt; (1969-1974), which relied heavily on his surreal animation skills. Around the time of this photo in the 1970s, Gilliam had co-directed &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (with Terry Jones, 1975) and soon after directed &lt;em&gt;Jabberwocky&lt;/em&gt; (1977), based on &lt;em&gt;Jabberwocky&lt;/em&gt; by Lewis Carroll, and starring Michael Palin. He has been nominated a number of times for an Academy Award for &lt;em&gt;Brazil&lt;/em&gt; (1985), &lt;em&gt;The Fisher King&lt;/em&gt; (1991), &lt;em&gt;12 Monkeys&lt;/em&gt; (1995), and &lt;em&gt;The Imaginarium of Doctor Parnassus&lt;/em&gt; (2009). &lt;br /&gt;&lt;br /&gt;Linda Hayden, on the far left of the photo in a knitted halter-neck dress, and holding a cigarette, came to Cork on a number of occasions and often features in the festival archive photographed with fellow actor Lynda Bellingham, with whom she starred in a series of &lt;em&gt;Confessions &lt;/em&gt;movies based on the series of risqué best-selling paperback books by Christopher Wood. Co-produced by Greg Smith and the Irish director Norman Cohen they include &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen,1977) which starred both Bellingham and Hayden. She also appeared in horror movies including Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy,1970) starring Christopher Lee, and &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971).</text>
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                <text>This is a black and white photo of the French film director François Truffaut with Lord Mayor Pat Kerrigan, American actor Carroll Baker and festival director Dermot Breen. All four are standing in front of a cinema ticket office advertising the price of admission (60 pence for a seat in the balcony and stalls, 40 pence for a seat in the front stalls and 30 pence for children). Truffaut on the left is turned towards Breen and the others, while the Lord Mayor, in his mayoral chain, and Carroll Baker, wearing a dapper crochet hat, face the camera. &lt;br /&gt;&lt;br /&gt;Pat Kerrigan was Lord Mayor of Cork from 1973 to 1974. He was an Irish politician and trade union official affiliated with the Labour Party. After failing to win a seat in the 1969 and 1973 general elections he was nominated to the 13th Seanad by Taoiseach, Liam Cosgrave, where he served until 1977. He won a seat for the Cork City constituency in the 1977 general election and took his seat that year before dying two years later, age 51. &lt;br /&gt;&lt;br /&gt;In this picture Kerrigan is standing next to the American actor Carroll Baker. Born in 1931 Baker was a well-regarded Academy nominated actor best known for her career-defining role as ‘Baby Doll’ Meehan in the 1956 film &lt;em&gt;Baby Doll&lt;/em&gt; directed by Elia Kazan. Her films include &lt;em&gt;The Big Country&lt;/em&gt; (William Wyler, 1958) and &lt;em&gt;How the West Was Won&lt;/em&gt; (John Ford, Henry Hathaway, George Marshall, 1962) and the George Peppard romance &lt;em&gt;The Carpetbaggers&lt;/em&gt; (1964). Despite her success, she had a difficult relationship with the studios, such as Warner and Paramount, whose contracts tied her to work for them whatever her wishes. Baker left Hollywood in the late 1960s and moved to Italy working in Italian thrillers and horror movies which allowed her work outside the constraints of the Hollywood moral code as well as her probable blacklisting by the studios.&amp;nbsp; At the time of this photograph Baker had filmed the leading role in Corrado Farina’s horror film &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The Italian director Farina was also at the festival (and was on the Jury) and it is probable that they were promoting &lt;em&gt;Baba Yaga &lt;/em&gt;that year.&lt;br /&gt;&lt;br /&gt;François Truffaut (1932-1984) was a French film director, screenwriter, producer, actor and film critic at &lt;em&gt;Cahiers&lt;/em&gt;. His career spans forty years of filmmaking and in 1959 his autobiographical film &lt;em&gt;The 400 Blows&lt;/em&gt;, with Jean-Pierre Léaud, ushered in French New Wave (&lt;em&gt;La Nouvelle Vague&lt;/em&gt;) cinema with the rejection of traditional film-making structures. His filmography includes &lt;em&gt;Jules and Jim&lt;/em&gt; (1962), the non-French speaking &lt;em&gt;Fahrenheit 451&lt;/em&gt; (1966), and &lt;em&gt;The Story of Adèle H.&lt;/em&gt; (1975) with Isabelle Adjani for which she was nominated for a Best Actress Oscar. Around the time of this photograph Truffaut had released &lt;em&gt;Day for Night&lt;/em&gt; (1973) which won him an Oscar for Best Foreign Film. His final film was &lt;em&gt;Confidentially Yours&lt;/em&gt; (1983) which he made as an homage to his favourite director Alfred Hitchcock. He died a year later, age 52, from a brain tumor and is buried in Paris.</text>
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                <text>This is a black and white photo of the American actor Carroll Baker with the festival director Dermot Breen. They are shown facing each other whilst shaking hands. Breen is wearing a dinner jacket while Baker is dressed in a light-coloured organza gown decorated with a flower motif.