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                <text>This is a black and white photo of the English actor Sylvia Syms at a drinks reception at the Piccadilly Hotel in London, organised by the London Friends of the festival. Syms, in a bright knee-length dress and cigarette in hand, is turned towards her companions, Bernard McDonagh and Noel Harrington, in conversation. The small group includes the festival director Dermot Breen on the left next to Frank O’Leary who was a member of the organising committee. The undated photo notes that the association of London friends was founded by Bernard McDonagh, a committee member of the London Film Society. &lt;br /&gt;&lt;br /&gt;Born in 1934, Sylvia Syms has a prolific film and television career. Her second film &lt;em&gt;My Teenage Daughter&lt;/em&gt; (Herbert Wilcox, 1956) also starred Anna Neagle who was a visitor to the festival when &lt;em&gt;My Teenage Daughter &lt;/em&gt;opened at the Savoy in 1956. Her films include Brendan Behan’s &lt;em&gt;The Quare Fellow&lt;/em&gt; (Arthur Dreifuss, 1962), &lt;em&gt;The Tamarind Seed&lt;/em&gt; (Blake Edwards, 1974) with Julie Andrews and Omar Sharif, &lt;em&gt;Absolute Beginners&lt;/em&gt; (Julien Temple, 1986) with David Bowie and Patsy Kensit, and as the Queen Mother in &lt;em&gt;The Queen&lt;/em&gt; (Stephen Frears, 2006) with Helen Mirren. Her television work includes &lt;em&gt;Thatcher: The Final Days&lt;/em&gt; (Granada Television, 1991) where she starred as Margaret Thatcher. Her daughter Beatrice Edney (1962-) is also an English actor with many film and television appearances including &lt;em&gt;Highlander&lt;/em&gt; (1986, 2000), &lt;em&gt;Inspector Morse&lt;/em&gt; (1989), &lt;em&gt;Lewis&lt;/em&gt; (2013), and &lt;em&gt;Poldark&lt;/em&gt; (2015-2019).</text>
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                <text>This is a black and white photo of a discussion panel that includes the Irish television presenter Bunny Carr, the screen writer Wolf Mankowitz, Joan Long and two others unidentified. The panel is part of a 1970 symposium for the Cork Film Festival. The five panellists are sitting in a semi-circle on the stage in front of long-armed microphones, and include an unidentified priest on the far right sitting next to Long. Jugs of water and ashtrays are placed on the wooden tables in front of them and they all appear to be listening attentively to a speaker off-camera. &lt;br /&gt;&lt;br /&gt;Bunny Carr is sitting on the far left, hands folded at his chin, looking to his left across the stage. Born in Dublin, Bernard ‘Bunny’ Carr (1927-2018) was a popular RTÉ television presenter during the 1960s and 1970s. He also founded Carr Communications which is said to have trained six of Ireland’s Taoisigh (prime ministers). However it is as a television host of popular television shows that he is fondly remembered including, &lt;em&gt;Teen Talk&lt;/em&gt;, &lt;em&gt;The Politicians&lt;/em&gt;, &lt;em&gt;Going Strong&lt;/em&gt;, and most famously the quizmaster of &lt;em&gt;Quicksilver&lt;/em&gt;, where he was accompanied by the musical cues of organist Norman Metcalfe, which made its debut in 1965. (‘Bunny the man who stopped the lights – then showed politicians how to deal with life in spotlight’, &lt;em&gt;Irish Times&lt;/em&gt;, 21.09.2018.)&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Wolf Mankowitz (1924-1998), sitting on the right in this picture wearing a white shirt, with a cigarette in hand, was an award-winning English screenwriter and author known for his novels, plays and screenplays. He was of Jewish descent, born in the East End of London. However, following altercations with the English revenue, he moved to Ireland to avail of Charles Haughey’s generous tax policy towards artists and settled in Cork in 1971. Mankowitz was a successful screenwriter in the 1950s and wrote screenplays for his own works and adapted others including &lt;em&gt;A Kid for Two Farthings&lt;/em&gt; (Carol Reed, 1953) and &lt;em&gt;The Millionairess&lt;/em&gt; (Anthony Asquith, 1960) starring Sophia Loren and Peter Sellers. He was one of the screenwriters on the first James Bond film &lt;em&gt;Dr No&lt;/em&gt; (Terence Young, 1962) but asked for his name to be removed from the credits as he thought it poor; he also collaborated on the Bond movie &lt;em&gt;Casino Royale&lt;/em&gt; (Martin Campbell, 1976). &lt;br /&gt;&lt;br /&gt;In 1972 Mankowitz wrote and directed &lt;em&gt;The Hebrew Lesson&lt;/em&gt;, starring Milo O’Shea, Patrick Dawson and Harry Towb (who also appears in this archive). Set in Cork in 1921, during the War of Independence, it is about the friendship between an IRA man escaping pursuit from the Black and Tans, and an elderly man at a synagogue. He wrote the screenplay having being told the story about an IRA man hiding in a small synagogue in Dublin’s Lennox Street and it was shown at the Cork Film Festival in 1972. (TCD Irish Film and TV Research Online: tcd.ie/irishfilm.) &lt;br /&gt;&lt;br /&gt;Interestingly the &lt;em&gt;Guardian&lt;/em&gt; newspaper reported that the British M15 kept a security file on Mankowitz for more than a decade suspecting that he was a possible communist agent following his marriage to Ann Seligmann, in 1944, as she was a communist party member. The investigation was dropped when the M15 informant insisted that Mankowitz’s leftwing sympathies had disappeared noting that “He comes to the college every morning with a copy of the Times.” (Alan Travis, &lt;em&gt;The Guardian&lt;/em&gt;, 26.08.2010.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>1972&#13;
