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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of a dinner, or lunch, party attended by Barbara Vance who is the only guest identified at the back of the photo. The thirteen guests, all of whom are smiling for the camera, sit on either side of a long table with the Fianna Fáil politician, Gus Healy, seated at its head. The wooden table is adorned with candlesticks and the guests are having soup and a roll served on patterned tableware.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The identified guest, Barbara Vance, was the wife of Douglas Vance, the manager of the Metropole Hotel located on MacCurtain Street, Cork. The Metropole was designed by the architect Arthur Hill and was opened in 1897. The hotel was originally run by Jimmy Musgrave, after whom Musgrave (now Irish Independent) Park was named for his dedication to Rugby. Until the mid-1950s it was known as Ireland's finest 'dry hotel' because the owners, the Musgraves, believed alcohol should not be served; the ban was lifted in 1956 at the behest of the manager Douglas Vance - just in time for the first Cork film festival. &lt;br /&gt;&lt;br /&gt;The hotel occupied the upper floors of the building with the ground floor and basement let out for retail. Two shops on either side of the entrance included the famous Turkish Delight sweet shop &lt;em&gt;Hadji Bey &lt;/em&gt;run by Harutan Batmazian who came to Cork from Armenia in 1903. &lt;em&gt;Lawson's Outfitters &lt;/em&gt;occupied the other unit and the name can still be seen on the hotel's façade today. Edward VII supposedly took high tea on the roof of the hotel when he visited Cork in 1903 for the Great Exhibition of Cork. Douglas Vance took over the running of Metropole Hotel in 1944 and made headlines around the world when he refused a request from the English actor Dawn Addams for a bath to be filled with milk, noting that the Cork people would be appalled since they found it hard to make ends meet at the time. (&lt;em&gt;Irish Examiner&lt;/em&gt;, 25.04.2017.)</text>
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                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the Lord Mayor Pat Kerrigan making a presentation to the composer Bernard Geary in the company of festival Chairman Donal Lehane, festival director Dermot Breen, and the tenor Kevin Owens. The Lord Mayor, wearing the chain of office, is turned towards Geary, in a three-piece tweed suit, holding what seems to be a programme or image for the festival-commissioned &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt;. The 1973 film festival programme notes that Geary composed and conducted the &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt; that year. The mass was first performed at the Church of St. Francis, in Cork, with Kevin Owens as a soloist and the Cork Film International Children’s Choir. &lt;br /&gt;&lt;br /&gt;Owens, standing in the middle of this photo looking towards the Mayor, was a well-known radio performer with radio programmes including &lt;em&gt;Melody from Munster&lt;/em&gt;, &lt;em&gt;Songs of the Night&lt;/em&gt;, and &lt;em&gt;Music of the Nation&lt;/em&gt;. He worked with Bernard Geary and gained success with his solo performance in Geary’s &lt;em&gt;Mass of Saint Finbarr&lt;/em&gt; on the Aisling record label.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a cast bronze crescent-shaped award in gold and green hues. The base, measuring 17.5cm x 8cm, is engraved: &lt;em&gt;Winner Best Black &amp;amp; White Short Film, Murphy's 43rd Cork Film Festival 1998&lt;/em&gt;. The back of the base is signed with the initial 'B' - the signature of the contemporary Irish sculptor Sandra Bell.</text>
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                <text>©Sandra Bell. All rights reserved. Please credit Cork International Film Festival &amp;amp; provide a link back to this site.</text>
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Billy Newman worked as a films officer for the festival since its inception in 1956. He was responsible for the logistics of film distribution from other festivals to Cork and would personally deliver and retrieve the film reels from the various venues around Cork. The films would be viewed by the festival jury in a studio situated over Paddy Barry’s pub (now Gallagher’s) on the corner of Bridge Street and McCurtain Street. Once the festival was over it was Newman’s job to send the film reels onto their next film festival destination.  In the early days most of the organisers of the festival were amateurs and Billy Newman would use a week of his yearly holiday to work for the festival on a voluntary basis. &#13;
