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                <text>The 1998 festival poster is a painterly representation of a large yellow face, slightly smiling - we can only see the edge of the mouth - looking out at the viewer from the right edge of the poster. Half the face is shown with the focus on the right eye which is painted in sky-blue with faint white shadows as if a cloud floats in the background. The pupil is represented by a daisy flower, yellow centred with white petals. To the left of the face, on a blackened background, festival notes are detailed in black. &#13;
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&#13;
The writing on this poster is all in the lower quarter of the poster against a black banner below the Corona gold font logo. The funder's logos are placed at the footer in a white banner.</text>
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President Seán T.O'Kelly (1882-1966) was a Fianna Fáil politician who served as the second President of Ireland from 1945 to 1959.  He was a friend of Éamon de Valera and, as with de Valera, opposed the Anglo-Irish Treaty of 1921. O'Kelly was a co-founder of Fianna Fáil after de Valera left Sinn Féin. He retired in 1959 and was replaced by former Taoiseach, de Valera, who had over the years expressed dismay at O'Kelly's membership of the Order of the Knights of Saint Columbanus - an Irish national Catholic fraternal organisation.&#13;
&#13;
In this picture, O'Kelly is standing with Louis Elliman (1906-1965) who was an Irish Impresario who managed many of Ireland's cinema screens during the 1950s. Elliman brought film production to Ireland opening the Ardmore Studios, with Emmet Dalton, in 1958. Elliman was involved with the early planning of the Cork Film Festival, along with the festival founder Dermot Breen. </text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text> Iranian film producer Vasgen Badal and Jack Lynch</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the art deco façade of the Cork Savoy cinema on Patrick Street, advertising the 1959 festival. Flags of the participating countries adorn the building in a daytime street scene. A group of boys on the left of the picture face the camera, just about to cross the street. Behind them, bicycles lay strewn on the pavement and besides them, two cars are parked at the kerb-side. To the right of the Savoy, we can see the old façade of the Irish Tourist Bureau (&lt;em&gt;Oifig Fáilte&lt;/em&gt;). &lt;br /&gt;&lt;br /&gt;Amongst the cinema posters on display, we can just make out posters advertising the appearance of the German actor Claus Holm (1918-1996) and the German screenwriter and director Bernhard Grzimek (1909-1987) who was the director of the documentary &lt;em&gt;Serengeti Shall Not Die&lt;/em&gt; (Grzimek, 1959). It won an Academy Award for Best Documentary Feature in 1960. &lt;br /&gt;&lt;br /&gt;The Savoy cinema was opened on 12th May 1932 by the Lord Mayor of Cork, Frank J. Wallace with a screening of &lt;em&gt;Peach O'Reno&lt;/em&gt; (William A. Seiter, 1931). It could hold 2,242 patrons and boasted an Art Deco façade. In his book on Irish Cinemas, Jim Keenan noted the Savoy had an "ornate 'atmospheric' auditorium, which, like the Savoy in Dublin, was designed to resemble a street scene in Venice... Small lights set into the ceiling of the auditorium were designed to create the illusion that the audience was seated outdoors at night beneath the stars. In the 1930s, a 'cloud projector' beamed images of moving clouds onto the azure-coloured ceiling to further enhance the fantasy." (Jim Keenan. &lt;em&gt;Irish Cinemas: A History in Photographs&lt;/em&gt;, pp. 105-106.)</text>
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              <elementText elementTextId="12582">
                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Towering Inferno</name>
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        <name>transport</name>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Cork Film Festival, Josephine Griffin, June Thorburn, Maureen Swanson, Dermot Breen, Jim Cassidy, John E Walsh, Superintendent O'Dowd, Captain Tom McKenna, Professor Breanach, Seamus Fitzgerald, Brian Sinnott</text>
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                <text>University College Cork, Cork Film Festival, Liam Kennedy</text>
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                <text>Liam Kennedy</text>
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                <text>This is a black and white group photo from 1956 consisting of nine men and three women all dressed formally in evening wear. The three women are the English actors Josephine Griffin, June Thorburn, and Maureen Swanson and all are dressed in light-coloured shoulderless evening gowns. All three actors seated in the front row are animated, and shown in mid-conversation. Alongside them are seated two of the men, one of whom is the festival director Dermot Breen. The other men in the photo are identified (on the back of the photo) as Jim Cassidy, John E Walsh, Superintendent O'Dowd, Captain Tom McKenna, Professor Breanach, Seamus Fitzgerald, and Brian Sinnot.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12984">
                <text>&lt;p&gt;©Liam Kennedy. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Éamon de Valera raising the Tóstal flag </text>
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                <text>Cork Film Festival, Tóstal, Éamon de Valera, Alfred O'Rahilly, University College Cork, Lord Mayor Patrick McGrath</text>
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                <text>1959&#13;
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                <text>This is a black and white photograph of Éamon de Valera raising the Tóstal flag. While the photograph is not dated we might guess it was taken during the early tenure of his presidency in the fifties, during which time Patrick McGrath served as Lord Mayor of Cork from 1952-1955. De Valera stands on a podium in front of 31 South Mall in Cork, where the London Assurance Corporation 1720 had their Cork Branch. On-lookers look out from the office windows down at the events below. Above we can see the windows of the local accountancy firm &lt;em&gt;Lantry &amp;amp; Co&lt;/em&gt;. Uniformed soldiers stand in rows in front of the podium, their right arm slightly raised at their hip bearing arms. &lt;br /&gt;&lt;br /&gt;De Valera is accompanied on his right by Lord Mayor, Patrick McGrath, and various dignitaries including Dermot Breen and the then president of University College Cork, Alfred O'Rahilly (1884-1969). The academic O'Rahilly (1884-1969) briefly served as a politician (1943-1954) but was best known for his presidency of the University College Cork from 1943 to 1954. A Sinn Féin supporter, O'Rahilly was interned in Spike Island prison in Cork in 1921 for his political writings. In his capacity as President of the University, he would work closely with the Trade Unions and initiated workers' education courses during the late 1940s. On the death of his wife in 1955, he became a priest, and later Monsignor, and would be awarded the Pontifical Order of Saint Gregory the Great by Pope Pius XII which is the highest distinction that can be awarded to a layman by the Catholic Church. The &lt;em&gt;Irish Times&lt;/em&gt; noted that he was 'imperious and some considered him comical, but he silenced his detractors with outstanding intellect and scholarship' (06.10.1998). The same &lt;em&gt;Irish Times&lt;/em&gt; article records that O'Rahilly contemplated a multi-volume life of Christ prompting his colleague Mgr Padraig de Bruin to observe that 'a life of O'Rahilly by Christ would be much more interesting.' A building at the university has been dedicated to him since 1998.</text>
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