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                <text>This is a black and white photo of a festival discussion panel chaired by the Irish television presenter Bunny Carr. The three panellists, sitting at a table in front of long-armed microphones, include the English writer James Mitchell, the Irish actor Joe Tomelty, and the English screenwriter Michael Pertwee. &lt;br /&gt;&lt;br /&gt;Joseph Tomelty, sitting at the centre, was an Irish character actor, novelist and playwright known for his radio and stage work. He was a frequent visitor to the Cork festival, as far back as 1960, when that years programme noted that Tomelty presented awards to recipients in the presence of the then Lord Mayor of Cork Stephen Barrett. Tomelty was born in County Down, and was based in Northern Ireland where he made a significant contribution to its cultural history. Tomelty was instrumental in founding and managing the Group Theatre in Belfast in 1940 where his plays would be staged - apart from the controversial &lt;em&gt;The End House&lt;/em&gt; (1944) which was premiered at the Abbey Theatre because Northern theatres wouldn't show it at the time. He wrote comedy dramas for the BBC, in particular &lt;em&gt;The McCooeys&lt;/em&gt; which lasted seven years. Tomelty’s film work includes &lt;em&gt;Odd Man Out&lt;/em&gt; (Carol Reed, 1947), and &lt;em&gt;Moby Dick&lt;/em&gt; (John Huston, 1956) with Gregory Peck and the Irish actor Noel Purcell, but it was for his enduring commitment to the North of Ireland that he is fondly remembered.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Michael Pertwee, sitting on the far right of the photo, was an English playwright and screenwriter born in 1916. He comes from a prolific family of actors including his father, the actor and playwright Roland Pertwee, his brother the actor Jon Pertwee, best known for his Dr.Who, and his nephew the actor Sean Pertwee. As well as TV work, Michael Pertwee’s screenwriting credits include Richard Lester’s &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; (1966) and &lt;em&gt;One More Time&lt;/em&gt; (Jerry Lewis, 1970) starring Sammy Davis Jr. At the time of this photo he had just finished &lt;em&gt;Digby, the Biggest Dog in the World&lt;/em&gt; (Joseph McGrath, 1973) with Spike Milligan and the Irish actor Milo O’Shea. &lt;br /&gt;&lt;br /&gt;The photo also identifies the writer James Mitchell on the far left, cigarette in hand raised towards his mouth. Born in the North of England, Mitchell (1926-2002) was a prolific writer writing under his own name and the pen-names James Munro and Patrick O McGuire. Mitchell wrote over 70 novels, mostly crime fiction and spy thrillers, and 100 television scripts. He will be remembered best for the successful television series &lt;em&gt;Callan&lt;/em&gt; (Thames Television) and &lt;em&gt;When the Boat Comes In&lt;/em&gt; (BBC) which ran between 1976 and 1981. Around the time of this photo, dated 1972, Mitchell had just completed &lt;em&gt;Callan&lt;/em&gt; (1969-1972) starring Edward Woodward as the secret agent and hitman David Callan. The series went on to spawn novels, short stories, the film &lt;em&gt;Callan&lt;/em&gt; (Don Sharp, 1974), and a TV movie &lt;em&gt;Wet Job &lt;/em&gt;(1981) directed by Shaun O’Riordan. Interestingly, the full name of O’Riordan, who was born in Sri Lanka in 1927, is Shaun Stuart Harry Daniel O’Connell O’Riordan. O'Riordan also starred in the long-running popular British television sitcom &lt;em&gt;The Larkins&lt;/em&gt; (1958-1964), playing the part of Eddie Larkin alongside the actors Margaret Rose Mount and David Kossoff, both of whom came to the Cork festival during the 1960s. In 1974 Mitchell served on the Shorts Jury for the Short Film Competition alongside Bernard Blin (France), Bill Starr (USA), Kevin Marron (Ireland), and Noel Ryan (Ireland).</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Taoiseach Jack Lynch and Lord Mayor Seán Casey</text>
