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                <text>Screening at the English Market</text>
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                <text>This is a black and white undated photo of a film screening at the historic indoor English Market in Cork. The light of the projector can be seen on the crowded balcony that is home to the Farmgate Café. Downstairs, in the market foyer, the audience are seated around the cast-iron market fountain looking up at a screen out of shot. The distinct signage for the long-established &lt;em&gt;Moynihan’s Poultry&lt;/em&gt; market stall can be seen in the background. &lt;br /&gt;&lt;br /&gt;The English Market has often been transformed into a cultural hub and ad hoc cinema over the years, be it for the Cork Film Festival or the season finale premiere of &lt;em&gt;The Young Offenders&lt;/em&gt; in 2018. The Farmgate has been the venue for a series of film festival ‘Grand Café Screenings’ of silent classics, sometimes with live musical accompaniment, and this image might be of one of those screenings. &lt;br /&gt;&lt;br /&gt;The market dates back to King James 1 in 1610 but it began trading as a covered market in 1788. It was named the ‘English Market’ to reflect the protestant makeup of the corporation of the time – the name also distinguished it from a nearby ‘Irish Market,’ otherwise known as St. Peter’s Market, located on North Main Street at the junction of Cornmarket Street. The English Market once served the wealthier classes in Cork, while the less well-off shopped at the Irish Market. The Irish Market is long since gone and is now the Bodega Bar at Cornmarket Street, while the English Market continues to thrive. Its fortunes wax and wane in tandem with the history of the city – be it revolution, fire, recession, or coronavirus pandemic – however it continues to act as the heartbeat of the city and its importance is unquestionable. You can read more about it in the book &lt;em&gt;Serving a City: The Story of Cork’s English Market&lt;/em&gt; by Cork-born historians Diarmuid Ó Drisceoil and Donal Ó Drisceoil (Collins Press, 2005).</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Guests including Ronan O'Leary</text>
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                <text>This is a stylised black and white photo of three unidentified guests taken at the 1996 festival. They stand together laughing in front of a sign for Murphy’s 41st Cork Film Festival. Two of the guests are wearing lanyards – one of which identifies the wearer as a jury guest. He is also carrying a festival programme with the name ‘Ronan O’Leary’ marked on its cover. O’Leary is an Irish filmmaker who has served on juries in Cork, Berlin, Bosnia, and Croatia.</text>
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                <text>Cork Film Festival, Airport, Dublin Airport, Dermot Breen, David Hemmings, Linda Hayden</text>
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                <text>1972&#13;
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                <text>This is a black and white photo of the festival founder Dermot Breen with festival delegates at the airport. The delegates are not identified but we recognise the English actor Linda Hayden standing at the foot of the Aer Lingus stairway with Breen. Nearby two members of the British Airways cabin crew stand close by – they are wearing a uniform designed by Sir Hardy Amies (1909-2003), official dressmaker to the Queen. This particular uniform was introduced in 1972 and replaced in 1977 which helps us date this picture, dated 1970s, further.&#13;
&#13;
The English actor David Hemmings stands at the bottom left of the photo with his arm around an unidentified delegate. Behind him, in a light coloured dress, his then partner Prudence de Casembroot, is seen looking off into the distance. Both Linda Hayden and David Hemmings were stars of British cinema during the 1970s. Above them on the stairway, a contingent of festival delegates, a few of whom are wearing festival ribbons on their lapel, pose for the camera. The airport is not identified but we suggest the background might be of the pier building at Dublin Airport.</text>
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            <name>Rights</name>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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            <name>Title</name>
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                <text>Mick Hannigan and staff at the festival office</text>
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                <text>Cork Film Festival, Mick Hannigan, Festival staff, Theo Dorgan, Úna Feely, Indie Film Festival</text>
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                <text>These black and white photos include Mick Hannigan who was the director of the Cork festival from 1986 and its CEO from 2009 to 2013. The photos are undated, but we might suggest they are from the late 1980s/early 1990s.&lt;br /&gt;&lt;br /&gt;We include the second photo of an unidentified person for its similarity to the first photo. It shows a festival colleague sitting in the same white-washed festival office as Hannigan, with its fern-like plant on the office cabinet and a poster of the German short &lt;em&gt;Tour d'Amour&lt;/em&gt; (Veit El-Mer, 1989) which helps us date this image.&lt;br /&gt;&lt;br /&gt;The first photo shows Hannigan, mug in hand, working at his office desk under the painted cladding of the vaulted ceiling. Cork-born Hannigan had a keen interest in film since his time at University College Cork (UCC) as a member of its film society. He is a former member of the Irish Film Board, the European Film Academy, and worked as a programmer for the Irish Film Institute in the 1990s. As co-director of the Triskel Arts Centre in the eighties, Hannigan worked with Theo Dorgan, and together they ran the film festival after the resignation of O'Sullivan in 1985. In 2013, following his departure from the film festival, Hannigan set up the &lt;a href="https://indiecork.com/"&gt;IndieCork Film Festival&lt;/a&gt; with festival programmer Úna Feely who had worked for the Cork festival for many years.</text>
