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                <text> Iranian film producer Vasgen Badal and Jack Lynch</text>
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                <text>Cork Film Festival,  Jack Lynch, Vasgen Badal, St Finbarr award,  Louis Marcus, John Grierson</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the festival director Dermot Breen standing in front of a microphone with the Irish stage, television, and screen actor Noel Purcell. Purcell, with his trademark beard, and hands clasped before him, is looking at the microphone as if in conversation or mid-speech. Breen is looking up at Purcell on the right. Purcell was a regular visitor to the festival and there are many images of him in the archive. &lt;br /&gt;&lt;br /&gt;He was born in Dublin in 1900 and started out as a schoolboy working at the Gaiety Theatre in Dublin. Well known for his stagecraft Purcell would later appear in the first sound film version of &lt;em&gt;The Blue Lagoon&lt;/em&gt; (Frank Launder, 1949), and has a large filmography including parts in &lt;em&gt;Moby Dick&lt;/em&gt; (John Huston, 1956), &lt;em&gt;Mutiny on the Bounty&lt;/em&gt; (Lewis Milestone, 1962), and &lt;em&gt;The Mackintosh Man&lt;/em&gt; (1973) directed by John Huston. He was married to Eileen Marmion who was also a stage performer who performed all over Ireland and the UK. Noel Purcell died in 1985, age 85, and his wife Marmion died, age 100, in 2018.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the Italian film director and actor Vittorio De Sica leaving the Savoy cinema, Cork. Above De Sica we see posters advertising the comedy film &lt;em&gt;Cannon Serenade&lt;/em&gt; (Wolfgang Staudte, 1958) in which De Sica starred as the captain of a small coastal freighter fitted with a little cannon in case of enemy attack during World War II. &lt;br /&gt;&lt;br /&gt;Born in Naples De Sica came from a poor family and as a young man worked as an actor. De Sica was considered a successful matinee idol of the Italian theatre and movies before turning to directing in 1940. His success with &lt;em&gt;The Children Are Watching Us&lt;/em&gt; (De Sica, 1944), &lt;em&gt;Shoeshine&lt;/em&gt; (De Sica, 1946) and &lt;em&gt;Bicycle Thieves&lt;/em&gt; (De Sica, 1948) established him as one of the great Italian directors of all time. In particular &lt;em&gt;Bicycle Thieves&lt;/em&gt; - an neo-realist drama which considered the poverty of post-war Italy - won a special honorary Oscar before the foreign film category was officially established. &lt;br /&gt;&lt;br /&gt;In this photo we also see a poster advertising his personal appearance at the Savoy that evening. Crowds gather around him on the right and left of the marble steps of the cinema. Sporting a dark mustache, De Sica is dressed in a dinner suit accessorised with a bow-tie and is looking down as he steps forward. To his front a cinema usher, wearing a two-piece suit with a long coat decorated with gilt buttons down its front, escorts the director down the steps. &lt;br /&gt;&lt;br /&gt;Ushers were known as 'commisionaires' in the early days of the Savoy and while the usher in this photo is not identified, John McSweeney notes in his book on the &lt;em&gt;Golden Age of Cork Cinemas&lt;/em&gt; (2013), that there was a well known head usher called John ('Johnno') O'Connell from Blarney Street in Cork who worked at the Savoy during the early days of its existence.</text>
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                <text>1958&#13;
Cork, Ireland</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12848">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>Cork Film Festival Collection</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <text>218 x 170mm</text>
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            <description>A name given to the resource</description>
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                <text>Dermot Breen with 1950s poster</text>
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            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Féile Scannán Ćorcaí', Dermot Breen, Poster</text>
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                <text>This is a black and white photo of the film festival director Dermot Breen standing in front of a large montage-style poster advertising &lt;em&gt;Féile Scannán ćorcaí&lt;/em&gt; (Cork Film Festival). Breen, standing to the right, is photographed looking up at the poster, which is decorated with small flags from around the world and takes up much of the wall space behind him. &lt;br /&gt;&lt;br /&gt;The films advertised on the poster are from the 1950s and include, amongst others, &lt;em&gt;Der Arzt von Stalingrad&lt;/em&gt; (The Doctor of Stalingrad) (Géza von Radványi, 1958) with Eva Bartok, &lt;em&gt;The Old Man and The Sea&lt;/em&gt; (John Sturges, 1958), &lt;em&gt;Sally's Irish Rogue&lt;/em&gt; (George Pollock, 1958) and the Norwegian film &lt;em&gt;Ni Liv&lt;/em&gt; (Nine Lives) (Arne Skouen, 1957). &lt;em&gt;Ni Liv&lt;/em&gt; was nominated for an Oscar for Best Foreign Language Film in 1958, and in 1991 it was voted the greatest Norwegian film ever made by Norwegian television audiences.</text>
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                <text>University College Cork</text>
