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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>Cork Film Festival Collection</text>
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                  <text>1956-</text>
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                  <text>1956-&#13;
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Heidelinde Weis, Bettine Le Beau and Eva-Ingeborg Scholz signing photographs at Beamish and Crawford</text>
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                <text>Cork Film Festival, Heidelinde Weis, Bettine Le Beau, Eva-Ingeborg Scholz, Beamish and Crawford</text>
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                <text>1969</text>
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TIFF&#13;
JPEG</text>
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                <text>1969&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of film actors, Heidelinde Weis, Bettine Le Beau and Eva Ingeborg-Scholz, signing autographs for the office staff of Beamish &amp;amp; Crawford Ltd during a reception for delegates attending the 13th Cork Film Festival in 1969. Weis and Le Beau are shown sitting on a bench smiling while they sign scraps of paper and autograph books for the ladies that surround them excitedly. On the right Scholz is leaning against the bench and laughing as she signs her signature. All three are dressed in the distinctive fashion of late 1960s be it a floppy hat, pearls, a bright ribbon in the hair, or a paisley-print dress. Behind them there is evident joy in the faces of the staff as they jostle around the actors seeking an autograph. &lt;br /&gt;&lt;br /&gt;The photograph identifies the location as the Beamish and Crawford brewery and, based on the wooden panelling in this picture, this might be the tudor-framed reception room of the iconic Counting House on South Main Street in Cork. The brewery was established in 1792 by William Beamish and William Crawford. It was once Ireland’s biggest brewery until overtaken by Guinness in 1833. It closed in March 2009 and its site on South Main Street, is currently being converted into student accommodation and a possible events centre. It has a special place in the cultural memory of Corkonians and former Beamish workers note that the brewery was more than just a workplace but was the very ‘heart of Cork’. (Barry Roche, 'Nazi links and the colourful history of Beamish and Crawford',&lt;em&gt; Irish Times, &lt;/em&gt;27.10.2015; Donal Ó Drisceoil and Diarmuid Ó Drisceoil, &lt;em&gt;Beamish&amp;nbsp;and Crawford: the History of an Irish Brewery&lt;/em&gt;, Collins Press, 2015)&lt;br /&gt;&lt;br /&gt;Eva-Ingeborg Scholz (1928-) was a German film and television actor known for &lt;em&gt;The Girl from the Marsh Croft&lt;/em&gt; (Gustav Ucicky, 1958), &lt;em&gt;Emil and the Detectives&lt;/em&gt; (Peter Tewksbury, 1964) and the televison show &lt;em&gt;Tatort&lt;/em&gt; (1970) for which she won a German Actors Award. &lt;br /&gt;&lt;br /&gt;The Belgian actor Bettine La Beau (1932-2015) was known for her television, film and radio appearances in the UK. In particular she would be associated with the long-running &lt;em&gt;Benny Hill Show&lt;/em&gt; (1969) from 1971 to 1972, &lt;em&gt;The Prisoner&lt;/em&gt; (1967), and &lt;em&gt;Call My Bluff&lt;/em&gt;. She had an uncredited appearance in the first James Bond film &lt;em&gt;Dr. No&lt;/em&gt; (Terence Young, 1962) and small parts in a number of films. Her radio appearances included regular appearances on the BBC World Service programme &lt;em&gt;Animal, Vegetable, Mineral?&lt;/em&gt; Her personal life is poignant as she was separated from her parents during World War II and held in two concentration camp during the Holocaust before escaping eventually to England. She would later work as a public speaker speaking about her experience of the Holocaust and authored a book &lt;em&gt;Help Yourself to Happiness&lt;/em&gt;&amp;nbsp;in 1999. &lt;br /&gt;&lt;br /&gt;The third actor in this picture is Heidelinde Weis (1940-). She is an Austrian actor whose film work around the time she came to Cork, in 1969, include &lt;em&gt;The Man Outside&lt;/em&gt; (Samuel Gallu, 1967), and &lt;em&gt;Something for Everyone&lt;/em&gt; (Harold Prince,1970). Her 1964 film directed by Michael Pfleghar, &lt;em&gt;Die Tote von Beverly Hills&lt;/em&gt; (Dead Women From Beverly Hills), was re-released in 2019 as a digitally restored HD version. It has a place in German film history for its invitation to Cannes in 1964, where it won the Palme d’Or and for taking the ‘Bambi’ award for most artistically valuable film in 1965.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>1956-&#13;
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text> Winnie Markus outside the Cork City Hall</text>
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                <text>Cork Film Festival, Winnie Markus, Gustav Ucicky, City Hall</text>
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                <text>1957</text>
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                <text>Ambrose O'Mullane</text>
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                <text>1957&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Ambrose O'Mullane </text>
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                <text>This is a black and white photo of the Czech-born German film actor Winnie Markus taken in 1957 in front of the City Hall in Cork. Wearing a light-coloured summer dress, with white kitten-heeled slip-on shoes, she rests her right hand on the chained pillar of the wooden walkway, and poses for the camera, laughing. Behind her we see the imposing limestone façade of the City Hall which is located on Albert Quay in Cork. It was rebuilt in the 1930s following its burning down by the Black and Tans and Auxiliaries, during the 'Burning of Cork' in December 1920. Above Markus we see two unidentified flags on the City Hall fluttering in the wind. &lt;br /&gt;&lt;br /&gt;Winnie Markus was born in 1921 and moved to Germany, via Prague and Vienna, when she was sixteen. She started her acting career on the stage before accepting her first film role in 1939 with &lt;em&gt;A Mother's Love&lt;/em&gt; directed by the Austrian Gustav Ucicky (1899-1961). Ucicky was probably a child of the Austrian painter Gustav Klimt; throughout his life Ucicky collected the works of his father which were later donated to the Klimt Foundation by his children. The Foundation's commitment to Klimt and his work includes the reappraisal of the cinematic oeuvre of Gustav Ucicky.</text>
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                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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