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                <text>University College Cork, Cork Film Festival</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="4085">
                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Cork, Ireland</text>
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            <description>A language of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14132">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Festival Staff</name>
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        <name>Theo Dorgan</name>
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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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            <elementText elementTextId="11749">
              <text>253 x 202mm</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Brian Coomber in front of &lt;em&gt;The Eagle Has Landed&lt;/em&gt; poster</text>
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            </elementTextContainer>
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          <element elementId="49">
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                <text>Cork Film Festival, Brian Coomber</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>This is a black and white photograph marked: Brian Coomber at a festival gala screening. A bespectacled Coomber, wearing a light-coloured suit and turtle neck jumper, is shown seated at a table scattered with tableware, an ashtray, and some notes. Behind him a poster for the film &lt;em&gt;The Eagle Has Landed&lt;/em&gt; (John Sturges, 1976) is pinned to the paisley-print wallpaper. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Eagle Has Landed&lt;/em&gt; was a British war film based on the 1975 book by Jack Higgins. The cast included Michael Caine and Donald Sutherland as well as the English actor Judy Geeson in a supporting role. Geeson also came to the film festival and her image can be found in the archive. We note that this photo is dated 1972, but the correct date might be 1976 or beyond given the release date of &lt;em&gt;The Eagle Has Landed&lt;/em&gt; in 1976.</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14133">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Brian Coomber</name>
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                <text>This is a black and white photo of the English actor Jane Asher and a guest identified as Brian Wakefield from Harrogate in Yorkshire. They are both standing in front of a promotional poster for the Harp Lager-sponsored Cork Film Festival and smiling at the camera. &lt;br /&gt;&lt;br /&gt;Asher has become well known in recent years for her writing, business and charity work. However she had a prodigious career in film, theatre, radio and television since she was a young child. Her television work in England is extensive and includes Brideshead Revisited, Miss Marple, New Tricks, and A Voyage Round My Father with Laurence Olivier. Her filmography includes &lt;em&gt;Deep End&lt;/em&gt; (Jerzy Skolimowksi, 1970) (with music by Cat Stevens), &lt;em&gt;Alfie&lt;/em&gt; (Lewis Gilbert, 1966) with Michael Caine, and the British sitcom &lt;em&gt;The Old Guys&lt;/em&gt;. At the time of this picture, marked 1972, Asher starred in &lt;em&gt;Henry VIII and His Six Wives&lt;/em&gt; (Waris Huessein, 1972) where she played the part of Jane Seymour. &lt;br /&gt;&lt;br /&gt;The personal life of Asher was of great interest to the British media when she was engaged to the Beatle Paul McCartney, whom she met when she was 17. However she broke off her engagement some years later, age 22, after finding him in bed with someone else. She later married the satirical cartoonist Gerald Scarfe in 1981. As well as being a shareholder in the satirical magazine, &lt;em&gt;Private Eye,&lt;/em&gt; Asher has written many books including best-selling novels and lifestyle books with a particular interest in baking. Her range of kitchenware is sold in Poundland in the UK and in Dealz in Ireland. (Ryan Gilbey, ‘Deep End: pulled from the water,’ T&lt;em&gt;he Guardian&lt;/em&gt;, 01.05.11)</text>
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                <text>This is a black and white photo of sisters Ann and Vicki Michelle posing with Westropp Irvine from the Player and Wills tobacco company in Ireland. Player and Wills were friends of the film festival and supported it on occasion with a development grant. While this picture appears to be taken at the festival club we know that Player and Wills sometimes held a reception for the festival at their factory headquarters on Dublin’s South Circular Road. The factory was constructed in 1935 for Player and Wills tobacco until its closure in 2005 when the company moved out of Ireland. The Player Wills site is regarded as one of the last remaining quality development sites in the city centre and, as of May 2020, is being considered for redevelopment into c. 400 new homes.&amp;nbsp; &amp;nbsp;&lt;br /&gt;&lt;br /&gt;Both Vicki and Ann Michelle are English actors. Vicki Michelle (1950-), on the right in this photo, is best known for her work in the BBC television series &lt;em&gt;‘Allo ‘Allo&lt;/em&gt;. She has an extensive television and stage career appearing on &lt;em&gt;Celebrity Masterchef&lt;/em&gt; (2008), &lt;em&gt;Emmerdale&lt;/em&gt; (2007-2009), &lt;em&gt;I’m a Celebrity … Get Me Out of Here!&lt;/em&gt; (2014). She has also appeared on the Irish sketch show &lt;em&gt;The Mario Rosenstock Show&lt;/em&gt; (2012). Michelle played alongside her sister, Ann Michelle (1952-), in &lt;em&gt;The Virgin Witch&lt;/em&gt; (Ray Austin, 1971) which was rejected by the British Board of Film Censors before being passed with an X-rating. The cut version was released in 1972 around the time of this photograph. Ann Michelle also had a small role in the British horror-cult film &lt;em&gt;Psychomania&lt;/em&gt; (aka &lt;em&gt;The Death Wheelers&lt;/em&gt;) (Don Sharp, 1973) starring the Academy Award-winning George Sanders and Beryl Reid. Sanders (1906-1972) died by suicide soon after completing &lt;em&gt;Psychomania&lt;/em&gt;.</text>
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