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                <text>1956&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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            <name>Language</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12806">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dermot Breen</name>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <elementText elementTextId="1977">
                <text> Eva-Ingeborg Scholz and Eva Kotthaus with Karl Heinz Herren and Dermot Breen</text>
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              <elementText elementTextId="1978">
                <text>Cork Film Festival, Eva-Ingeborg Scholz, Eva Kotthaus</text>
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              <elementText elementTextId="1981">
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              <elementText elementTextId="1984">
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              <elementText elementTextId="1986">
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Cork, Ireland</text>
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                <text>This is a black and white photo of the German actors Eva-Ingeborg Scholz and Eva Kotthaus with Dermot Breen on the left and a guest identified as Karl Heinz Herren on the right. The small group are standing together engaged in animated conversation. Scholz is smiling broadly up at Breen who is looking towards her while Kotthaus is smoking a cigar which is raised towards her lips and holding a drink in her left hand. They are all dressed in formal wear with Scholz wearing a dark evening dress, trimmed with a white collar, and accessorised with dark satinised long gloves. Kotthaus is wearing an elaboratly designed light-coloured dress pulled in at the waist with dark-coloured laces. &lt;br /&gt;&lt;br /&gt;Eva-Ingeborg Scholz (1928-) was a German film and television actor and her companion Eva Kotthaus (1932-), was also a German actor. Kotthaus has a filmography of small parts in a series of movies through the fifties and sixties. Around the time of this photo, marked 1958, Kotthaus would appear in &lt;em&gt;A Farewell to Arms&lt;/em&gt; (Charles Vidor, 1957) and &lt;em&gt;The Nun's Story&lt;/em&gt; (Fred Zinneman, 1959).</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the festival director Dermot Breen escorting an unidentified actor at the steps of the Savoy Cinema in Cork. Both are dressed in formal evening wear, Breen in a dark suit and the lady in a three-quarter length dress accessorised with a fur stole and white gloves. She is carrying a bouquet of flowers in her left hand and is looking directly at the camera. An usher escorts them while all around a crowd jostles to view the passing entourage. Some of the images of the crowd are blurred but we can sense the hustle and bustle of the event. &lt;br /&gt;&lt;br /&gt;Above the passing cinema-goers, we can read posters advertising two personal appearances that evening: &lt;em&gt;Personal appearance: Lea Massari&lt;/em&gt; and &lt;em&gt;Tonight at 8pm: Fiorella Mari&lt;/em&gt;. Both Massari and Mari were Italian actors and from this, we might guess that this fair-haired woman in this picture is Forella Mari. Born in Brazil, Mari moved to Rome in the 1950s and is best known for her roles in &lt;em&gt;Are We Men or Corporals?&lt;/em&gt; (Camillo Mastrocinque, 1955) and &lt;em&gt;Fathers and Sons&lt;/em&gt; (&lt;em&gt;Padri e figli&lt;/em&gt;) (1957) by Mario Monicelli, which was shown at the Cork Film Festival that year.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Vasgen Badal, Eva-Ingeborg Scholz, Dermot Breen and Dinny Gould</text>
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Cork, Ireland</text>
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                <text>This is a black and white photo of the German film actor Eva-Ingeborg Scholz (1928-) standing with the festival director Dermot Breen, the Iranian-German film producer Vasgen Badal and Dinny Gould. All four are dressed in formal wear and smiling. Scholz, in a dark dress trimmed with a white fur collar accessorised with dark satin gloves, is smiling directly at the camera. She was well known in Germany for her film work including &lt;em&gt;The Girl from the Marsh Croft&lt;/em&gt; (Gustave Ucicky, 1958), &lt;em&gt;Emil and the Detectives&lt;/em&gt; (Peter Tewksbury, 1964) and an appearance in the televison series &lt;em&gt;Tatort&lt;/em&gt; (1970) for which she won the German Actors Award.&lt;br /&gt;&lt;br /&gt;In this photo Dermot Breen is standing on Scholz's left, holding a cigarette, as he looks up at the camera with a broad smile. He stands next to Dinny Gould who is also dressed in a dark suit and bow-tie with a festival badge pinned to its left lapel. Dinny (Denis) Gould was the secretary of the festival since its inception until his retirement in 1971. (A photo of his retirement party can be found in the archive.) On the far left of the photo stands the Iranian-born German film producer and distributor, Vasgen Badal, wearing a dark suit jacket with satin lapels.