&lt;br /&gt;&lt;br /&gt;Born in 1931, Carroll Baker is an Academy Award and BAFTA nominee for her career-defining role as ‘Baby Doll’ Meehan in the 1956 film &lt;em&gt;Baby Doll&lt;/em&gt; directed by Elia Kazan and later &lt;em&gt;Giant&lt;/em&gt; (George Stevens, 1956) acting with Elizabeth Taylor, Rock Hudson, and James Dean. (The music for &lt;em&gt;Giant&lt;/em&gt; was scored by Dimitri Tiomkin whose image is also in this archive.) She studied in the Actors Studio under Lee Strasberg who introduced her to the work of Kazan and the Tennessee Williams script. Yet despite her success in Hollywood, Baker had a difficult relationship with the studios, such as Warner and Paramount, and in particular with the producer Joseph Levine, whose contracts tied her to work for them whatever her wishes. She left Hollywood in the late 1960s and moved to Italy working in Italian thrillers and horror movies which allowed her to work outside the constraints of the Hollywood moral code as well as her probable blacklisting by the studios. &lt;br /&gt;&lt;br /&gt;At the time of this photograph, Baker had filmed the leading role in Corrado Farina’s horror film &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The Italian director Farina was also at the festival and they might have been promoting &lt;em&gt;Baba Yaga&lt;/em&gt; that year. Baker is the mother of Blanche Baker, with the director Jack Garfein. Born in 1957 Blanche Baker is a well-regarded actor and filmmaker winning an Emmy Award for her work in the television miniseries &lt;em&gt;Holocaust&lt;/em&gt; (1978). She also starred in the title role of Edward Albee’s stage adaptation of &lt;em&gt;Lolita&lt;/em&gt; on Broadway during 1981-2.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Director Richard Lester and Dermot Breen</text>
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                <text>This is a black and white photo of the American film director Richard Lester presenting a celebration bottle of Domecq’s cream sherry to the festival director Dermot Breen. Lester is pointing at his name which is printed on the label of the bottle. &lt;br /&gt;&lt;br /&gt;Born in 1932, Richard (aka Dick) Lester is best known for his work with The Beatles. Lester’s first short film &lt;em&gt;The Running Jumping &amp;amp; Standing Still Film&lt;/em&gt; (1959), with Spike Milligan and Peter Sellers, brought him to the attention of The Beatles who chose him to make &lt;em&gt;A Hard Day’s Night&lt;/em&gt; in 1964. His earlier film, &lt;em&gt;It’s Trad, Dad&lt;/em&gt; (1962), starred the singing sensation Helen Shapiro who came to the Cork Film Festival in 1972. Lester continued to work with the Beatles directing &lt;em&gt;Help&lt;/em&gt; in 1965 which was a commercial success. In 1966 he directed the musical comedy film &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; with a screenplay by Michael Pertwee who came to the Cork Film Festival in the early seventies. Interestingly the cinematography on &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; was by Nicolas Roeg who went on to become one of England’s influential film directors with &lt;em&gt;Don’t Look Now&lt;/em&gt; (1973), &lt;em&gt;The Man Who Fell to Earth&lt;/em&gt; (1976) starring David Bowie, and &lt;em&gt;The Witches&lt;/em&gt; (1990).&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Around the time of this photo, which is dated 1975, Lester had finished &lt;em&gt;The Four Musketeers&lt;/em&gt; (1974) starring Oliver Reed and Raquel Welsh, and &lt;em&gt;Royal Flash&lt;/em&gt; (1975) with Malcolm McDowell and Oliver Reed. In 1976 he directed the British-American romance and adventure film &lt;em&gt;Robin and Marian&lt;/em&gt; starring Sean Connery, Audrey Hepburn and the English actor Robert Shaw who also came to the Cork Film Festival in the early seventies. Lester's later films include the commercially successful &lt;em&gt;Superman II&lt;/em&gt; (1980) and &lt;em&gt;Superman III&lt;/em&gt; (1983). For his final film Lester returned to the Beatles with &lt;em&gt;Get Back&lt;/em&gt; (1991) – a concert movie following Paul McCartney on his 1989-1990 World Tour. &lt;br /&gt;&lt;br /&gt;In 2010 Lester donated his large archive of film-related materials to the British Film Institute (BFI). The archive consisting of letters, scripts, notes, and photographs is available to the public via their Special Collections. (Mark Brown, ‘Richard Lester archive donated to BFI full of riches,’ &lt;em&gt;The Guardian&lt;/em&gt;, 23.08.2020.)</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/425"&gt;Robert Shaw and Vida Breen at the Capitol Cinema, Cork&lt;/a&gt;</text>
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                <text>François Truffaut with Betty Philbin, Lord Mayor Pat Kerrigan and Dermot Breen</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="4033">
              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="11741">
              <text>296 x 202mm</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="4023">
                <text>School audience </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="4024">
                <text>Cork Film Festival, School, Audience</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4025">
                <text>This is a black and white photo of a school audience provisionally dated 1980. The photo shows a teenage audience, dressed in school uniform, probably waiting for a film to commence. They are seated in rows and fill the room with their animated presence. &#13;
&#13;
The Cork Film Festival, in partnership with the Irish Film Institute Education Department, has supported a schools’ programme for many years. The festival presents a selection of films that support film in the school curricula across the Junior and Senior Cycle. The festival also runs workshops for young students,  in conjunction with Screen Skills Ireland, promoting the variety of career paths available to them in film and television.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>University College Cork</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4031">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="4032">
                <text>1980&#13;
Cork, Ireland</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13957">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14128">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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      <tag tagId="534">
        <name>Audience</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
