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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the Czech-born German film actor Winnie Markus (1921-2002) and the Fianna Fáil politician Jack Lynch presenting her with an award. Markus, in a light-coloured evening gown decorated with pearl beads, is shown in profile accepting her award from Lynch who is in a dark suit. They are smiling and shaking hands as he passes her the award. &#13;
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Otto Preminger on Patrick Street, Cork</text>
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                <text>Otto Preminger, Patrick Street, Cork, Savoy Cinema, Lee Cinema, Winthrop Street, America</text>
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                <text>This is a black and white photo of the American theatre and film director, Otto Preminger, taken on Patrick Street outside the Savoy Cinema. In this picture Preminger, in a dark suit and bow-tie, is walking purposefully towards the cinema accompanied by two others. A small crowd gathers around Preminger and entourage, and a young girl is caught at the kerb-side looking back over her left shoulder towards the camera. She is wearing a light-coloured dress and a dark jacket, her short hair tousled by the wind. Further behind Preminger, we can see a slice of life on the main thoroughfare that is Patrick Street. Directly behind him, in the distance on Winthrop Street, we can just about make out the crowds gathered outside the now shut Lee Cinema next door to the limestone façade of the &lt;em&gt;Cash &amp;amp; Co&lt;/em&gt;. department store (now &lt;em&gt;Brown Thomas&lt;/em&gt;). &lt;br /&gt;&lt;br /&gt;The Lee Cinema was closed in December 1920 after the 'Burning of Cork' and reopened in September 1921, finally shutting down in April 1989. Beyond the crowds, we can glimpse the Cork General Post Office at the junction of Winthrop Street and Oliver Plunkett Street. Winthrop Street was pedestrianised in the 1970s but in this picture we see how Patrick Street follows down Winthrop Street, passing the Lee Cinema which was so close to the Savoy Cinema. &lt;br /&gt;&lt;br /&gt;Otto Preminger (1905-1986) was born in Austria-Hungary but fled to Austria with his family after the breakout of the First World War. He went on to work for Fox in Los Angeles and was known for defying the censorship code of Hollywood with his controversial films. He directed Dawn Addams (who was also at the festival when this photo was taken in 1957) in &lt;em&gt;The Moon is Blue&lt;/em&gt; (1953) which was nominated for three Oscars.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dawn Addams fishing the River Lee</text>
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                <text>This is a black and white photo of the English actor Dawn Addams fishing on the River Lee along the South Mall in Cork. Wearing a light-coloured summer dress accessorised with a coloured headband tied into her dark hair, Addams is facing the river and smiling as she casts the fishing rod overhead. On the ground by her feet lies an open tin-can probably used for bait. She might be reeling in the line as we can see a fish swinging at its end, while above in the clear sky a solitary gull passes over. &lt;br /&gt;&lt;br /&gt;Across the river, we can see a detached two-story building, originally the Christian Brother's School, located at the end of Sullivan's Quay. We can just make out the start of the inscription on the wall at the junction with Sober Lane: 'Founded A.D. 1828'. In the distance, on the far right, the Gothic spires of Saint Fin Barre's Cathedral rise above the horizon beyond the stone facade of the South Gate Bridge, which links the south side of Cork to the city centre. &lt;br /&gt;&lt;br /&gt;Dawn Addams (1930-1985) was an English actor whose work in Hollywood coincided with the early years of the Cork Film Festival. Born Victoria Dawn Addams in England she spent her early life in Calcutta, India after her Cork-born mother, Ethel Mary (née Hickie) passed away when she was a child. Her beauty and talent brought her to the attention of Metro-Goldwyn-Mayer studios to whom she signed a seven-year contract in 1950. For the next two decades, she worked incessantly in film and television including the MGM films &lt;em&gt;Singin' in the Rain&lt;/em&gt; (Stanley Donen, Gene Kelly, 1952), the then-controversial &lt;em&gt;The Moon is Blue&lt;/em&gt; (Otto Preminger, 1953), &lt;em&gt;A King in New York&lt;/em&gt; (Charlie Chaplin, 1957) which was screened at the Cork Film Festival that year, as well as the television series &lt;em&gt;The Saint&lt;/em&gt; (1962-69) with Roger Moore as Simon Templar. &lt;br /&gt;&lt;br /&gt;Addams had a tumultuous personal life and her marriage to Prince Don Vittorio Emanuele Massimo of Roccasecca in 1954, when she was age 23 and he 43, was the subject of a cover story in &lt;em&gt;Life&lt;/em&gt;&amp;nbsp;magazine. She separated from Prince Massimo some four years later although divorce was not granted by the Italian courts until 1971 after which she married Jimmy White. She lived in Paris and America and died from cancer in 1985, age just 54.</text>
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&#13;
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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&#13;
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&#13;
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&#13;
Vittorio Massimo was from the princely house of Massimo, historically one of the great aristocratic families of Rome and a major patron of the arts. He was married to Dawn Addams from 1954 to 1971 and is the father of the photographer, Stefano Massimo, Prince of Roccasecca.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Jack Lynch presenting an award to the director Otto Preminger</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/206"&gt;Festival Trophy&lt;/a&gt;</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Otto Preminger</name>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
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            <name>Title</name>
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                <text>Eva-Ingeborg Scholz with Lord Mayor of Cork Seán McCarthy and others</text>
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                <text>Cork Film Festival, Eva-Ingeborg Scholz, Lord Mayor, Seán McCarthy, Vida Breen, Norma Crosbie</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>This is a black and white group photo of the German film actor Eva-Ingeborg Scholz with the Lord Mayor Seán McCarthy (1889-1974) and others identified at the back of the photo as Vida Breen, the Lord Mayor Seán McCarthy, Norma Crosbie, the Lord Mayor's secretary and the film festival director Dermot Breen. Scholz is sitting at a desk, smiling brightly up at the camera, signing a visitor's book while the others stand around her. Vida Breen is looking up at the camera on the left wearing a light-coloured suit while on the far right her husband, Dermot Breen, is leaning over the desk looking down. &#13;
&#13;
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              <elementText elementTextId="14109">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>1956-&#13;
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                  <text>A selection of posters from the Cork International Film Festival</text>
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                <text>The 1980 Cork Film Festival poster is a lithograph of the neck of a green champagne bottle against a black background. The bottle is shown spraying out five stripes of blank white film negatives in a celebratory fashion.  The writing on this poster is limited to a gothic style font on the neck label of the bottle.</text>
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                <text>1980&#13;
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11122">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13938">
                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="117">
        <name>Poster</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