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo, marked 1958, of Dermot Breen, Donal Crosbie, John Grierson and the Iranian-German film producer Vasgen Badal sitting together at a table in conversation. The festival director Dermot Breen, with his back to us, is leaning on the table with his right arm, listening to Crosbie and Badal. Grierson, with his distinctive dark-framed glasses, sits at the rear of the group drawing deeply on his cigarette. They are all wearing festival pins on the left lapels of their jackets and have papers strewn on the table before them, along with empty glasses and an ash-filled ashtray. &lt;br /&gt;&lt;br /&gt;Vasgen Badal was born in 1891, in Tehran, and little is known about him. He was based in Germany and produced a series of films starring popular screen stars including Magda Schneider and Heinz Rühmann who also came to the Cork Film Festival. In 1958 Badal was presented with a statuette of St. Finbarr by Jack Lynch for the film &lt;em&gt;Dreamroad of the World&lt;/em&gt; (Hans Domnick, 1958) under his film company 'Badal-Filmproduktion'. He produced a number of films in the thirties and forties including a Nazi propaganda film &lt;em&gt;Roter Nebel&lt;/em&gt; (UA, 1941) which was released after the German attack on the USSR in June 1941. Vasgen Badal died in 1959 - a year after this photo was taken. As so little is known about him we are fortunate to have images of him in the archive.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;John Grierson was a Scottish documentary maker who coined the term 'documentary' in a review of Robert Flaherty's &lt;em&gt;Moana&lt;/em&gt; (1926). Grierson founded the National Film Board of Canada (NFBC) in 1939 and worked there until his resignation in 1945. He lectured at Carleton and McGill University and his lectures at McGill University would attract up to seven hundred students for his classes. In his time Grierson sat on many film festival juries including Cannes, Venice, and Oberhausen; he was jury president in Cork in 1958 when this picture was taken. Grierson died in 1972 and was cremated and his urn, along with that of his brother who had died the previous year, was placed in the sea off the Old Head in Kinsale, County Cork. The now-prestigious Grierson Award, set up in 1972 by the Grierson Trust and UK Film Council, commemorate his life and contribution to documentary film and is awarded annually.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2753">
                <text>Cork Film Festival Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2754">
                <text>University College Cork</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="2757">
                <text>1962&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2760">
                <text>1962</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761">
                <text>Party at the Garda Station on MacCurtain Street, Cork</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762">
                <text>This is a black and white photo of a party being held at the Garda Barracks on MacCurtain Street in Cork. Marked 1962 the photo identifies four of the revellers to be the actor Ronnie Shiner, the local businessman Donal Crosbie, Norma Crosbie and Edmond Purdom, an English actor, voice artist, and director. The room is packed with a well-dressed crowd in the midst of a sing-song and includes, at the back of the room by the wooden door, three uniformed Gardaí.&lt;br /&gt;&lt;br /&gt;&#13;
&#13;
At the centre of the photo, we can make out the distinctive profile of the British actor Ronald Shiner with his arms raised. Known as ‘Ronnie’, Shiner (1903-1966) was a British stand-up comedian and comedy actor who worked on stage, television and film. A career highlight included the stage version of &lt;em&gt;Worm’s Eye View&lt;/em&gt; (1945 to 1947) followed by a film version in 1952 with Diana Dors. In 1962, around the time this photo was taken, he had made a TV version of &lt;em&gt;Worm’s Eye View &lt;/em&gt;for the BBC. Shiner was the subject of &lt;em&gt;This is Your Life&lt;/em&gt; in 1958 when he was surprised by Eamon Andrews at the BBC Television Theatre. &lt;br /&gt;&lt;br /&gt;&#13;
&#13;
Based on photographs in Roy Hammond's own book, Media Memories of Cork (1994), we have reason to that one of the obscured figures is that of Mexican actress Linda Christian. Purdom and Christian were married to each other for the short period of 1962-1963 and so they would have been a couple at the time of this visit to Cork.&lt;br /&gt;&lt;br /&gt;&#13;
&#13;
The party is taking place in the MacCurtain Street Garda Station which was located at 58 MacCurtain Street. It was originally a house built c.1830 before its use as a Garda station and constabulary barracks. The National Inventory of Architectural Heritage describes it as a terraced three-bay four-storey former house, over basement, as a pair with the adjoining former house to the west. A flight of limestone steps, framed by cast-iron railings, lead to a round-headed door opening. The station was closed in 2013, as part of a programme of Garda station closures around Ireland.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763">
                <text>RW Hammond</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7961">
                <text>University College Cork, Cork Film Festival, RW Hammond </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12145">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12851">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="140">
        <name>Donal Crosbie</name>
      </tag>
      <tag tagId="5">
        <name>MacCurtain Street</name>
      </tag>
      <tag tagId="10">
        <name>Norma Crosbie</name>
      </tag>
      <tag tagId="385">
        <name>Ronald Shiner</name>
      </tag>
      <tag tagId="384">
        <name>Ronnie Shiner</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