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                <text>This is a black and white photo of the Lord Mayor Seán Casey walking with Jack Lynch who would have been Taoiseach at the time of this photo in 1966. They walk down a narrow corridor closely flanked either side by young sea cadets in full uniform. &lt;br /&gt;&lt;br /&gt;This is a rare photo of Seán Casey in the archive; he was an Irish Labour Party politician who served as Lord Mayor of Cork on three occasions: in 1956, 1962, and 1966 as in this photo. He was elected to Dáil Éireann as a Labour Party TD for Cork on four occasions before his untimely death in 1967, age 45. He had a memorable meeting with President John F Kennedy in 1963 when the President came to Cork. They travelled to the Cork City Hall in an open-top car and he gave a speech of which Kennedy noted “Once again I’m reminded that the Irish have not lost their ability to speak.” Within four years of their meeting both President Kennedy and Seán Casey would be dead. ('The Proud Son', &lt;em&gt;Irish Independent&lt;/em&gt;, 15.06.2013) &lt;br /&gt;&lt;br /&gt;In this photo Casey walks alongside local man, Jack Lynch, who was born in Cork in 1917. Lynch went to school in the North Mon and his sporting prowess encouraged employers to take him on. He started off working with the Civil Service in Cork before training to be a lawyer and moving to Dublin to work at the District Court, alongside playing for the Dublin Football Club who won their first Dublin Senior Football Club Championship in 1944 on his timely arrival. Lynch was called to the bar and left the Civil Service in 1945 before being approached to declare for Fianna Fail in the 1946 by-election in Cork. He declined as his friend ‘Pa’ McGrath was standing (McGrath features in this archive on a number of occasions) but it instigated an interest in politics for Lynch who would contest elections for the coming years and work successfully with McGrath in the Dáil. &lt;br /&gt;&lt;br /&gt;Lynch would go on to serve as Taoiseach from 1966 to 1973 and 1977 to 1979. He was involved in the dismissal of four ministers during the Arms Trial of May 1970, including Charles Haughey, Neil Blaney, Kevin Boland and Michael Moran. (Gerry Jones, a witness in the trail, also features in our archive). Presciently he noted that one of the difficulties dealing with the British is that they are not very well acquainted with the issue of the North and he tried to address it with the British Prime Minister Edward Heath in 1971. Lynch loved sport and would credit it with teaching him how to be part of a team and how to cope with victory and defeat. We can see how the vagaries of his life fluctuated as with any match and his is a legacy that prevails in the history of Cork and beyond. (Jack Lynch, 'My Life and Times', &lt;em&gt;Magill Magazine&lt;/em&gt;, 29.11.1979.)</text>
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              <elementText elementTextId="12853">
                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of three festival colleagues identified at the rear of the photo as Ted and Ursula O’Brien from College Road, Cork. They are standing with an unidentified companion. Ted O’Brien was on the organising committee of the festival during the 1960s. Ted and Ursula O’Brien are founders of Oben Design, Cork whose work include &lt;em&gt;The Charitable Infirmary&lt;/em&gt; (The Anniversary Press, 1987) compiled and edited by Dr Eoin O’Brien.</text>
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              <elementText elementTextId="14185">
                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Ted O'Brien</name>
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        <name>Ursula O'Brien</name>
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                  <text>Miscellany</text>
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                  <text>A selection of items from the Cork International Film Festival  collection</text>
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                  <text>University College Cork</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Telegram from Sophia Loren to Dermot Breen</text>
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                <text>Cork Film Festival, Sophia Loren,  Vittorio de Sica, Dermot Breen, Telegram</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>University College Cork</text>
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                <text>1956&#13;
Cork, Ireland</text>
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                <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;This is an image of an Irish Post telegram, with an address of San Lorenzo Escorial, from Sophia Loren to the festival director Dermot Breen. It reads Sorry but impossible accept your king [sic] invitation because work regards Sophia Loren. The post office stamp date is Corcaigh 11.V.56. Sophia Loren’s actual link with the film festival is one of association rather than presence.  Sophia Loren came to the archive, in 1956, at the behest of Mr Dermot Breen, the original organiser of the festival. We might guess that he invited Loren to the first Cork Film Festival in early 1956 – an invitation that she politely declined by this telegram in May of that year. The short truncated text was typical of this medium which charged according to the word count. Seemingly Oscar Wilde sent the shortest telegram in history to his publisher when asking about how his book was doing the message read “?”