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                <text> John Warrington and Dermot Breen</text>
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                <text>This is a black and white photo of the English director and producer John Warrington with festival director Dermot Breen. The two are shown in conversation and an animated Warrington, wearing a belted mackintosh-style jacket, has his hand raised as he makes his point. While Breen, cigarette in mouth and pen in hand, looks up to Warrington as he speaks. &lt;br /&gt;&lt;br /&gt;John Warrington (1916-1998) was a BBC producer and director known for &lt;em&gt;The Sky Larks&lt;/em&gt; (1958), &lt;em&gt;The Men from Room 13&lt;/em&gt; (1959) and &lt;em&gt;Silent Evidence&lt;/em&gt; (1962). He was a producer for the BBC series &lt;em&gt;The Grove Family&lt;/em&gt; (1957-1957) which was created by Roland Pertwee and Michael Pertwee, who also came to the film festival during the 1970s. Much-loved, in its day, &lt;em&gt;The Grove Family&lt;/em&gt;, named after the BBC Lime Grove Studios, is generally regarded as the first British TV soap opera. We note that Dermot Breen died soon after this photo, dated 1978, was taken.</text>
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                <text>1978&#13;
Cork, Ireland</text>
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&#13;
The Cork Film Festival emerged from An Tóstal (1953-1958), which was a pageant, or festival, held around Ireland to celebrate Ireland’s national image. While this photo does not identify the ten council members we do recognise some of their faces from the archive. A young Dermot Breen stands in the middle at the back – he went on to found the film festival in 1956 and would run it until his death in 1978. Gus Healy (1904-1987) stands on the far left, hands in pocket. He was a Fianna Fáil politician who would later serve Cork as Lord Mayor from 1964 to 1965 and 1975 to 1976. A grey-haired Patrick ‘Pa’ McGrath stands at the centre of the group. He was a Fianna Fáil politician who represented Cork in Dáil Éireann between 1946 and 1956. McGrath served as Lord Mayor of Cork from 1952 to 1956. He took an active part in the Irish War of Independence and was honoured by his comrades by appointing him chairman of the Cork City Old IRA Men’s Association.  McGrath died suddenly in 1956 and was honoured by Taoiseach John A Costello in the Dáil, who spoke highly of him in the Dáil Éireann debate that June.</text>
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                <text>This is a black and white headshot of the festival director Dermot Breen (1924-1978).  Breen is shown sitting at a desk looking back at the camera while the screen before him shows a wilderness landscape with a cowboy at its centre. A curl of smoke can be seen under the bright light of the lamp on his desk.  Breen was very much the driving force behind the inception of the festival and was at its helm until his untimely death in 1978.</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>Dermot Breen in front of a poster for &lt;em&gt;The Exorcist&lt;/em&gt;</text>
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                <text>This is a black and white photo of the festival director Dermot Breen and festival friend Tom Nicholas in front of a poster advertising the American horror film &lt;em&gt;The Exorcist&lt;/em&gt; (William Friedkin, 1973), starring Ellen Burstyn and Max von Sydow. Breen and Nicholas are turned towards each other in mid conversation as Breen gesticulates towards the poster. Tom Nicholas was a founding member of the London Friends of Cork and often hosted events in London for the festival. The 1973 release date of &lt;em&gt;The Exorcist&lt;/em&gt; helps us provisionally date this photo.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Upstanding Dermot Breen </text>
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                <text>This is an undated black and white photo of the festival director Dermot Breen in a solitary pose. Breen is a familiar presence in the archive – he was a visionary and the driving force behind the inception of the festival in 1956 as part of An Tóstal, until his untimely death in 1978. Robin O’Sullivan then stepped in to run the festival until Mick Hannigan and Theo Dorgan took up the cudgels in the early eighties. </text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>&lt;p&gt;©Owen and Moroney. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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            <name>Title</name>
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                <text>Composer Philip Green with Cardinal John Heenan and Canon Sydney MacEwan</text>
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                <text>Cork Film Festival, Philip Green, Cardinal John Heenan, Canon Sydney MacEwan, &lt;em&gt;St Patrick's Mass&lt;/em&gt;</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>This is a black and white photo of the English film and television composer and conductor Philip Green in conversation Cardinal John Carmel Heenan. The photo is undated but it was probably taken in 1971 during the recording of &lt;em&gt;St Patrick’s Mass&lt;/em&gt; which was televised live from the Franciscan Church in Cork that year. Also in the picture is the Scottish tenor Canon Sydney MacEwan who featured in the recording with the choir of Trinity College Dublin - Trinity Chorale.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Born in East London in 1911 Philip Green had an extensive career in film-music composition. He was appointed the musical director for the Rank Organisation, whose many stars came to visit the festival in its earlier years, and composed hundreds of film scores and themes for popular television programmes during his career. However his conversion to Catholicism in the early 1970s contributed to his creation of this Mass, which he composed, produced, and recorded in 1970 before bringing it to Cork in 1971. Seemingly the Mass was a personal tribute of thanksgiving to both the Church and Ireland. He died in 1982 but his recording of &lt;em&gt;St Patrick’s Mass,&lt;/em&gt; performed by Canon Sydney MacEwan and Trinity Chorale, is still available and can be streamed on-line. &lt;br /&gt;&lt;br /&gt;Canon MacEwan (1908-1991) sang traditional Scottish and Irish songs and during the 1940s-50s he toured North America, Australia, and New Zealand, trying to raise funds for the restoration of parish buildings. He studied at the Royal Academy of Music before becoming a priest and used the funds he made for his music to fund his religious work. MacEwan recorded almost 40 records before his death in 1991 and in Ireland we might know him best for his rendition of &lt;em&gt;Queen of the May&lt;/em&gt; and &lt;em&gt;Bring Flowers of the Rarest&lt;/em&gt; played over our radios every year on 1st of May. In 1962 Eamon Andrews featured him on the BBC show &lt;em&gt;This is Your Life&lt;/em&gt;.</text>