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This picture is of interest too because of the film reel itself. Thomas Edison is often credited with making the first camera in the 1890s and film reel was invented alongside the advent of motion-picture cameras. It is traditional to discuss the length of films in terms of ‘reels’ with each reel designed to hold 35-millimeter motion-picture film running approximately 1,000 feet which translates as approximately 11 minutes for sound film. The job of the projectionist was to ensure the smooth transition of a reel-to-reel changeover. The advent of a 'two-reeler' gave the projectionist 2,000 feet of film to play with before the transition. A standard Hollywood movie entailed five 'two-reelers' until of course the advent of digitisation meant the end of conventional movie projectors and the necessity of heavy rolls of film, much like the one that Billy Newman is holding up here.</text>
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                <text>This is a black and white group photo, dated 1967, of festival director Dermot Breen standing with representatives from the Irish Tourist Board (&lt;em&gt;An Bord Fáilte&lt;/em&gt;) and the long-running American men's magazine &lt;em&gt;Esquire&lt;/em&gt;. The four guests are shown standing in a huddle smiling broadly and chatting with each other.&lt;br /&gt;&lt;br /&gt;The back of the photo identifies the guests as Kevin Dunne, general manager of North America &lt;em&gt;Bord Fáilte&lt;/em&gt;, O'Driscoll from &lt;em&gt;Bord Fáilte,&lt;/em&gt; and Mr Joseph, travel editor of &lt;em&gt;Esquire&lt;/em&gt; magazine. Interestingly, in 1962, &lt;em&gt;Esquire&lt;/em&gt; magazine named County Cork as the 'safest place in Europe' in the event of atomic war. (&lt;em&gt;Esquire&lt;/em&gt;, January 1962.)</text>
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                <text>University CollegeCork, Cork Film Festival, George Jervas Photo Studio NY </text>
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                <text>&lt;p&gt;©George Jervas Photo Studio NY. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Brendan Murphy from &lt;em&gt;Harp Lager&lt;/em&gt; with Dermot Breen</text>
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                <text>Cork Film Festival, Brendan Murphy, Harp, Dermot Breen</text>
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                <text>This black and white photo shows the festival director Dermot Breen with representatives from &lt;em&gt;Harp Ireland&lt;/em&gt;. Breen is shown shaking hands with the Harp rep while leaning over a large foil-covered harp.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Since its origin, the festival depends on the financial support of its sponsors including&lt;em&gt; Player &amp;amp; Wills (Ireland) Ltd&lt;/em&gt;, &lt;em&gt;Guinness Ireland,&lt;/em&gt; and &lt;em&gt;Irish Distillers Ltd&lt;/em&gt;. &lt;em&gt;Harp Ireland&lt;/em&gt; sponsored the festival for many years and would sponsor the popular festival club which was held at the City Hall during the 1970s before moving to the Metropole Hotel in 1980.</text>
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                <text>University College Cork, Cork Film Festival, TF Sheppard</text>
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                <text>University College Cork</text>
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                <text>1970</text>
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                <text>TF Sheppard</text>
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                <text>1970&#13;
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12867">
                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Brian Coomber in front of &lt;em&gt;The Eagle Has Landed&lt;/em&gt; poster</text>
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                <text>This is a black and white photograph marked: Brian Coomber at a festival gala screening. A bespectacled Coomber, wearing a light-coloured suit and turtle neck jumper, is shown seated at a table scattered with tableware, an ashtray, and some notes. Behind him a poster for the film &lt;em&gt;The Eagle Has Landed&lt;/em&gt; (John Sturges, 1976) is pinned to the paisley-print wallpaper. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Eagle Has Landed&lt;/em&gt; was a British war film based on the 1975 book by Jack Higgins. The cast included Michael Caine and Donald Sutherland as well as the English actor Judy Geeson in a supporting role. Geeson also came to the film festival and her image can be found in the archive. We note that this photo is dated 1972, but the correct date might be 1976 or beyond given the release date of &lt;em&gt;The Eagle Has Landed&lt;/em&gt; in 1976.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14133">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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