. The publisher replied with “!”. In the pre-internet age telegrams were a thriving form of communication and transatlantic messages were sent via cable from Valentia Island in Kerry. However with the advent of technology they are no longer in use in Ireland and the final telegram was sent in 1977. We note also that Loren was awarded, in absentia, the Waterford Glass Trophy for outstanding acting performance at the 1961 Cork Film Festival. This was for the Vittorio De Sica movie, Two Women (La Ciociara) (1960) which was shown at the Cork Film Festival on the 4th October 1961.  The film won the Academy Award for Best Actress for Loren. This was the first time an acting Oscar had been given for a non-English-speaking performance. She also won the award for Best Actress at the 1961 Cannes Film Festival that year. The director De Sica, was a regular visitor to the Cork festival and, as well as Two Women, the festival also screened the Academy award-winning Bicycle Thieves (1948)&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:769,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:3,&amp;quot;12&amp;quot;:0}"&gt;This is an image of an &lt;em&gt;An Poist&lt;/em&gt; (Irish Post) telegram, with an address of San Lorenzo Escorial, from Sophia Loren to the festival director Dermot Breen. It reads &lt;em&gt;Sorry but impossible accept your king&lt;/em&gt; [sic] &lt;em&gt;invitation because work regards Sophia Loren&lt;/em&gt;. The post office stamp date is &lt;em&gt;Corcaigh 11.V.56&lt;/em&gt;. The back is an advertisement for the Irish Sweep which was a lottery established in the Irish Free State in 1930 as a means to finance hospitals.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Sophia Loren’s actual link with the film festival is one of association rather than presence. She came to the archive in 1956, at the behest of festival director Dermot Breen. We might guess that he invited Loren to the first edition of the festival in early 1956 – an invitation that she politely declined by this telegram in May that year. The short truncated text was typical of this medium which charged according to the word count. (Seemingly Oscar Wilde sent the shortest telegram in history; it was to his publisher asking how his book was doing and the message read “?”. The publisher replied with “!”.) In the pre-internet age telegrams were a thriving form of communication and transatlantic messages were sent via cable from Valentia Island in Kerry. However, with the advent of technology, they are no longer in use in Ireland and the final telegram was sent in 1977. &lt;br /&gt;&lt;br /&gt;We note also that in 1961 the festival awarded Loren, in absentia, the Waterford Glass Trophy for outstanding acting performance. This was for the Vittorio De Sica movie, &lt;em&gt;Two Women&lt;/em&gt; (&lt;em&gt;La Ciociara&lt;/em&gt;) (De Sica, 1960) which was shown on 4th October 1961. The film won Loren the Academy Award for Best Actress; this was the first time an acting Oscar had been given for a non-English-speaking performance. She also won the award for Best Actress at the 1961 Cannes Film Festival that year. The director De Sica was a regular visitor to the Cork festival and, as well as &lt;em&gt;Two Women&lt;/em&gt;, the festival screened his Academy award-winning &lt;em&gt;Bicycle Thieves&lt;/em&gt; (1948).&lt;/span&gt;</text>
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                <text>1956</text>
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                <text>Irish Post, Sophia Loren</text>
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                <text>Paper, 18cm x 12cm&#13;
TIFF&#13;
JPEG</text>
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              <elementText elementTextId="12141">
                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/645"&gt;Cork International Film Festival promotional leaflet 1962&lt;/a&gt;</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12316">
                <text>©Sophia Loren. All rights reserved. Please credit Cork International Film Festival &amp;amp; provide a link back to this site.</text>
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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photo</text>
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          <element elementId="50">
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                <text>University College Cork, Cork Film Festival</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>1972</text>
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                <text>Cork, Ireland</text>