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            <name>Creator</name>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14172">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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        <name>Eamon Andrews</name>
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      <tag tagId="633">
        <name>John Heenan</name>
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        <name>Philip Green</name>
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        <name>Rank Organisation</name>
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        <name>St Patrick's Mass</name>
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      <tag tagId="751">
        <name>Sydney MacEwan</name>
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  <item itemId="453" public="1" featured="0">
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      <file fileId="639">
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                  <text>1956-&#13;
Cork, Ireland</text>
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                <elementText elementTextId="90">
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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              <text>251 x 203mm</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>The Children's Choir</text>
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                <text>This is a colour photograph of the Children’s Choir posing at the altar of St Francis's Church on Liberty Street in Cork. The girls, in matching red frocks accessorised with a white headband, line up with the boys, in their black trousers and white shirts, across the chancel of the altar. The back of the photo notes that the children sitting on the chairs at the front of the choir are the young Donal Lehane and Grainne Breen – the daughter of the festival founder Dermot Breen and his wife Vida. &#13;
&#13;
This image is one of the few colour photographs in the archive and provides us with a beautiful rendition of the notable mosaic interior of the church. The mosaics were designed by the Italian artist Umberto Noni who counted his work at this church as one of his most accomplished creations.</text>
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                <text>Sylvia Syms and the London Friends of Cork Film Festival at the Piccadilly Hotel </text>
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                <text>This is a black and white photo of the English actor Sylvia Syms at a drinks reception at the Piccadilly Hotel in London, organised by the London Friends of the festival. Syms, in a bright knee-length dress and cigarette in hand, is turned towards her companions, Bernard McDonagh and Noel Harrington, in conversation. The small group includes the festival director Dermot Breen on the left next to Frank O’Leary who was a member of the organising committee. The undated photo notes that the association of London friends was founded by Bernard McDonagh, a committee member of the London Film Society. &lt;br /&gt;&lt;br /&gt;Born in 1934, Sylvia Syms has a prolific film and television career. Her second film &lt;em&gt;My Teenage Daughter&lt;/em&gt; (Herbert Wilcox, 1956) also starred Anna Neagle who was a visitor to the festival when &lt;em&gt;My Teenage Daughter &lt;/em&gt;opened at the Savoy in 1956. Her films include Brendan Behan’s &lt;em&gt;The Quare Fellow&lt;/em&gt; (Arthur Dreifuss, 1962), &lt;em&gt;The Tamarind Seed&lt;/em&gt; (Blake Edwards, 1974) with Julie Andrews and Omar Sharif, &lt;em&gt;Absolute Beginners&lt;/em&gt; (Julien Temple, 1986) with David Bowie and Patsy Kensit, and as the Queen Mother in &lt;em&gt;The Queen&lt;/em&gt; (Stephen Frears, 2006) with Helen Mirren. Her television work includes &lt;em&gt;Thatcher: The Final Days&lt;/em&gt; (Granada Television, 1991) where she starred as Margaret Thatcher. Her daughter Beatrice Edney (1962-) is also an English actor with many film and television appearances including &lt;em&gt;Highlander&lt;/em&gt; (1986, 2000), &lt;em&gt;Inspector Morse&lt;/em&gt; (1989), &lt;em&gt;Lewis&lt;/em&gt; (2013), and &lt;em&gt;Poldark&lt;/em&gt; (2015-2019).</text>
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                <text>Katherine Hepburn presenting a tribute award to the American director Stanley Kramer in Hollywood, USA</text>
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                <text>This is a black and white photo of the American actor Katherine Hepburn presenting a festival tribute award to the American director-producer Stanley Kramer. The uncredited photo was taken in Hollywood, USA, and was found among the archive papers. We note that a tribute programme of Stanely Kramer's work was introduced by Professor Robert Gessner at the Cork festival in 1966. Gessner chose six of Kramer's films for the festival and wrote an article for that year's programme.&lt;br /&gt;&lt;br /&gt;Kramer (1913-2001) was a renowned Oscar-winning film director and producer. In general, he made films that tried to address social issues such as racism, greed, and war. Kramer has an extensive filmography which includes &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958), &lt;em&gt;Inherit the Wind&lt;/em&gt; (1960), &lt;em&gt;Judgment at Nuremberg&lt;/em&gt; (1961) and the comedy film &lt;em&gt;It’s a Mad, Mad, Mad, Mad World&lt;/em&gt; (1963) starring Spencer Tracy and Mickey Rooney. &lt;br /&gt;&lt;br /&gt;In this picture, Kramer is being presented the award by Katherine Hepburn (1907-2003) who had just finished Kramer’s &lt;em&gt;Guess Who’s Coming To Dinner&lt;/em&gt; (1967) with Sidney Poitier and a frail Spencer Tracy, her partner of 26 years who would die soon after the film was made. Kramer also directed the German actor Heinz Rühmann in &lt;em&gt;Ship of Fools&lt;/em&gt; (1965) starring Vivien Leigh in her final screen role. Rühmann came to the Cork festival and a couple of undated images of him can be seen in the festival archive. Since 2002 the Producers Guild of America awards the Stanley Kramer Award for films that "illuminate provocative social issues." In 2002 it was awarded to &lt;em&gt;In America&lt;/em&gt; (2002) directed by the Irish playwright and director Jim Sheridan.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/625"&gt;1966 Cork Film Festival programme&lt;/a&gt;</text>
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