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                <text>This is a black and white photo of festival delegates including the director Terry Gilliam, actor Linda Hayden, former film censor Sheamus Smith and unidentified companions. The convivial group are shown in a huddle in conversation; Gilliam and his companions are sitting on a table resting up against the wall while Sheamus Smith, arms folded, stands and listens to them. &lt;br /&gt;&lt;br /&gt;Smith was a producer and director at RTÉ around the time of this photo (1970s) before being appointed managing director of Ardmore Film Studios in 1975. He was instrumental in setting up the Irish Film Board and was later appointed Irish film censor, going on to become Ireland's longest-serving film censor in the history of the State from 1986 to 2002. Smith published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill &amp;amp; MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;We know Terry Gilliam as part of the Monty Python troupe and the long-running BBC sketch comedy &lt;em&gt;Monty Python’s Flying Circus&lt;/em&gt; (1969-1974), which relied heavily on his surreal animation skills. Around the time of this photo in the 1970s, Gilliam had co-directed &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (with Terry Jones, 1975) and soon after directed &lt;em&gt;Jabberwocky&lt;/em&gt; (1977), based on &lt;em&gt;Jabberwocky&lt;/em&gt; by Lewis Carroll, and starring Michael Palin. He has been nominated a number of times for an Academy Award for &lt;em&gt;Brazil&lt;/em&gt; (1985), &lt;em&gt;The Fisher King&lt;/em&gt; (1991), &lt;em&gt;12 Monkeys&lt;/em&gt; (1995), and &lt;em&gt;The Imaginarium of Doctor Parnassus&lt;/em&gt; (2009). &lt;br /&gt;&lt;br /&gt;Linda Hayden, on the far left of the photo in a knitted halter-neck dress, and holding a cigarette, came to Cork on a number of occasions and often features in the festival archive photographed with fellow actor Lynda Bellingham, with whom she starred in a series of &lt;em&gt;Confessions &lt;/em&gt;movies based on the series of risqué best-selling paperback books by Christopher Wood. Co-produced by Greg Smith and the Irish director Norman Cohen they include &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen,1977) which starred both Bellingham and Hayden. She also appeared in horror movies including Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy,1970) starring Christopher Lee, and &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971).</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Photographs </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Cork Film Festival</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>University College Cork</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>University College Cork</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="90">
                  <text>Photo&#13;
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>251 x 204mm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The actor Laurence Harvey and others</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Dick Beamish, Laurence Harvey</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo, dated 1972, of the actor Laurence Harvey in conversation with festival committee member Dick Beamish, and an unidentified colleague in a white dress accessorised with a festival ribbon. The small convivial group is turned towards each other smiling as they chat. &lt;br /&gt;&lt;br /&gt;Laurence Harvey (1928-1973) died from cancer the year after this picture was taken. He was a Lithuanian-born English actor and director and has a prolific filmography. Around the time this image was taken he had starred in &lt;em&gt;Escape to the Sun&lt;/em&gt; (Menahem Golan, 1972) and &lt;em&gt;The Deep&lt;/em&gt; (Orson Welles, 1970) which was an unfinished film directed by Orson Welles. When Harvey died in 1973 it ended any chance of Welles finishing the picture.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>University College Cork</text>
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            <name>Date</name>
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                <text>1972</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Finbarr O'Connell</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3392">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>1972&#13;
Cork, Ireland</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="12162">
                <text>English, eng</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="12212">
                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/482"&gt;Signed photo of Laurence Harvey&lt;/a&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14192">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Dick Beamish</name>
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        <name>Laurence Harvey</name>
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        <name>Richard Beamish</name>
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  </item>
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